Tag Archives: political poems

Taking Down The Ruins

a spider
in a corner
cocooning
a beetle holding 
remains of joy
in its jaws.

mice nibbling
final hopes
spilled across
a dusty 
kitchen floor.

masses of wind
fling themselves against
windows that are
slowly but surely
giving in
to the battering.

on and on,
house by house,
block by block, 
city after town
after farm after town 
after city. 

almost all of The People
have disappeared.
anyone left
expecting to hear
other voices
hears nothing

but the sounds of

earth scavenging
what’s left and 
taking down the ruins.


Reenactment

There’s a shooting —
maybe at a school or 
a night club —

or an injustice — rights
being taken from someone
or a swift deportation and
separation from family —

or a scandal — a sex thing
or maybe it’s espionage
or a mix of both —

and while shaking your head
and exclaiming your now-routine
amazement and shock 
at such goings on

you are shocked and amazed
all over again when your head
falls right off
and rolls 
across the ground
for what seems 
like an eon
before it comes to rest

against a Civil War replica cannon
being used in a reenactment 

and without warning your head
gets rammed down the barrel 
and in a blast of sulfur and flame
you are flying toward the other side

your loose and empty head
having become someone else’s ammo
for this drawn out massacre called
The American Experience
and you realize

if you had just had your head
tied a little more tightly 
to something solid
like an understanding of history
to hold it down
instead of being so floaty
with reaction and awe at
the everyday more of the same

you might have avoided this

you might have at least been 
the one firing the cannon

you might at best have been
the one who stopped it from firing


Describe The Glass

Here stands
the glass.

Here stands
the question: is it
half full or half empty?

Of course we know,
intellectually,
that it’s full, always. 
Whatever that clear
liquid is, it stops where
the air begins and thus
the glass is filled with both
at once in equal measures.

To press the metaphor further,

let us pose the question
another way:
how do you feel
about water, how do you feel
about air?  Which do you
side with in your observation
of the glass before you?

If you choose air,
do you say what’s there is enough
to fill and overflow and
thus the glass is brimming 
of air, air laden with traces
of war from world over or wildfires
from half a continent over,
air which the world calls clean
and then says that
is the same thing as being 
half empty? 

If you choose water — 
do you assume what you see 
is water? Perhaps it is not,
but let us assume for the press
of metaphor that it is;
let us further assume 

it is clean water,
unadulterated, water not from, say, 
Flint or Standing Rock, with
no added solids to complicate 
the question; do you choose
water with all its uncertainties
and say the glass is bottom-full 
of water, which the world says
is the same as being half full?

There plays the news,
there lies the country — 

when you look at the news,
when you look at the country,
is the glass half full
or half empty? 
If half full, is your half full
a clean fill, if half empty,
is your half empty
crisp and honest?

When the metaphor is pressed
will you say that in truth it’s
nothing but shattered 
and the space where it was 
is now broken and boundless,
full only of wind and flood 
and storm and poison?

There stands the question.
There stands the glass.
There you stand between them,

asked to describe
the state of the 
glass when you aren’t sure
there is any glass
there at all. 


Silent Alarm

I’m so tired 
of all this outrage, tongues

clacking surprise,
horror, post-verbal wringing

of digital hands
in cyberspace. I mean, it’s been

a colony for a minute now.
People keep forgetting — 

one privilege of being
a colonizer, I guess, no matter

how many generations you are
removed from the first,

is that you are alllowed
to forget

how the good old gears
turn and grind and

who and how many get ground
changes, but the colony itself

always remembers 
that it was built to grind. 

I am trying to be like
everyone else around me 

and be shocked and surprised
and wring my hands

and say the right things
but I can’t.

I can’t. I feel alone
here because none of this

seems new to me except
this general bewilderment 

that it’s happening, as if
all the shrill wailing of history was in fact

a silent alarm and only some
heard it, while others have had it

in their ears from birth; now it seems
everyone can hear it, 

but most are paralyzed,
and those still in motion

are scattered and separate,
grains fallen unground from the mill.

After centuries
of listening to that,

the wailing is
an insult

almost as loud to me
as the grinding.


Pitchforks

American Gothic is a very famous painting
Experts like to argue about which America it’s about
But one thing I think we can all agree on
is that the picture is centered on a pitchfork

We like to think we’re better than them
We like to think we’re beyond all that
We like to think we’re not the ones
who are supposed to hold the pitchfork

Our biggest problem 
is that out of an excess of kindness
we’ve let the other side pick up
all the torches and pitchforks

No one’s scared of
any of us because 
we said “this can’t be happening”
instead of “where’s my pitchfork”

Stop thinking of it as the exclusive tool of the devil
It’s just another tool on the rack
We can’t make hay while our sun dims
unless we learn our way around a pitchfork

Boycotts chants and votes all matter
and they matter even more when
it’s clear that behind the words
are the tines of a forest of pitchforks

And it is good to punch the obvious ones
but we’ll eventually have to get around
to watching a billionaire wriggle
on the end of a pitchfork

So go and look at that painting
Put yourself in it whoever you are
No one in there looks happy but they sure as hell
have a solid hold on that blessed pitchfork


The Flying Monkeys

The flying monkeys flew in
from Oz to suburbia
and landed just in time
for Sunday dinner.

