Tag Archives: poetry

Unity

Ain’t it grand
to have a brain,
abrasive and sharp
yet guided by a pair of eyes
that steady it as it grows
impatient with unreasonable
living; with the contradictory demands
of people upon themselves and their stubborn
insistence that they are not the agents
of their being, that they are completely
at the mercy of events and others’ judgments
and actions.  Ain’t it grand

to recognize yourself
in their pleading, to sit back and reflect
with your brilliant brain upon what you’ve seen,
and see how you have done the same
and continue to do so.

Ain’t it the perfect touch
when you reflect on the worst fallacy of all —
that you claim to stand separate from yourself at times,
that you are not only not in charge but on occasion
are completely independent of the mess around you,
you stand watching yourself act, you claim
not to believe you are that person
doing such horrible things, such stupid things,
that your fiery, fence-leaping mind
is in abeyance at those times and,
much as you watch and marvel at the others
as they flounder, you try to insist
that you were not in control of those moments.

Ain’t it a joke and a half.

Ain’t it sweet when you fall at last
into unity, and realize that all those times
you were an idiot and an asshole
you were totally an asshole and idiot
and you begin to own your cruelty and idiocy
as expressions of your whole being,
that you are not split and cavernous within
built of rooms that do not connect
but are instead just another man
with sharp brain and sharp eyes
who could use them ever after
to hold yourself steady in place,
complete as you always have been,
not a demon box full of actors
but humbly, thoroughly whole
in the midst of the worst of your actions.
In the moment of that utter shame
you will sow and reap at once
the peace you’ve always insisted
was forever out of reach.

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In A City Where The Night Can Only Do What Must Be Done

this mad jerking
of my lip
is the projection
of my anxious mind
just before the just-past-prompt arrival
of expected guests

it reflects the white dirt flavor
that is coating my tongue
the chest pains I feel daily
and my forever aching knees

which I am certain
all presage something final
or at the least devastating
that is coming soon

when the friends were late
I was sure something wicked had happened

when they arrived it was as if
a bullet had whizzed by my ear
meant for them
and for me

it took a long time
to relax
and enjoy their visit

and I worried about them
when they left
could not sleep
or even lie still

then a gun or firecracker
went off somewhere
in the yards down the hill
suddenly
at the height of my panic
and I knew
however much I fretted
I would not know the moment
when it came
and I did stop worrying
and settled in to wait
calmly for any of whatever
was destined to happen

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Funeral Rites

Escort the dead
past their former homes,
stall the weeping
from inside those walls,
set the fallen at peace
with their new plane,
lay them into their holes
and then release all the pain
that has been pent up
to fly and cling to the stones
you set above the dead.

A monument needs those traces
to wrap it
for a monument stripped of memory
is nothing, just another rock
on a pool of earth
that holds something
now quite different from before
and not to be cherished
as anything worth consideration;

the stone and the memory
are where they have left themselves
for you.  What lies below
is returning to the greater whole,
is of no consequence, and in fact

what clings to the stone
will fly off eventually too,
to drift on wind and seep into streams
where it will be taken in by breath and sip
and so infiltrate
the living that still weep
now and then, a little less
now than before, until
what remains in the living

is less than a memory, more a belief
in the past as prelude
to the present, a small token
of the control and presence
that once walked and now flies
away from the pitiful leavings
we will revere for such a thankfully short time:

corpses
that will not hold us for long
as they are.

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Rock Festival

you are this
note in a crowd
of one hundred thousand notes
roared in connection
with the roar on stage
and hoping that your voice stands out
with every ripped bag in your lungs
and torn vocal cord
you roar as loud as you can
never to completely drown the amplifiers
the boulder tumble of drums
or stomach shaking bass
but what is in your chest now
comes out to join with those
for this is the animal of Mob
jousting and feinting at gallop
with what lends itself to your urge
to be a part of the struggle
that spends itself into a wave
rolling out from stage to you
and the cells that form the Beast
all around you
the blood and liver and skeleton
of the music
not truly real until it is played
live before its potential
gathered sweaty and prepared to lose itself
in the totality of
the Show

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Remember Me?

What does it say about me
that I’m still happy under your bed?

What does it say about you
that you know I’m still here
but won’t even look?

I am still your imaginary friend.
Do you remember my name?
Why are you are not thinking of me?
There have been whole years
where I mostly
can’t stop thinking about you
and the times when I can are not
predictable.  So why
am I so easy to forget?

I never told you this, but
thank you for your skin.
I liked your skin a lot
and when late hours blind my hands,

your skin still lights up
the ceiling and the walls.
I need that. Thank you.
You still give and give
even if you don’t want
to know me.

Oooh, so
creepy you have just become
with all that shield around you.
Did I touch you?  I did. Then,
and just now.

I can’t make you remember my name
but at least you know I’m here.

Once in a while
you really should peek at me
down here.
I’m just a little shiver now,
no flinty danger.

