Tag Archives: political poems

Chordophones

The guitars my country of old men loves to hear
support the binary my country of old men adores.
They must have either six or twelve strings,
must be either acoustic or electric.

My country of old men mostly loves only songs
that are played on guitars. If there are
mandolins or banjos in the song they must be
there only as adjunct to guitars. Ukuleles

have their place among the acceptable
for their chiming and their cute faces; they look like
infant guitars to the old men and who would take
such candy from babies? They’ll surely outgrow them.

A bass guitar is acceptable; this is why it is called
a guitar. Any other instrument with strings
is inferior to guitar and should be at best
relegated to guitar support, say the old men

of my country. This is why no one around here
recognizes any kind of cuatro or knows what a saz is,
why no one has ever heard a vihuela, a charango,
a guitarra de Lisboa.

Those who play such dangerous instruments
keep to themselves around here for fear of
my country of old men. You have to spin the dials
a long time on secret radios to hear any of them played.

It’s as if the old men
know this would be
a different country if everyone
heard those sounds.


The Stench

Revised from 8/28/2020.

In first light I see
the black cat waiting for her food
below her perch in the kitchen window.

“Jump up, beautiful girl — you
can do it!”

She leaps up light,
lands heavy, settles in
to treats and wet food. The calico
does the same for her bowl across the room;
they are, for the moment, content.

I allow myself a weak smile
before I start the coffee,
before the scent fills the kitchen,
before I look out the front windows,
before I take a breath
of the Stench out there
and ask the daily questions:

dare I turn on the television,
open my mail, think of how things
might be getting better or worse?
Dare I count the dead? Dare I count
sneers and curses? Dare I measure or note
the indifference of the alleged good majority
and call them out as the source of this smell?

It’s taken me far too long to call this as I sense this:
that it is not behavior seen or anger heard
nearly as much as it is an odor that chokes me,
makes everything taste less healthy;
odor so thick it coats my skin,
distorts my touch; a pale Stench
from a host of dark graves;
blood so soaked into our soil
that it stains every foundation
and leaks into the roots
of every tree and blade of grass.

In spite of how I choke upon the Stench
the cats seem to ignore it, are purring and happy,
falling back to sleep in their favorite spots
before I pour my first cup of coffee. I suck it down
and here I am again, wondering if today is the day
that I will suffocate at last.

One cat sneezes. I look up to see
the calico stretching. She wheezes a bit.
Might be the Stench,
might be simpler than that.

I’m sure it’s simpler than that.

My love is still asleep still in the next room.
All I want is for her to live through this
and thrive again, breathe clean again.
For myself? All I ask
is that I live long enough
to help clear the air.




Tradition

The lights going out,
the body count,
the murderous twitching
of hollering masses.

Fire, flood,
etc.; a terrifying
traditional list of plagues
and calamities; nothing
undocumented
or unprophesied.

You stare
at pictures of small, cute, furry.
All you want
is to put your arms around
a baby alpaca.

That’s also a tradition:
putting your trust in the belief
that the New World
will save you from the Old.


Columbus Again

waking again surprised to be
still alive this far out to sea
so far from the shore
and grounded living

awake same time daily
then fall right back to sleep
upon seeing and feeling
the same old drift

you have to wonder
if this started with Columbus
thirty five days into his voyage
not knowing the next day

would change all forever
you have to wonder how
he expressed his hope
to his men and to himself

that they would land somewhere full of plunder
and how many today
are rolling their hands
over and over against each other

with the same hope
that the new world on
the other side of this long drift
will offer them good luck and fortune

(no matter who else dies for it)
once this rotten ship
scrapes bottom upon
a yet unknown shore



Excruciating Detail

Into excruciating detail we go.
We approach any fire focused on the embers at the edge.
We can describe the craquelure of each coal.
We can say whatever we want of shades and gradations
as long as we don’t speak of how close we are to being consumed.

