Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Philistines

Jonah on the blanket on the sidewalk
yelling at the passers-by
to look at his paintings and sculptures

calls them philistines
confident that few will know
what it means

however the biker
who just kicked his face does
or knows at least he doesn’t like hearing it

Jonah sobs 
as the biker picks up a painting
from the blanket

loudly admires its composition
tosses a greasy twenty at Jonah
exits laughing

Jonah wipes
his mouth
with the bill

straightens the blanket
and his wares
goes back to work

keeping an eye out
for more bikers
(just in case)

 


Upon Entering Into The Disco Some Call Heaven

Tell me
for the love of this song
what’s this floor
we are dancing on
I thought
when I stepped into the room
it might
be a trap and I’d be falling 
through to
the basement or worse
but it’s solid
and the music makes it more so 

Tell me
for the love of this night
what the clock
is trying to say
I thought
when I took off my watch
it would
stop the night from advancing
but now
I suspect dawn’s found us
and the night
is a lamb waiting to be slain

Tell me
for the love of my love
what mister
she is trying on now
I thought
when I turned my back
she would
by her very nature follow me
but now
she’s dancing with everyone
and everyone
looks happier than me

Tell me
for the love of my name
what man
I am supposed to be now
I thought
when I got here
it all would
clear up the last questions
but now
I am forgetting eveything
and everything
looks like something I’d long ago forgotten


Envy Or Worship

When presented with evidence
of an apparently effortless genius
at your chosen expertise
often you see it and fall
to your figurative knees
with what is either scream
or prayer caught
in your throat

Though you know in fact
there’s hard work behind it
you can’t see it and 
you unworthy fall to 
a state of worship and
envy

Pyramids for tens of centuries
have done this to us too
We argue about what it took
Some talk of magic or space
Others of physics and slaves
In truth we only ever
think we understand
and any view of them at all
raises mostly awe we can’t contain

Coming across a talent you can’t fathom
(as if you’d come across a pyramid
balanced on its broken tip) leads you
to supplicate and call at least within
from anger or envy upon
Deity, Nature
or Nurture
Magic
or Muse
a plea as to 
why it was not 
why it is not 
why not
you

 


Poem For Yomo Toro

Thanks for that ignorance
which led me to pick up the cuatro
that first time in the music store, to put it back on its rack
still knowing nothing of it.

Thanks for that luck which soon led me
to a concert where I saw it played
by its master Yomo Toro, for that stroke
of light and awe that laid me down.

Thanks for the day in Lowell
where I met a luthier who made such things,
who cut them from living trees in the old style
and who played one of his own for me.

Thanks for the surprise of Yomo Toro,
again, appearing before me at a free concert
at the local Latin Festival, once again 
allowing me to bathe in not-knowing’s joy.

Thanks, then, for what happened 
when I heard he was ill, was dying.
Thanks, then, for what drove me
to the local music store that day

to find one, to play one, to know
nothing and play one, to find a song
upon it had gotten stuck to my fingers
and was demanding I take it home

so the song could come forth and breathe.
Thanks for the payday that made it happen.
Thanks for the heat of the day
that made me rush home to play.

So good to be a beginner again.  Good to lay my pen and poems aside,
to leave the guitar in the rut we’ve made for each other,
to stretch and wiggle out the agony in my fretting hand,
to have no clue where I’m going from here with this.

Thanks for how my hands now hurt.  Thanks
for this ignorance and this unclear path
to mastery, again.  Thanks for the untutored
music I have made today — and

thanks above all for Yomo Toro, a fat man in a straw hat
dying somewhere in the Bronx, two hundred miles
from here, who does not and will never know me
and my clumsy songs, but who brought them surely into the world.

  


New Duende Project Album up!

The Duende Project:  One Thing That Scares You

We have just released our fourth album — a live recording of twelve brand new tracks.    The title derives from our motto in peformance — “Always do one thing that scares you.”  That night, we did a lot of scary things…

It’s only 7 bucks, with the option to pay more if you like.  All tracks can be downloaded as any format you like.  And Bandcamp as a site is great to artists, so that’s something to consider.

I don’t often plug Duende Project stuff and shows here…but I’m proud of what Steve and I did on this.  Would appreciate it if you took a look and considered a purchase, even if it’s just one track.

Thanks! 


People Of People Of Walmart

Man, you wanna know
what’s wrong?
She’s gone and I’m
just figuring out I
was in love with her,
I swear —

Krystle,
Krystle was a cashier
at
the Walmart, 
at the Walmart
on 16, out by the new 
Ford dealership,
the one that used to be
farther out on 16 but
moved closer to town — 
yes, that one  — anyway
Krystle,

Krystle,

Krystle — 

listen, man,
stop laughing,
stop laugh-interrupting me, people
got to eat, got to work, and yeah
I’ve seen the damn website —

what you’re saying by laughing is
that you hate the people there
along with the store —

listen,
Krystle
was a friend from high school 
and I was in love with her all these years
and I just figured it out
and she just died.

