Tag Archives: poems

Op-Ed

Pointedly
peaceful, they’re still wishing
their enemies dead.
Rejoicing at their misfortunes.
Cheering their illnesses,
their damages.  Oh,
I love the Left…how easily
they become what they claim to despise.

On the Right, at least, they claim
no disguises.  No sense of irony
when they say
they are afraid and in peril;
they adore the stance of victim
even when a glance around reveals
how far from the bottom they really are.
I love them too: so openly comfortable
to the idea that their own peace of mind
is founded in the unease of others.

Everyone is dangerous right now.
We all believe we’re going to die
if the others come to power,
forgetting the lesson, the Great Teaching:
someone is going to lose
no matter who’s in power.
Power depends on someone losing.
If you want power, you are committing
to someone else not having it.

Well, is all that power itself necessary?

Ask that, and see how quickly you are answered.

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My Name Requires Much Of Me

I think you should call me
by some other name.
The one I bear’s too much.
The one I wear is hard to say
in public.  I can feel everyone
looking for me when it’s spoken.

I think you should call me
by some other name.
The face I wear doesn’t add up.
The arms and belly are awkward
and sit too far out from my core.
I know I’m taking up too much space.

I think you should call me
far less often.
I hate how often I’m conjured.
I hate the feeling of obligation
it creates.  I want to slip into
some floor crack and lie below you.

I think I’m going to disappear
and reappear somewhere else.
The new place will not have heard of me.
I’ll raise bees and never wear a hood
or suit against them.  I’ll be stung
so often my face will change and change.

I think the name I’ve got
is a bad one. 
I think a name does more
than signify your being.
The one I’ve got made me what I am.
I dislike that.  I want to hear me called new.

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The Perfect Is The Enemy Of The Good

I can make it work, I swear.
I’ve seen others do it.
There’s no formula.
There’s not a reason in the world for me to fail.
Talent’s just a word for ambition easily realized.
Work is the balm for the wounded ambition.
I can make it happen.
Everyone does something well.
The oak tree makes great acorns.
The octopus is the ink master.
The dimples on the golf ball are its perfect expression.
I can be the best of what I am.
The work will make it stick out.
The blank page is the best prod to capture the fullness.
A single word well placed is smarter than a key.
There are inherent risks in being a master.
Stalling is the crucifixion of the divine nature.
Denial of the passion of the art is blasphemy to the Godhead.
A work of art is the gruff shovel that opens the grave of the revenant.
I can be the digger of movement.
I can sweat the devil’s coat seams.
I can do this.
Talent is a word for the blood of a prophet.
Denial is a misdirected nut fallen on bare stone.
Divinity is just an excuse for the acceptance of failure.
I can’t do this.
There’s no formula.
There’s a reversal spell that could be written.
I can’t imagine the dialect of such a wizard.
I can’t make work of what is best explained through talent.
I have no talent in the face of my demon inkmaster.
I have no answer for why the pen breaks.
I am no master
and no teacher
and no student of the way
and I park the ass that Mirabai refused to ride
in front of my house at night
to await the slog to the failure mines tomorrow.

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Punk Ghazal For Malcolm MacLaren

What you played with, Malcolm, was our long-established expectation.
We had believed we understood the game.  You changed our imagination.

It was not always pretty, whole, or even moral;  you pushed Sid into his grave.
We extracted romance from his shattered sneer and poisoned imagination.

When I heard them first I was transformed. I fell into their distorted arms.
You certainly stood by and cackled at how you’d exceeded your own imagination.

Of course, you did not know me by name, but I’m sure my type was familiar to you.
You counted on the magnet of filth to pull in the starved rock imagination.

You pulled the string, the easy marks danced, we discerned truth from seeing them.
Did selling bondage gear stifle the leap we made past your imagination?

Did you foresee how quickly we’d free ourselves through your grand swindle?
Did you foresee me, or a million Tonys like me, recreating your imagination?

