Tag Archives: political poems

Moment Of Truth

It’s OK.
You don’t have to survive all of it.
You have to fight, yes,
you must resist, yes. But survival is for
those who believe in a future
with them in it. Get free of that

and let your self-importance go;
do what you can and must. 

Don’t worry
about the ultimate triumph of your own
ideology when poison needs to be
ameliorated and 
removed from the suddenly broken veins
of the dying. Don’t worry if in the effort
you suck more death than you can handle.
Spit out what you can and keep moving
as long as possible. 

You’re expendable, always were, old man.
You were part of the problem long enough
to be suspect.  If you go, you go.
After all it’s not going to be
your world afterward. Move on with a smile.

You’re ancillary at best, a well-meaning nuisance
at worst.  Get out of the way of what must follow
once you’ve done your bit. Individual

survival is unimportant. You are 
not worthy of exception.  Move on.
This is the moment of truth. Live 
in it, not in the one that follows.


The Bank

Late last night I heard someone calling out in the street. 
Heard someone come down the stairs from the second floor.
Heard the door open, someone came inside,
and more people went upstairs than had come down.
There was talking and loud stomping for an hour,
then someone left quietly and I went to sleep

imagining backstory, drifting in and out of anger,
picturing someone hungry, someone thirsty,
someone done in by cold and impending snow,
someone done in by a longing to end a longing
by buying or selling themselves or their drug.
I kept myself awake far longer than I needed to
wondering and raging and reproaching myself 
for wondering and raging. It was no business
of mine beyond the nuisance of being roused
from two AM to three AM.  All the fear
and righteous thought I soaked in
for an hour after that

was a stale old problem I borrowed
from the bank of pain I keep
and owe and curse,
where I cannot seem
to close my account.


Waiting Out The Storm

To remain asleep in this storm,
waiting it out while the snow piles up,
is a white comfort in a whitening landscape.
You can lie there and think about

what you are going to do
when what’s outside
no longer matches up
to what you think you’ve been seeing.
When you find it’s all been a cover up,
will you die or explode? Or will you
step out and see the green and gold light
on the brown earth? When spring comes
will you allow yourself to be happy?

You think about that now while you’re seeing
the whiteness covering everything.
You think about that and stop pretending
it’s never going to go away.


Survivalist

I sit up in bed and stare at the ceiling
as if it is going to sink down upon me
like a car compactor at any moment
and push me into two dimensions from three,

and at the side walls as if they would slide over
to meet each other and take me
from two dimensions into one,

and then toward the foot of the bed
to see if that wall will come up
and crush my newly linear self into a single point. 

A vanishing point, maybe. 
A pixel on a screen, perhaps. 

I have faith that none of this
will hurt, no blood will flow from me,
my bones will simply telescope shut
and compress into memory.

A single point seems indestructible enough.
A single point can slide through any catastrophe.
Infinite lines can pass through a single point
and it will remain indelibly itself.
I can do that.  I can be myself,
reduced to holding infinity stretching
in all directions. 

It seems far better to do that,
to enable that which remains,
to be a mere point
allowing others to intersect
and extend themselves,

than to wring these temporary hands
over the loss of my identity
to the weight of looming darkness.


Sea Mammals

Manatees (AKA “sea cows”)
are favored for their cuddly bulk. Orcas
get a viral reputation for gang
action. Big whales are everybody’s
best mystical gymnasts, dolphins
sexy slick bobbers. Seals reek up
beaches and docks but damn,
they’re cute as hell. Sea otters
rock and carry rocks, lie around
floating handsomely.  We want them
all working hard to make us feel 
connected to something larger
than ourselves, our puny little
destroyer selves, and if they don’t
we’ll flutter our left hands in dismay
as our right hands snuff them out.


Mercy On A Cold Morning

The mercy of a calm cold morning
keeps me snug in my home,
safe from chaos.

I get to pretend I can’t hear
the roaring outside over the sound
of my comfortable furnace.

There’s not even a storm
to fret over. The sun’s bright,
the wind chill is rough

but I’ve seen and felt worse.
I can deal with that. 
It’s not the wind making the noise

that I’m hiding from. The roar I fear
is human, full of words
I can’t or won’t understand

that drilled through my sleep
and opened me
as screwworms might

but without leaving a visible trace.
The mercy of the cold morning
is that it keeps me

from stepping to the sound
and joining in. I can choose
to stay here and pretend

I hear nothing, can pretend
I won’t soon need
to become harmful as well.

From where I stand mercy
is a cold illusion I can indulge
as long as I stay inside,

so here I will stay 
for as long as I can, knowing
it cannot last and I am needed out there.