Sat there on the neat margins
between the sidewalks and the curbs —
crouching on the fresh cut grass,
shitting on the blade savaged dandelions. 

Did you know there is a word
for that strip of green between?
It’s called “the verge.” The flying monkeys
were on the verge

that Sunday. Jackets,
hats, attitudes intact, acting
exactly as we’d expect: tails tucked,
wings folded, waiting for orders.

Down the block from here
someone cracked a screen door
and said, “You look hungry. Why don’t you
come in for a bite,” to the ones

perched outside their house.
One by one the monkeys filed inside.
The neighborhood was dead quiet.
What was going on in there?

The monkeys came out hours later
dressed in the clothes of the folks
who had invited them in, who followed
the monkeys 
naked into the streets,

who stood passive as they were taken
and lifted 
and carried higher and higher,
seeming to rise almost forever
until they vanished; 
then some among us

rushed to proclaim this
the Rapture at last while others
simply laughed and clapped their hands
along with the suddenly welcome

flying monkeys and their magical
flight plans, and more and more
stripped and flew, stripped and flew,
and the monkeys took over

their empty homes and their jobs,
their routines. They folded up 
their wings tight under T-shirts
and mowed the lawns and even

the verges, sat out sunning themselves
in their yards in swimsuits, their tails
slung lazily to one side of the lounge chairs
or the other. That’s how it’s been for a while now;

now and then, a distant scream; now and then,
decomp on the wind as if somewhere
there’s a huge and growing pile of broken bodies
in a valley just beyond the verge of sight.

Those of us left aren’t saying much.
There are a lot of monkeys around,
and frankly we can’t tell the difference
anymore. Not sure

who’s giving the orders about
who flies and who gets flown, who rises
and who falls. We fret, we fear,
we whisper to each other that old line,

“these things must be done delicately,”
even though it’s clear 
that for the monkeys, that’s no longer true:
no. No, they most certainly do not.


The Apocalypse Began This Morning

The Apocalypse began this morning. I am sure of it; I dreamed it, and as I rarely dream of anything at all, I rely on the few I have to tell me the truth. 
 
As it began, I wore a blue beaded jacket I found in some ruins, and stood together with others as we tried to work out details of sanitation and shelter. I was alone in that no one I knew was with me; not alone at all as we cared for each other’s needs.
 
At one point the air was filled with strange and majestic music as a pickup truck drove swiftly by, followed closely by a garbage truck driven by uniformed cops, a few of whom rode on the sides as well.
 
They did not look at us, and as they passed the music faded from the sky and the first night of a new age began to fall.

I do not recall any more of this, but I am afraid and hope-filled at once; all this before breakfast, before the second cup of coffee.


Poems About Love

The man claimed
his poem was about love
but it was about 
fucking and only fucking.

We wanted love poems that smelled
of bullets and instead got this 
rose and mountain stream,
fresh bread and snowdrop scent. 

We wanted to hear love poems
about Babylon falling
and fires in the streets,
but instead got this wordy mess

about hydraulics and heat transfer, 
not at all the same as the fire 
we longed for. Love sometimes demands
a war song. Love is often

a hand up to a streeted body
and a slap across authority’s 
mouth, or at least it should be.
Love sometimes looks like 

riot wounds and how we tenderly
clasp another’s tired hands
in our own after a revolution,
but all this poet can say

is that he wants to be inside,
inside, when all we want of love
is for someone to bleed alongside us
as we fight to come in out of the cold.


President Icebreaker

This country once,
to some or perhaps most,
looked solid and white from above,

much like a blank paper, perhaps like
the back of a page in a history
text book or the back of a facsimile
of a foundational document,

or most of all, like a sea of deadly cold
covered by an ice pack.

When the Captains of Industry
and Control finally decided 
it had gone on long enough and
brought in an Icebreaker,
when they finally chose to lose the illusion
and let everyone in on the open secret,
when they decided they simply
didn’t care anymore about hiding the truth,
started breaking the ice wide enough apart
to make their greed work less difficult
and thus made it so folks could see
deep cold ocean beneath,
killer ocean that had always been there,

it staggered those
who’d been fighting drowning all their lives
while stuffed below the ice forever and a day

to see how the broken floes
who’d thought they were solid and safe
gave up their volition and sense
to get behind the Icebreaker itself
as it portrayed itself as
a savior of the great white pack,
who thought they’d make it when the ship
got through and showed
how thin the ice had always been,

how the solidity had been fragile from the start
and the fact that it hid the cruel sea under it
was the only reason it had been allowed
to last as long as it had.


Thirteen Ways Of Looking At A Tyrant (after Wallace Stevens)

I

The tyrant is not himself magical.
The tyrant is nothing himself but
the result of a spell.

II

There are some who say
his name is magical. They say
he cannot remain a tyrant
if we do not
say his name.

III

There are some
who call him
by his grandfather’s name.

They
agree with the tyrant
that some names
are less powerful
for their foreign origin.

