in a brand new episode
of television’s latest show
about picking through visions
abandoned by the newly strapped

a pair of businessmen purchase
a half-restored Harley-Davidson
with a Wild One era frame
and a brand new engine

if you want to talk America
you can’t go wrong
waxing lyrical over an old softail
coupled to something sleek
and easy to tweak
that was left for the vultures to pick

the whole affair’s broadcast
for your amusement
to buffer your worry

onward then
with your own dreams
of a highway
laid out before you
all yours
after your own big score

I am occupying
your empty house
on your city’s south side

I am occupying
the seashell collection
you left behind

Occupying the mold
that’s creeping over
the saturated walls
the photo albums
from the ski trip and
the junior prom

I am occupying
the leftovers
of the feast

Occupying the soggy lawn
that was overgrown
before winter
and is now pressed flat
from the weight of snow

I am occupying
the weight of emptiness
that moved in when you left
and the footsteps you left behind

I am occupied
with the state of mind of those
who moved you out

I am occupied
with their justification
through seven deadly sins
seven cardinal virtues
seven Roman candles
seven seals and seven stars
a percentage of the gross profits
a fraction of fractionalized effort
the portion rendered
unto Caesar
and the remnant offered
unto God
by the purple robed emissaries
of the King
and all of these are empty
as all the ruined houses
that were once homes

I am occupying the Everywhere
of the New Battleground
Staring into the orange eye
of Monolith
as it claims
it is anything but
Monolith

If I am rejected
forced out or sold out
pushed to the margins
there are always
the foundation cracks
to be occupied
pushed upon
frozen open with water
and blood

made into chasms
wide enough for you
to shelter in
as Monolith
shatters

You’ve been proclaimed
one of that ilk,
the Big Ilk. The sucklers
of The Even Bigger Ilk’s
poison milk who then
soak smaller ilk
with whatever stings.

You’re in all the pictures now.
You’re in all the pictures
you weren’t even alive
to be in. 

In fact,
no one knows what you were thinking
when you walked
against the talk
with the bottle in your hand
as casually as you might at home,

fogging your hedge against wasps.

You’re of that ilk now —
the ones who walk
the talk, even if it’s not
their talk.  Even if
you had a smidge
of heart for the ones
you soaked.

I imagine you at home
not watching the news.
Maybe you take a walk.
Maybe you talk
to the neighbors.  Maybe
they clap you on the back.
Maybe they stand back. 

Maybe you go home
and sit for a while
not talking.  Maybe
you’re just fine, maybe
your eyes well up.

In the pictures
you’re so 
matter-of-fact. So
just do it, so
army of one, so
thin blue line —
maybe at home
you’re someone else,
but you’ll forever be
one of that ilk
in the pictures.

I picture this —
a walk where you don’t
fire, their talk
ignored. No ire
and thus no pictures.
No knowledge, even,
of your name. 

Maybe that’s
what you think about too
while you’re sitting in the dark.

Everything currently going on
has always been going on

What happens on the Silk Road
has never stayed on the Silk Road

What happened on Potosi
is still happening on Potosi and in Boston

and East Willowdale and Basra too
What happens is always happening everywhere

There’s never been a deus ex machina
that didn’t have a machinist behind it

Everything going on right now
has always been going on

There have always been 
palaces and shackles

There has always been
a remembered/imagined wilderness

as a source for cautionary taletelling
Everything is the moment as always

No wars fought for untested reasons
No poverty not impressed from above

Everything going on is always going on
Every moment a syllable of a common language

All that’s new is that we can see it all now
as one moment

which is why it’s so hard to see it
as one moment — we have no practice in that

and it’s why we’re sitting relatively still
and quiet as the moment surges along

observing the entire Flood at once
and hoping we maintain our sanity

The revolution proceeds
in sunlight
and morning cold.

Its exhaled cloud
is rising freely while mine,
condensing indoors, costs me dearly.

I’d consider losing 
more than a few coins
and heartbeats

for the wherewithal
to get out there
into the open air

where the action is.
But instead I’m here
because I have to be.

I tell myself if I can hold my breath a while,
something will change;
the bills will shrink, the accounts

will swell.  I’ll get out
from under the weight of 
hermitage and shackles.

But that’s just more
wasted breath.  A revolution
underway, and despite the slogans

I’m not a part of it, of them;
I’ve got a feeling
I never will be. So I exhale

and bend back to the tasks
at hand, the minute torture
of getting by,

wishing the revolution’s air
would sweep in
and clear this stale room.

Clench your hand hard enough
that blood
leaches into
the finger tips,
leaving them
taut and red.
Simple survival is in your grasp —
how hard can you hold on to that,
and for how long?
There’s no actual cliff here
for you, no tenuous
but obvious ledge
on which to cling,
from which to hang,
but you hang and cling
above a drop
as real as any.  The stop
at the bottom
would be as fatal.
How long
will you hang?
How long will you wait
to find out
how it feels
to land?