I’ll take a short time slot.

Please?

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The Palmist And The Pessimist

You have a long life line,
said the palmist.  I know,
I replied.  I’m already old. 

You have a symbol of great power
there too, she said. I know that
too, I said.  Tell me something
I don’t know.

Your hands
are empty, she said.  They were full
and now they are open
and waiting for the next gift
to fall into them.

That was news to me
who had never felt anything,
ever, of any weight or substance
in there.

Did you not feel my hands in yours,
warm, soft, and ready, she asked?
And I had not.

Ach, she said,
What is one
to do with someone like you
who asks for his fortune
to be revealed
when he cannot feel the one
that is already there?

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Social Networking

An ancient gentleman
in a cap
sat outside the cafe
and said to me, out of the blue,
in what I suspect
was an Albanian accent:

“Best friend. Fifty years,”

and held up a burning handrolled cigarette.

“I no speak English much.
I no speak without at all,
best friend, tobacco,
fifty years…”

And he laughed through brown peg teeth.

I could see what he meant.
Hell, we were talking, weren’t we?
And we hadn’t been.  Not till then,
and here he was being perfectly clear —
two friends laughing, perfectly clear, two of us
smoking together, holding our cigarettes
like talking sticks, taking turns
agreeing on friendship and sociability,
bridging gaps and silence
within a cloud of friendly, acrid smoke.

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My Town In Moonlight

I delight
in the way my town shines
in moonlight.

It seems
that the buildings and yards
are freely enjoying themselves,

which is why all my money
has crawled under a rock
and my gasoline has disappeared

back into the soil
to cry as it longs for cars
and travel

and a return to the days
when I only got by
by thinking about leaving and not coming back.

I delight now
in the moon shining
on the empty road outside,

on my closed garage
and depleted wallet, useless anyway
now that all the stores are closed.

For once, I don’t want for anything
and it’s enough to pretend
that this feeling will last.

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Fast

Fast
as a car on a banked oval
going over and over the same ground;

fast as the slide
at the amusement park
that drops you into water
so quickly you at once want
to do it again;

fast as the fatal words
falling from your stunned lips
into the face of your traitor boss;

that is how fast it will happen
when you reach the point
of breaking again
in the same place you broke last time
this happened.

Slowly,
in the afterglow of the failure,
you come to see how awe-inspiring it is
to fail so well.  You are an expert, after all,
at the craft.  An inspiration
to future failures
who will look to you
and say

that’s how it is done.

And that makes you a success at something,
you fast speaker, fast in the grip
of blurt and impulse.
Did you know there are people
who would kill to be like that?
They imagine, of course,
that it will work out well for them —

which it might.
And you ponder that for a long time,
racing through the possibilities.

It is possible
that you are no failure,
but a genius of the moment.

It is possible that speed
is your violin
and you are Paganinni,
it is your guitar and you are
the Vai of the retort and the Hendrix
of the sudden move.

It is possible
that every move you’ve made
that dumped you, every spin
on the track after a hard charge,
every splashdown into bitter chlorine
was a masterpiece of the art
of playing a bad hand.

That it hasn’t always worked out
may be as much an illusion
as what would come from reasoned thought
and measured speech,
but that is something
you’d like to know for sure,
as fast as you can.

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Odin

Odin
sits on a stone
with one eye on the Tree
and the other rolling on the ocean’s floor.
The meanest of the gods
is half blind but
nothing escapes him.
Warrior days are coming.
The same old Trickster
is still pulling the strings;
he can tell by the ache
in his half empty face.

He adjusts his robe
and pokes at the empty socket,
inside which he swears he can feel
the messages sent here by the roots
piercing the sea bed
and plunging all the way
to the core of the earth
without burning.

What they carry to the limbs of Yggdrasil
is the taste of the smoke of the axis
as it grinds down.
He can do nothing about that —

if the Tree is poisoned,
if Asgard falls,
he’ll sit here
and think about war
and pestilence
as any old man would,
as they all do
in the twilight of their years.

There’s a reason he holds
his robe so close
against the eventual cold
that will follow the Burning
that will surely come.

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Poem for Slumberfest

I wrote this poem for a good friend of mine, Mike McGee, to read at Summer Slumberfest, a 25 hour open mike he runs annually in San Jose, CA.  It just finished a little while ago; glad to have it there.  Just a bit of fun.

Stay up all night tonight
with a poem
for a pillow,
but don’t sleep on it
because a good poem is a dream
that doesn’t ask you to close your eyes
although you certainly can
if you choose.  But don’t sleep on it —

for a good poem is wary,
sneaky as a politician on the DL
doing stuff in the shadows —
and you’ll want to catch it
and shout about it
and point at it when you do.

Did I mention don’t sleep on it?
You can’t sleep on a good poem.

A good poem’s got spikes
and a lot of tickle to it.
A good poem’s got a lot of myth
and it’s hard to fall asleep
with a chimera in your ear.
A good poem’s got a lion
and a motorcycle in it
and if that sounds like a circus
so be it, and who sleeps on a circus?

