Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Post American Song (revised)

I don’t care how I may die
Don’t care if it’s from gun or blade or germ
Don’t suffer from the madness of believing in immortality
Don’t want it to happen too soon
But I know it will happen and accept it

I wish you could see it as I do
Wave of the star enveloping you, sick as you are
Wave of the earth encompassing you, wounded as you are
Wave of the wind embracing you, struck down as you are
The next instant it must be — not like this
All I want to know about that moment I cannot know in life

I sit here speaking of death with intense fingers tapping
Oh the damn notion of having to wait
You wait as you will
but I will be calm and resigned to it
Will call for it to be delivered unto me

How we die is trivia
Every death I see now is trivial
Every individual an inconsequential body gone
Except as wave of earthquake to those who love them
I am the broken acolyte of continuance
Death ate me out a long time ago

So neither do I care how any of us live
Live and let live is here practiced
as apathy not compassion
Does it look the same when it’s not about love
but instead about disinterest

AMERICA is the hall of just in time history
AMERICA is the holler the chorus the cadence
AMERICA is the fear of the gun in the hand of —
what is it today anyway
Indian over cowboy
Prisoner over soldier
Peon over boss 

Vigilante songs ring in the heart
of every American
but I think the truth is that 
we really don’t care how others die 
as long as the lettuce stays crisp 


Open Stage Wednesdays At Eight All Welcome

Mike’s banging the strings right now
and certainly getting some original noises
out of that ancient, worn out,
catalog-origin, shitbox
frail-necked banjo.

Many marvelous errors are being made
while his hands walk toward
the transcendental possibilty
of the greatest song ever, 
and thus we are at
his mercy, at the edge
of awful and awesome
which by all accounts
is where we ought to be tonight:
wrong or almost wrong, often;
but focused entirely upon those moments
when someone pushes beyond the
best possible rightness.  

Mike may not get there tonight or ever
but we can see it from here
every time he plays with his eyes closed
and the odd chord falls off the banjo
into the room as perfectly as a little bird
spotted singing in a bush on a river bank
in the moonlight of our grandparents’ courting
long, long ago.

 

 


Not A Poem For The Golden Age

Here is a thing
that is not a poem, not a song.

Call it a jeremiad
or a crazy man’s despair;

dismiss it as you will, it’s just as well
you don’t go mad along with the writer.

But it needs to be said: there are golden people, 
there have always been golden people

who have allowed you
to see their gold, if not its source,

and the light around it creates the illusion 
that you might join them if only you can get yours.

They’ve convinced you that someone is keeping you from it, 
because the notion of “enough for all” 

isn’t useful to those interested
in consolidating the power they’ve taken from you.

The golden people believe it’s in their best interest
to make you hate someone else for robbing you.

Your battling each other is their best defense 
against your sudden awakening to the truth.

You don’t need a conspiracy theory
to explain this — just look around.

Some have, some have not.
Those who have, keep;

those who do not have
do not know they likely never will.

Occasionally (to maintain the fiction)
someone who doesn’t have will be allowed a taste —

all it takes is a lottery number, a great throwing arm,
a singing voice that pleases the greatest number of you.

They know just how to market it
to let you think you can get some too — 

hard work, they say, hard work
will do it and anyone can rise;

but it’s not anyone who rises.
It’s those allowed to rise who do,

and those allowed to rise learn how to keep
the little they’re allowed to keep.

Meanwhile you think yourself peaceful,
when the tooth and nail are in fact your daily bread.

Your job is made to leave you jealous and striving.
Your leisure is a stunted ration of your small time here

and when you come home to cradle that son or daughter,
you whisper that it will be better for them —

but it likely will not be,
because all that gold

will blind them as swiftly
as it blinded you.

Everyone thinks they’ll be rich someday.
Everyone thinks it’ll be better someday

even as the oil runs out, 
as the seas lift from their beds,

as the bridges fall sooner rather than later,
as the whirlwind is twirling a noose over our necks.

Some of you still think love
will make it better,

but when the poorest of you
have more than most of the world

and you still call yourself poor
in the face of all that misery,

you are going to be fooled again and again
into believing that love will win.

Love cannot win
in the long sunset of this age.

We have exhausted ourselves,
and love is nothing more than a gesture now.

You’ll still sit back and say it was better once.
You’ll imagine a time when love was enough.

But love has never been enough
to conquer this illness; 

what’s always been needed
is a terrifying justice. 

Gaia is preparing
terrifying justice — 

the swiping of her mighty hand across us,
as if we were (and we are)

gnats full of blood
who cannot rouse themselves to fly.

If you want a golden age,
get rid of the gold before you.

Ahead of that sweeping hand,
you will have to learn to fly for your life,

and land in something new.
It will not be called America.

If when you land you want to try love,
then by all means try it — 

but do not expect it to grow in this soil
so full of gold, and blood, and lies;

not without
a cleansing fire.


