Tag Archives: political poems

The Couch

“I’m beginning to lose faith 
in this nation,” they said. 

I am struck by the word
“beginning.”  Tells me much

about how comfortable it has been
for some to keep the faith.

Conjures up a couch made of 
faith, upholstered in red, white, and blue.

As for me: I’ve long had no solid faith
in the nation.  It’s a nation,

after all. It does what they all do
and it’s never been more than half

on my side to begin with. 
I was never comfortable on that couch.

Always felt it was garish and scratchy.
It’s not large enough

for everyone who wants on, either:
too easy to lose your seat 

if you get off for even a second, 
and sitting on that couch, holding your place,

sinking in, it’s been easy for some
to fall asleep. Some folks never get off,

even if there’s a fire. Maybe beginning
to lose faith isn’t so bad

if it gets them off the couch. Maybe
they could come outside for a bit.  

It’s cold right now but from here,
after all, you get the view.

 


Freedom Highway

Do you think
it’s really OK to sing
the old songs
of revolution

Won’t we just get
discouraged
that they still 
ring true 

Maybe
it would be better
to write and sing
new songs

although
the old ones
still do the job
pretty well

Maybe it is better
that we learn again
what we thought
we’d gotten past

Remind ourselves 
the Enemy
never really died
It just rolled over

Lay there
playing dead
right next to us
in our own beds

Maybe we mix it up
New songs and old ones
Remake a few
for how we sing today

Maybe we rise up
from this poisoned bed
singing whatever we’ve got
As long as we rise

we got this
As long as we sing our way
down Freedom Highway
we got this


This Is No Movie

in movies
they show people
in submerged cars

taking last desperate breaths
from a pocket of air
trapped within

red car blue car
they crash
people drown

would it matter to you
whether your death car
was red or blue

if whoever drove it
off that road
not only escaped

but jumped and left you behind?
if this were a movie
I could see why

you might care —
visual impact, style — 
I could see that

if this were a movie


Punchlines And Metaphors

It’s working.
They have won,
at least with me:

I consume news
only to nourish
jokes and start
poems since it’s all
punchlines and 
metaphors.

Once it did seem
that there was
more to it, possibly
because there was
less of it and 

authority and 
authorship were
clearer. Or perhaps
there never was much good
or true to begin with and
at last I know better?

Either way —
all I can do
before this flood
is bow my head.
It’s working.

They’ve won for now
at least and 
I’ve got poems and 
jokes for days,
years even.

It’s all 
punchlines and
metaphors,
guffaws and tears

hardening upon contact
with air.  Hard enough
to hold

an edge, once sharpened.
Hard enough
to pierce through,

if I can just get it right.


Dreams For Surviving The Apocalypse

1.
Dreamed I stole 
an exquisitely tattooed horse —
a dappled palomino inked
to resemble Belleek china — 
saddled it and rode it expertly
from the city of Worcester north
to the city of Fitchburg
and arrived at a coffeehouse
which was somehow
attached to a stable
empty but for old straw and
an ancient radio tuned
to play only the songs
it played when it was new,
to which the horse and I 
performed dressage and
poetry for no one as
the coffee house had closed
hours before, leaving me
to realize at the end
that I had miles to ride
down unlit roads
and had forgotten
all the expertise I had used
to dream my way there.

2.
Dreamed I carried 
a lucky coin stamped
with a face I could not name;
although a name floated
upon my tongue
whenever I rubbed the coin
between my fingers
in my pocket, I knew
that either it was
the wrong name,
or it was
the right name and 
once I pronounced it,
the face on the coin
would change.

3.
Dreamed of standing
by an unlit roadside — 
the road south,
the road home.
No horse to ride,
no knowledge
of how to ride.
No jukebox
in which to plug
my lucky coin for
a proper song to make it
better.

4.
Awake.

First step home,
taken in silence.

Second step home,
an unaccompanied dance.

Third step?