I can’t tell her as something
she wasn’t.  Maybe —

no.
Man, I don’t even fucking know 
you.  
Don’t want to.
Go.

 


Artists

they all step away
from recent effort
saying “isn’t that the greatest thing”

a portion
then look back and say
“isn’t that the worst thing ever”

even fewer 
say “hmmm…”
and get back to work on it

how few indeed of that last fragment
look at it when they’ve finished
say “it IS the greatest thing”

and then discard it
knowing that to have perfected it
is to have reached a dead end

those few drunk on growth
are the ones whose feet
I bend to kiss

 


Meditation On God

Sourdough,
good ham,
codeine.
 
A sandwich,
a sip or two…
tang on tongue;
then, relief in head.

Hanging 
in a hammock, at rest,
reluctant
to let go all my awareness
and slip under the
surface, but
I say it’s time
and vanish into
flavor, music,
thought, 
worship.

Yes,
worship:
why do you care how I get to my God?
How is my path more false than yours? 
I also break bread, sip syrup, am redeemed.
The only difference
is in the distance
to my Paradise.

 


Missing

Today
more than one
person (dog, cat, bird)
will leave home and
not return.  

Tomorrow,
more than one husband or wife (or lover,
mother, father, or owner) will sit
nervously on a couch, twisting its hands
in its lap, turning them over and over
in a motion not unlike that of
a kitten tumbling with a ball of yarn
in happy ignorance of how the world
kills and takes away casually, every day,

as if it were nothing —
and it is nothing,
but do not speak of that
to the nervous ones.

Today, tomorrow, or
on the day after some number
of the missing will return, and joy
and recriminations will begin,
or joy alone,
or recriminations alone, 

and some will grieve and among them
will be some of the returned
people, dogs, cats, birds
who only wanted a moment apart;

and there will be some who will not come back,
not at all,
not ever, 
because some of them will have no doubt died

while others will have stretched their moment apart
into new lives far from former lovers, spouses,
parents, or other owners.

It will be impossible for the ones left behind
to tell the difference,
impossible to explain it’s not a certain tragedy
for all concerned,
impossible to recall that the words 
“happy ignorance”
existed right up to the moment
the person 
(dog, cat, bird)
slipped away.

 


Robot/Poet

A factory robot
living under the nail
of my right index finger,

that’s what that itch is, 
that mechanical call
to work on a poem for the sake
of automation, for the sake
of output, for the sake of 
stage time.

One of those
Fifties movie robots alive and 
spring-armed in the center
of my chest,

that’s what 
this desire to be a poet is, 
a longing with clumsy brilliance,
stymied sometimes into silence
when it neither understands
human emotion nor gives it room.

The robots of my poetry are failing — 

what’s the only thing you have left
when the factory robot in your hand shuts down
the assembly line and insists on retooling,
when the movie robot in your chest admits
it’s a short guy in a clumsy costume?

I don’t know what you call that, or me.

I seem to know a thing or two,
can get meals and drive and function
without thinking of poetry.
Seems happy, uninterested
in robots or drive or prosody or
even ambition.  

I don’t know this well enough
to think much of it.
When no one is looking or listening,
I stare at it as if we were not the same body.

I have caught it rhyming, smiling, 
tapping a rhythm while listening to
neighbors speaking, laughing.
I can’t hear gears or hydraulics
in anything it says.  
Is anything in here still a poet?

 


Big Joe Turner

Big Joe Turner
could palm a jump blues
like an egg,

handle it rough
but always
without breaking it. 

Listening right now 
to the opening piano ripple
of “Shake Rattle And Roll”

and Big Joe Long Dead
still smites with the soft club
of his voice.

Big Joe I Wish To Have Seen You
Just Once, this is how it must have been
back then:

discovery followed by imitation.
I think I sound good, as good
as you.

The shell fragments on my hands
and the sticky yolk say no.
The heart of me says no too.

Big Joe Turner,
they are starting to forget you
and all your kiss curled imitators too

but Big Joe Turner,
thanks for the musical ache in my bones
that won’t heal no matter what they do or do not do.

 


What We Used To Call The Generation Gap Is Somewhat More Abyssal These Days

I am boredom, drugs
and virtual killing.  
Maybe, occasionally,
I toss in
boning for shits
and giggles.  

At least, that’s
the impression
I think I give off —

but I have so much love to give
I’m certain I work at odds to my needs,
and maybe I’m another altogether?
Not that it matters —

you’ll be dead soon and with either bad or good luck
so will I, if we can’t get past what you did
to the planet.  Fuck you, I say,

and this time you deserve that,
all of that.

 


Poser

the black cat and I
are sitting up late,
watching heavy metal videos.

we’ve seen a few black cats on screen.  
not many, and all were yowl-faced and claws out.
my companion seems completely unimpressed.

for tonight at least
I’m in love with hair band guitars,
with fast necks and eldritch angled bodies.

