Monthly Archives: August 2015

Sword (Sally’s Evil)

Sally prays
every day: “Lord,
make me Sword enough
to carve your path. 

Let me be
neither dulled 
nor dismayed
when my knees go red 
from wading.  
Let me suffer
the little children.
Let me suffer
the older children,
the mothers,
the fathers.
Let me be
thy will.
Let me…”

Sally’s pure
Evil.  Sally
wouldn’t believe
in her own Evil 
if you laid 
the skulls
and limbs
you picked
from her trash
in front of her
and raised them into brief life
to accuse her
from beyond death;
wouldn’t admit it 
even if they danced,
dripping, sobbing
before her, 
singing her name
and pointing;

wouldn’t admit it
or know it even
if she, the Sword,
were to turn
and cut herself
down.


A Week Of Safe Words

Originally posted 12/28/2012.

I’d like to be leashed
to silence tonight

so the safe word 
is just sound

if I whisper or say or scream  
LET ME GO

LET ME GO

~~~~~~~

tonight the safe word is
augury

if I make a dire prophecy
and suggest it may be imminently fulfilled

LET ME GO

~~~~~~~

tonight the safe word is
aspiration

if it seems that I am about to reach
my goal

LET ME GO

~~~~~~~

tonight the safe word is
ouchies

not ouch
(I tend to say that a lot)

~~~~~~~

tonight the safe word is
syllabus

if you hear that I’ve learned enough

LET ME GO

~~~~~~~~

tonight the safe word is
reflective tape on racing bike handlebars

if you hear that I’m not into it anymore
and am thinking of the Tour de France

so you might as well
LET ME GO

~~~~~~~~~

tonight the safe word should be
don’t ever let me go

we both know
what comes after that


Hippie

all it takes to end hatred is
to see and smile upon and feel
another person fully.

that’s how
it will happen. try it:
smile and see it begin —

no, i swear 
that’s all it will take.
you’ll see.  see me smile

at the gun.  
it won’t smile back but
it’s not a person. guns

don’t hate people,
don’t feel people. they’re
just steel. just a forged

mistake. they can’t smile.
people will melt them down
once they’ve melted themselves.

no, that’s how it will happen.
that’s how.  smile and make
it,  make it, make it — 

i’m smiling,
can’t you see
i’m smiling, gun-man? oh,

it’s not supposed
to be 
such hard work.


Elders

Originally posted 6/12/2013.

The noise passed.
We were left behind.

The noise had been young,
made of all the things of youth:

insistence; shouting; imploring;
we’d gotten past these — we’d changed,

or the noise had become
anathema, or the new shouters had

decided against the old ones — oh, certainly
that last one hurt. Abandonment always does,

for a while; then we moved on by standing our ground.
We did more of what we’d been doing: noticing,

affirming; at last we were growing our moss,
attending to the worn grooves and paths

that the noise had used to pass us by
and then left unused.  Look,

we whispered to no one, here’s a stone
I’ve never seen, here’s a new flower,

a new voice or an old one that’s been 
almost silenced.

It was quiet when we said these things.
We could hear first ourselves, then each other.

So: the noise has become
distant.  Sometimes single words

rise above that faraway clamor:
“elders,”  “honor,”  “legendary;”  

words for someone else
to ponder and debate.

We have our own work to do, and stubborn love
for this new quiet we will do it in.

 


The Firetail

Originally posted 10/1/2012.

Just let the firetail go, 
said Papa, so I did; 
it singed me
as it flew off,

Jalil pointing wildly
at the trailing flames
as it surged away.
I screamed and Jalil screamed;
Papa aimed his long rifle
but was not able to strike,
and thus it escaped,
never to be seen again.

Our fear and pain became
a legend; to this day
people speak of the firetail
with awe, wondering how Jalil and I
caught it in the first place, how it came
to be where we were, how we were able
to approach it;  with only this story
to go on 
they wonder:
what was a firetail anyway,
what did it look like, 
was it ever a threat at all,
would we have been burned
if we had never tried to trap it?

Only Jalil and Papa and I
ever really knew the firetail,
and they are both long gone;
I am too old now
to be able to answer,
other than to tell you, truly, 
that the firetail was wondrous to see, 
terrifying to hold, utterly
real, neither bird nor human
nor spirit; I can’t describe it
even though it is the only thing
I see when my eyes are closed
and my entire life since
has been devoted
to trying.


A Certain Comfort

Outside at night to write
by lantern light, on a whim.

Should I offer a representation of 
this clean sky framed by
the strong arms
of the backyard oak?

Not tonight — the Perseids
are overhead and every 
half-minute or so a streak
makes words vanish
as I watch.

If the tree
survives the night, I will 
return to it tomorrow.
Although I am not that familiar
with hope or optimism, 

I do take
a certain foolish comfort
in the magical thinking
that there will always be
another poem. 


The Gates

I stare sometimes
so hard into my moments
in search of their meaning

that I forget to be respectable so

in the name of those
who live just outside
the Gates

I must ask if there is
a natural right to be
swallowed whole

a given right to be
consumed
by a passion
and follow it
if necessary

to such oddity
that you become incapable
of coherence as defined

within the Gates

and if this right exists

why is exercising it
so fraught with danger
so heavy on the shoulders
and

so hard upon our fingernails
so torn and shredded
from scratching
at those walls


Nomads

Never comfortable
where we are,
certain always that
there’s a there 
somewhere that will somehow
remain forever a here,

a home away from home
that will still feel fresh
after years of being in it, a partner
whose intimate novelty
never wears, a medium in which
we never tire of messing.

Get up and go is how
we go, doing that
which demands distance
from the last thing done,
lapping up miles the way dogs
lift water into themselves,

heads down on the lines
in the centers of the roads,
the next right here to be defined
by what feels most like old Eden,
which means wherever there’s no sword
hanging in the air at the time we arrive.