Currently, all I have
is a dream of riding
a decorated horse
as far as it is willing to go.


The Exile Game

Go away, America.
I don’t want to live in you today.

I’ll exercise my option,
become a free agent.

I’ll turn my life into its own country.
I’ll play at being sovereign. 

At some point, you’ll come knocking.
I’ll just say, where are your credentials?

You’ll politely remind me
that i’m surrounded, landlocked, embargoed

into being your citizen, and all this independence
is just for show.

I’ll nod, hang my head, close the door,
close the door behind you as I come

back home again. It’s so
easy to pretend for a little while;

easy for me, that is.  I’ve got neighbors
and friends who can never get away.

I know people who are stuck here
with bruises to show they tried to get free.

There are some pretty games
some folks never get the chance to play.


Filing

the locations 
of certain political signs

on homes and businesses
to avoid

the placement 
of ads on certain sites

so that I will not 
patronize those places

the garages of pickup trucks
with giant American flags and

or giant 
Confederate flags

so that I may hide
from them

the stores that sell
certain products

I will not purchase
now or ever

the comments of people
I thought I knew

so that I may
un-know them

Filing

all of this
for now and the future

What I do with the information now
will be predicated upon the now and

what will happen in the future
will happen 


Friday Night

A Friday night
at home, my head
sore and full,
my heart empty,
collapsing
on its hollow core.

As the known world
is bathed anew
in harsh light
and the shadows
become deeper,

I look at the walls
around me.  Tonight
they are cocoon, tomorrow
they may be prison or
casket  —

or barricade. If so I may
become a warrior tomorrow

so I’ll take tonight for peace
and sleep well, even if I must keep 
one eye open; hold love close
in case 
thieves come for it in the night

as they’ve always come in the past,
a past many of us have grown too soft
to remember.

We are remembering it now,
have taken night after night
to do so, to get ready, to toughen
up — tonight, though,

I at least will be
at peace before
looming war.

I can’t refuse this heart
this moment of calm tonight

as I cannot say
when or whether
I will find one
again.


Thanks Due

to the co-worker
who got into my face
thirty five years ago
and called me selfish 
for having no children,
planning to have none,
and refusing to explain why;

to the dentist who looked over
my prescription listing, saw
Lithium and Seroquel,
then asked me if I lived 
in a group home
as he picked at potential cavities
in my blood filled mouth;

to the supposed buddy
who suggested,
none too gently,

that I was too “addicted to 
recreational arguing”
when I pushed back
with passion upon

her dismissal of
my rising fears;

to the manager who chided me
for not being a leader, 
for being too moody,
for wearing my sorrow
too openly,

for exuberance beyond measure
in strange moments,
for in general

not fitting the mold;

to all the friends who set me aside
for my toxicity and disturbances
of our social fabric, to all the friends
who stepped away and turned away
because I was difficult, to all the friends
who laughed it off and said I needed
Jesus or sleep or exercise or smudging
or less of one food and more of another,
less of one drug and more of another,
less of my headspace and more of theirs;

to the therapists who didn’t listen
or did and misheard 
or did and heard right but
cared only for the text book answers
and the end of the fifty minutes
couldn’t come fast enough
until there I was, standing outside
yet another door.

Thanks due to all
for those rides along this road
that got me here 
on this December night — broke 
and broken, old and
in the way, terrified of 
real demons afoot in the land
and not just in my head.
Because of them

I know how to bite a bullet
and not chamber it.
I know how to
look pity
in its jaundiced eye
and spit
the same way I spit
into clueless
dismissals and clumsy attempts
at comfort.

I may be 
all messed up,
but damned
if I don’t suspect

that I’m better equipped 
for what this
messed up country

is about to do
than some of my 
well-adjusted 
friends and acquaintances
will ever be.


Tired, Awkward, Stretched Thin

We’re tired, we’re awkward,
we’re stretched
as thin as can be,
and there’s still so far to go.