How To Be American

To be aghast 
at our ghosts
without admitting that
they remain among us
is to be willfully
American.

To be comfortable
in this haunted home,
oblivious to what 
some feel
in its most sunlit rooms, 
is to be carelessly
American.

To laugh off every
chill as merely historic
or imaginary,

to turn away from
the ancestral familiarity
of those faces of 
menace past and present,
is to be blindly
American.

Not to see
any of the ghosts,
not to see them
in every corridor, closet, 
basement, school,
prison, or mirror,
is to be resolutely
American, is practically

to define
“American”, is the
quintessential practice

of being
American.


In A Time Of War You Seize The Nearest Weapon

There’s so little inside me
you’d think I was a balloon
if I didn’t weigh this much.

I’m not a balloon. What, then?
Maybe a hollow iron sphere.
Steel encapsulation.

Knock on me and I make
a pleasing sound. I’m a bell,
a closed bell, dark inside.

Knock on me and see
if you can understand what I say.
I’ve spoken an empty tongue since birth.

Now I’m old and resigned to it, but
there was a time when I tried
to crack myself open and become a full throat. 

It never worked. Here I am, then,
a hard ball of air. When things are hot,
it’s hot air; when things are cold, you can guess.

Things are hot right now and I’m boiling.
Not likely to crack but if you swing me, I’ll bust heads.
If it gets cold, I can break them just as well.

Understand one thing, though: I’m not one of you,
will never be.  I’m the big hard void and will be,
before and after your war. You need a bell like me.

I do tend to ring your way. It’s an accident, really;
a mistake 
in your favor. Think of me as eraser,
here to shift the ledger; to wreck it

and in the process of wrecking it
to crack myself open at last,
make my one rightful noise, then shatter.

I have no illusions. You won’t want me
then. Will have no need of my voice
once the breaking’s done. In a time of war

you seize the nearest weapon. I’m ready.
I’m your rock, your branch, your 
morningstar. Let’s swing. Let’s sing.


Requirements

Start reimagining 
that flag
is a door anytime
you see it 
upended. See it
as a locked door
with a code
to enter. 

Start picturing
an eagle
in tears, starving
because it’s exhausted
and cannot feed
with its wings up
and its talons full
like that for all
these years.

Start wondering
what’s under 
your Uncle Sam’s 
hat, why he
looks so pissed
as he points at you:
you thought you
were tight, after all
you’re family or
so you were told.

Start wondering
where that dollar bill
has been, where
they’ve all been. Start
thinking about them
in your pocket, your hand,
resting on your bare skin;
who paid for what with them
before they came to you.

Start imagining
how hard
you will have to kick
to take down that door.
Think about what might be on
the other side
until your foot
twitches without you
willing it.


I Wake Up In Despair

Revision.  Posted originally in April, 2016.

I wake up in despair most mornings.
Each day slants uphill.
It takes everything I have to climb it.

I wake up in despair most mornings
but find comfort in knowing 
things that no Pharaoh can know;

how, for instance, to pick myself up
without an entourage to help me; how in fact
to get by with no entourage, neither in celebration

nor in sorrow; how to fall down back-broken
and get back up again next day for another round
with nothing but what’s in me to pull me up.

I wake in despair most mornings. Each day
bores me: sometimes with a dull drill, sometimes
with a chisel of same and same and same again.

I wake in despair most mornings 
but find comfort in knowing
things that a boss can’t know, or has forgotten;

how to do the dirtiest bits of a dozen jobs, for example;
how to take the next step when it’s time, how to 
fix the broken piece, how not to fail

from seven AM to lunch, how to stay awake
from lunch to three PM and longer
if three PM becomes 5 PM or later.

I wake in despair most mornings knowing
how little of my life is open to me, based on
how much time I have to spend recovering from the rest of it.

I wake in despair most mornings
but I can almost get to glee in knowing
what a king does not, what they may never know;

how to run riot in the streets to spite all my aches and pains,
how to run riot in the streets with all the others aching and pained,
how to run riot in the streets knowing how little time I likely have.

I wake and run riot knowing that ahead of me, somewhere
cowering, somewhere hiding behind mere walls, 
a king, a boss, and a Pharaoh are themselves in despair,

filled with the knowledge
of their lack of knowledge
about anything that needs to be done,

and in spite of the odds and the guns
and the war any of them could muster,
I no longer share their despair.


Ghost Apples

Look at you lamenting
the disappearance of apple pie.

Sitting around all day cussing
the bad apples you have to work with.

Muttering about the past, the crust,
the way it used to be.

No one talks up old-fashioned apple pie 
like someone who thinks

the only good apple
is a ghost apple.

Those good apples, you say,
made great pies.