Still Life With Cat, Bat, Guitar, And Stains

A dirty quilt,
a darting cat.
A left handed Gibson,
a taped up baseball bat.

It takes nothing
to give you an impression
of a place.  

Open blind,
sagging old and shattered
in one grimy window
with dead flies and wasps
lined up
in the dust
on the sill.

You are already
making up a story:
what comes next?

Chocolate stains
on his T-shirt.  Salt
and pepper hair on his head.
He is calling the cat
with an open can
of high end pet food
held out at arm’s length
and she’s coming to see.

All your focus is on
what comes next and
what comes after that —

He puts the can down
and she goes in full face first.
He walks away, out of sight,
perhaps to change and dress
for work or something —
he’s certainly old enough
to not be working anymore.
Maybe he’ll change into work clothes
and start to clean the windows,
play the guitar,
beat the cat
with the taped up bat?

Or maybe nothing 
comes after that.  Maybe
you start to deal with stasis,
maybe you stay with it

hoping for a story, you
become the story, or 
maybe you and your anticipations
and your need to drive events
have been the story all along,
and now you have a chance
to learn how to let things be.

 


The Room

Spiral painting
on one wall,
another on another.
Bet I can find another
with luck and a little peek
inside my chest.
It’s not prophecy
to say that —

I know how
entropy
works. I know art 
in a room can’t stop it.
I know art in fact stops
nothing.

This rude muscle
of mine pumps
in a circular rhythm 
played out on paper
on the walls around me.
Sheet music for closure.

I love this room for its mirroring
of human finality; for the heart
twisting in, toward inevitability,
always ready.


Dirty Box

His mind by rights
and geneology
should be a dirty old box 
sealed shut
for seventy years
in a family garage,
but it’s apparently not:

he barely blinks at the two men
holding hands across his street,
Main Street,
while having their picture taken
in front of their new home.

He looks at my raised eyebrow
and grunts,

“Don’t you have better things
to worry about
than how I’m gonna react
to the new neighbors?”

Evidently, I don’t.
Having my worst opinions
of my father disproved
is a hard thing —

my own dirty box
broken open.

I refuse to look inside.

 


Talking Him Down

What’s the point of standing on that ledge?
You’re incapable of falling fast enough
to die upon impact.  
There’s not enough to you.  You would waft
back and forth all the way,
featherweight.

Step back, don’t be stupid —
the world needs more like you, always thinking,
inventing machines that run on
the combustion of dusty artificial flowers,
developing new ways
to control traffic in Minas Tirith,
pissing on your own garden to keep it bare
and sterile and free of weeds.

You don’t have to be in control
of everything.  Let Death be Death,
coming to you unexpected
at an inconvenient time.  You can call out
your rage then.  You can cry all you want then.
Maybe you’ll gain enough substance by then
for people to note your passage
and not brush you off when you’re gone.

 


The Guy Who Doesn’t Dance

What I’m here for I’m sure
is to be the guy who doesn’t dance

Not the guy who wants to but can’t
Who can’t get out of his seat

But the guy who could but won’t
because it’s not the right moment

When it is the right moment
I have no problem dancing

Get my ass up and swing it
Stomp a mudhole in rhythm’s ass

But it’s gotta be right and righteous
Gotta make the move special when I move

Because not every juxtaposition
of time and song and mood is perfect

I prefer to wait until all three are close
and have some faith that I can only add to it

Not every poem is beautiful
except in the larger sense that all human effort

is beautiful — not every song
is worth hearing except to honor the singer

for trying — I have learned to only dance
when I feel the honest need to honor

what I’m hearing and feeling so
if you see me dancing (and let’s be sure

to say that I do not care
who sees me dancing)

that’s saying something
about something

I am on earth to be the guy
who shocks you when he dances

Make a moment of it
Tell someone you saw it

no matter how bad it was
The magic is in retelling

It won’t be magic
unless someone makes a spell of it


Pipewielder, Domino

It’s a Saturday night fight outside a bar
and let’s name the participants,
let’s call out

PIPEWIELDER:
going back to Beowulf
to explain how he is swinging 
the black iron like honor
at the head of the 

DOMINO:
this guy falls
cracked open,
looks like fatality

So much else
is left to happen to both

The death of 
DOMINO 
almost seems unavoidable if
PIPEWIELDER
is to have the future
he deserves

o, bright light of the bar
flowing over the scene
from the open door

o, bright blood of the wounded
flowing into the sidewalk

o, is he really down? down
for good? has the new day
already thus begun?

PIPEWIELDER has tossed aside
his stout arm and is being held
by patrons and maybe there’s a kick applied
by some worthy friend of DOMINO
to PIPEWIELDER’s treasure sack

o, the sirens call
DOMINOOOOOOOOO

to romanticize
what happens in dirt and drunk crazing

 


Max Roach, Greg Corso, And Me

Stop listening
to Max Roach,
I was telling myself;
stop reading Greg Corso.

Stop it, you are never
going to have 
Max’s rhythm or
Corso’s gift of mad
flow, so stop
torturing yourself —

I said, shut up
and stop yourself, 
Self.
 
