Tag Archives: poems

Creed

When it comes down
to the question of religion,
I declare that I believe
in hair.

I believe paradise is founded
on how hair falls
over shoulders or stands up
in messy regimentation
upon rising.

I believe
the hairs that I find
on the couch cushions
and pluck and lint-roll
from the pillows
are relics worth venerating.

I believe that the hairbrush
is a bishop’s crook
and the act of cutting hair
is all about
transubstantiation.

I believe in mysteries, and
that any single hair
whose origin I may not recognize
may yet be the hair of a prophet
and while its presence may be unfathomable
in my life, it stands as testimony
to the pervasiveness of Truth.

I even go so far as to believe
that a once full and now empty scalp
is sacred in its sweaty gleaming glory
as the exposed and vulnerable
seat of Power.

Mostly, though, I believe
that hair created us in order to move
through the world, that it was meant
to wave and toss
and grow and grow back
no matter how many times it is cut,
and only tumbles from its roots
on its own once it has found its true place.

So when I see that soldiers
has shaved the head and beard
of an enemy combatant,
or that a boy’s locks have been cut
by a frightened teacher
to make him fit somewhere
he does not belong,

I run my hands through my own mop
and say to it,

forgive them,
they know not what they do,

and then I say

they know not what they do,
but hair grows back,
and hair lasts far longer
than the dead bodies of those
who would see it as ordinary
and not as divine.


Closer

Early, too early,
he awakens me.

Do you think it possible, he asks, that
by imagining that you’ve heard something,
you will it into being?

I do not know, I answer. I know
I have imagined that I did not hear something
and it changed nothing. The words
still stung, the gun still found its mark,
and sham declarations of loyalty
still hung others out to dry
even as they smiled to hear them.

That’s a comfort, he replies. Just now
I was sure that I heard vultures
longing for your hide, and I would hate to think
that I might have created them.

I think of all the lies
he has told me before,
and wrap myself so tightly
in the faux-down of the comforter
that no sliver of skin can be seen,
my head so deep beneath the pillow
I hear only rumors
of unfolding wings.


Leopard Slug

I blew up this morning
all over the front yard,

left my retinas
hanging off the French violets,

spots of lung on the tiger lilies,
my bones clean-splintered and lodged in the rock wall

where I saw a leopard slug, at least six inches long,
on a trash bag left there on Tuesday night.

I thought I’d seen everything there was to see
around here, and here was something unknown to me:

long and shiny and mottled in black and brown, so unlike
what I’d learned of familiar slugs, it curled into a C

as I shone the big light on it, and I was fascinated
by its spots and its slick shine, the clear trail

behind it that traced its path up the wall
and onto the bright yellow plastic.

I think that when I turned my back
it set a bomb in me,

and now I am in pieces, and glad of that too,
since the whole man I was had been so closed

to what might still be out there, right under my nose,
that this can only be an improvement

on the past. I haven’t seen one since
but I am looking now, under leaves, in crevices

I’d always passed by without thinking, hoping
the manticore is sleeping under the porch, or that

the gryphon is perched by the flower box —
or better still, that my tongue has landed close

to something from an unknown mythos,
and is learning to pronounce its marvelous name.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

For information on these:

http://en.wikipedia.org/wiki/Leopard_slug#Distribution


Sacred (formerly T or F)

1.
It has been said that God is in the details.

Here, the details include
white pine needles,
toe bones from a badger,
dried red muscles
from a mink.

2.
Too fine a detail can fragment a God.

In the mink’s muscles
are ruminations on moon phases,
the badger’s toes tap starvation tales.
The needles still bear winter’s weight.

3.
Big Gods need big pictures.

To render big pictures one needs
a broad brush, preferably bristling
with badger or sable fur
mounted in a pine handle,
dipped liberally in thick carmine
and vermillion.

4.
There are Gods who care for nothing but truth and falsehood.

The red muscles pine for
something honest to do these days.
What is true can as well be false,
they scream. Contraction and extension
were their occupations once. As scarred
and withered as they are now, they still
remember that once, every motion
contained its opposite
and nothing was immutable.

5.
It has also been said that the devil is in the details.

It was a large God who declared that to be true.


Full Stop

no sky is crystalline
no eyes are limpid pools
no tender glances liquefy the very ice of the alpen peaks

the world is not a human description

the sky’s molecules move independently of one another
the eyes glisten at their centers but end quickly beyond their surfaces
the snow on the mountain will melt in its own time
and love will not conquer all
as anyone can tell you
who has loved and then stopped loving
when they came to mountains that held them back

never trust a poet to tell the truth
because they lie to save their imaginations
from the inability of what is real
to bend itself to their words

if the sky ever decides to crystallize
it will fall with great sharp speed upon us
and the poets will be shredded along with everyone else
if the eyes of your beloved ever become deep water
step away from the edge
before a poem can push you in
and if the mountains ever let their burdens slide all at once
toward the places where we stand fantasizing about them
it will not be love that carries the avalanche downward
but a serene indifference to the nature of our unwillingness
to allow things to be as they are

miraculous
in and of themselves
without any need
of our embellishment


For Shannon

When the news came that the young poet had passed
I was noodling through a bad rendition
of some classic rock song on my guitar,
imagining that I was still capable of making it
in a world I never attempted to conquer until
I was too old for a realistic chance.