I’m in love with the moody faces of the balladeers,
the near-machismo of their eyeliner — everything
about the music, in fact, except for the music itself. 

I think the cat feels about the same
as she leaves for the kitchen to seek food
just before I do.

kitty seems disinclined to be heavy metal angry
as she rubs against my legs, snaking between them
like a wisp of dry ice fog.  I open the fridge.

ain’t no demons in there I can’t gobble up
but just for fun I brandish a stick of string cheese
like a microphone, tilt my head back,

mime a scream.  the cat waits patiently
for me to get over myself.  “if you think that’s
gonna happen any time soon,” I tell her,

“you got another thing coming.” I throw
a split in the middle of the kitchen for good measure,
and surprise myself by not injuring anything this time.

 


Walls

Wishing that the room
had more than four walls —
indeed, I wish it had walls at all — 

what?  If there are no walls
how is the door staying up and open?
How is it I can’t see the house next door?
How does the whole world exist at all
if there are no barriers?  

Oh, there are walls — trust me on this.
I know my lies when I see them.
This is why
I scream metaphorically, if at all,
about the trap I’m in —

it’s my making
that makes it so, that makes it
look open and inviting when in fact
it is nothing but.  This world is all
about walls — I put them there and
pretend they aren’t there while knowing
they are there and so we merrily
roll in circles, avoiding the walls
that aren’t there but are there,

thinking about the pictures hanging on them,
ooohing and ahhhhing over them,
occasionally pretending we are free to go.

 


Inventory

Hair, shot with gray.
Cut, less than good;
at least the scalp’s not flaking
with the new shampoo.

Face,
starting to furrow, starting to line,
starting to bag and sag in wrong places
and much fuller than it was, much
rounder.

Beard, uneven,
post-trendy, stubbornly
present for thirty years in this form —
the only thing the same from when I was,
arguably, at my peak of flavor.

Neck, undistinguished.
(In fact, let us use that word
as a whole body descriptor,
let us say that as a whole
I am undistiguished except as
noted.)  Shoulders the same.
Here and there a skin tag
which some claim
is proof of heart disease
as if shape and diet were not clues
enough — I assume I have
heart disease, it is one of the few things
I am sure of and as such it makes me
undistinguished as an overweight American
male.

Chest, furry.  Bigger tits
than I should have.  Currently,
I have some great and knifing pains
in my right upper chest, strong enough
to take away my breath, pains that slice
from front to back, from nipple to blade.
Right side argues against heart attack;
I go instead with pulled muscle, or strain
from sleeping wrong; part of me
hopes I’m wrong as it will add to the value
of this poem in my Body Of Work
if I die after writing this — don’t you agree?

Arms, undistinguished. Hands
weirdly lined, a palmist’s wet dream;
joints just recently stiff in the morning.

My eyes suck, barely catching light;
I gotta shout out my ears instead.
My ears support my hands in what they do —
writing, playing music, meddling
in others’ opinions and business.

I don’t know it happened,
but I have a voice that is far better
than undistinguished.

Brain?  Can’t we just
let the soup and stew up there
do for themselves?
Perhaps that can be
for another day?  It’s not
a chemistry to admire,
to emulate
or strive for.  It’s not like
I haven’t got enough documentation
already on that — look at the bottom shelf,
all those books I’ve written, all those
piles of poetry, all those lines.
There must be formulas somewhere.

Gut,
prodigious, not at all
undistinguished but in fact
a salient and unmistakable feature;
all in all, these days the most memorable
feature.   Bullet hole scars all over it
from surgeries, not injuries.  I have not
been well, not at all, not for a while.

Genitals?  Yes,
I have a partial set, a half empty
glass.  I will explain the next time
I’m drunk, if I remember, if
I’m in the mood, if you earn
the right to hear it,
if I want to.
What’s here works,
surprisingly.

Ass?  Undistinguished.

Thighs and knees and shins?
Chickenesque.
Feet?  Cracked
and horned and rimmed with callus;
they are
undistinguished if craggy.

All in all, not horror show,
not Chippendale’s.
Not at all the worst,
not at all the best; mostly
indistinguishable
from tens of millions of fat older men.

So asking me how I feel ought to be
superfluous…
I hope you are listening…

I feel insulted by the dumb young
even as I am exalted by myself.

Think of a slice of heaven
as you would like heaven to be.
I’m that.
For me, it is a dark bliss bubbling over, a pot
of warm molasses, a scrap on the stove
I forgot to clean or put away…
don’t you see how vain I still am?
In this I am indistinguishable from all others.

This body is being forgotten
by those too pleased with being young to understand
how an old body makes richer music.
They may think it plays like a poor heart song —
no.  Every mad note of it, scoffers,

every mad note
is still remarkable.