Tag Archives: political poems

Our Place

In this over-arching argument
no one can agree on 
definitions.

One side’s survival
is another’s 
unearned special treatment.

One side’s prosperity
is another’s 
starvation and bleak winter.

One side’s comfort 
is another’s 
incarceration.

Our language
is our worst enemy
these days. 

That sounds heretical from a poet?
It is a heresy, so —
yes. It sounds blasphemous?

No. No because
I say it in fear and reverence
for our tongues: our language

is against us, and to say that
is not to blaspheme
but to lament 

how far we may have to go
to gain ground upon it, reclaim it,
to hold it close once again.

Maybe it’s time to 
surrender metaphor.
Maybe it’s time

to be silent
before our foe and
act, not speak.

Not that it will stop
us, of course, from
wrestling words

as we always do — that would be
like asking us to
not breathe — not that

there’s no precedent
for that in any history
of similar battles — stop 

breathing, poet
has been a war cry

so often on so many fronts —

so perhaps 
we have a place
now, an urgent mission

to be heretical
without blasphemy
and make language over,

to show up
in this battle
with every word we can.


Ahead Of Jericho

No music is up to the task
of shifting my loneliness tonight;
no painting or poem will soften
my walls. No dance, no stagework,

no acting, no more to be done
to change any of this.
I will sit instead on the couch
and think about slayings

and oil and erasure. 
I will not cry as it will make a sound
and that might become a melody
and that might be an invitation 

to community and I
can’t take community tonight.
I am alone tonight; we all
are, in the last analysis, and this

is indeed the last analysis. Millions of us
sitting on couches in silence,
as solitary as once-holy stones
standing in old fields, stones

not making any sound.  

Tomorrow we may wake 
to wind in the stones, 
whistling a new song.  We may 
choose to dance, we may choose

a pantomime love play
to perform among them, 
then march to the palaces
and tear them down while singing

Jericho-loud songs; but tonight
we all sit solo with silence and grief —
and at least for me, alone in my room,
it is exactly what I need

to prepare — a tight evening
of nothing doing.  A tight night
of lying in wait. A predawn
full of silent longing. A sunrise leap

out of dreams into our new world.


Ungovernable

Your name?  Forget it —
scrub it off. Call yourself instead
Father Time, Mother Element,
Baby Bear Jesus Rattlesnake-face,
and ask for more paper
whenever you are asked
to sign on the dotted line.  

Load your wallet 
with banana peels, use them
to try and pay for more bananas,
call it an investment strategy. When
someone suggests that banana peels
are not legal tender, toss a few to the floor
while screaming, “I bet if you slip on those
your ASS will be tender!” as you run
to the door.

Do you know how to change
your face? Teach a class in 
rebel cosmetics or plastic
insurgency — there are many
who will be eager to learn, many
who will be desperate to learn.

Prepare a feast for all,
invite all the long-forgotten dead 
to sit with the living, 
insist that the corpses must offer us grace
before anyone alive begins to gorge themselves.
Enforce this with a willow switch
to the lips of the greedy
and impatient.

At sporting events,
tell everyone around you
that the national anthem’s being replaced
by “The Nearness of You” and
sing it out, loud and clear,
plenty of flourishes, plenty of 
vibrato; drop to your knees
at the end and kiss the bleachers 
for holding you so tenderly so many times…

You look at me as if I’m joking…
I’m not, unless you think
revolution should be a joke,
in which case I’m joking —

or maybe you are appalled?
Why? Do you think,
seriously or otherwise,
that we’re currently
making sense? 


Talking To My Children

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking: 
what do I tell my children 
about Evil? Something wicked
in these days stirs,
and I cannot lie to them
and say shh, be still,
all is well and safe.

What shall I say to them of Evil?

I shall say:
it is a young man 
holding a knife to a lamp.
He adores how it separates 
skin from flesh, 
sinew from bone. 
He knows that when it is sharp enough
he can see the body’s coherence 
fleeing before its edge.

I shall say:
it is a woman 
leaning out of her window
on her elbows.
She sees something she does not favor. 
She slips out the back door
to carry her gossip to the slaughterhouse.
Someone there will take the news to the mechanics
who will set the wheels 
of the juggernaut
for maximum kill.

