Tag Archives: political poems

Confession Of A Crocodile

When I was a bomb,
I destroyed though
I longed to build; instead
I gutted and burned and 
swept away.

When I was a bayonet,
I couldn’t imagine how
I had happened — how
I’d found myself
at barrel’s end, how
I stuck, how I was freed
with a blast right after.

When I was poison
I slept uneasily, like an empty coffin;
when I was a guillotine,
I felt a breeze sift that hair
as it tumbled down.

I used to pretend to be
oblivious to myself as damage
but truth be told: it has always been 
my entire being and life to be
utterer of death
in order to preserve myself…

so I weep and gnash my teeth
and wash my hands of
generations of stains, 

all while
never moving from

my throne.


Advice For Those Weeping

If you see a gun
tossed carelessly aside
by an arrogant man who believes
its presence is enough to save him,
steal it.

If there’s a knife
left out in plain view — 
even one stained brown
or scratched from some unholy entry —
steal it.

You are going to need them all.
Disdain for such tools is no way
to enter this era — true, you cannot build
a new house with them but
they aren’t made for that work.

So if there’s an obvious vault
to be breached and plundered,
breach it.  Plunder it. It’s not going 
to open itself magically because
of tears.

As for your fear of such things,
your resistance to using them to repeat 
human behavior? Look at your hands.  
Are you human? How do you plan
to change that? Tell me, but tell me after

you seize your tools.
You will not get a chance
to remake this world
as a better place
without them.


Mourn

Mourn your dead till daylight
slips in through your window, then
take a shovel out back,
bury them deep in a corner
with a stone in full view of all,
and move on.

There will be more dead.
(There already are
more dead.) This is not arguable;
if you mourn for all your remaining days
there will still be more dead. Your mourning
stops nothing except your own forward surge
toward an adjusted world. A modified
society — believe no one

who tells you it’s perfectible. People
aren’t, so it will never be,
and as long as Power knows
deaths can maintain or advance
this current version of acceptable,
there will be more dead.

So: if these dead are yours, mourn them.
Mourn if you want for those other dead
and all who fell as bystanders,
cross-fire heroes, accidental bodies,
friendly fired cadavers. Mourn them
and mourn in advance
for your own inevitable ending,

then plant it all and leave it to grow
a garden full of endings for you to come home to
after a day of struggle for a new start. Both
will be there for as long as you live. Mourning
and struggle will each outlast you.
This is not arguable.
This is how it works.


Wreck

Thump. Thump. Thump.
Flat tire morning in November.
Harder and harder to steer.
Someone ought to fix it.
There will be a wreck otherwise.
Pull. Pull. Pull.
Steering wheel starting to pull hard right.
That guardrail will be impotent against this momentum.
Embankment beyond it and dirty creek at the bottom.
Lots of trees between but nothing large enough to break a plunge.
Dirty. Dirty. Dirty.
A promise of more than scratch and dent.
Forget about salvage if that happens.
Have to climb up and out if it lands in toxic muck.
Leave it behind smashed beyond repair to leak more poisons.
Shake. Shake. Shake.
Standing cold and smeared with blood and more.
Standing dark on a highway shoulder.
Shaking alive but trembling toward less so.
No one to tell or beg for help.
Lights far away seem to be aimed here.
Whatever is next comes rough and unsteady.

Thump. 


American Appetite Parable

How do you eat an elephant?
One bite at a time.

It helps to have
gigantic teeth.

Of course, if possible
you kill it first.

But if you’re big enough,
perhaps you needn’t. 

Does that sound awful?
It is awful.  There’s no way around that.

But honestly, you might have to eat it
while it’s still alive.

While you’re thinking about that,
consider how you’ll stop it from moving

long enough to get those bites in.
No matter how large your teeth, 

you can’t eat it while it runs.
You’re going to have to stop it

from running.  Bring it
to at least a crawl so you can

get a leg up on it
and open your mouth.

Also, can you make that first bite
count toward the slowdown and stopping?

Think on these things, but not 
for too long.  It’s charging

and it’s huge. Tremendous, 
really. But remember, 

it’s made of meat. Aren’t you hungry? 
Hungry enough to at least try?


