Tag Archives: political poems

Mercy On A Cold Morning

The mercy of a calm cold morning
keeps me snug in my home,
safe from chaos.

I get to pretend I can’t hear
the roaring outside over the sound
of my comfortable furnace.

There’s not even a storm
to fret over. The sun’s bright,
the wind chill is rough

but I’ve seen and felt worse.
I can deal with that. 
It’s not the wind making the noise

that I’m hiding from. The roar I fear
is human, full of words
I can’t or won’t understand

that drilled through my sleep
and opened me
as screwworms might

but without leaving a visible trace.
The mercy of the cold morning
is that it keeps me

from stepping to the sound
and joining in. I can choose
to stay here and pretend

I hear nothing, can pretend
I won’t soon need
to become harmful as well.

From where I stand mercy
is a cold illusion I can indulge
as long as I stay inside,

so here I will stay 
for as long as I can, knowing
it cannot last and I am needed out there.


How To Be American

To be aghast 
at our ghosts
without admitting that
they remain among us
is to be willfully
American.

To be comfortable
in this haunted home,
oblivious to what 
some feel
in its most sunlit rooms, 
is to be carelessly
American.

To laugh off every
chill as merely historic
or imaginary,

to turn away from
the ancestral familiarity
of those faces of 
menace past and present,
is to be blindly
American.

Not to see
any of the ghosts,
not to see them
in every corridor, closet, 
basement, school,
prison, or mirror,
is to be resolutely
American, is practically

to define
“American”, is the
quintessential practice

of being
American.


In A Time Of War You Seize The Nearest Weapon

There’s so little inside me
you’d think I was a balloon
if I didn’t weigh this much.

I’m not a balloon. What, then?
Maybe a hollow iron sphere.
Steel encapsulation.

Knock on me and I make
a pleasing sound. I’m a bell,
a closed bell, dark inside.

Knock on me and see
if you can understand what I say.
I’ve spoken an empty tongue since birth.

Now I’m old and resigned to it, but
there was a time when I tried
to crack myself open and become a full throat. 

It never worked. Here I am, then,
a hard ball of air. When things are hot,
it’s hot air; when things are cold, you can guess.

Things are hot right now and I’m boiling.
Not likely to crack but if you swing me, I’ll bust heads.
If it gets cold, I can break them just as well.

Understand one thing, though: I’m not one of you,
will never be.  I’m the big hard void and will be,
before and after your war. You need a bell like me.

I do tend to ring your way. It’s an accident, really;
a mistake 
in your favor. Think of me as eraser,
here to shift the ledger; to wreck it

and in the process of wrecking it
to crack myself open at last,
make my one rightful noise, then shatter.

I have no illusions. You won’t want me
then. Will have no need of my voice
once the breaking’s done. In a time of war

you seize the nearest weapon. I’m ready.
I’m your rock, your branch, your 
morningstar. Let’s swing. Let’s sing.


Requirements

Start reimagining 
that flag
is a door anytime
you see it 
upended. See it
as a locked door
with a code
to enter. 

Start picturing
an eagle
in tears, starving
because it’s exhausted
and cannot feed
with its wings up
and its talons full
like that for all
these years.

Start wondering
what’s under 
your Uncle Sam’s 
hat, why he
looks so pissed
as he points at you:
you thought you
were tight, after all
you’re family or
so you were told.

Start wondering
where that dollar bill
has been, where
they’ve all been. Start
thinking about them
in your pocket, your hand,
resting on your bare skin;
who paid for what with them
before they came to you.

Start imagining
how hard
you will have to kick
to take down that door.
Think about what might be on
the other side
until your foot
twitches without you
willing it.


I Wake Up In Despair

Revision.  Posted originally in April, 2016.

I wake up in despair most mornings.
Each day slants uphill.
It takes everything I have to climb it.

I wake up in despair most mornings
but find comfort in knowing 
things that no Pharaoh can know;

how, for instance, to pick myself up
without an entourage to help me; how in fact
to get by with no entourage, neither in celebration

nor in sorrow; how to fall down back-broken
and get back up again next day for another round
with nothing but what’s in me to pull me up.