Into excruciating detail we go.
We see haze and make up numbers to explain its depth.
We see smoke and metaphor it as dragon, as mushroom, as column.
We can say whatever we want of thickness and color and height
as long as we don’t choke on the constant approach of disaster.

Into excruciating detail we go.
We smell every singe on each hair currently on fire.
We speak of sweet and sour and acrid and my God, no words.
We can say whatever we want about the length of any given flame
as long as we ignore how bright and how hot we have become.


Cage Songs

Birds don’t sing
for freedom they already have.

Birds sing
for what they desire.

Imprison someone long enough
and they will learn to sing.

Prisoners who can hear birds
will offer cage songs in response.

Any prisoner who learns
how to sing cage songs

will eventually learn
how to make them beautiful.

The warden wants to keep them
from being free.

They will take
the cage songs from the singers,

sell them to the world,
call them freedom songs.

All those freedom songs began
as cage songs rising

in the throats of those
who have been locked down.

Listen to them, the warden says.
Listen to them singing like birds.

The warden might be telling the truth
but you would have to ask a prisoner

to be certain, and no one
wants that to happen. After all

your own chains
might be at risk.

You might feel
a powerful need to sing.


Dropping

Most mornings —
hell, every morning —

are for staring straight up
at those dots
stuck like pinholes
into the clouds, dots
growing larger against
the once-blessed sky.

Waiting all day
and long into the night,
shielding ourselves from
them —

all those shoes
dropping.


Tiny Movements

I keep catching tiny movements
in corners of the house. I look more closely
and find…nothing. But I’m sure of what I saw.

Something is here that stays only enough out of sight
to be elusive and yet comes into view often enough
to make it impossible to ignore.

Perhaps I’m losing my mind from seeing
all the demons we always knew were there
in the outside world coming out from under rocks

and crawling out of the garbage. Then again,
I’m assuming bad intent here. Maybe these are
benevolent? Then why hide? I could use a friend.

Maybe they came here
to hide from the demons
only to find me, and that is why they hide.

All I know for sure is that I’m getting used
to the idea of the unseen appearing in corners
I never used to look at

and in spite of myself, I’m beginning to think
that it might not be safer to keep my eyes closed,
but it might be more comfortable in the short run.


Someone

That was never a border
until Someone made it one
in your name whether you cared
or not. Once it was there
you were expected to agree
with it and with all that it took
to keep it a border, from a wall
to a law. You were expected to be
fine with how those coming this way
were kept out, no matter how badly
the starved or sickened or died of thirst
or bullets. You were expected to forget
about their children and those cages and
those tinfoil blankets and how illness took them
and takes them and how Someone
takes them and trades them out
to terror homes and no one will find them
but they get to stay here since they’ve vanished
already and for Someone that counts as compassion
even as they call bottles of water left for future crossers
on this side of that made-up line
a form of treason. You are expected to forget
all Someone did there in favor of new outrages
upon which to focus your outlaw compassion —
but, do not forget. Do not forget that
Someone started there and
what you see there will be done over and over
here there and everywhere until you are unable
to focus and you surrender just as Someone
is waiting for you to do.


The Road Taken

Now we are at remarkable.
Passed intriguing and interesting
long ago. Deep into ourselves
we’ve gone and look at the time:
how we marvel at the long run,
at how we fascinate ourselves with ourselves.

Around the corner is obsession.
Around the corner is a track that will take us
off into the trees on the hills above the lake
on the down side of the road. There will be
no turning back once we’re there.

We took this route not expecting we’d be
so into ourselves that we’d be unable to see
others. That we’d be stuck on a road
between drowning and tumbling over rocks
and have to follow it right to the end
into whatever abattoir might be sitting there.

If you sniff the wind, you can tell
how close we’re getting. You’ll call it
perfume, of course. In your head it will smell
like the colors of the flag. Like an eagle
not tearing at your back.


Not Again

Not again:

obvious lie,
the words alone
a weak response
to the moment.

Of course it’s about
to happen again.

I am tired 
of saying it.

I’ve been so tied
to repeating those words
for so long
that my hand
has gone dead
for much beyond 
cutting sad food and 
trembling.