I was fourteen when I first pulled the pen off a page
in a lined notebook, looked down at what was there, and said:
This. This is who I am. I knew I was the tool
of words. I knew the road would be long, the pain
of walking it would be too strong to bear at times,
but I knew then there was no path beside that one for me.

These days I wonder, sometimes, what would have happened
if I had had a guitar at that time. If I’d had
the time and the passion to blunt my fingers down
to bone and callus and make myself into the image
of my idols. If I had given up the path of the word.

The guitar is superfluous to my story, of course.
All I mean to say is this: there are paths
before us all, and every one is as much the remnant
of a path not taken as it is a calling. When I learned
of the young poet’s passage, I saw the path she took
as clearly as I can see mine now: the initiating voice,
the urge to say something only I could say at the time,
the long nights writing past the stones that cracked my soles,
the luminous moments when the pen stopped
and the face of the poet I dreamed I could be was dimly visible,
a pale moon in the depth of a mirror.

We take what we are given. We walk, we run, we move through the world.
We create our selves where we find our selves. The guitar
holds my sense of regret at what could have could have been, but
as I see her now, somewhere more certain, in a place where she can say
with no doubt in her voice: This, this is who I am,
my urge to put these clumsy hands on these strings
seems as pointless as a death in summer,
on a bright day,
when the world stops
to mourn and agree:

This.
This is who she was,
and we are the better
for her certainty.


Mass Pike Moment, June 2008

The pond by the side of the road
is clouded in a green-brown mist
and if I had not been stuck in traffic
at this early hour
I would never have seen that color
that may be the result of the sunlight
pouring through the green leaves behind it,
or perhaps it is caused by the oak pollen
so thick in the air that it has changed
more than my breathing, but no matter the cause
it is something I would not likely have seen
if I had gone whizzing by intent
on my eventual destination, or if I had noticed it
I might have missed its hue
and if it showed up again in my thoughts at all
I might have decided that it was mist colored,
the default silver-gray that shows up in every poem,
and it might have become a metaphor for something else
instead of standing on its own as some anomaly,
or perhaps there is no anomaly here and all morning fog
in late spring carries a shade worth noting, a shade
only visible when the viewer is halted in his progress
toward important places long enough to see it, long enough
to be content in the viewing and the knowledge
that everything that is known and believed has a loophole
in it somewhere that is large enough to drive through.


Pale and Earnest at the Pow Wow

He buys a ring from my table
with that familiar look in his eye; still,
I’m surprised that he says it out loud.

“Most modern wealth
is built upon historical theft,”
he tells me. “I’m sorry about that.”

I suppose I should want to seize him
and kiss his skinny hands
for all they’ve done for me,

but it’s too late.
He’s already on his Blackberry
and my gratitude, while it might be welcome,

would be an inconvenience to him.
Maybe next time? I really should say
something to one of them.


Woody’s Epiphany

Bored as fuck on a Saturday night and
if I’m going to make it Sunday meeting
I’m going to need some hard blues and harder disturbance.
I need fuller pockets, empty lungs,

a shot of something fiery in the syringe,
icy in the needle, nullifying when it hits the blood
and when it makes it to the brain it paints a picture of
some easily accepted new God.

If I’m going to make it to church on time
I want my new God to be a churchdweller, not the sanctimony
peddler of the conventional mouthpieces but a dumb bum
strung out on lack of contrition who hides in the pews

looking to tap me a hard one if I rise for hypocrisy. In fact,
with these drugs in my head and this wrong in my heart
I’m going to need a God with a mountainous backhand
to crush a landscape into my face

so I will always recall
where I’ve been
and always know
where I’m going

as I stumble toward
the place I go when I’m bored as fuck
on a Saturday night, full of knife and manglehatred
toward the holiness of Sunday, hoping for the altar

to blow skyward in a smile of lightning and Biblical
movie truth even while the Bum of Heaven
stinks up a blue dome of rot behind me, making me grateful
for the ruin, looking forward to the rebuilding

as he screams in my ear, “Believe!
Believe, you fat ass apostle, or don’t believe —
I’ve got a creation in me tailored just for you
no matter what you end up thinking of Me!”


Forensic Love Song

“the answer is always in the body”
— heard in passing; a line from a TV crime show

1.
licked and prodded,
it still refuses to give up
a secret

2.
in the dark, lit blue,
misted with laden rain,
our signatures revealed
as clouds on our still skin

3.
the mottled shapes
of shared blood can be read
as a novel: here the plot
is thick, here thicker;
here is a second theme;
here, the pooling, the co-mingling,
so confusing to the outsider

though we understand
what has happened here

4.
cooling happens
at a predictable rate
once all factors are accounted for
so something unknown to science
must be holding all this heat

5.
the answers
are always in the body

the body is always
asking


Contract Law

Posted on the doors
of my chest
and the footpaths of my arms
are mottoes
I don’t believe in anymore
but now I’m stuck with them
and I should learn
to live up to them hoping that even if
the act is not backed with faith
at the start, faith will grow with
the results.

