Tag Archives: poems

Your True Face

It comes to you
slowly, and not early;
years go by and the mirror
shows it to you only from a distance,
as if you were in the air above a flood, 
watching thick dark water 
rise above levees to fill
once-safe streets, overwhelm
homes, flow into unprotected spaces.

Then one day you’ll see it
looking back at you.
All the debris will have risen to the surface,
random scraps gathered together
in one place at last, swirling slowly
in the glass.

You’ll ask yourself
what it means, how it is possible
that the mess staring out at you
is you at last; 

but you’ll recognize yourself
regardless, and have to decide
at that moment how comfortable
you will remain with it

because it will never be anything else
again except
a pool full of wreckage 
that once were stored away
which now are visible to you,
no matter how much you wish
they were not.

 


Sun And Haze

What a day
of sun and haze.

What it led to: digging out
shorts, sandals.  

What I felt like:
old man, old man.

What I know about
old man: I’m

settled into this age,
this body.  What I may do:

modify it some, clean it up
a little, make it more sound.

What will not change:
its confirmed age, how good it feels

in the sun and haze 
when the breeze tickles

the hair on my legs,
curves around my stuck-out belly.

What is untrue: that cliche about how age
is just a number.  That’s the mantra

of those terrified by age, 
who deny the real changes and wisdom

and sense that only comes with aging.
What is a payoff: how much more I love 

the edge of experience, now that I know
how far I can lean over when I’m on it;

how much I know about what it feels like
to fall.  What is true:  I am old man,

fine old fatty.  I look stupid
when I say I am not, but I’m not stupid.

I can count very high.  And
I count.

 


On A Killing: May 1, 2011

First,

I’m not embarrassed to say
I’m glad he’s dead.
I acknowledge the hyena in me.

Next,

I’m not embarrassed to say
you embarrass me
by choosing from among
so few sides
when there are so many
to choose from
when looking at this.

I’m looking at you
with your flag and your beer
and your three-letter chant
and your brave,
brave sneer.

I’m looking at you
with your Truth fliers
and your semi-conscious racist
undertone:

no way those brown bastards

could have done that to us.

I’m looking at you
reciting the ritual retelling
from the teleprompter
to make sure
we feel enough fear
to fall into joy
upon clinical description
of the wet work involved.

I’m looking at you
beat down by deceit
for so many years
you won’t believe a thing
till you can personally stick
your oft-betrayed fingers
in the bullet holes
and now you won’t get the chance
so you won’t believe anything,
anything at all.

And yes, I’m looking at him —
first surprised, then not at all,
then blind and deaf and
dead.  See him slid into
a body bag, his skin scraped,
see it all slide into the sea,
his body breaking surface
and sinking into a singularity
that will suck us in for a long time
yet.

I end up looking at myself
in a tall, tall mirror.

I’m wondering if I
look much as I did
ten years ago.  I can’t imagine
I do.  I take in all
that’s being said, and
it feels like shrapnel’s
remodeling me.

I don’t know how not to believe
in karma, but I try
by seeking to know all
the names of God, for I know
you can only expect God to answer
if you say them all at once.
I don’t know how to do that. When I try,
it just comes out
as the scream of a hyena.


Assholes

Assholes
who divide, who eat
starch spread with blood,
who crawl, who creep,
who ghettoize, who rationalize,

who do not see pain,
who trivialize, who are of
the cold Lizard Brain Tribe;

assholes who stroll human
and strike viper, who racialize,
who cleave and shred and opine,

who liberal/conservative lie,
who black and white everything,
who insist on filing everything,
who smile steel and sing molten lead;

assholes who claim they do not defecate
except as pure Godhead,
who alien outlaw,
who char the undeclared blasphemous,
who discount self-explanatory;

assholes who are you
and are me, who stand beside us
in grocery lines,  who sneer at something
we ate, who shit on the floor
and call it floor wax, who tender
the skulls of our ancestors as payment
for the sins of today —

bless them.  Bless them, the assholes
who will not learn they are always
behind, who treat Life as a pushpin 
on a piechart marking their progress,
who will not be stanched in their flow,
who will be God’s chosen always, who knew God
way back when and think God will remember them;

bless them, I say, with your tears;
bless their horned response to this world
that knows their crap and will call them on it 
someday when the percentages shift.  