When this child of explosions
opens her mouth,
fences blow down.

When this child of fences
averts her eyes,
a flagpole bends.

When this child of the flagpole
sits down to dinner,
the meat burns phosphor white.

Phosphor child,
flagpole child, fence and
explosion child, offspring

of the warrior age, largely unparented by us,
fostered more by the fire and the wind,
fed on and led on and made to dance

hot and crushed, around and around —
oh, my country, ’tis of thee, sweet child,
of thee I sing.  Throw yourself

into the cold, roll till you’re quiet
and quenched — then get
as far away from us as you possibly can.

in our most remarkable moments
we should remind ourselves
that at our primal best
we know what we should do.

our bodies will take over and
we’ll run, or take tighter hold;
feed, fight or flee.
these soft and convoluted brains

want to complicate
everything
but our bodies
know better.

when we stop evolving for a second
and just are lovers or warriors
or right-acting cowards, we are
what we were grown to be

when long ago
we lived
under the
African stars.

Are we ripe enough yet
to fall from the Tree
and in dying send our hopes
ahead of where we lie?

Are we yet mad enough
to join others we have never known,
spoon with them and recognize
common ground to hold?

Are we steel enough yet
to accept that when we fall we will rust,
but it will be a slow rusting
and in the meantime we can be used to carve?

Are we sane enough yet to accept
that action leads to reaction,
that when we act we invite reaction,
and knowing that, act anyway?

Comes a revolution. We will fall.
Comes a harvest, we will be discarded
separately, left for fuel for the next crop.
Our present to be made future, our past

to be made now — are we yet ready to die
for the right to believe that a death
may be worth dying?  Are we steel-sane,
mad-ripe for that now? If we are,

we should whisper it or shout it or even
say nothing at all as we step to it.  If we are ready
then none should see fear in us — or if they do
let it be only for a moment as we ripen to the full.

Woke thrashing,
seeking something.
Science, perhaps? It makes
no sense but yes I think
science.  Sleek and solid
object of desire 
that woke me from sleep
so sloshingly full
of the clear sense
that something was missing
that I suddenly felt
an urgent, sleep-depriving
need to seek something.

So — I ended up 
awake with this 
under my fingers, 
rising into the white screen
science offers me —
and now I crave sleep
and the getting lost in it,
as what I’m doing here
begins to fatigue me
away from itself.  

You can’t win.  You can’t
get away from it —
whatever time it is
it’ll always be the time
for the Other Thing.

But I’m thankful for how
poems will come at those times,

when they slip out from in between
the worlds of sleek Science
and rough Unconsciousness,

like buzzsaws opening wood
that was never meant to be opened.

1.
Re-reading
my previous night’s
scribblings, 
sinking again
into their deranged language,
their protest against
language’s power to
derange.

I’m calmer this morning
and the sky
has unsteeled
its war-grade gray.

I remember some trivial things
that I’d intended to say,
and jot down the raw specifics  
though I don’t yet know where they go
or if they go at all. 

2.
Insisting on coherence

is the white man’s way
of dismissing 
thousands of years
of deep brown knowledge.

I know, I know.

What I really meant to say was,
“don’t look for fair and balanced here.”

What I really meant to say was,

some things you know,
some things you know better.

Some things you know so well
you can tell right away 
who will understand them
if you speak of them.

3.
I know now
where yesterday’s trivial things belong,
and they are not trivial at all,
they’re of course the whole point
of yesterday’s scribblings.

The problem,
the eternal Problem
with these sorts of things,
is that there’s no one place
they fit best.  I don’t think
I even need to write them out.

In fact,
they might be better implied
or glimpsed in the cracks,
inferred from where they’ve been 
interred.

4.
As for the inflammatory
above:

my thumb’s sore,
but I stick it out anyway
to find passage
to wherever I’m going,

as I don’t trust
that my current ride
will get me there.

St. Teflon, patron saint
of bullet dodgers.

St. Tango,
source of comfort against
blind divergent storms.

St. Bullwhip,
defender against the wealthy.

St. Lifter, overseer
of the doomed in any case.

St. Angelcake, who strokes
the heads of the raped. St. Watchfob,
who picks fruit and cleans the poisons
from the flesh.  St. Linger,
warrior with no hard weapons.
St. Rollie Of The Bones,
bringer of square deals and luck.

Call up the old saints.
You’ll find them retired and
disinclined to help.  “Not our world,”
they say.  “Not our gospel.  You need

The Blessed Version, The Sherman
On The Mount, The Irascible
Conception, a new Bible written
by scribes drunk on the manic milk
of modern circumstance.  You need

St. Rattler of the found quarter,
St. Lobster of the century reboot,
St. Jack of the feast day
of unicorn meat.
Call that the long shot gospel
and hang on. They’ll make a saint
for you,
someday,
and maybe it’ll even be in time.”