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The Promoter Looks Back

Shaved for battle,
they used to say,
those bullet boys
with the rippling ink
and the no-quarter eyes.

Where are they now? 
I used to see them at all the shows.

All we wanted was hardcore and metal.
We knew the attendant politics would follow
but we thought we could steer the noise to safety.
We hired a bike gang
to keep the kids safe
from their warfare
and it mostly worked.

One night I ended up
rescuing a scrawny little racist
from the bikers
and drove him home to Clinton
where he and his brothers in arms
rented a farm.

On the way he told me
how it had started in Miami
where he was beaten daily
by Cuban kids
until he found the Hammerskins
and their cradle of white.

I told him I was of mixed race.
And I asked him how he felt about me.

He paused a long time and said,

“I still think it’s wrong.”
And then,
“I know that’s bad, but…yeah.”

Shaved for battle he was,
and his head shone in the moonlight
as he walked from the car to the driveway.

I did not wait to see if he waved,
throwing gravel as I spun out of the driveway
into the quiet road.

And I never saw him at the shows,
ever again.

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Awareness

Rocking back
on his heels
the boy watched her
do a split on the rec room floor
and thought about things
he’d never thought before:

in a split second, then,
history he’d been learning
and biology he’d not known
began to kick in, and he manned up
in exactly the manner expected
of a boy his age.

Do you recall
your own split second,
that instant when the switch flipped on
and you were switched on
so that a current flew through you
from someone standing across a room or a yard?

Did it flash upon you as expected
by all around you, or were you suddenly alive
and confused at once because
it didn’t mesh with what you’d been told
would happen?  And – how are you now —
is that a good memory?  Have you

told anyone?  Met anyone who shared it?
Go ahead and speak of it.  You weren’t wrong to feel it.
Wrong is a label we apply too easily.
It keeps us from speaking up, looking
for the source.  From finding the outlet
that will light us. 

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Just Another Guitar

It’s the stains under the strings
that make a guitar a guitar.
I’ve always read those stains before I bought one

but this one — a new guitar —
has none.  It’s up to me to sully it.
Up to me.

That magic name from Nazareth
on the headstock means nothing
if I can’t make it heard.  “Martin”

is just a spell without power
if a magician never learns its secret language;
it’s just another guitar.  Another one

in the collection.  A trophy
won without having been played for.
A symbol of consumption.

Having isn’t doing, isn’t being.
I play it now while thinking that I own a Martin
and am playing it, but when I am a player,

when that happens at last,
there won’t be any reason to speak of
the name.   It will be less a Martin

than a scarred and dirty beast
full up with me and who I am.
Up to me.  I bend to it and begin.

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Death By Metaphor

This morning
it feels like my heart is knocking against my ribcage.

I mean that
in all sincerity. 
Heart,
in this case,
is muscle and not metaphor. 
Ribcage is
a common descriptive term for the arrangement
of the ribs. 
Morning is when this is happening and also carries
no figurative weight.
I mean to say just what I say:

it’s morning, and it feels like
my heart is knocking against my ribcage.

Note that I did not say, “trying to break free”
from my ribcage.  That would be stupid to say
as the heart has no will of its own. 
It doesn’t know freedom and it’s not
going to leap from my body
leaving splinters of bone
and a huge hole behind it. 
That would invite metaphor again
and I’m trying to avoid it,
my breathing’s too shallow
to use so much oxygen on creative thought
right now.

Did I mention my breathing was shallow?
Don’t assume I meant something else. There’s
nothing hidden in that; my breathing
is shallow, meaning I’m taking
smaller breaths than usual, higher in my chest,
more quickly. I could add that they do not
expand the ribcage as much as normal breaths.
You should get the picture,
though I’m not trying to paint one:
just the facts here.  I’m wincing
with the effort of staying in the moment
with the pain in my shoulder. 