American Oatmeal Parable

Forced to eat oatmeal each day
by my addled blood.  
Gotten so used to it
that a day without it feels like treason.

Once upon a time I liked it well enough. Still
sounds good right up to the first bite —  
a blues bowl of blueberries and cinnamon,
tan pulp gone purple with berry dye. Then

it becomes all bent notes until “good-for-me,
good-for-me, good-for-me” stops echoing inside
as I put empty spoon and bowl into the sink
with that sense of weary duty to a life I truly don’t love,

followed by seeking out morning news. Upon seeing it 
my addled blood so often becomes curdled blood;
all that weary duty feels heavier, and heavier, 
a weight in my stomach as dense as the cursed daily bowl —

but every day I force it down. I do what must be done,
take in boredom and pain and anger because
as much as it hurts, I must stay alive a bit longer;
because “good-to-me” means more than just feeling good;

it’s about doing what must be done 
to save my blood, my country, my life.
Whatever I choke down I choke down to do just that.
Gotten so used to it that a day without it

feels like treason.


Not All Things

Not all things 
said by poets
are poems.  

We order
pizzas, wings,
beer.  We pray

stale prayers that
barely pulse with
longing, rage

impotently, curse
in traffic. Those words
aren’t poems,

though we may be bent
toward seasoning them
as if they were.  All

the more reason
for the few poems
we do get to write

to be full of us
at our best.
It simply will not do

for us to fail. Those
fluent curses and
florid grocery lists

should prepare us
for those times when
the breath we spend 

might be a last breath.


American Stew Parable

Just like that,
there were so many bones
in the stew that 
it became a chore to eat.
We choked and sucked around them
but were only made more hungry
by the effort needed
to feed.

Slowly, we gained confidence;
bit down, chewed through,

and learned from that
that inside each bone
was a center as full of flavor
as any of the softer meat;

while the work became
no easier, in the end
we were stronger and less inclined
to treat ease 
as a birthright worth its taste.


American Vegetable Parable

many of you
have just learned
that we live in an onion

which once peeled splits
fairly easily and reeks
and makes you weep

but have yet
to learn another thing
long known to many

that if you wash your hands with
stainless steel right away
and dry yourself up

you stop weeping and
then can get back to work
making something

PS

you will of course
still have to do
some chopping

but there are many people
who can explain that to you
if you are willing to learn


Le Refus Absurde

While reading and fantasizing
about the French Resistance
before dawn,

I come across the term
“le Refus Absurde,” used to describe
those actions early

in the Nazi occupation when,
even though it seemed certain that
the Reich would triumph and

last a thousand years, individuals
would begin to resist even though
they felt the effort was futile. They’d

slash a tire, cut a cable, write
a subversive poem, start 
an underground newspaper.  Armed

resistance only came later…Many
spoke of moments when le Refus Absurde
crystallized within them, climaxes

of incipient struggle; for some it was seeing friends
beaten or marched away, for others
the look of contempt on the faces

of German soldiers as they marched
into towns like a swarm
of sneering Twitter comments.


The Unlimited Light Of Song

Waiting in fear
in this sudden,
moonless dark.

Lying alone all across
the country, some scattered 
face down upon stone;  

some of us clawing alone
at barn-board floors, 
gasping for air;

others huddled 
in city doorways,
watching our homes burn,

watching
everything beloved 
burn.

Tonight the fight
is at the door
and not of our making.

Tonight we fight back their way,
by the glowing rage
of uncounted flames.

But tomorrow?
Tomorrow, we fight our way,
illuminated

by the unlimited
light of
song.


Rhetoric

1.
Get out and vote
you anti American
Get out and vote
you racist bastard
Get out and vote 
you gun stealing liberal
Get out and vote
you rich little shitcake
Get out and vote
you uninformed minion
Get out and vote
you infowarrior
Get out and vote
you Christ-chanting dupe
Get out and vote
you Allah-loving Monster
Get out and vote
you atheist dog
Get out and vote
you pole-dancing street mom
Get out and vote
you staid little dingbat
Get out and vote
you celebrity annoyance
Get out and vote
you decent confusion
Get out and vote
you best intention 
Get out and vote
you came here to do this
Get out and vote
you were born here to do this
Get out and vote
you have blood on the ground
Get out and vote
you want oil in the ground
Get out and vote
you are shamed into caring
Get out and vote
you are a shame to the flag
Get out and vote
you are a shame to your mothers
Get out and vote
you are a scandal to your fathers
Get out and vote
you are an infinite number

an infinite number

a number

number

numb

2.
On a treeless plain in North Dakota
rubber bullets are voting
for stasis

On a street yet to be named in any given city
police bullets are voting
for stasis

