Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Election

They are clearly at the point
of casual denigration, of shameless
spitting upon us as they cannibalize our children,

apparently near the point 
of openly tossing all their copies 
of their own law books into their cross fires;

they are closing the distance to the point 
of admitting they simply adore
the warm ruddy rush from our open wounds,

and are long past the point
of shrugging off every last breath
drawn from among us by their guns.

At what point do we accept
that no vote will stop them
because they have made sure

that they are the ground
upon which the vote rests,
and up or down and yes or no 

are now pointless?


Old School

old school
talks about all
those things everyone
used to hate and longed to
change or escape from
old school 
old school
means
muscle memory
of what used to hurt
hurting then is how
it knows what it now
knows
old school
old school
old school doesn’t know
how to teach a lesson
how to school without
hurting a fool or anyone
it thinks a fool
old school
old school a bland ploy 
no change no room to exchange
and play ball with new school
old school
old school told and got told on
old school
tell what you’ll tell then
tell then
tell what you told
new school damn bored enough with
old school yet
new school damned if it doesn’t shout out
old school for being old school
pain and bad marks
disdain and sad barks like
packs of whipped dogs
old school get behind
old school get out of sight and mind
old school
old school just
OLD and that’s
just about all


A Foxy Kind Of Stand

A snippet on a neighbor’s radio, 
old Bowie cut,
the singer taking a “foxy kind of stand.”

“When you rock and roll with me,”
title lyric,  
that one time scandalous phrase now tea cozy quaint.

My neighbor whose radio is rocking
this bit of antiquity
is no more than thirty.  The song

is, as of today, forty-two.  I’m in
my mid fifties, out
in the sun, a lizard in the heat.

“When you rock and roll with me:” I’m not 
old enough
to recall that line first spelling sex to everyone,

but I know about it, and about sex of course,
how often
the one once led to the other, and can recall how Bowie

scared so many and made it a little
dangerous again
to rock and roll with him, to rock and roll

like him. “I’m in tears again.” The neighbor looks
at me funny as I
turn away.  I don’t know what he knows about

any of this — Bowie, rocking, rolling, sex,
nostalgia — but he must know 
enough because he changes the station

and lowers the volume. 


A Small Remnant, A Small Revision, A Reclamation

on my driveway
a small cloud of flies above
a small drift of feathers
in blue and gray.  

a small remnant
and a small 
revision.
a reclamation

of what is always left over.

flies are sometimes
the sole reason I feel
hope — 
a small buzz of hope only
as i am unsurprisingly 
somewhat reserved
in my enthusiasm 
for any hope
found that way
because of what
must precede it.

the flies
live and breed
where death is.
they follow death
and rise from it.

i must take my hope,
however sticky,
however distasteful, 
where I find it.


The Shell Game

On the day I will likely die
I will not likely be heroic,
falling for a cause in a leaden rain,
protecting others with torn flesh.

It’s not at all clear today
how I’ll die on that day, of course,
but it likely won’t happen during
some last stand for my beliefs,
some war for my soul,
some battle I choose
or one that comes to me 
against my will
only to be grimly faced
by me as warrior,
me as fighter,
me as memorial in waiting.

I will likely not be mourned
by those who never knew me
but who may choose to honor me
based 
solely on what symbolic message
my death will send.  I will likely not
show up on an historic death list
afterward, commemorated yearly
by ceremonies, bowed heads
in a classroom or office,
a pretty average song
written by a pretty average songwriter
played on a pretty average radio station.

No.

When I go, I’ll likely be bedridden,
poor in dollars and cents and sense, 
shitting and pissing myself,
wispy under stiff yellowed sheets
in a stiff, puke-green room;

or just as likely
I’ll be in whatever passes for my own home
doing all those same things unattended;

or just as likely
I’ll pass in a crap car wrecked in some crap fashion
by my own mistake or deliberate hand.

When it’s done they’ll truck me off 
from wherever I happen to fall
as hazardous waste to be handled
with due care and precaution
until I’m disposed of. 

Fine, then.  Anyway it happens,
it will be fine.

It’s always a shell game at closing time;
you end up under some shifting cover
while someone tries to call out
the one that holds you, 

seeking a win from your presence
or your absence.

