Author Archives: Tony Brown

About Tony Brown

Unknown's avatar
A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

The Kick We Last Used In The Womb

Originally posted 2/10/2012.

A whisky master says,
“I suck the tongue of truth
from the pit of every glass.”
A wine master says,
“This sweetness burning within
pushes my eye toward Heaven.”
A pothead prays
in riddles,
grinning at the answers.

Whatever we do to stone ourselves
revives within us the kick
we last used in the womb.

We fight toward
what’s out there,

though we have never seen it.

We reach for it.  We may not be
steady, we may not be
completely sane.

We may not even be right

when we clamor that it is
all we need — but still 

we go for it, kicking free
of our bindings, punching
toward rebirth.


Men I Know

Originally posted 9/28/2013.

A man I know
calls his preferred
prospective partners
“chicklettes.”
Because they’re young,
young and sweet,
he says.
Because of their fragile shells,
he says.
Because he spits them out
when the flavor’s gone,
he says.

This other man I know
has jokes up the wazoo
about women, about
“how they are.”
Because that’s just
letting off steam,
he says.
Because of the need for a break
in the battle between us,
he says.
Because it’s better than shooting them,
he says, 
and laughs.

This other man I know
likes to stick his elbow into me
whenever he pretends he’s down
for women where we work.
Because they think I mean it,
he says.
Because as men we know the score,
he says.
Because, anyway, where were we before they talked?
he says.

Other men I know lose track
of bedmate headcount.
Other men keep track,
notch something to brag about.

Other men I know have heard about “no”
but they say it’s just a lock to be picked apart.
Other men don’t care much for locks,
bust down the door, swear they heard a cry
for help in there.

I know many other men who I’d have sworn
are none of these,
but too often I learn of one or more who are
not the men I thought they were
and now when I say

this other man I know
or
these other men I know

I stop and wonder 
if other men are in fact knowable,
why I seem to know so many of these other men,
and why those other men 
seem so comfortable with me.


The Moment

I use this word
“moment” so often
that I may have
cheapened it, may have
obscured my reverence
for how many universes
may be found inside it

so let me correct this
by saying that “moment”
contains the entirety
of northern lights
and orgasm and stark
anger when faced with
a piercing incident of
hate and the gentleness
of a hand smoothing
a child’s hair and how breath
sucks away after a body blow.

Give me a moment
for “moment” being 
a snapped pole and
transformer explosion 
pocketed within a 
captured gaze and 
dawn through the window
of cheap motel after
a sleepless night of your
choice — despair, lovemaking,
anxiety, anticipation of 
family arrival after long absence,
the moment of loading the pistol,
settling out the pills, the moment
of sweeping them back in the bottle,
of putting the gun away.

A tender moment, a moment of
clarity, a momentary fear.

Give me
a moment, and then another,
and another. A gift of
presence in the present. Every moment
the last, and the first.

No better word
exists; the others all came to be
merely to hold onto that one.


FYI:

If you’re remotely interested in what I sound like when I read poetry, here’s my recent poem, “Neighborhood Bar,” as a demo recording I did for our band, The Duende Project — that’s me on guitar and vocal.  Wide open for feedback…

Neighborhood Bar


The Long Coda

No mistake — we
will end in Music.

Take the full journey
to how we got here

and whether we start
back at First Drum (maybe

when feet shook the earth
while running or maybe

when stick hit stick or log
or rock hit rock — or skull)

or at First Song (maybe
with first imitation of wind or bird

or maybe when prehistoric lovers’ voices
pleased each others’ ears and 

repetition led to connection) we ran it in Music
and we will end in Music.  

We will end in Music,
blood singing through us.

We will end in Music,
wind in our hair.

We will end in Music,
hearts stepping down.

We will end in Music,
our lyric closing as we close.

If we were anything, ever,
we were Music — there was always

melody within, harmony to be 
sought and struggled for, rhythm

to frame it all; and when we’re gone
our survivors shall sing us home.

We end in Music 
which itself never ends, and 

perhaps that has been the nature
of God all along: the continuing Song

going on and on. The coda
of Beginning. The last lingering Chord.