We don’t know yet
how far there is to go.
Outside of these safe enclaves
filling now with misery and fear

are smug men waiting
to chop us up and eat us
and we don’t know yet 
when they will pounce.

Outside of the bubbles
we live in
are knives and needles
and white, white anger

infused with glee, 
and we don’t know when
they will pierce through
to us

the way they’ve always 
pierced through to 
others not as fortunate
as we have been. In fact,

we’re stretched thin and
awkward and tired
at least in part
because of how weak

we’ve become. Other folks
have lived this way
for a long time.  These are just
the latest set of knives 

to them, maybe a little swifter
and sharper, maybe a little more
openly wielded, but these are 
the same old edges and points

they have always faced
when only rarely were we
standing alongside them
on the barricades — so, know this:

memories around here
are long, sharp,
tired, and awkward;
mercy 
is stretched thin,

and we look too much
like past accommodation, future
complacency, and current enemy
to expect a full embrace.


Our Place

In this over-arching argument
no one can agree on 
definitions.

One side’s survival
is another’s 
unearned special treatment.

One side’s prosperity
is another’s 
starvation and bleak winter.

One side’s comfort 
is another’s 
incarceration.

Our language
is our worst enemy
these days. 

That sounds heretical from a poet?
It is a heresy, so —
yes. It sounds blasphemous?

No. No because
I say it in fear and reverence
for our tongues: our language

is against us, and to say that
is not to blaspheme
but to lament 

how far we may have to go
to gain ground upon it, reclaim it,
to hold it close once again.

Maybe it’s time to 
surrender metaphor.
Maybe it’s time

to be silent
before our foe and
act, not speak.

Not that it will stop
us, of course, from
wrestling words

as we always do — that would be
like asking us to
not breathe — not that

there’s no precedent
for that in any history
of similar battles — stop 

breathing, poet
has been a war cry

so often on so many fronts —

so perhaps 
we have a place
now, an urgent mission

to be heretical
without blasphemy
and make language over,

to show up
in this battle
with every word we can.


Ahead Of Jericho

No music is up to the task
of shifting my loneliness tonight;
no painting or poem will soften
my walls. No dance, no stagework,

no acting, no more to be done
to change any of this.
I will sit instead on the couch
and think about slayings

and oil and erasure. 
I will not cry as it will make a sound
and that might become a melody
and that might be an invitation 

to community and I
can’t take community tonight.
I am alone tonight; we all
are, in the last analysis, and this

is indeed the last analysis. Millions of us
sitting on couches in silence,
as solitary as once-holy stones
standing in old fields, stones

not making any sound.  

Tomorrow we may wake 
to wind in the stones, 
whistling a new song.  We may 
choose to dance, we may choose

a pantomime love play
to perform among them, 
then march to the palaces
and tear them down while singing

Jericho-loud songs; but tonight
we all sit solo with silence and grief —
and at least for me, alone in my room,
it is exactly what I need

to prepare — a tight evening
of nothing doing.  A tight night
of lying in wait. A predawn
full of silent longing. A sunrise leap

out of dreams into our new world.


Ungovernable

Your name?  Forget it —
scrub it off. Call yourself instead
Father Time, Mother Element,
Baby Bear Jesus Rattlesnake-face,
and ask for more paper
whenever you are asked
to sign on the dotted line.  

Load your wallet 
with banana peels, use them
to try and pay for more bananas,
call it an investment strategy. When
someone suggests that banana peels
are not legal tender, toss a few to the floor
while screaming, “I bet if you slip on those
your ASS will be tender!” as you run
to the door.

Do you know how to change
your face? Teach a class in 
rebel cosmetics or plastic
insurgency — there are many
who will be eager to learn, many
who will be desperate to learn.

Prepare a feast for all,
invite all the long-forgotten dead 
to sit with the living, 
insist that the corpses must offer us grace
before anyone alive begins to gorge themselves.
Enforce this with a willow switch
to the lips of the greedy
and impatient.