So stick this under your head
and if you start to fall asleep,
pull it right the fuck out
and stick another one under there!
One man’s poem is another geek’s poison,
one woman’s poem is another dog’s bone
and that ought to make sense to someone,

so don’t sleep on a good poem,
don’t sleep on it,

not that you’ll be able to,
not tonight
when there will be a sneaky loud circus all night long
and clowns and dogs and clogs
and bad facts and serious silly heartbreaths
and the words no one ever had the courage to invent
to explain the ones that no one has the courage to deny
and the pillows themselves will become poems
and you won’t be able to sleep at all
because you’ll be picking up your head off the floor
from here straight on
to the fire and storm of morning…
shit,
why do I even bother saying
don’t fall asleep?

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Slammer

Give me three minutes.

I’ll reach inside,
seize a block of ice,
chop off a piece,
fling it at you,
set you on fire,
then dip a spoon
in the water
and put you out.
And all in three minutes —
pop song time;
for how many generations now
has that been enough
to get the job done?

Astonishment
and heat, my stock in trade;
speed and gesture, tools
in my pocket; caution
a chock kicked out from under the wheels…

give me three minutes
and I’ll give you the cold news
you seek.

Give me three minutes,
five paddles, your screams,
your shouted unison lines,
your prayers and curses
when the scores fall
for and against me,
and I think we’ll have a show —

yeah, we’ve got a show.

And afterwards,

all the other words
I didn’t use
can bubble from me
in hotel rooms or
on street corners,
can surf whispers into
a momentary lover’s ear,
can be spilled in corners
for you if you stop for a moment;

give me three more minutes
and I’ll do what I do
when family is around:

what I do
when family is around
is melt all the way down.

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Reform Legislation

In the corner of the weedy lot,
one brick and a restless crowd.
Something needs to happen.
A wall needs to be built
for a new house or a fortress.
If this brick were a harmonica
perhaps a song could be written.
But it has no holes or reeds.
No music in this brick
without a hollow log to bang it on.
No mortar or even mud here
to bind it to another brick
which is also not present.

A few members of the crowd note
that one could sit for hours making lists
of things needed for something to happen
if one only had pencil and paper
to record them on. 

While this is happening,
windows in towers on all sides of the lot
fill with onlookers wondering
when someone in the crowd
will realize the brick
can be used a missile.

Should we do something,
they murmur among themselves? 

We should.  We should hide
the sand and mortar and the wood
one could use for making doors
or battering rams for knocking down
existing doors.   Someone down there
is going to figure it out soon enough
if we don’t take action. 

Let us do that, then.
We can talk about how to hide it all
before we begin.  There are differences of opinion
but we all know what must be done,
so let’s agree on this:
that no matter how we disagree,
we can’t let anyone
in the mob outside hear.

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Weep, Mary

no more water
the fire next time

in the wake of every flame
every raid
every war
there is water

the reason for weeping
is that it recalls how evil
was once cleansed
from our world

so Mary
weep

as you lie burned
in the dust behind
the latest army to pass

thinking of the blackened children you’ve lost
whose bodies lie smoking in the wake of the machine
the Kings have driven for thousands of years

hear us, Mary
we are your tears

we will bring back the Flood
to soothe you
abrade your slipping skin
cool your blistered arms and reddened legs
wash your face free of the smoky taste of grief

you will rise
upon the face of the waters
a token of hope
that someday
the world won’t need to burn

so Mary
weep

bring us forth

we will remind God
of His broken promise

that the children
in whose laughter you hear a covenant
and in whose faces you see redemption
would not again become
ashes in your mouth

let us fall from you
strike these scorched stones
to open the springs
in a song of rushing water
and set a rainbow in its mist

no more fire
the water next time
Pharaoh’s gonna get drownded
and no more Marys gonna weep

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Business Travel

Off to visit you, Florida,
Sunshine State:
you’ve always been dark to me.
I see outlaws
in your smile, every time
I land there.

Then onto Georgia.
For me you’re just Atlanta
caught behind an endless ring of highway.
I know there’s more to discover
but those concrete barriers
always feel like barbed wire.

I’ve been again and again to places
that I do not really know,
spent time in enclaves
that looked like other enclaves
and ate food that only differed
in a trace of spice or a clever name.

A lot of suburbs and made-up places
built fresh upon what used to be
prairie or desert, swamp or forest,
full of boxes and chain amenities.
A lot of conference rooms
that looked out over other conference rooms.

Those edge cities
with their landscaped camouflage,
all those bright hotels
and their regionally friendly art;
I feel sometimes that when I step
from the airport into them,

I haven’t gone anywhere at all.
The miles add up in my accounts
and tell me I can go anywhere I want
with enough advance notice.
I end up at home on every vacation,
the only place strange enough to charm me.

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