There are mountains,
tall for a geological moment
and unconcerned with their eventual erosion,
that know more
about how to be a man
than I do. Butterflies float,
mosquitoes leave marks that sting
and disappear, the next door sparrows
shit on my car without concern for their image
because they know they can fly, and none of them
ever feel the need
for ink to explain these things.

I know I could find some doctor
to do the job, buy long sleeves and double up
on T-shirts until I’m too dead to care —

but none of those are things
I can do myself, and I have sworn to be
the one who does that, my fatty chest
screams for that duty to be fulfilled,
so I will buck up. I’ll do it myself,
make a go of the dooms I’ve claimed
until there’s nothing left to fail,

until the waters wear me down
and wash me into
the next person I will become.


Salesman’s Blues (Misanthropy)

He says, “I think
of individual happiness
as an overpriced commodity.”

Runs a finger around the soft edge
of the tumbler.

Two rocks, single malt, half gone.
Another glass empty on the bar.
His silk tie
has a stain on it,
looks like an old one,
darkened from fingers worrying
the edges.

He says, “If I still had the money
for every tie
I’ve had to buy in a rush
from a hotel gift shop
before a meeting where I had to look my best
or risk losing the account,
I’d be richer than a goddamn pimp
at a convention.”

He says, “Come to think of it,
I am a goddamn pimp at a convention.
We’re all pimps here. Selling whores
we keep back at the office, all lined up
waiting to service people like you.

People like me live off of people like you,
and no thanks to you.”

He strips off the tie faster than
a superhero changing for battle.

Downs the last of the drink, slams
the glass down, gets up to go back to his room —

no one’s heard what he said back there in the corner,
far away from the people laughing at the TV,
the flirtations, the deals wisping in the air:
smoke foretelling fire.


Misogyny

Trying to imagine
why a single spider
working her way from ceiling to floor
would be the only one I’ve seen in here
despite all the cobwebs —

is it possible
she made them all?

I watch her sliding up and down
in front of me,
not three feet from my nose.
I’d say it was a taunt
if I could be sure
she is even aware of me.

Eventually, I’m sure,
I’ll swipe her lines from her
and if she lands upon me
or next to me, I’ll flick her
across the room, muting the music
in the room before doing so

just so I can hear the tiny click
when she hits the far wall.

She’ll be back and we’ll do it again
in a day or so. In the mean time before that,
cobwebs will continue to build up
in the corners,
I will continue to blame her. Every other
spider is safe from me as we go to war,
as I drown in the drapes of silk that
she never made all on her own.


For My Daughters, Martha and Emily

By now, it’s an open secret
that I made you up, worked you
until you were real enough
for what I needed. You were ready
to serve when called upon and
although you never drew
breath in simple daylight,
I could hear you breathing
in my sleep, which is where
we were all three most awake.

Yesterday, wide awake,
I thought I heard you
in the neighbor’s yard.
You were moving in
together, sisters, roommates,
and neither of you thought
to knock on the door
and tell me you were here,
and I tried to speak with you
but you couldn’t hear me.

I tell myself
that’s it’s natural,
the order of things.
I tell myself
there was nothing more
I could have done
for you, or you for me.
I know you’ve moved on
and forgotten me; I know
too much about what I put into you
to believe
it could have been otherwise.

Still, there are nights
when I stand up and read
what I wrote about you
to other people,
and for those minutes
we’re still family
and I realize
there’s a better man in there
than there is out here.


veteran

what he did when he young
was a secret to everyone.
he refused the trees’ offer
of consolation and stayed close
to the asphalt instead.
foot followed foot from here to
the next breakfast and he still
didn’t talk much about anything
even to strangers. his childhood was
forgotten. he made up stories
to spit out like an insect
that had flown into his mouth
and never been internalized.
he told people he’d been
born so salty his mother exploded
like an ant and his father ran
from the delivery room never to be seen
again. he recalled astonishing details
of fights and concerts so stunning
the listeners could hear the bands.
he fooled everyone, no one
bothered to check on anything
and he became successful. he was notorious
for blunt honesty. he learned to wear
suits on weekdays and plaid shorts on weekends.
he got bald and laid and stepped up.
he was a standup guy, a regular mensch,
a buddy and a pal. he filled in gaps.
stayed away from cliffs, kept a few close confidences
better than anyone the tellers knew. when he died
he left a headstone and a secret about a body
in the weeds somewhere faraway, casualty
of war or love he never said, never said a word
to anyone, no need to talk about it
since he’d become what the other guy
could have been and dead men tell no tales.