Tag Archives: poems

Blood Quantum

I’m trying to identify
where my Native blood’s located
this morning…maybe in
my belly that is on fire?
That is hungry with envy
for the bursting dam in Egypt?

Or perhaps it’s in my feet
that want to kick these unwanted
complimentary copies of
the New York Times
away?  They won’t be
that heavy, it’s not like all the news
is in there…Someone’s been tossing them
at my door for the last two weeks,
and I recognize some of those trees.

Maybe it’s in my eyes
that are seeing things anew?
Perhaps I should turn
from biology to quantum physics
and say that locality has failed,
that the blood spinning in me this morning
is changing momentum elsewhere, that the act
of observing has changed everything utterly
so that the indigenous
is everywhere,
and my Native blood
is everywhere as well.

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Crumbs

are what they want to give us

crumbs

the brown dust from the big meal

I can live on that
because I have

but if I can just hold off starvation
long enough to mold the crumbs
into a full loaf

I’ll eat well

grow strong
go knocking on their doors
at suppertime
maybe grab a little more
off their tables
run away

and if I can do this a few more times
maybe

I’ll make a banquet and feed a few more people
who’ve been living on crumbs

and if we can do this a few more times
maybe

we can build a table or two
grow strong
grow crops
harvest and prepare
make something of our own
for the tables

and if the formerly fat someday
knock on our doors
looking for crumbs

well
we’ll have enough crumbs
for them

to learn how to do for themselves

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My Dirty Little Secret

is not that I know
what it feels like when a knife
enters a human body;

it’s that I alone know
which end of the knife
taught me that.

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Regarding God

Regarding the afterlife,
I don’t plan anything that far out.
To me, God’s house is a nap: restorative
and filled with the unconscious. 

As for daily guidance,
God’s my concealed weapon:
I’ve got no skills or license to carry
but God’s in my pocket, so
I feel stupidly invulnerable
when I go walking.

A prayer?  Like
a dropped call —
who knows what was heard
on the other end?  If it’s
important, God will call back.

There are single
moments of awe, usually
in the seconds before
an orgasm or a
catastrophe hits me.  But
when I call at those times,

it’s more like
“Look at me!” than
a supplication.

If I seem flip, forgive me,
for I know not what I do
and I’ll continue
to explain it all this simply
right up to the moment
I fall asleep, because

if something’s working,
I don’t break it down
to see how it works.

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Paranoiac Holidays

1.
new year
new rules
and no one will tell me
what has changed

2.
that dead preacher
can’t fool me
judged on color or character
I’ll still be judged

3.
a groundhog
is gonna come out later today
and see my shadow
I’ll have six more lives
of winter

4.
presidential eyes
following me
from their bills

5.
there would be whole days
dedicated to mom and dad

6.
damn fireworks
I try to pick those flowers
but they always fade
before I can get to them

5.
how to celebrate labor day
when you don’t work
and haven’t really been born
either

6.
my turkey
has his own axe

7.
why do the christmas bells
have to be so loud?

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For Egypt

They’re talking all over the world
about maybe mummies might be burned in Egypt.
In Egypt, no one’s talking about the mummies;
they won’t even gesture toward them.

They’re talking all over the world tonight
about losing priceless antiquities to nameless looters.
In Egypt, everyone’s talking about looters
and they even know their names.

They’re talking all over the world tonight
about flames in the shadow of the Pyramids.
In Egypt they know where the Pharaohs are buried
but they know who’s on top of the pyramids too.

They’re talking all over the world tonight about plagues in Egypt.
They’re wailing and rending their garments and gnashing their teeth.
In Egypt the first born and the mothers are also afraid,
but they fill the streets anyway, their faces alive, their eyes wide open.

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Mars’ Love Poem

I would like to write a poem
full of butterflies and rainbows
and chirping, and I could dedicate it to you,

but instead I write the poem of love
that is industrial, that steams and clatters,
is filled with tiger blood and red-eyed anger

because I do not believe in love as beautiful
gentle sweetness all sparkly and whee,
I am the Lover who sees the war of charmed claws

and raking fire as more beautiful,
who understands that an ever-certain pain is better
than an uncertain ecstasy that may end

with a whimper and a good bye folded
into a card and a bundle of soon-dead daisies.
I roar the love like Charlemagne’s armies

sweeping back across Europe, of Crazy Horse
raising his rifle to sight in upon the usurpers,
the love of how I am when I’m bleeding in your arms

and you are bruised in mine because that is how
we sleep best.  I would like to write the poem
of pastel and lace, of average joy, of something suitable

for a movie theater full of easy children, but I’m the poet
of loveflood come a-carrying corpses
and the ruins of lives, of animal stink in the street

when the water sinks away.  I want to be the obvious
but I am the other, as you are the other, skin soft and flushed
fury, teeth at my neck, deep in my flesh, roll me like

tobacco to be consumed.  I want your poem to be
the pen tip’s open gush of too much to take, and I want to handle it
the way I barely handle the massive storm of us.

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How I Know I Am A Hater

I’m hating.  I’m a hater.
I drink all sweet though a bitter straw.