Martyrdom As Social Strategy

You make a long journey
into your worst vision 
of the wrong side of the tracks,
obsessed with 

whether you have the weapons for this,
the right tools for the job,
the right answers to the questions
they are likely to ask you —

all the time thinking
you’re a fraud and they’ll shit you out
after eating you still alive.
You imagine being swallowed

all the time.  You think it’s going
to hurt.  Unbearable pain’s
the only thing you can imagine
for a destination, so

what a surprise to learn
that once you’re there 
nobody’s about that.
Nobody’s threatening you

or even caring about your
momentous presence.
You carried everything you had
to this point only to learn 

it was extra baggage all along —
such a heavy journey. 
What a shock, what a shame,
what an outrage.

It occurs to you to start a fight 
to prove your relevance. Maybe
you should assert yourself enough
to win your rightful ending? To make

all the fear worthwhile? Prove your mettle
to the locals and impress them with
your prowess? You open your stance
and prepare. They want a war, you know,

so you’ll give them yours.  
You labored over it
long enough. Someone
will surely appreciate it.


The Nature Of Evil

I know
the nature of Evil — 

Evil capitalized, Evil as a 
unifying force, Evil not as cartoon cackle

stifled in polite company
but as policy and practice

stiffly written on solid legal
ground and traditional paper —

I know the nature of Evil
due to its presence

in my raising, my ordinary male-raising
that weaponized dense old parts of my soul

which I keep trying to change or crush away 
to no apparent effect since too often

it pushes through and then I lie awake
examining myself until I shake

from knowing how much
I’ve sparked to happen through the clumsy

and sometimes unconscious use of my Evil —
I know enough of Evil to shudder

whenever I meet another 
who reminds me of myself,

whenever I am drawn to their heat
by our common likes and dislikes,

whenever I meet someone
I am drawn to for their refreshing lack

of fucks given
for the sensibilities of others, their

overripe post-adolescent reliance
on just past prime slang and ironic slant

on the nature of the Evil they do
in all seeming innocence,

claiming the right to freedom
trumps the responsibility 

to do as little harm as possible
while living as harmfully as we do,

as I do — I know
the nature of Evil

due to having been
a lifelong carrier,

a candle that reveals
how deep the darkness has become,

and I fear that my choices now
are to continue as this

until I burn at last away,
with
the last of my flame

climbing a wispy column
toward unreachable heights;

to end it now and snuff
my candle cold; or 

to find a firestorm against Evil somewhere
and add myself to it; then

(if I am not consumed there)
to come back as something

not myself, something I fear, something
I do not know 
how to be.


23 Turtles

A long straight tree
half submerged; 23 turtles
sunning themselves upon it.

Ignore the tire just visible beyond them
in the brown and green growth
in the shallows.

At the moment it’s enough
that they are here and you are here
to witness them behaving

as they always have for so many
millions of years.  You, youngster
seeing this: ignore how many wounds

of human doing are visible around them.
Ignore the almost certain toxicity
of the water itself. Celebrate, instead,

how 23 turtles have survived you
and your kind. Celebrate their willingness
to let you off the hook,

to let you see them
getting on
with life.


Shooting Stars

Rocks and dust, despondent, missing
their star systems of origin,
toss themselves into our air
and burn away.

Blame the skies
for those reminders of loss
known as shooting stars.

Think about how you await them,
what you wish for as they pass;

then think about all on earth
who do the same and are reviled
or forgotten once they’ve passed:

only now and then are they noticed 
by anyone, and few can say
if the only wishes they bear are their own,
or if they ever come true.

 

 


Hands Full Of Dust

History’s
all about
dust that used to be
under a Roman boot
or on a Union horse’s flank or
in the Triangle Shirtwaist fire
or on a slave’s chain, on
an old Apache’s
dead open eye, maybe from
under the burned beam
in a bombed Japanese house —  
who knows
where all the dust on your hands
is from? Just try to remember
you’re always leaving it
all over everything.
Handfuls of dust smearing
Now.  You are carrier of history
in all you touch and
you honestly can’t ever get clean.


Daybreak

Last night
came and went and
I’m still here
at daybreak. 
A bit of a 
surprise: never sure
these days if I
will be, but so far,
I’m holding on.

Not sure why
I’m so certain 
that when it happens
I’ll die in my
sleep. Just as possible
that I’ll fall face first into 
the dirty livingroom

or be discovered
sitting upright
and quite stiff
on the couch,
laptop hibernating
with a mediocre new poem
unfinished under the darkness
on the screen,
the cat anxiously
weaving her fear against
my legs and the window
still open,
some small breeze trickling
through my hair.
Will my eyes still be open?
I would hate to think so.
Whenever I visualize
my demise,
I’m asleep. I don’t want
to see it coming.
Would rather be surprised
to wake up, if in fact
this is how it happens,
in a new existence
with no sense 
of impending transition.
I mean, when I die 
it should reflect
how I’ve always lived: 
shiftlessly, a lazy drifter, 

shocked by things
everyone else
sees coming 
miles and years away.


Aftermath Song

Originally posted 1/27/2014.

A seashell just cracked.
A boulder has rotted apart.
Whole mountains have begun to slipslide;
trees have started to sink
into pits below their roots.

Music’s revealed
in this decay:
beats and rhythms of course
as everything tumbles,
but behind that a melody
made of minimal rise and fall;
a note, perhaps two, three at most.

We can flee it with hands on ears
or dance with it
or join in like kids turned loose
in a broken studio full of broken instruments.

New world coming, new tunes humming —
or more likely, a recovery
of an old book of common song.

Shaped note singing.

Small intervals, easy to pick up.

Inherently ours.