Oh, the pain?  Yes, I’m in pain.
And for a full description of that,
I’m going to have to dip a bit into
comparison.  Forgive me.  It’s what
we all do; I don’t know how else to say it.
It’s like something’s cutting me at intervals.
Sharp pain.  We call it that because it explains it
to another.  We’ve all felt it.  Right now,
it feels like my left shoulder’s being slashed
from clavicle to pit, and then a rod’s inserted in the wound
and shoved down my left arm from the inside.
That’s accurate as a description even if it’s not a fact.
No wonder my breathing’s so shallow.
No wonder my heart feels like it’s knocking on my ribcage.

I would feel safe
in having you assume that these are the signs
of a heart attack, which itself is a metaphor
used to describe a myocardial infarction
or some other cardiac event.  Heart attack
is a bad description, as if the heart
were capable of hostilities.  It’s not attacking me.
It’s doing what it is supposed to do in response
to my not taking care of it properly.  Fatty foods,
no exercise, pack a day habit.
 No metaphors there, just facts, though
I suck at self care
contains a metaphor that I think works,
even if the sentence makes no objective sense:
self care is no nipple, after all.

This morning, then,
let’s just say that it feels like my heart
is knocking against my ribcage.
Let’s say, further, that my dumb heart
and my ribcage
and my arm are in some kind of distress and as a result
I am too. 

I don’t know what I means as distinct
from the awareness of the body.
If I did, would I be writing this
instead of calling the ambulance?
But if the heart dies I’m sure I’ll find out.
No metaphor in that, either.  I suspect
there will be a moment when I will understand
the meaning of I if keep writing instead of calling.
I won’t come back to tell you about it, though.
You will have to draw conclusions
from the poem and the pain and the heart
and the dying.  You will say
the stupid bastard died writing a poem while his heart was failing
and you’ll be correct.
I’m sure someone will make it into a metaphor,
though in fact it isn’t.

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Speak

“This is a beautiful place,”
said Wally, our resident alien,
the poet of Wild West and train robberies,
who left his son’s wake early
to come to our poetry reading.

We sat there speechless
for more than a beat,
then began scrambling in our bags
for whatever poems we had
that might bridge such strangeness.

Wally never missed a night.
Tonight he was late and glassy eyed
and sat there, saying,
“I just want to listen.”
 And again,

“This is a beautiful place.”
An art gallery in a community building.
A circle of steel chairs.
Daffodils on the walls.
Stained carpet underfoot.

We called the reading “Speak”
and we did, twice a month, no standing,
no stage, a round robin of poets
going three rounds on a theme
all of us had suddenly forgotten.

“This is a beautiful place.”  We learned
that his son had hanged himself.
Wally was glassy eyed and listening.
We forgot the theme.  We scrambled.
We sat there.  We tried to bridge the strangeness.

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South Of Somewhere, North Of Somewhere Else

A guy in mid-limbo.  He’s poker chip thin,
a rejected toothpick.  A sapling, really, full of those fruit,
the ones in the song.  A swamp full of teeth, dams broken,
shirt worn inside out in haste, shoes tied loose-bowed.

A sassy fire in a clearing on the riverbank.
A woman not quite girl anymore.  A class-aware
stumbling block.  Her hair’s cinnamon and brass,
a rebellion. A murmur of sticks and speeding.

A woman’s baby rolling home. It’s not yet
a button. A corrugation in a stellar bridge.
A missed apprehension. A face darklit, shadowed fur,
a broken comb. A broken cloth. A break.

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Oppressing Them: A How-To Guide (old poem, revised)