Whose face is this?  I don’t know
this face.  But I’ll kiss the mirror a bit

and see if I feel it.  Birdsong
out the window: forgotten.  Tree budding

under the snow: forgotten.  I can feel it,
the kiss on the mirror.  All I can feel

is the response of the screwed face.
The sweet through the bitter straw

sliding up from the dirty glass
then down the strangled throat: whose face

is that screwing me?  Laugh a little.
Birdsong, forgotten, tree budding,

all forgotten.  Screw me, face
full of sweet bitters.  I’m a hater

if that’s one in the mirror.  Myself
I speak a little to the incongruous

nature of the tree and birdsong
so easily forgotten, though they always

bud and sing no matter the cold
and the bitter.  No matter; sweet

tastes bitter, I’m a hater, kissing
my mirror, screwing my own unfamiliar face.

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Wooden Spoon Epiphany

Given enough attention
to pay with, one can find
the universe in a wooden spoon:

how material is shaped to an end;
how the resulting tool
still recalls and is clearly
still connected to its material;

how the tool builds new worlds.

One can wield the tool.  One
can be the tool. 

The tool can break,
be discarded, become fuel
for new materials for dark or golden
ends. 

Given enough attention
to pay with, one can find
anything in anything. 

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People, Can You Please Clear The Aisles?

Look
I’m a working man
I took a job in concert security
just to see some shows and
make a little pocket change
I’m just like you
so please stop making my job
so difficult
I’m a musician myself
I want to rush the stage myself
but they pay me to be calm
unless I need to bust your head
and I will do that
even though I want to rush the stage with you
because they pay me to
and no matter how great that solo is
no matter how much I want to be carried forward
on the wave of sound
please can you clear the aisles
so I can go home tonight
without having busted a head
and thus souring myself
on concerts forever

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Paper Plates

Although my body stopped feeding
that organ known as “my soul”
some time ago,

I still write messages to it
on paper plates,
and then I eat off them
and them alone,
hoping something will soak through.

When I tell you this,
all you can think of to say is,

why are you killing all those trees?

O, how I pray
that you stop asking.
This is why
I lower my eyes
in your presence
and grit my teeth:

you call attention to the slaughter
all around me,
and still manage to entirely
miss the point.

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Feathers In Your Hair

Raise your hand
if there’s never been
a violent death nearby.

With one hand in the air
turn and look at how
alone, how
privileged
you’ve just become.

Put your hand down.

Those black feathers
that have appeared
in your hair?
Pay them no mind
until you are home alone
and can pick them out
and place them in a box

where you can stare at them
whenever you feel
a little too divine
and want to remember
how human you are.

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Linear Thought

It starts with one thing
and leads to another.
It starts here, ends there
inexorably.  It bridges
surely from one to another.

It does such a boring,
steady thing. 

It makes no bones about
its intent.  It goes —
that’s how it was made.

It misses everything
of importance.

It puts step on step
and gathers moss
after gathering moss
even as it rolls.
It aims always straight ahead
on the easy path.

The people who pushed it
believe they’ve made
a revolution
simply because some things
they didn’t like were crushed
along the way.

But look —
here’s point A,
there’s point B.
In between is the same kind of flattening
that has always been;
look away from the trail and you’ll see
the same lovely, untouched,
unremarked things
to which no one ever pays
the slightest
attention.

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Simply Fire

Sitting awake tonight
despairing
over the modern craze for precision
that pretends as if
there was anything
ruthlessly precise
to this existence:

no matter how breathtaking
its mathematical
progression or how regular
its segments seem

there’s always some aspect
of the world that lies outside
of what we can measure —

its why is so frequently
beyond us, its purpose
a mystery, its being just beyond
the scribing of numbers and diagrams;

what we behold is the effect
of some power not available
to us. 

When we lift our eyes
from the charts
there will be an aura
not readily describable

that makes the object of observation
ineffably itself; something best caught
in the emotion roused
by hearing faint and distant music,

or in the slight dreaming
that we fall into
when we have exhausted
the staring and measuring

and when we at last put down
micrometers in favor of lying still
and letting the moment soak us
in that flow that is more real
than the numbers will have us believe.

We will long then to fumble words
into long sentences and lose our grip
upon precision, dancing the language itself
into freefall that glances over the nature
of things, that makes trees and shells and atoms
come alive inside the suddenly glowing heads of those
who then in ecstasy
surrender the need for exactitude
in favor of being alive
as part of some larger,
perfect, amorphous whole.

This is when I
step back from my work
with burning eyes
and ready myself
for sleep, knowing
I have the answer for the unrest
that has kept me awake
and fretting needlessly:

the answer is to let go,
not worry about understanding
as much as I do,
and fall into the wisdom
beyond precision
that makes a flame
holy beyond all explanation
of the process of combustion
and transfer of energy,

that makes it, after all is explained,

Fire.

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Axis Of Perception

Perception is not reality,
no matter how often we say that:

I did not see what I thought I saw,
hear what I thought I heard.
I just laid my inner upon my outer.

If I call out the perception
as being real,
I lie.

It’s not my fault!
This is how we are raised —
to crop the visual to template,
edit the audio to reduce clipping,
make the senses agree
with the interpretation.

In other words,
I know you
only as I allow you to be known.

It’s not my fault!
Can you see that?
If you don’t or won’t
you liar,
I will cut you as I would

a flower.
Let you be pretty
until you die and are tossed and forgotten.
I can cut another I prefer
later.

If only, if only. I won’t repeat that. Instead let’s
stop being so damned
American —

seriously.  Let’s just admit
we don’t know each other
no matter how long we’ve been
acquainted.   Let’s
act like we’ve been made stupid
by the damn culture.

We have.  And so

let’s pull the pole out of the center
of the earth and let the axis of perception
wobble —

when the world shakes
we’ll have to cling to each other
and maybe then,

we’ll get past it.

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