Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Great Being

The apparently uncaring
Great Being
(named God by some)

is resting unconscious
among the peas
and the snails in the side garden,

never letting the trouble
of any one person
intrude.

All those books
and churches
that say we are important
mock
this divine sleep

which tells of a faith
that all will work out
without prayer or salvation
if it is allowed to continue.

The Great Being
wishes we’d shut up

so that the silent burst
of the leaves from the soil,
the patient searches outlined
in silver among them,

can testify to the perfection
of a totality
of all things taken
as they are.

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No More Talk Of Dream

If you are an animal
at night,

you are an animal.

Because that is
unacceptable,
you call yourself as animal
a dream.

But you had fur
or scales, you were beaked
and open-mouthed
hunting then,

or you were prey.

Enter the nature
of yourself, slipping
your ties to humanity,

and say it, honoring
the truth:

I was tiger
or turtle, pelican
or slug.  I am

not always separate.
There are times when I am whole.

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Uninhabitable

Someone I know
always says
“the darkness is habitable.”

I don’t think we know
the same darkness,
or at least

his monsters
must be more tamable
than mine. 

My monsters
say that they love me,
but I think this is a statement

that is more like
my own lip smacking
at a good menu.

There are nights
when I can smell
the hunger, others

when I can feel
the teeth.  There are nights
when I feel masticated.

I think my friend’s darkness
is full of monsters
he doesn’t know.  He assumes

any of them might
turn from predator
to pal if he welcomes them.

He might be right.
When I try to see beyond
my circle of weak firelight,

I know everyone who’s waiting there.
They whisper, “Remember that time
when you…you know…and you liked it?

You wouldn’t tell a soul how much
it jazzed you, but we know.”  They
rip at the fringe of the shadow

with sweeping arms, as much
welcome as threat. I know
my darkness is terrible and

full of monsters, that no one
could possibly live there,
because if pressed, I could.

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Upcoming Shows for The Duende Project

If you’re in RI, Worcester MA, or central CT during the month of June, you’ve got some opportunities to see The Duende Project in performance.

Check out the “Show Schedules” tab on the top of the page, or head directly over to our Reverbnation site.

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Love

Energy stored
in a chest
is nothing at first sight,
practically invisible.

Then we call the chest
a “battery.”

It becomes
worthy,
we seek connection.

We are batteries
in series
channeling the energy
held in our chests.

We charge the night.

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Dilemma

I wish I was a rocket
opening the next frontier.

Wish I was oil
conquering the ocean.

If I were to become a microchip
I’d be inserted under perfect skin
and ride there tracking the travels
of flawlessness.

Wish I had
superpowers — how could I not
considering the way they’re drawn?

Maybe I could take on
the anima of a tiger
and slink my power
through forests seeking
to change lives.

Longing to have some effect
leads me away from wanting to be
human.

If I could talk to animals
would they tell me
they wanted to be me?

If I could be a rocket
or a computer, if I could
ride the waves as oil,
would I feel my being?

I desire technology
or shamanism
for myself, want to erase
the big old man I am
who can’t make anything happen.

Would I still care
that things were changing
around me and because of me
then?

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John The Bastard Prays As Night Falls

All in now,
admitting

to being a big bad
boomer with a
bawdy voice,

callout captain,
dwelling dimmer,
electric eel tongue
flung free,
gagging on the gape
of my own mouth…

sharp and flat
applied as necessary…

They didn’t give me
this name for nothing —

bastard.
Bastard!

I didn’t know my father,
my mother never knew me,
so I’ve made myself up as I went along —
music to my own ears,
note on my note,
strung up and burning open or closed,
roar of child fantasy of power in my vein,

you’d better hope I never come into my own
interrupted passions
and longing —

my head rolling off my shoulders,
my body caked with sweat and dirt like fur,
no longer quite human but geographic,
my own country, my own continent,

and pray that you don’t live here when that happens…

for I’m hungry,
I sing my hunger,

and you look like nothing but a meal.

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John The Bastard Considers His Lunch Options

What I most desire

is the meat of a lion
and a fork smeared with hemlock
to spear it with,

to raise courage
and a hint of poison
to my lips
at once.

But with what shall I wash it down?

There is currently
the juice of an artist’s suicide
in my cup.

If I want that certainty,
I am a fool —
and I am no fool.

There is water,
but I don’t want water.
There is beer,
but I don’t want beer.

Perhaps I shall choke down the meal
with no drink at all,
feel it roughen my throat
and sicken me slightly
even as I grow strong
and brave.

Perhaps the lion
died feelingthat way,
the spear that killed him
erupting through his middle
even as he turned to fight
that which had hunted him
even as he hunted,

becoming (even as he ceased)
fully
lion.

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John The Bastard Wonders What It Means To Be Awake

I would not call this being awake.

I can see the trash on the curb where I stacked it last night,
the fanblades are coating me in hot but moving air,
I’m hungry, the coffee came out pretty decent for once,
but I’m still not sure anyone would say
this is waking life

for I’m not yet free of last night’s dreams,
or even the ones from the day before;
I still feel the laughter of the circle of flashing men,
hear the vulgar songs, the blade of the guillotine
whistling down along its path of rough wood.
The silver warrior birds and the dolls with cracked faces
may not be visible, but I feel them in the room.