I wake in despair most mornings. Each day
bores me: sometimes with a dull drill, sometimes
with a chisel of same and same and same again.

I wake in despair most mornings 
but find comfort in knowing
things that a boss can’t know, or has forgotten;

how to do the dirtiest bits of a dozen jobs, for example;
how to take the next step when it’s time, how to 
fix the broken piece, how not to fail

from seven AM to lunch, how to stay awake
from lunch to three PM and longer
if three PM becomes 5 PM or later.

I wake in despair most mornings knowing
how little of my life is open to me, based on
how much time I have to spend recovering from the rest of it.

I wake in despair most mornings
but I can almost get to glee in knowing
what a king does not, what they may never know;

how to run riot in the streets to spite all my aches and pains,
how to run riot in the streets with all the others aching and pained,
how to run riot in the streets knowing how little time I likely have.

I wake and run riot knowing that ahead of me, somewhere
cowering, somewhere hiding behind mere walls, 
a king, a boss, and a Pharaoh are themselves in despair,

filled with the knowledge
of their lack of knowledge
about anything that needs to be done,

and in spite of the odds and the guns
and the war any of them could muster,
I no longer share their despair.


Ghost Apples

Look at you lamenting
the disappearance of apple pie.

Sitting around all day cussing
the bad apples you have to work with.

Muttering about the past, the crust,
the way it used to be.

No one talks up old-fashioned apple pie 
like someone who thinks

the only good apple
is a ghost apple.

Those good apples, you say,
made great pies.

You can till taste them 
if you try.  We need to bake them

again.  Need better apples.
Need a sturdier crust.

Make apple pies great again,
you say. Get rid of the bad, bad apples.

I’m a good apple, I promise, one
fallen far from your tree,

and I don’t want to be
part of any pie although

I’m as American
as you know what.

Keep longing, keep
imagining old-fashioned flavor.

Those ghost apples will leave you
hungry, famished, starving,

strangling on dry crust.
Meanwhile, I’m doing fine

on a diet
of what’s in front of me,

not on what’s long gone
and left behind, 

and there’s not a bad apple
in sight.


Taking Down The Ruins

a spider
in a corner
cocooning
a beetle holding 
remains of joy
in its jaws.

mice nibbling
final hopes
spilled across
a dusty 
kitchen floor.

masses of wind
fling themselves against
windows that are
slowly but surely
giving in
to the battering.

on and on,
house by house,
block by block, 
city after town
after farm after town 
after city. 

almost all of The People
have disappeared.
anyone left
expecting to hear
other voices
hears nothing

but the sounds of

earth scavenging
what’s left and 
taking down the ruins.


Reenactment

There’s a shooting —
maybe at a school or 
a night club —

or an injustice — rights
being taken from someone
or a swift deportation and
separation from family —

or a scandal — a sex thing
or maybe it’s espionage
or a mix of both —

and while shaking your head
and exclaiming your now-routine
amazement and shock 
at such goings on

you are shocked and amazed
all over again when your head
falls right off
and rolls 
across the ground
for what seems 
like an eon
before it comes to rest

against a Civil War replica cannon
being used in a reenactment 

and without warning your head
gets rammed down the barrel 
and in a blast of sulfur and flame
you are flying toward the other side

your loose and empty head
having become someone else’s ammo
for this drawn out massacre called
The American Experience
and you realize

if you had just had your head
tied a little more tightly 
to something solid
like an understanding of history
to hold it down
instead of being so floaty
with reaction and awe at
the everyday more of the same

you might have avoided this

you might have at least been 
the one firing the cannon

you might at best have been
the one who stopped it from firing


Describe The Glass

Here stands
the glass.

Here stands
the question: is it
half full or half empty?

Of course we know,
intellectually,
that it’s full, always. 
Whatever that clear
liquid is, it stops where
the air begins and thus
the glass is filled with both
at once in equal measures.