Dog them early while the scent of their sulfur builds.
Maze the rules you make them play by until loopholes become jaws.
Stack them where they belong till God approves of the height of the pile.
Open their prison doors and pour on lingering fame.
Approve their paroles with a voice of long chains.
Denounce them at the whiff of impure thought.
Relegate their romances to the dustbin of hysteria.
Imagine their lifestyles as moldy bread.
Bite mincing mouthfuls from them till they spit back.
Reject their strapping response to infractions.
Blow them rat kisses.
Darken their doorsteps.
Assume their compulsion if you have it not.
Burn their books.
Own them.
Starve them.
Remove them from their lands.
Speak of universal love only when they aren’t there to hear.
Steal their women for a cabaret of night monkey wars.
Splay their men’s genitals upon a flea market blanket.
Drown their children in salt.
Rend their garments.
Bruise their heels.
Bivouac where they pray.
Infiltrate them when they make their own worlds.
Imitate them.
Revise their demigods.
Give them names to conceal the names with which they were born.
Carry a sponge to sop their servant blood from your white loins.
Blacken their teeth until yours are moonlike in comparison.
Honor them with caricatures while you shred their portraits.
Play their music in your nurseries.
Wear their feathered robes while you drop their bastardized secrets on the tiles of your temple.
Cut off their water.
Tell them the righteous can live on dew alone.
Suck their grass dry and watch the edges get crisp in the bright daylight you have made from their smiles.
Let your mercy rain down upon them as a mighty river.


Poema para el Duende

It cannot be done
without the proper language;

without the vanes,
the dart cannot strike home.

It cannot be perfect,
must hold a flaw, must fray
the sensible. 

The heart of it
must beat insanely fast
even as its hand is steady.

There shall be a moment of damage
in its center.
A diamond bird in flight
shall see it, fall upon it,
cut through. 

All around it, the sex of ghosts,
and crudely painted jugs holding rain
that was caught in a desert
years ago.

Now, there’s nothing to do
but drink and live.

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Vivisection

Keep thinking
of soundtracks….
names, dates.
Places.

The bridge over the Ace Glass parking lot
is where I learned the meaning of the word
“vivsection.”  There was no
precipitating incident:
I just wanted to know what the word meant.
The car radio was playing bright pop
and I was seven.

There are roads in New Mexico
that will always sound like
Garth Brooks when I drive them.

Keep thinking, pushing…

the blister of chord melody
moves under my finger
in Amherst; punk newborn,
a straight razor cutting me
on the Bowery, every time; it is
Ace Glass all over again.

Push on the scar.
Listen to it, how the skin
dents as if it were under
Max Roach’s loving punishment.

To summer sex I say
Keith Jarrett, to winter sex I say
blue light cafe, to failure I say
there is a nameless noise band
somewhere.

Nostalgia is unnecessary
as nothing feels old…under my finger
the eardrum, the active, the real.

Keep it…

Keep Glenn Gould, the details
perfected, the summary.  This is
as silent as I ever get.  This is a bridge
of wood over a railroad track,
a boy crying under the foundations,
and the train so far off yet, fifty five
minutes before it arrives.  I hear the piano
as the rain of blows fades to a murmur…

I am cut open.

I hear a word for this.

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Easter Afterthought

The chocolate Easter Bunnies
appear to lose their ears gladly
and gladly lose their heads.
They were made
for mutilation.

Some say the bunnies
are a Pagan overlay
on a Christian tradition;
me,
I’m not so sure.

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Seeing Clearly

Sea change today,
if you can call it that
this far from the ocean.
Overcast, cooler;
all the notes struck
by recent sunshine
have turned minor.

Sunday, I heard voices inside.
They were bells tolling an ending.
Tuesday, today, I hear nothing
but the neighborhood,
quiet at last.  Everyone’s
at work or school.  I should be
working too.  I am working,
in fact, or so I say when I’m asked

because I’m glad not to be interacting
with anyone right now.  Too many
voices from outside still
the ones inside,
and I want to be able to hear.

They were silver, nugget-rough,
precious.  They cut me
when I pressed them.  They told me
what I already knew, so I trusted them
and feared them.

I don’t hear them now.
Maybe it was the sun
and warm earth, drying audibly
after days of rain,
that spoke to me
and suggested that I needed
to die.

I don’t know why light
would amplify sound,
but I do know I can taste
a terrible scent of ocean
on the wind today:
a dull flavor, lead dull,
no glint to it.

I await the return
of the sunshine
with my ears
cocked and afraid.

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