1.
Inside a classically
tinfoil-windowed apartment
Armand sits and broods
over tangled news,
teasing out threads that lead
to other threads, pointing out
omens that predict
future omens.
Armand, his family says,
has always had the gift and the curse.
Which is which from day to day
they never know.
There’s not much distance
between the two.
2.
He’s two animals away
from having a full zoo,
is what the family
has always said about Erik
who can’t seem
to hold onto himself
for very long, thus
establishing a pattern
of strange footprints
left behind in an odd
and broken path. It’s not
even clear that
Erik has always been alone
on the journey if you
examine the tracks closely,
which the family thinks
is not at all
a good idea.
3.
If only there were
clear reasons for Daryl’s
monosyllabic insistence
upon standing so close
to the table
at Sunday dinner
that it becomes hard
to set and serve. Almost as if
he thinks the family
eats too much or
that he must block
their formality or
that Sunday dinner itself
could still be as deadly
as it was when he was
a youth.
4.
At eight AM
a baby skunk runs by
my front windows
with a yogurt cup on its head.
I try to catch it and yank it free
but my fear keeps me
from investing too much
in that effort to care;
I think maybe it will bite or
I will end up stinking
and blinded. It runs around
like madness itself trying
to get free
of what has happened
through no fault of its own
as it attempted to find
sweetness, sustenance;
as it attempted to live.
August 12th, 2020 at 11:02 am
How do you choose the names for the characters in your work? They always seem to be a perfect fit. Erik, with a k, reminded me of someone I knew who fit your description whose name was also Erik, with a k.
August 12th, 2020 at 2:20 pm
Um…I don’t really know? I picture the characters and they tell me their names, kinda. Sound within the line and over all helps decide the final form.