Take a second to honor
the amplifiers that made
the music louder, swung it
from parlor to night club to
theater and then arena;
commemorate the day feedback
came to be, the day distortion
came to be; salute the heat
of gain, the saintly shiver
of spring reverb, the jaw-clench
of chorus all carried
by boxes marked Fender
and Gibson, Supro and Vox,
Marshall, Mesa Boogie,
Randall and Roland; Orange,
Peavey, Hartke, and all those
one-offs and forgotten names,
tubes aglow in each
like the candles on so many cakes:
happy birthday to the Big Noise.