Any magic
that would work now

will have to move 
beyond chanting.

Silver bullets.
Sacred daggers.

An army raised
in the land of
vengeful dead.


Broom

out in the streets —
massed like bristles
in a new broom

an urgent cleansing
in progress —
shaking off dust

chanting —
sound of layers of filth
beginning to shift

what was built from dirt
cannot stand —
new broom wrecking all


Play By Play

Tune in twenty-four
seven for the melody
of the moment. Explosions

and big deaths,
laws broken and hard weather
all get sung the same.

The newsreaders sing
the cadence of sport, sing
like play by play reporters.

They throw it to the sidelines 
where generically
handsome people
add touches of color to

their black and white
depictions of struggle
made simple and easy to

swallow. Every
story reduced
to winning and losing,

even if all there is
is loss. There is rarely
any story where

all are winning. That’s
not American enough.
Can’t be number one

without there being
a number two. They sing
that song in spite of

the fire behind them:
lullaby, fight song
for the last quarter.

Enough to make you turn it off
and go wail in a corner
waiting for silence to take over

and make you forget.
Make you want to stop caring
for any of it. Almost

as if 
that was the plan from
the starting gun.


Red Onions

The red onions are trying to kill us all
with germ tricks they learned from the lettuce
the chicken and beef
and poisonous canned shrooms
The next door neighbors are in on it too
They’re nasty people 

Everything is trying to kill us
I ate a whole pizza by myself last night
The pizza made me do it
It is trying to kill me

It’s scary out there
and in here too 
I took my blood glucose reading this AM
and it wasn’t as high as you’d expect
after a whole pizza
and a night of sloth 
It’s killing me slow
the bastard disease
of my bastard pancreas

Not like the neighbors who want me 
gone quick
those 
diseased bastards

I wear the mask of the moment
but it’s more so the killers don’t recognize me
in some unexpected moment when I am alone
than in the belief that it will save me from anything
in this place where everything is trying to kill us
even the red onions and the bad fats in the good food
and the sugar and the Nazis and my own head-sauce
full of bad things and all the flags that mean anger
is going to win today instead of any single moment of joy

I never trusted the chicken I admit
My neighbors keep chickens
so I’ve seen them in action
The eggs are suspect as well
but it is the betrayal of the red onions I feel most 
How I once loved their transparent skin
and the full bite of the first bite in my mouth
I loved that more than I have ever loved my neighbors
I expected the worst from them but not you
my produce my food my sustenance my flavor

I will hunker down with Oreos and pure white sugar
I will maintain my diligence
Keep a watch on my neighbors with new glasses

At night I will eat white onions in spite
Rip off my mask and breathe on their doorknobs
Smear red onions on their car seats when they are asleep
I will die before I let them not die as I am dying
Betrayed by the food and the air
and the eyes peering through the near-closed blinds
of all the neighbors watching to see who will fall

You can hear a recording of this piece with music here: https://soundcloud.com/radioactiveart/red-onions


By Default

I wear the name
“American”
by default only.

It’s not a name
that feels like
a good fit, but in truth

that ill-fit feeling
is as American
an experience

as feeling snug and comfy
when you put the name on.
In fact

the entirety
of American experience
is the history of 

the party of the Snug and Comfy
telling the party of
the Ill-Fitting Name

that one name
fits everyone when in truth
the party of the first part

is only snug and comfy
because the party of the second part
has been made uncomfortable,

and of the discomforted
striving to make the name
fit them as well

when in truth
it wasn’t made
to do that.

I call myself
American 
by default

but I keep trying
for a better fit and 
I see all my fellow

uncomfortable
Americans pushing 
the seams and taking in

the loose fabric
because it’s either do this,
keep living lives of noisy

desperation, or
die of exposure — but  
since that’s what 

the snug and comfy live for,
I swear by the bodies
of all who went before and

will come after, as well as
those here now,
that whatever it takes

to make it so, 
they cannot win and this suit
is going to fit.