At sporting events,
tell everyone around you
that the national anthem’s being replaced
by “The Nearness of You” and
sing it out, loud and clear,
plenty of flourishes, plenty of 
vibrato; drop to your knees
at the end and kiss the bleachers 
for holding you so tenderly so many times…

You look at me as if I’m joking…
I’m not, unless you think
revolution should be a joke,
in which case I’m joking —

or maybe you are appalled?
Why? Do you think,
seriously or otherwise,
that we’re currently
making sense? 


Talking To My Children

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking: 
what do I tell my children 
about Evil? Something wicked
in these days stirs,
and I cannot lie to them
and say shh, be still,
all is well and safe.

What shall I say to them of Evil?

I shall say:
it is a young man 
holding a knife to a lamp.
He adores how it separates 
skin from flesh, 
sinew from bone. 
He knows that when it is sharp enough
he can see the body’s coherence 
fleeing before its edge.

I shall say:
it is a woman 
leaning out of her window
on her elbows.
She sees something she does not favor. 
She slips out the back door
to carry her gossip to the slaughterhouse.
Someone there will take the news to the mechanics
who will set the wheels 
of the juggernaut
for maximum kill.

On her way home
she will wipe her face with a stolen liver.
Behind her she will leave a trail
of rumors and cartilage.

I shall say
it is a gaggle of children 
trapped in a dream
where they are made to suckle straws 
filled with their own blood.
They purse their pale lips, 
draw the red up, columns red rising,
red cresting in their mouths, 
falling red into their stomachs, 
such sharp nourishment, 
such a simple lesson:
living through this 
requires such a meal, 
a simple meal for a simple terror.
They have learned 
to devour themselves.

I shall say:
it is in and on all of us.  
We stink of rich meats, phobias, fires,
restless pride, secrecy. 
We inhabit our stereotypes, 
are slowed to the speed of custom, 
our houses crawl with indignation,
our ferocity is unbridled by logic, 
we create atomic proverbs to live by.

A man decides to force himself 
on the next random passer-by;
a boy slits an ancestor’s throat; 
we shake our heads, we cry out
for safety, we wait for it
and it never comes; instead comes 
the Evil: violent, clean cut, simple, fast;
and then, somehow,
we tell ourselves
that we can live forever 
this way.

And after that?
After that, what can I possibly say 
to them?

I will say to them:
children, it is slander 
to speak of this life
and only note the Evil.

I will say to them:
children, my children, 
look at the stars.

I will say to them:
children, my children,
whenever you despair
of this world, take comfort in the night:
go out, lie back, and look at the stars.

I will say yes, there is always horror afoot
by day and by night,
but always, always, we have the stars,

and if ever you despair,  
look up at those hints 
of the hoped-for forever
and tell yourself:

I am a star, 
and I do not
shine alone.


Unveiling

You laugh at me, say it’s not 
the apocalypse, say it’s not good 
that I should be this worried.

I know it’s not the apocalypse. 
That’s your word. I have my own word 
for this. I call it the Unveiling —

which is, by the way, what your word
originally meant. You’ve turned the thought
of secrets revealed into the end of the world

and I think that’s right for you, but not for me,
and not for so many of us who see this world
the way we always have, though now

your secrets are out in the open and 
that might indeed be the end of your world
and the beginning of ours. It’s going 

to hurt like childbirth. It’s going to be
soaked in blood.  It might take a long time
but we know that your future is in apocalypse

as ours is in unveiling. Revealed:
in coming years you will be in eclipse
and we will be in ascent. Revealed:

that you are bold today means little
to those who have always known
what you hid from yourself. Revealed:

what’s coming at us today
is a hard kick from a frantic leg
on a dying beast.  Revealed:

we know you better
than you have allowed yourself
to know. Revealed, unveiled, exposed:

your backlash is just the same old violence
it ever was, only grown more savage because
it knows how short its time truly is.