To press the metaphor further,

let us pose the question
another way:
how do you feel
about water, how do you feel
about air?  Which do you
side with in your observation
of the glass before you?

If you choose air,
do you say what’s there is enough
to fill and overflow and
thus the glass is brimming 
of air, air laden with traces
of war from world over or wildfires
from half a continent over,
air which the world calls clean
and then says that
is the same thing as being 
half empty? 

If you choose water — 
do you assume what you see 
is water? Perhaps it is not,
but let us assume for the press
of metaphor that it is;
let us further assume 

it is clean water,
unadulterated, water not from, say, 
Flint or Standing Rock, with
no added solids to complicate 
the question; do you choose
water with all its uncertainties
and say the glass is bottom-full 
of water, which the world says
is the same as being half full?

There plays the news,
there lies the country — 

when you look at the news,
when you look at the country,
is the glass half full
or half empty? 
If half full, is your half full
a clean fill, if half empty,
is your half empty
crisp and honest?

When the metaphor is pressed
will you say that in truth it’s
nothing but shattered 
and the space where it was 
is now broken and boundless,
full only of wind and flood 
and storm and poison?

There stands the question.
There stands the glass.
There you stand between them,

asked to describe
the state of the 
glass when you aren’t sure
there is any glass
there at all. 


Silent Alarm

I’m so tired 
of all this outrage, tongues

clacking surprise,
horror, post-verbal wringing

of digital hands
in cyberspace. I mean, it’s been

a colony for a minute now.
People keep forgetting — 

one privilege of being
a colonizer, I guess, no matter

how many generations you are
removed from the first,

is that you are alllowed
to forget

how the good old gears
turn and grind and

who and how many get ground
changes, but the colony itself

always remembers 
that it was built to grind. 

I am trying to be like
everyone else around me 

and be shocked and surprised
and wring my hands

and say the right things
but I can’t.

I can’t. I feel alone
here because none of this

seems new to me except
this general bewilderment 

that it’s happening, as if
all the shrill wailing of history was in fact

a silent alarm and only some
heard it, while others have had it

in their ears from birth; now it seems
everyone can hear it, 

but most are paralyzed,
and those still in motion

are scattered and separate,
grains fallen unground from the mill.

After centuries
of listening to that,

the wailing is
an insult

almost as loud to me
as the grinding.


Pitchforks

American Gothic is a very famous painting
Experts like to argue about which America it’s about
But one thing I think we can all agree on
is that the picture is centered on a pitchfork

We like to think we’re better than them
We like to think we’re beyond all that
We like to think we’re not the ones
who are supposed to hold the pitchfork

Our biggest problem 
is that out of an excess of kindness
we’ve let the other side pick up
all the torches and pitchforks

No one’s scared of
any of us because 
we said “this can’t be happening”
instead of “where’s my pitchfork”

Stop thinking of it as the exclusive tool of the devil
It’s just another tool on the rack
We can’t make hay while our sun dims
unless we learn our way around a pitchfork

Boycotts chants and votes all matter
and they matter even more when
it’s clear that behind the words
are the tines of a forest of pitchforks

And it is good to punch the obvious ones
but we’ll eventually have to get around
to watching a billionaire wriggle
on the end of a pitchfork

So go and look at that painting
Put yourself in it whoever you are
No one in there looks happy but they sure as hell
have a solid hold on that blessed pitchfork


The Flying Monkeys

The flying monkeys flew in
from Oz to suburbia
and landed just in time
for Sunday dinner.

Sat there on the neat margins
between the sidewalks and the curbs —
crouching on the fresh cut grass,
shitting on the blade savaged dandelions. 

Did you know there is a word
for that strip of green between?
It’s called “the verge.” The flying monkeys
were on the verge

that Sunday. Jackets,
hats, attitudes intact, acting
exactly as we’d expect: tails tucked,
wings folded, waiting for orders.

Down the block from here
someone cracked a screen door
and said, “You look hungry. Why don’t you
come in for a bite,” to the ones

perched outside their house.
One by one the monkeys filed inside.
The neighborhood was dead quiet.
What was going on in there?