IV

The tyrant is
utterly himself. The tyrant
is always present, in the moment,
a bruise or fresh gash.

V

Dare we admit that
something in us is thrilled
that the tyrant has unmasked
the perpetual tyranny
that preceded him here?

VI

The tyrant’s mood
is easy in the morning,
easy in the evening. The tyrant’s mood
is always easier to read
than predict. 

VII

The tyrant walks among men
as if he were thin and everything
about him were golden. He 
walks among women as if
he needs, when among them,
to stretch an arm, to reach out.

VIII

The long game, the short game.
The endless hours riding around
outdoors. The sun on his scalp,
yet the tyrant will not believe
in the sun.

IX

While wringing their hands
over the tyrant’s deeds and words

some fall into a shadow
and never come out again.

X

A tyrant, any tyrant,
must breathe the same air
as everyone else, but

more of it. This tyrant
draws like a furnace, 
chimney gone wild with flame.

XI

There are not yet enough songs
to suck air from under the tyrant’s wings.

XII

The tyrant sits up late, 
speaks to the dark, never dreams
without acting out the dream.

XIII

What a tyrant does, says,
what a tyrant is, is nothing new.
What’s new: this tyrant 

on a branch above the schoolyard,
staring at our children.  This tyrant
in the doorway of the bedroom, drooling
over us.  This tyrant bedecked

in a throng of blackbirds
adoring him, waiting for us
to take our hands

from our eyes.


Freedom Of Choice

Sometimes it’s good 
to give up and become
a camera in order to

choose a long view over
a close up, deciding upon what
to focus to the exclusion

of all else.  Sometimes
it’s better to shrug and become
a microphone hooked to a 

recorder and catch all the noise
for you to sift and edit to your tastes
later.  Sometimes it’s best of all

to write yourself a role in a grand play
and play it in context, with measured,
mannered voice.

Then comes the moment 
when you cannot transform into
the tool or medium of your choice

and you are forced
to be human, 
finally aware of how much

you have been privileged
to experience life
on whatever terms you chose,

and next you may rage and roil in pain
or fall into a swamp of tears,
but that is when you will begin to understand

that from then on, whenever
you are moved to reach for art,
art will no longer be a choice.


whitenoise

from birth
you were walked
blindered into 
forest
forever bumping into
trees

stumbling off path
into a swamp
(as was intended)

your steps
sucking so loud
can’t hear a way out

and not like it’s easy to 
grope a way back
hands on trees
you can’t see
in a forest 
you can’t see
all you’ve got is your ears
but once you’re out of
the worst of the swamp
it’s all one white blur
of whitenoise

you’ll need a good brown voice
in your ear to find your way
outta here

and it will tell you
the first step
is to open your eyes
and see where the whitenoise
is coming from
and the second step is
to shut up

it must follow
that the third  
is to listen


What It Takes To Break Them Down

The grand mistake
of thinking you can do this in short order,
the grand mistake that gets you going.

Burning through shoe leather, and 
having the willingness to face
eventual bullets.

The entertained thought
of your own need for 
eventual bullets.

Shaking it off, then
letting it come back to rest
near the ancestors’ graves, if needed.

Shoe leather, again.
Cardboard for signs,
short money shared for bail.

A promise to take care of 
kids if…A promise to keep going
if…promises to…keep promises…

Wary eyes
on supposed alliances
made from necessity.

Hunger, thirst,
comfort, vinegar, bandanas,
holy lies, selective deceit, stealth.

End of the world as we know it.
End of the world we don’t.
Lying down to sleep in a world no one knows.

Hope? Honor? Success?
Don’t hold your breath looking for it
in a mirror. A telescope, maybe.


“The Great Man”

often portrayed smiling
with hands outstretched to all
and sundry

historically 
has almost always been
also a hangman
in some sense

hooded

holding
someone else’s noose

putting it over
someone else’s head

pulling someone else’s
lever

he smiles in public
in order to get
the hangman’s job

he wears the hood
so you can’t see
he’s still smiling


Unsaid

I will not say
they are animals.
Their behaviors are
far too human. 

I will not call them
stupid as what they’re
doing seems to be
focused and working.

I will not say
this is temporary,
that at heart I’m sure
they’re fine people.

I will not say
they have some
good ideas. They do
say what many

are thinking
but until this were
afraid to speak aloud.
They aren’t afraid anymore.

I will not say 
there’s no hidden
agenda. Someone’s
certainly not talking

about something,
because somehow
certain people win
regardless of public

knowledge, regardless
of apparent opposition
by the powerful. Regardless
it always seems to work out

for the same people.
I will not name them.
You know them, I know them,
they don’t care who knows.

All these ideas and words
I’ve left unsaid are things
people know, and they
either detest them

but despair of changing them
or they dismiss them and think
they will be gone soon or
they love them and are

sitting pretty with those ideas and words
in their laps as if they were darling
children with full sets of teeth
from birth to go along with

their deep yellow eyes.
I will not call them by their names
but I will not avoid those eyes,
I will not refrain from cracking their teeth

if I get the chance
before I am devoured.