You can till taste them 
if you try.  We need to bake them

again.  Need better apples.
Need a sturdier crust.

Make apple pies great again,
you say. Get rid of the bad, bad apples.

I’m a good apple, I promise, one
fallen far from your tree,

and I don’t want to be
part of any pie although

I’m as American
as you know what.

Keep longing, keep
imagining old-fashioned flavor.

Those ghost apples will leave you
hungry, famished, starving,

strangling on dry crust.
Meanwhile, I’m doing fine

on a diet
of what’s in front of me,

not on what’s long gone
and left behind, 

and there’s not a bad apple
in sight.


Taking Down The Ruins

a spider
in a corner
cocooning
a beetle holding 
remains of joy
in its jaws.

mice nibbling
final hopes
spilled across
a dusty 
kitchen floor.

masses of wind
fling themselves against
windows that are
slowly but surely
giving in
to the battering.

on and on,
house by house,
block by block, 
city after town
after farm after town 
after city. 

almost all of The People
have disappeared.
anyone left
expecting to hear
other voices
hears nothing

but the sounds of

earth scavenging
what’s left and 
taking down the ruins.


Reenactment

There’s a shooting —
maybe at a school or 
a night club —

or an injustice — rights
being taken from someone
or a swift deportation and
separation from family —

or a scandal — a sex thing
or maybe it’s espionage
or a mix of both —

and while shaking your head
and exclaiming your now-routine
amazement and shock 
at such goings on

you are shocked and amazed
all over again when your head
falls right off
and rolls 
across the ground
for what seems 
like an eon
before it comes to rest

against a Civil War replica cannon
being used in a reenactment 

and without warning your head
gets rammed down the barrel 
and in a blast of sulfur and flame
you are flying toward the other side

your loose and empty head
having become someone else’s ammo
for this drawn out massacre called
The American Experience
and you realize

if you had just had your head
tied a little more tightly 
to something solid
like an understanding of history
to hold it down
instead of being so floaty
with reaction and awe at
the everyday more of the same

you might have avoided this

you might have at least been 
the one firing the cannon

you might at best have been
the one who stopped it from firing


Describe The Glass

Here stands
the glass.

Here stands
the question: is it
half full or half empty?

Of course we know,
intellectually,
that it’s full, always. 
Whatever that clear
liquid is, it stops where
the air begins and thus
the glass is filled with both
at once in equal measures.

To press the metaphor further,

let us pose the question
another way:
how do you feel
about water, how do you feel
about air?  Which do you
side with in your observation
of the glass before you?

If you choose air,
do you say what’s there is enough
to fill and overflow and
thus the glass is brimming 
of air, air laden with traces
of war from world over or wildfires
from half a continent over,
air which the world calls clean
and then says that
is the same thing as being 
half empty? 

If you choose water — 
do you assume what you see 
is water? Perhaps it is not,
but let us assume for the press
of metaphor that it is;
let us further assume 

it is clean water,
unadulterated, water not from, say, 
Flint or Standing Rock, with
no added solids to complicate 
the question; do you choose
water with all its uncertainties
and say the glass is bottom-full 
of water, which the world says
is the same as being half full?

There plays the news,
there lies the country — 

when you look at the news,
when you look at the country,
is the glass half full
or half empty? 
If half full, is your half full
a clean fill, if half empty,
is your half empty
crisp and honest?

When the metaphor is pressed
will you say that in truth it’s
nothing but shattered 
and the space where it was 
is now broken and boundless,
full only of wind and flood 
and storm and poison?

There stands the question.
There stands the glass.
There you stand between them,

asked to describe
the state of the 
glass when you aren’t sure
there is any glass
there at all. 


Silent Alarm

I’m so tired 
of all this outrage, tongues

clacking surprise,
horror, post-verbal wringing

of digital hands
in cyberspace. I mean, it’s been

a colony for a minute now.
People keep forgetting — 

one privilege of being
a colonizer, I guess, no matter

how many generations you are
removed from the first,

is that you are alllowed
to forget

how the good old gears
turn and grind and

who and how many get ground
changes, but the colony itself

always remembers 
that it was built to grind. 

I am trying to be like
everyone else around me 

and be shocked and surprised
and wring my hands

and say the right things
but I can’t.

I can’t. I feel alone
here because none of this

seems new to me except
this general bewilderment 

that it’s happening, as if
all the shrill wailing of history was in fact

a silent alarm and only some
heard it, while others have had it

in their ears from birth; now it seems
everyone can hear it, 

but most are paralyzed,
and those still in motion

are scattered and separate,
grains fallen unground from the mill.

After centuries
of listening to that,

the wailing is
an insult

almost as loud to me
as the grinding.