The monkeys came out hours later
dressed in the clothes of the folks
who had invited them in, who followed
the monkeys 
naked into the streets,

who stood passive as they were taken
and lifted 
and carried higher and higher,
seeming to rise almost forever
until they vanished; 
then some among us

rushed to proclaim this
the Rapture at last while others
simply laughed and clapped their hands
along with the suddenly welcome

flying monkeys and their magical
flight plans, and more and more
stripped and flew, stripped and flew,
and the monkeys took over

their empty homes and their jobs,
their routines. They folded up 
their wings tight under T-shirts
and mowed the lawns and even

the verges, sat out sunning themselves
in their yards in swimsuits, their tails
slung lazily to one side of the lounge chairs
or the other. That’s how it’s been for a while now;

now and then, a distant scream; now and then,
decomp on the wind as if somewhere
there’s a huge and growing pile of broken bodies
in a valley just beyond the verge of sight.

Those of us left aren’t saying much.
There are a lot of monkeys around,
and frankly we can’t tell the difference
anymore. Not sure

who’s giving the orders about
who flies and who gets flown, who rises
and who falls. We fret, we fear,
we whisper to each other that old line,

“these things must be done delicately,”
even though it’s clear 
that for the monkeys, that’s no longer true:
no. No, they most certainly do not.


The Apocalypse Began This Morning

The Apocalypse began this morning. I am sure of it; I dreamed it, and as I rarely dream of anything at all, I rely on the few I have to tell me the truth. 
 
As it began, I wore a blue beaded jacket I found in some ruins, and stood together with others as we tried to work out details of sanitation and shelter. I was alone in that no one I knew was with me; not alone at all as we cared for each other’s needs.
 
At one point the air was filled with strange and majestic music as a pickup truck drove swiftly by, followed closely by a garbage truck driven by uniformed cops, a few of whom rode on the sides as well.
 
They did not look at us, and as they passed the music faded from the sky and the first night of a new age began to fall.

I do not recall any more of this, but I am afraid and hope-filled at once; all this before breakfast, before the second cup of coffee.


Poems About Love

The man claimed
his poem was about love
but it was about 
fucking and only fucking.

We wanted love poems that smelled
of bullets and instead got this 
rose and mountain stream,
fresh bread and snowdrop scent. 

We wanted to hear love poems
about Babylon falling
and fires in the streets,
but instead got this wordy mess

about hydraulics and heat transfer, 
not at all the same as the fire 
we longed for. Love sometimes demands
a war song. Love is often

a hand up to a streeted body
and a slap across authority’s 
mouth, or at least it should be.
Love sometimes looks like 

riot wounds and how we tenderly
clasp another’s tired hands
in our own after a revolution,
but all this poet can say

is that he wants to be inside,
inside, when all we want of love
is for someone to bleed alongside us
as we fight to come in out of the cold.


President Icebreaker

This country once,
to some or perhaps most,
looked solid and white from above,

much like a blank paper, perhaps like
the back of a page in a history
text book or the back of a facsimile
of a foundational document,

or most of all, like a sea of deadly cold
covered by an ice pack.

When the Captains of Industry
and Control finally decided 
it had gone on long enough and
brought in an Icebreaker,
when they finally chose to lose the illusion
and let everyone in on the open secret,
when they decided they simply
didn’t care anymore about hiding the truth,
started breaking the ice wide enough apart
to make their greed work less difficult
and thus made it so folks could see
deep cold ocean beneath,
killer ocean that had always been there,

it staggered those
who’d been fighting drowning all their lives
while stuffed below the ice forever and a day

to see how the broken floes
who’d thought they were solid and safe
gave up their volition and sense
to get behind the Icebreaker itself
as it portrayed itself as
a savior of the great white pack,
who thought they’d make it when the ship
got through and showed
how thin the ice had always been,

how the solidity had been fragile from the start
and the fact that it hid the cruel sea under it
was the only reason it had been allowed
to last as long as it had.