Revised from 2011.
In the hands of a virtuoso
even a decayed instrument,
ignored for years, attic-bound,
can make a music strong enough
to bend walls.
Maestro
my maestro
play on
I don’t claim the title for myself
but my age being its own reward
and punishment at once,
I live toward the words
maestro and virtuoso
as if they were mine to use.
Virtuoso
I am aficionado
Maestro
I am waiting
What do I call myself now when,
with my instrument all but played out,
I cannot help but seek a clarity
in the use of a single string?
Ossessionato
I am obsessed with the hunt
Maestro
I am forsaken
I’ve been told that nothing made on the single string
is performable,
but here I find myself facing an audience
who expect performance.
Maestro
I am the impression of you only
Aficionado
Ossessionato
In command of the single note
and — of course, now I see!
In command of the silence
around it,
Maestro
I am aficionado
I cannot stop this
Am no virtuoso
Can one perform silence?
On stage, perfected, I do nothing.
The audience expects something —
but how to replace this?