You’ve been chattering at me
about this forever,
and I’m beyond sick about it.

Stop making this 
about utilitarian needs —

maybe the joy of hearing
Freddie Hubbard cozying up
to Max’s silky beat trumps
my clumsiness and maybe
reading Corso just turns me on.

I know who I am —
I’ve worn out my slight talent at 53,
written a handful of known poems,
am already in the “where are they now’ file,
am already winding down —
and as for music 
I never could figure out
one end of a drum stick from another —

I know who I am and
suddenly, 
just this morning,

I recognize
that maybe hearing Max Roach
without envy
and reading Greg Corso
with no lust to best him

is what I 
was meant to do all along

but I couldn’t have done it
until now,
until after all
the ambition and strain
fell completely
at last
away. 

 


Doodle-Ghosts (draft)

Oh
doodle-ghosts,
made up imps,
personal polterjerks,
stop haunting me.
Now.

When I created you to explain
broken locks, jammed signals,
all the damaged et ceteras
of living, I was mostly joking.

I doodled you on a pad, 
left it where it could be found,
said it was a self portrait,
and she thought
I was pretty funny.

Doodle-ghosts,
I’m sorry I blamed you for 
anything at all.  For my tardiness,
my forgetfulness.  For my 
clumsiness and small rages
and lingering traces of war-thirst
I tried to drown now and again…
tried to make a joke out of them,
blame them on you…

too many years of that and
as she said as she left,
it wasn’t you,
it certainly wasn’t her,
it was me.  

Now I’m alone,
and the house is knocking
like a furnace.  I gave you life
and I know you’re behind the noise,
doodle-ghosts, though
if it burns tonight
I will blame only myself
for being
driven crazy
by you.

 


Man Without Qualities (old poem revised)

On Facebook,
there is a man
who has 1500 friends.

When he
counts his friends he has to use
everyone’s hands to do it.

Of the 1500 people this man calls friends
there are approximately 800
who he has met personally.

Of those 800,
he’s had more than passing conversations
with maybe 200.

Of those 200,
he’s had longer
and more confidential conversations
with perhaps 40.

Of those 40, there are perhaps 15
who are “friends”
in the sense of the word
that existed prior to the year 2006.

1500 friends —
800 he’s seen,
400 he’s spoken with in meatspace,
200 he’s connected with,
40 he would tell this story to,
15 who would agree with him
but for the fact
that they are vanishing.

The man one day
decides to read
a three volume unfinished novel
titled “A Man Without Qualities.”
He opens the first book,
closes it,
opens it again.  He
is trying to understand

a book, three volumes long
and still unfinished
about a man
who is nothing but what
he is given to be by others.

The book will sit on his bedside table
unopened for long spells
as he talks to 1500 friends online.

If there is a Quality
to “friendship”
it shall be absorbed into
a cloud.
It shall be absorbed.

If he wants to speak
to those 15 vanished friends,
he will have to learn a new word
with which to summon them.

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Snoozer

Morning, the 
moment, the thinking,
the trying to decide
what foot hits the floor first —

the grounded one that clings to earth
as strongly as a root, or
the air-walking one, the one that climbs
any offered cloud or sunbeam.

When I choose instead to hover
an inch above the bed,
close to a surface but not upon it,
defying the expected authority of gravity,

my feet twitch, 
but only for the time it takes
to accept the delay
and return with me to sleep.

 


“Boy Genius”

you hurl “boy genius” at me
like it might still be the dagger
it was when I was young

nowadays it’s more of a big stone club
I don’t bleed as much at once
but there’s so much more broken inside

back then it felt like unalloyed jealousy
now I get the aftertaste of carnival
with a note of freakshow — so you should know

that “boy genius” hasn’t worked out so well
it’s been a lot like walking the carnival ground
after it’s gone and trying to stop a memory

of ghost bells and whistles
and undead cheesy organ tunes
from smothering me

when you use those words like that
I see your loathing and raise you tenfold
putting all of my own into the pot

knowing that
like all good carnival games
this one’s rigged


I Don’t Read Speculative Fiction

because this planet
requires me daily
to suspend my disbelief

because madagascar exists

because there is
an amazonian waterbug
that can eat a pirhana

because of mitosis
meiosis
and
parthenogenesis

because of the praying mantis
outside my window

those swallows
that miss the ground
every time they swoop

and the cat who returns
after a month
from who knows where

because of the nazca lines
pyramids
mounds and henges
all built here
by people from here
(with no help from saturn)
because it suited them
to expand
their own notions of how much
the word “human”
could contain

because we haven’t caught back up to them

because of hurricanes
that swat human arrogance
faster than giants ever could

because there is no getting past
the housefly –the eyes compounded,
the lead-glass wings

what is more fantastic than how sleep
deadens nothing inside the body

how we live
in spite of brain death
every time we sneeze

how every step
is a controlled fall

all of it science
none of it fiction