On her way home
she will wipe her face with a stolen liver.
Behind her she will leave a trail
of rumors and cartilage.

I shall say
it is a gaggle of children 
trapped in a dream
where they are made to suckle straws 
filled with their own blood.
They purse their pale lips, 
draw the red up, columns red rising,
red cresting in their mouths, 
falling red into their stomachs, 
such sharp nourishment, 
such a simple lesson:
living through this 
requires such a meal, 
a simple meal for a simple terror.
They have learned 
to devour themselves.

I shall say:
it is in and on all of us.  
We stink of rich meats, phobias, fires,
restless pride, secrecy. 
We inhabit our stereotypes, 
are slowed to the speed of custom, 
our houses crawl with indignation,
our ferocity is unbridled by logic, 
we create atomic proverbs to live by.

A man decides to force himself 
on the next random passer-by;
a boy slits an ancestor’s throat; 
we shake our heads, we cry out
for safety, we wait for it
and it never comes; instead comes 
the Evil: violent, clean cut, simple, fast;
and then, somehow,
we tell ourselves
that we can live forever 
this way.

And after that?
After that, what can I possibly say 
to them?

I will say to them:
children, it is slander 
to speak of this life
and only note the Evil.

I will say to them:
children, my children, 
look at the stars.

I will say to them:
children, my children,
whenever you despair
of this world, take comfort in the night:
go out, lie back, and look at the stars.

I will say yes, there is always horror afoot
by day and by night,
but always, always, we have the stars,

and if ever you despair,  
look up at those hints 
of the hoped-for forever
and tell yourself:

I am a star, 
and I do not
shine alone.


Unveiling

You laugh at me, say it’s not 
the apocalypse, say it’s not good 
that I should be this worried.

I know it’s not the apocalypse. 
That’s your word. I have my own word 
for this. I call it the Unveiling —

which is, by the way, what your word
originally meant. You’ve turned the thought
of secrets revealed into the end of the world

and I think that’s right for you, but not for me,
and not for so many of us who see this world
the way we always have, though now

your secrets are out in the open and 
that might indeed be the end of your world
and the beginning of ours. It’s going 

to hurt like childbirth. It’s going to be
soaked in blood.  It might take a long time
but we know that your future is in apocalypse

as ours is in unveiling. Revealed:
in coming years you will be in eclipse
and we will be in ascent. Revealed:

that you are bold today means little
to those who have always known
what you hid from yourself. Revealed:

what’s coming at us today
is a hard kick from a frantic leg
on a dying beast.  Revealed:

we know you better
than you have allowed yourself
to know. Revealed, unveiled, exposed:

your backlash is just the same old violence
it ever was, only grown more savage because
it knows how short its time truly is. 


Catskills

Chasing a memory tonight

of driving in the Catskills
among thousands of trees
and thousands of whitetail deer
under the infinite cloud of stars
called the Milky Way

Top speed on the narrow roads
was reduced to
as slow as possible

Over half the houses were empty
Many abandoned and neglected
Others shuttered but well kept

and the Milky Way
as bright as it should always be
out there
so far from the city 

broadly strung horizon to horizon
thick and visible enough to reinforce
how empty the woods were
of everything but trees and deer

who did not move 
when headlights hit them
their numbers giving them
the certainty and the confidence
to stand their ground

Counted 40 while I was stopped
by just one road-clogging herd

Creeping through close enough
to open a window
and (perhaps) touch one then
finding 15 around the next bend
and the next until
before I could reach my destination
I simply stopped counting 
in the low hundreds

I learned the next day from a local resident
that this was all dairy country once

Hundreds of farms in its heyday
now down to 35 in all of the county
Most of the rest were simply abandoned
and those pastures gone wild
were perfect habitat
for the whitetails
who had become so numerous
that there were fears
of a die-off coming soon
on the way to regaining 
balance

I am thinking of this tonight

while sitting here
dreading the morning news
because I have to try as well 
to recall a time when I saw
what it might be like if America
abandoned the land it liked to think of 
as its tamed birthright

and let that land re-invent itself
healing into a new balance
under a free and inviolate sky