Boxes

Take the pain of being yourself
and box it up.  Take the pain
of being in love with another
and box it up, put them on 
the same shelf in the same
dark room.  Take the anger
at all the maddening others
and box it up then box that box
again and again put it in the same
dark room. Did you notice something
about how a poor person prayed
for the rich? Did it sicken you? Box
box box it up and put put put it
in the back of the stifling room. Box
the fear and the residual hatred,
box the last words of any martyr, box 
the clean air up in a dirty old box
and box it all into the suffocating heat
of the room where the boxes, 
all the boxes, are starting to glow
from within as if the contents, finally,
have stopped smoldering
and are starting to blaze. Pretty soon
they’ll set everything on fire
and there’s not a drop of water
within reach, which somehow
you find comforting and somehow
seems like a release and somehow
seems like what you expected
from the first time you shoved a box
in there, turned your back, and tried
to pretend it wasn’t there as you closed the door
with a smile for the onlookers, saying
well, that’s that.


Deluge Song

After a deluge
the ground dries out
but there are differences:
leaves point in odd directions,
branches have come off the oaks,
rivulets have cut thin beds in the yard.
It will revert eventually, mostly,
but aspects will remain altered
and if you have been paying attention,
you will also be changed in small ways
as what is once seen is never unseen; 
even if memory keeps you
from conscious recall
you will shift how you approach
living in a subtle way —

lifting your feet
higher than normal over puddles for fear
of unseen current, for instance, or 
thrilling to a gust of wind pushing
a sheet of rain against your window,
wondering with a mix of concern
and excitement if this will be the one
that breaks open the dull box of your life
and soaks it in needed change
that ruins everything even as it renews all; 

or perhaps from now on
as any storm gathers
you’ll find yourself wishing
for a Flood and not caring
if you make it to the Ark
as long as enough others survive
to start clean.


Better Than Bullets

Snarls and wars and small divides
grown canyon wide and canyon deep;

scent of blood and old chains
not yet rusted through. Songs

are clashing; rough beats thump
artillery, soul wails sling arrows.

It’s late. Do you know where your children are
and what they’re listening to?

Pray they have fallen in love with dangerous
music. To slide into sleep

on a comfortable lullaby is a sure path to 
waking up in hell.

Don’t trust
those who say music should be harmless.

There’s a war on and songs
are better ammunition 

than bullets. Songs
change their targets. Songs

sluice their way
through far more than flesh,

cut deeper, break more walls,
tear down more defenses.

What are your children listening to?
If it doesn’t scare you, 

they are almost certainly
doing it wrong.


My Pocket, My Hope

In my pocket, 
my imaginary country,

a best version
of this one; I carry it

with me tightly 
wrapped in hope.

It’s currently populated by
dinosaurs who emerge

as gentle as 
a hurricane’s far-side

sunlight filtering into
destroyed 

familiarity. If you see
them lumbering

into your path you
will be instantly changed

and unsure: what
is this?

What sorcery is this
that cures

both extinction and
gigantism? If you 

mean that you want
to know and are not just 

disbelieving your own eyes,
I will

point simply at the hope
and say it’s been there

all along, the magic
which when worked

can change all,
raising the long-thought dead

from a pocket
where it’s been kept

safe against 
battering and bring it back

to a sustainable form
and thus save a ravaged landscape.

 

 


Not To Say

In the moment
of crisis called 
today —

not to say
that all moments
of every day do not contain 
crisis for someone —

not to say
that it has not always been so
and that it will not
always be so —

not to say 
that this crisis here is not
the result of someone preventing
their own crisis there — 

not to say
that some crisis has not been made
by someone to make their own life
comfortable —

not to say 
that in fact all these earthly crises
do not have a thread of preventability
and volition tacked on somewhere —

in this moment of crisis called today I
am looking up and seeing it all as a Calder,
a mobile swinging —

huge and weighty disguised as flight
and light but all suspended by a cord
thinner than one would imagine —

not to say
it is incapable
of holding it
any longer — 

not to say
it will surely fail shortly
and crash, 

killing or tearing up all — 

not to say
anything other than 
if it were given
a good shake,

today might as well
be renamed
The End.


We In The New Place (Privilege)

When we are in a new place
we don’t know of the concealed dips 
in the new floor so we trip
every time we take
what should be a simple path
from bed to bathroom,
counter to table. Getting used
to a new place

means consciously
mapping the territory until it becomes
subconscious work to travel with ease
through the furniture in the dark 
without bumping and cursing and 
anger and pain. We work at it until 

one day we no longer think much
of how complex orientation to 
our environment actually is, how long
it took to become masters of 
our own comfort. It seems so obvious 

yet we seem to forget it the moment
we are faced with someone telling us
we’ve tripped on something — a word, a joke,
a gesture, a look — we once thought 
so harmless, so easy, so pointlessly
straightforward that there was no way
for it to cause a bump, a pain,
a damage to another person we never 
thought much about in the old place — 
after all, the furniture we kicked
never us kicked back —
but we feel like we’re in a new place now
without ever having moved, having to learn 
that the map we hold within us
does not truly describe
the territory as it is,
but as we wish it was.