However that plays out on that day

what I was will be gone
in any one of a number
of likely or unlikely ways
that won’t matter to me.
I would like it to matter to someone.
I do what I can to make that so
but when that final shell
is at last raised,

what’s underneath
won’t be up to me.


Listening To “Deportee” Being Sung At A Rally

How deftly she moved
through the changes — her fingers
on the strings, her face 
in moving shadow — her voice
a deep incantation, first
sweet as cool dawn,
shifting toward the sound
of a stream in full flood still
just within its banks, ending in a spill
of soft clarity —

all this before
the police dragged her
from the sidewalk
and hurled her brick-hard into 
the side of the cruiser, calling her
officiously a Commie, a terrorist,
a mistake, an insult — building
that dam against all she’d 
set to flowing
just seconds before —

one of the cops
snatched her guitar
(almost gently)
from her hands as they did this
as if he believed that it
could not be blamed
for what was happening here
and did not deserve the treatment
they were meting out —

handed it
(to the surprise of all)
to another in the crowd — 

as the police
took her away
another set of fingers
began to work
those bereft strings
and other voices took up
that same song

 

Link to a video of Judy Collins’ version of this song here.


A Friendly Reminder From The Protest

Sign a check
you never expect
to be cashed;
take a stand
somewhere your face
can’t be seen, someplace
safe, warm,
and dark; after all,
you’re nothing like the ones
on the front line.
They’d rather be safe too,

and feeling the same,
but safety’s not for everyone,
even if it should be.

If you
are one of those
inclined to hide, 
you should hide,
even if it’s 
behind them; go ahead,
hide

behind them, but
not so close
to their backs
that they
have to worry
about you; 

they wouldn’t want
to mistake you
for what’s in front of them,
and you wouldn’t want that either.

They got this
without you,

without
you back there
safe and sound
and

breathing down
their necks.


USA, July 2016

It’s still early.

Still only beginning to be
unpleasantly hot here.

Still looks to be a bad one for the garden
and the people. 

I have a hose with a problem
called a drought.
I have a political lawn sign
with a problem called
a small matter of 
a war in the streets.

I had a little love for many.
I have turned that into
a lot of love for a few
and the rest can shrivel
or burn or both. I don’t have
time for them — there’s
a small matter of a war and
also a drought.  

I had a bet down on getting out of here
before it got too hot
but I’m a loser and a sore one
at that

so now I have a problem
with a drought and a 
problem with a war
and a political sign and a hose
won’t do me much good — can’t
fly out of here on a sign,
can’t keep a battle off my lawn
with a hose, not anymore.

And it’s still early,
or at least it’s still early in this dry heat
of a summer, early in the skirmishes,
early in this last late show about 
problems with drought 
and war and lost wagers
that it wouldn’t come to this,

and not a drop of cooling in sight.


Tough Going

Originally posted 11/4/2013.

To wake before dawn
is to wrestle
a fat, angry angel
every morning, one
who would prefer 
I stay asleep indefinitely.

We struggle until I put that angel 
into brief submission, then go about
this life where the easy stuff
takes forever to do
and the impossible presents itself
as regularly as church.

Weight and difficulty
are what I know best.
Some of us, it seems,
are born to be
ground underfoot,
born to wear out.

I trust the universe
to get it right,

and when the last of me crumbles,

my remains will serve some purpose,
I’m certain, for that fat and angry angel
who will crush me 
and then lift me
tenderly
from where I’ve mingled with dust.


Storm Ahead

Doomsday tongues 
in broken faces
sing their longing for rain
in this rainless season.

No words or songs alone
can cool this heat, but 
songs come anyway.

In the near distance,
darkness and silence.

Beyond that?


Cold Call

All I ask
is for them to be happy
to hear my voice
when I call, even if

I can do
nothing for them
at that moment.
To have my

familiar
but somewhat
unexpected words
charm them,

curl up and nest
in their ears
for a moment
or more. But

it’s a cold call more often
than not now,
a disinvitation by tone
and rushed goodbye.

I am certainly not asking
to be the sole center 
of their life, but
I do want to know

how I became
so much of a nuisance,
how I fell so far
from their grace,

that even the echo
of my voice
from the bottom of 
this hole

is enough
to make them
shy away and leave me
there. 


Reserved For Those Who Remain Neutral…

Originally posted 11/19/2015.