If this is being awake,
conscious
in this world and of this world,

I will return to sleep at once
and face what waits there,
get it truly over with

or learn that world
and live there.

Something must happen soon
to hook me into the present,

or I will not leave the shadows
today.

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Memorial Day

It’s Memorial Day
and I’m going
to burn meat and eat it.

I know it’s a day
for the war dead.
That’s all I know about it.

I don’t know why
some of them had to die.
Neither did they, not all of them.

There are old men somewhere
who have all the clues.
Some signed the orders

that killed some of the dead.
Some had good reasons, some did not.
Some of the old ones (and some young ones too)

watched their friends die
and I’m sure they understand this
better than I:

sometimes people
have to die.  Sometimes
there’s a compelling reason.

Sometimes people fight over
compelling reasons.  The ones
who sign the orders get to decide.

I don’t know why
it’s come to be a custom
that we burn meat on this day to recall

all those who’ve died.  Don’t know
the compelling reasons for that,
but mine not to question why.

All those dead are dead —
no matter why. The smoke
that lifts from backyards everywhere

might be the right thing to see today
along with fireworks, parades,
uniforms and beer.  Maybe it makes sense

to burn meat on such a day.
Maybe it’s fitting.  I don’t know,
but at least I’m thinking about it.

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Monkeys

People
who want to change the world
but can’t change
a diaper
a flat tire
or their underwear

have my grudging respect

for being unskilled
but still willing to dream

The daily
isn’t going to go away
because we ignore it

but it takes a special sort of monkey
to believe
that enough of them gathered together
will make a masterpiece

After all
it has happened a few times before

and there are always people to pick up
what they’ve let fall

right?

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Tiro De Cuerda

Tiro de cuerda

Spanish for the perfect tension
of a guitar string,
the strain that lets it
cry.

Over time, tuning and
retuning to that pitch
will weaken the string.

I have more than once
sat in an audience
and seen a player, rock god
or flamenco acolyte, snap one
and keep playing, finding
a new course among those
remaining;
but have never heard
a recording that included
that sound —

why?  Are we not most thrilled
when we can hear
death cheated
in any language,

even one we cannot pronounce?

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A Master Of All You Desire

I made beautiful things
and they fell apart
like so much overcooked food,
crumbling into fibers and mush
as I set them before you;

so I made harder, uglier things
and they curdled into leather
and hard wood, making them
impossible to chew,
and you turned away.

Then I made an effort to balance
the beauty and the ugly
and couldn’t get it right.
You looked at me perplexed
and said, “It’s…interesting…”

Now I simply order out
and provide the plates.
You seem happy.  You seem
to like this better.  It strikes me
that I’m unnecessary now

and that nourishment for you
is impersonal, unrelated
to me and my attempts
to be a master of all you desire.
I am trying to consider this a blessing.

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Fear Of A Brown Planet

Noah invited no insect pests onto the ark, but they came anyway;
flies and roaches, gnats and ants, covering every square cubit
in a seething, confident carpet of stubborn, resilient brown.

The buffalo, once endangered, now have grown so numerous in spots
that they are leaving Yosemite to roam their old prairies, leading to calls
to thin them out by gunning down some of that mass of stubborn, resilient brown.

In the Gulf of Mexico, frightened men drop chemicals and lower booms
against the torrent pouring from the depths, a torrent they once sought to own.
Everything is futile.  They stare in despair at the mass of stubborn, resilient brown.

In Phoenix, water pours from sprinklers into the dry soil
and now the desert is held at bay by lawns of green and golf courses;
but let the effort lapse just a bit and soon will come the stubborn, resilient brown.

South of the city, along a border that men have made, soldiers stand
in camouflage and stare south into that shimmering oven, guarding against
the surging numbers moving north — the always present, stubborn, resilient brown.

People here sit and wait in houses of white and gray for their dread to subside.
They do not dare to say what seems obvious — that what they are most afraid of
is that their pastel world is changing back to a stubborn, resilient brown.

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Bellwether

I have the same weak fascination
with the popularity
of movies about vampires,
zombies, superheroes,
aliens, and werewolves
that I do with the sound
of the bell around
a lead sheep’s neck:

it allows me to keep my distance
and still be aware
of the flock’s path;

it is founded in a desire to keep abreast
of where they’re all going
and how they feed;

it is an obsession
to understand why
the rest of the herd follows that bell
without question;

and sadly enough
it is barely interesting enough
to make me stir
unless nothing else is happening
nearby.

It connects me, however tenuously,
with a stream of people
I barely understand
at all.

There’s nothing more unsettling
than the feeling
of disconnection, not even
the potential that all that meat on the hoof
is fodder for some creature
yet unknown to any science I believe in,

something undead or transformed
or extraterrestrial, something
that is a more appropriate
agent of destiny

than the probable lonely doom
I face myself as a scoffer at fads
who yet maintains an atavistic need
to believe as the sheep do
that the path leads somewhere
and that myth
is critical to the journey
no matter how glossy or obvious
it appears.

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