Condescending The Stairs

We’re descending the stairs
side by side and you are trying to comfort me
after another conversation gone bad — 

it doesn’t matter what you are, you say,
we’re all human.  Don’t let it
bother you so much. You say,

listen, I did one of those ancestry searches
and found out I wasn’t German like I thought,
I’m mostly Irish and Scottish, so I just trade

my lederhosen for a kilt and move on, learn 
the Highland Fling, I think I like plaid
better anyway. It also said

I was 2% Neanderthal, no worries, I feel like
that sometimes. It said I was 3.2% Native American,
which is great, I’ve always liked 

the feathers.  It said I was 5% African, but 
then again we all are and I’ve always been 
sympathetic to their plight, maybe 

that’s where I get it. I see all this in terms of
learning that a flavor, a taste you thought you acquired
you turned out to have been born with. Don’t let it

get to you. In the long run
there’s no such thing
as race.  It’s all a social construct anyway.

Condescending on the stairs.
You keep talking. Keep telling me
it doesn’t matter. Keep telling me

we’re the same. All exactly the same.
It’s as easy as putting on a kilt instead
of a headdress. As easy as putting on

a scar instead of a crown. As easy as
putting on a chokehold instead of a noose.
It’s all just a social construct like

empty promises, broken treaties,
unheated rooms; like an argument
among thieves over the division of spoils — 

to the victor go the spoils. Everyone
knows that. To casually cast the spoils aside
is also the victor’s choice —

everyone knows that; everyone,
it seems, everyone
except you.


How To Write A Story

The stream leaves the pond
just above this spot,
rolls along picking up speed,
then comes to this plunge
of only a few feet.
It has cut a cold pool 
into the ground on its swift way
down and south.
I stop here and bathe my feet
in the stinging water, snow melt
on white sore skin.
When it’s been long enough,
when it becomes too much cold to bear,
I will dry off and re-don
my socks and boots
to continue following water
out of the mountains.

There is a story of how I got here
to the mountains this morning.
This isn’t it. There will be
a story of how I get
out of the mountains. This isn’t it
either, not yet. It’s not even
a story yet, no beginning, no end.  
It’s a pool cut into the ground
after a plunge of
a few feet. Enough, for now;
when it isn’t, it may become
part of a story about seeking
enough, perhaps about finding it.
Right now, though, 
the water’s cold

and it’s fine just as it is.


A Cup Of Tea

If a cup of some
store-bought tea leaf-dust
is enough to calm you, you should

make a cup. If a moment
before the window, staring into
dirty city snow at drab birds,

is enough to make you feel
a stab of peace, by all means
be seated with your cup 

before the window. It’s OK
to turn off the news for a moment
and pretend that there’s nothing

to worry about, nothing to be done.
It’s all going to be terrible for a while yet
and there’s a lot for each of us to do —

but here you are and here’s the tea 
and those sparrows and no sun out there
so the gray snow for once matches the sky

and there’s no immediate war to fight —
sit, have a moment, no matter how engaged
your life has been you have a right

to stop now and then, to see now and then a reason
to turn back to the news and the struggle
and the work.  See how they are, those birds —

they often stand completely still
for a few seconds at a time
and still manage to fly when they need to fly.


Close My Eyes

I close my eyes upon the world
wishing that it could be for good,
but I have things left to do and no one
can do them for me — 

I have said that
so many times
I must hold myself to it.

If there’s no world here
when I wake up, I will 
stretch my arms out and 
take what I find in first grasp
and make a new one with it —

now I’ve said it, I must
hold myself to it; even if
I am unwilling to build
an entire world from 
scraps and pieces I am now
obligated.

If there’s a world there,
a different one or one slightly the same
as the old, I reluctantly promise
to come back in —
there, now I’ve said it. 

I should
hold my tongue more.
I should. I don’t like this feeling — 
promising myself into pain —
but it’s a habit now, this 
eyes-open thing, this 
reluctant survival.