The hottest places? No.
Dante knew better. 
The cold places — the ones
where a candle in the crisis wind
freezes 
into a red icicle of pointless pose —
that’s where the neutral ones belong.
Hear them sniffling,
wriggling as they hang stiffly
on the fence.

Those of us on either side of a question 
who cannot cease raging and roaring 
may be wrong, may be right,
may burn in hell
for what we believe
or perhaps shall rise 
toward
the glorious sun.

We may believe
in neither heaven nor hell,
but we do believe
in heat.

 


Collaborative poem

The good folks at the online journal Radius, seeking to address in some way this deeply disrupting historical moment, asked a number of past contributors to contribute to a collaborative poem addressing the theme of “Violence And Heartbreak.”  

From editor Victor Infante’s post on the journal’s Facebook page:

“When the air radiates heartbreak, as it does now, there is no one effective way to speak to it as an artist. It’s too big, and too multilayered to be captured succinctly. We asked several of our favorite poets to try anyway. The result is a composite poem by Marvin Bell, Eirean Bradley, Tony Brown, Jenith Charpentier, Lea C. Deschenes Richard Fox, Suzanne Lummis, Heather Mac, Ellyn Maybe, Jaimes Palacio, Sholeh Wolpe and myself.”

This was the result.  

Thanks for the opportunity. Proud to be a part of it.


Targets

1.

At 5:45 AM
I took out the trash
and did not startle
when a neighbor spoke to me
while my back was turned

because I am not a target.

I watered the container garden
when we were done speaking
and then sat right down
on my own front wall
in the high humidity
and, in the name of
going back to bed
and getting more sleep,
took a few hits off half a joint
and wasn’t too worried
though it was full daylight

because I am not a target.

I could have been a target.
I could have been but almost
in spite of all my handsome
paternal ancestors,
I pass for White
and always have
and thus regardless
of my own thoughts
and obsessions and internal
maladjustments to the way
my frame doesn’t fit my picture,

I am not a target.

I can love and rage
and live out loud
because I am not a target.

I can walk a street
with my eyes set straight upon
the eyes of others

because I am not a target.  

I can watch every video
of targets, and target practice,
sit there staring,
crying out and raging up
and falling out,
then turn them off
or turn away

because I am not a target.

2.

No one
and everyone
knows what’s coming.

No one
and everyone
understands

what will not stand;
no one knows how it will
fall. None but the targets

understand
how that’s going to feel.
Everyone’s 

going to learn something —
at the very least, how
not to turn away;

at the very most,
how little it will be,
has ever been, about them.

3.

I went back inside
and was ready to sleep

until one of my handsome
paternal ancestors

rose into view,
right through the floor;

she hovered there,
her regalia soaked in blood;

she shook her head,
she would not look me in the eye;

as hard as I wanted to be before her,
I could not be hard. I instead fell

to the same floor she transcended
so easily, and saw then

how difficult it was going to be
if I wanted to claim anything

of what I thought myself
to be; and when I looked up

she was gone, and the blazing eye
of a bull bison hung in her place

for a second only
before leaving me alone

to choose.


Language You Were Not Born With

Talking about a sensitive topic with friends;
there’s a word you think applies 

but it’s from language
you were not born with.

You would like to include it
in the conversation — holding it in your mouth 

before placing it with right reverence
and emphasis

on the perfect space on the board so to speak — 
but are unsure of its reception 

and frankly are at least slightly uneasy
with your right to use the word

as it is not
language you were born with.

You consult your dictionary
and find the word there, guide to pronunciation,

all the various connotations, even a sense
of the same dis-ease you feel while considering it.

Now you have permission. This is why
you own the dictionary in the first place:

to give yourself permission. To provide yourself
a place to keep

all the language you were not born with
until you choose to use it. 

As you speak you have freedom of choice
to think (or not) of all who’ve died

to provide you with your dictionary. Those
whose mouths once held selected words

that were fortunately plucked 
in their ripest darkest moments

and then tucked almost tenderly into your dictionary
to sleep until you needed them. Language

you were not born with, language still blood-sticky.
Talking around a sensitive subject with friends

and there’s the perfect place to stick the word.
This is why you own the dictionary: so you’ve got 

something to point at in the silence that follows.  
Something to stand on. Something

to hit the dead with when they come forward
to ask why you took what you took from them.