In any prison in any given state
forced labor is voting
for stasis

On the New York Stock Exchange
the currency is voting
for stasis

3.
Get out
and vote

It gives you
something to do

Gives you
a place to stand

Gives them
stasis


Leaf By Leaf

Election eve,
and leaf by leaf

it’s all coming down
outside. Next door
they’re raking leaves
into piles before
putting them
into the street for
collection, with a scratch
upon scratch of
metal teeth on 
worn asphalt and hard 
brush of the same
sweeping over
thin lawn: sounds
of ending and
of resignation to 
the hard work of 
coming winter. 

As for me, laboring
over a difficult task
indoors, stopping
to finish this poem 
surreptitiously, as if
someone was 
hovering over my shoulder?
I heard somewhere
that raking is bad
for the lawn and 
right or wrong, that suits me
fine. Permission to keep my head
in the sand of this work
a little longer. Living
according to
acceptable facts. Winter’s 
looming, getting here
maybe as early
as tomorrow night. I
will stay right here
for as long as I can
and do nothing urgently
needed, except 
perhaps this poem
is what is needed,
I tell myself
this is the most vital work
of the moment
even as we are buried,
leaf by leaf,
in the Fall.


Demi-monde

In Europe, one hundred years ago,
good folk used to speak of
“the demi-monde” — French for

the half world. 

Class of those unafflicted
by established social codes.

The first resort of starving artists.
Last resort of misfits and such.

Shining examples of how not to be.

The half-world,
where some felt 
fully present for the first time
in their damned lives.

A woman of the demi-monde
was known as a “demimondaine” —
by which the good folk meant

prostitute,
even if she was not —

by which was therefore meant,
fair game.

By which was meant, 
there is some use
for that half of the world.

In Paris
the good folk once called their worst thugs

“les Apaches.”

By which they meant,
this particular part of the demi-monde
is dangerous.

The French 
pronunciation softened
the hard edge of a tribal name
stolen for a savage badge,

by which was meant
face one and you will get
the storied treatment you’d get
if you faced our awful dreams of

Apaches.

Two dance instructors once prowled
the bars and cafes of the demi-monde
to bring back to the good folk
a dance called 
“La Danse Apache.”

A man, a woman, 
playing at pimp and whore,
man striking her down,
woman fighting back,
a tango of sorts ending 
with the woman carried limp
from the stage.  

By which was meant,
here is how “les Apaches”
are.

The dance became all the rage.

By which was meant,
here we honor all our dreams of savagery.

In the USA
during that same time,
professional sports teams
began to be named

Braves, Indians, Redskins.

By which was meant,
here are our mascots, 
here are our fighters,
here are our dangerous men.

They are still called that.

By which is still meant,
here is something we can use.

By which is meant,
we’ve already stolen
slaves, gold, cultures,
entire continents,
a whole half-world —

why stop there? 

There is a German word
from the world of opera
for a song lovers sing
as they die together,
tangled in passion:

“Liebestod.”

By which is meant,
there is nothing now
but this final desperate
clutching.

Turnabout is only fair.

Liebestod is beginning.

There is no savagery
in those syllables — 
or at least, none worse
than all that has come before —

by which is meant,

dance, Liebchen, dance.


Always The Same

always the same

bang bang and after a rickety clack
sting box in a truck racing away
a bang again a click track truck
chock up with cops and 

always the same

long fire bang bang a short fuse as ever
a big old excuse as big and old as ever
a click track clack as rickety as ever
a bang again a body as cold as ever

always the same

blue snicker at one more snapped thread
a snap at a snicker and a fire to follow
a fire that follows the click bang bang crack
bang bang nursery rhyme for a cold kid

always the same

sneaked snaps from cell phones 
always the same cold kid always the same
roar of horror ghost rising ghosts rising
cracked cops and crushed crowns always

the same