Watching The River Flow

Patriotism,
that great river fed
by whatever can be dammed
and made to flow its way,
is a drowning flood.
No one can count
all the bodies it holds
in its depths, how many dead
it grinds along its bed
with its implacable current.
Choosing to be oblivious to that
you dip yourself into it, then

climb out and dry yourself 
with an ever-convenient flag,
end up sitting on the bank
reveling in its apparent beauty,
choosing to forget
how it has been fed,
how it was turned to
its current course, 
how many less fortunate than you
could not climb out
once it had taken them. 
Instead, you hum
a Bob Dylan song
about sitting on a bank of sand
with people disagreeing all around.
It’s pleasant to remember 
old songs,
sentimental favorites,
at such moments 
as the bank of sand
begins, unnoticed,
to crumble out from
under you.


What You Are Asking

You are asking me
not to wince when I am cut.
You are asking me 
not to curse in blinding pain.
You demand of me
the bow and scrape of etiquette
as I am blasted.
You suggest that this genocide
should be politely borne — no.

No, because

sometimes hope
is a broken storefront,
a glass storm, a fire
in a public street. 

No, because

sometimes survival
is strongest
when it is taken,
not requested.

No, because

asking me to fold my hands
and wait to die,

shunting me
to one side
instead of facing me directly
as I have always faced your knives,

patting my head
and sweetly speaking
that poison suggestion
that I compromise
in the face of an apocalypse 
that has been tailored for me alone,

are not things to be borne politely.

No, because
you cannot make me die
unnoticed.  No, because
if you kill me off,
at the very least
my loud extinction
will echo in your ears forever
and you will never

know peace 
again.


This Year

How are your doors holding up?
Has anything blown them off yet?

Some folks saw theirs take flight
a long time ago — centuries ago, in fact,

which doesn’t change
how much of a typhoon this is:

in a high wind such as this,
doors and roofs fly so easily.

So many of us are now exposed and afraid
that the structures won’t hold.

So many of us long exposed are excited
that walls are beginning to buckle. 

Of course, you could just decide
to go out and live in it. You could accept

that your hair will be messy
and your eyes will sting

for as long as you live. You could…
or you could shelter in place

and plan to rebuild. How 
are your doors, your roofs, your walls?

Do you have the tools you need,
do you have the patience to stand in this wind?

There’s some joy in having
such choices to make. It’s not like

they aren’t the same choices
that have always been laid before us,

but some of us have had stronger walls
than others. Some of us have never had to think

about our doors at all.  Some of us
never even knew they were there

until the wind picked up and we saw them
unhinge and begin to rise.


All We Have

There’s no hope,
you know,

except for the hope we make 
in spite of hopelessness.

It’s an action verb no matter
what grammar claims for it. So:

as much of a cliche
as it is — there’s no depth

to the observation
as it is, we can only

add depth through
pure and bright work —

we are responsible 
for our hope as much as

for breathing clean air
and drinking clean water

and protecting them both
as we can.  The idea of hope

unpolluted by despair
is all we have as we are all we have.

We hope. We must, we have,
we will, we will have hoped

regardless of outcome. And if
and when hope requires us

to act, we will act, we act, we will
be able to say we acted. We hope

to have acted. We hope
it will work. 


If We Cannot Dance

because there is no time
for frivolous things 
in this killing moment
we must dance

for who will dance
if we do not

because there is no time
for our leisure
when all around us is industry
and labor
we must sit our asses down
and refuse to work

for who will recall the joy of rest
if we do not

because there is no time
for art and creation
as repulsion and nausea
dominate our senses
we must take up pen and brush
and fight 

for what will the future think of us
if we let those fall
from our hands

if we let
this grinding moment of horror
take from us
what is most holy and human
if we cannot dance
if we cannot create 
if we cannot rest
satisfied that we have done
the necessary work of our souls

what will be left
for the future
to fight for


Story Of You

— for the protectors at Standing Rock

This is a story of you

as mad as spirit locked away
in a stale church for centuries,
itching and swelling to break down
your sanctuary prison,

with beautiful open hands
and gray stone in your eyes, 
standing up to smoke and wind
and flame not far behind,

dancing among threshers
mowing down fields of grain,
daring scythes to take you,
mocking approaching reapers.

This is a story of you

responding: turning poison flood
into wine, turning heads
away from murder toward
birth and bloom. 

This is a story of you

removing: shifting brick
from wall to path and then
following that path to a place
without walls.

This is a story of you

and your beautiful open hands
and stone eyes, your dance
against death, your laughter,
your breakout, your miracle —

you.


Targets

Originally posted 7/16/2016.

1.

At 5:45 AM
I took out the trash
and did not startle
when a neighbor spoke to me
while my back was turned
because I am not a target.

I watered the container garden
when we were done speaking
and then sat right down
on my own front wall
in the high humidity
and, in the name of
going back to bed
and getting more sleep,
took a few hits off half a joint
and wasn’t too worried
though it was full daylight
because I am not a target.

I could have been a target.
I could have been but almost
in spite of all my handsome
paternal ancestors,
I pass for White and always have
and thus regardless
of my own thoughts
and obsessions and internal
maladjustments to the way
my frame doesn’t fit my picture,
I am not a target.

I can love and rage
and live out loud
because I am not a target.
I can walk a street
with my eyes set straight upon
the eyes of others
because I am not a target.  

I can watch every video of targets,
and target practice, 
sit there staring,
crying out and raging up and falling out,
then turn them off or turn away
because I am not a target.

2.

No one and everyone
knows what’s coming.

No one and everyone
understands what will not stand;

no one knows how it will
fall. None but the targets understand

how that’s going to feel.
Everyone’s going to learn something —

at the very least, how
not to turn away;

at the very most, how little it will be,
has ever been, about them.

3.

I went back inside
and was ready to sleep
until one of my handsome
paternal ancestors

rose into view,
right through the floor;
she hovered there,
her regalia soaked in blood;

she shook her head,
she would not look me in the eye;
as hard as I wanted to be before her,
I could not be hard. I instead fell

to the same floor she transcended
so easily, and saw then
how difficult it was going to be
if I wanted to claim anything

of what I thought myself
to be; and when I looked up
she was gone, and the blazing eye
of a bull bison hung in her place

for a second only
before leaving me alone 
to choose.


Under Fire

At the exact moment
you realize that you
have no choice or chance
unless you shoot back,

you will look sideways up from the floor
where you’ve flattened yourself
in order to save your own life
and see through a broken window

a single leaf on a branch.
It will be surely already dead
but have some color left in it,
red spots in dry brown perhaps

or some slight green remaining
overall, and you will surge within
and let go of your own stubborn grip
upon a semblance of being truly alive

and look around
for something, anything,
with which to fill your
suddenly freed hand.


Someday

There is a car in my driveway
that will not run. My neighbor
got it for free and plans to make it work
someday. Someday. Right now 
it’s a small white wreck with four flats
and a college parking sticker 
from five years ago in the front window,
but it looks like a promise to my neighbor
that someday it will be the best deal
he ever made.  

There is a thin coat of white
on all the cars in the driveway.
One red (that’s mine), one black (that one is
my lover’s car), and my neighbor’s white wreck
which looks cleaner now that it’s coated in snow.
Someday there will be a full storm — or so
we’re told. No telling when, of course. The weather
has been a lie for years now; we have turned it
into one big lie. Someday all three cars
will be mounds of pure white
to be dug free, but right now 
that’s just a threat and instead we’ve got two
that are ready to roll and one that isn’t,
two that run and one that doesn’t.
Mine is one of the ones that runs 
right now, and while I know someday
it will stop, that day, I hope,
is still far off.

There’s a fear in the air right now,
but someday it won’t be there. Someday
all these broken cars will run like tops
and all these promises will spring into life.
My neighbor will get that scrap heap to run
and off he’ll go, a smile on his face. My car will hold
until I can get another one just as good or better,
and my lover’s car will do the same.
The snow will come and settle and melt
on schedule as expected.  Right now
no one’s got a clue about what’s to come,
about when someday might at last slip into place
and bring a dose of hope at last.
Until then we’ll keep these wrecks running
and dig out when we have to

until someday, when we’ll sit down
and sigh 
and cry and laugh
about how we got through
right now. Not today, no — 
but someday.