And bless ourselves.
We are assholes with them,
claiming the same things, claiming to see ahead
when we are always in fact bringing up the rear —
we are a place to sit and hold up the Light Body
of Creation as it contemplates and accepts,
yet are such assholes
that we cannot see that it’s enough to be still
and carry weight
and offer comfort to the effort. 

 


Apples

He was finishing lunch
when the Beast approached
and leaned in like a tornado
to take him.

He looked into the face
of threat
and then calmly used his pocketknife
to slit his own throat,

letting the green apple
fall from his hand,
its peelings trailing from it
like battle flags.

No suicide — a warrior
who denied the enemy his prize.
A man doing his best
when there was no hope:

sometimes retreat
is the best part
of a broken life.  How
do you like them apples?

 


The Promise Of Risotto

On a sick whim, I lean in
to suck the hissing gas
instead of firing the burner,
just to see what that’s like. 
However, I stop quickly.
I’ve got good food to cook,
good enough for a last meal
in fact.  And if I get past that,
there’s decent dessert too.  So
I will stop.
I will not place my face so close
to death just yet.

It’s the little things that always,
always do the trick.  The cat
hovering nearby with sacred fur,
the promise of risotto, 
the desire not to leave a mess
for loved ones.  I take what I can get
from the bag of small miracles,
treat them as talismans.  Anticipation of dark chocolate,
pear cider, cool night air on open skin;

I try always to fill my hand with whatever makes it hard
to grip a razor.

 


You’re Right, That Party Wasn’t Any Good

Step up, 
don’t pout, don’t
fret.  You are, I assure you,
worthy of remark.

All that kissing,
and nothing to show?
Not much to say about that,
true.  But as for you —

head down and tripping home
doesn’t cut it, but it
sees you through to the stairs, 
so go ahead and indulge that

gloom.  Once you’re home, though,
banish it.  Stick it outside 
the door where you keep 
the shoes that still need to dry,

the ones you won’t wear inside
for fear they’ll muddy and mark
the whole house.  Why would you bring
similar gunk into your spirit?  Exactly —

you wouldn’t.  So give up
melancholy.  Put on
a little music — puff a little Parliament,
a small taste of bubblegum, settle on

rocking out or whatsoever else
works.  No prescription
except one: party you up.
You are always worth that.

You may not notice, always,
but you’re always noticeable.
Put up a banner
that says just that.

That party really wasn’t any good. 
All that kissing? A total waste.
No grooving going on there.
Not without you.

 


Drunk Tale

On the road for work and drinking on an unexpected dime tonight
in the luxury hotel, having come into solid cash courtesy of

a lucky roll of the dice, I call a friend to come and join me, sharing
wealth I didn’t plan to have; it seems just and right.

“Come and drink with me,”
I say to him.  “Tonight we will consume

in quantity, drink like rich white men:
without regard as to cost, on money that came to us

unearned, and with a cavalier disregard
as to damage we may cause or aggravate.”

So to the hotel comes my ragged friend Joe the painter,
decked out in a Lakers jersey and a scrappy beard.

We burn good cigars out on the deck,
fill our hands and hearts with top-shelf booze;

laugh loud and pay no mind to the stares
of those seated all around:  him in the oversized purple and gold

and me in a too-tight Misfits T
that had seen far better days, by which I mean

it is just perfect.  We drink like any old drunks tonight:
swearing we won’t have more to drink and then drinking more,

not knowing how hammered we are until we stand up
from the sticky, squeaky leather seats and almost fall over.

I pour Joe into a cab and pray I’ve got the address right,
then head upstairs to sit in a cold shower for an hour

before crawling to the bed and trying to sleep enough
to make the morning flight ahead less onerous;

it’s a failure, and while I’m strong enough to hold my puke in
until I’m safely on the ground back home,

there’s not a question in the world that I’m not strong enough
to hold it past the baggage claim curb.  I let it go

in the trash can, then straighten up and get to my car
and drive home to collapse in my own bed,

dead to the phone and the mail and the daylight.
When I rise that evening, I say it out loud to my empty room

the thing I have wanted to say for hours:
we really drank like poets last night —

with a full if disguised awareness of what torture we’d soon endure
as a certain and necessary consequence

of holding such windfall gold
in our too often empty hands.


Platitudes

Darlings, I’ve swallowed
too many platitudes from you all.

If positivity was a drug,
I’d be River Phoenix by now.

They’d have investigated you,
tossed a book of Gibran at your smile.

If so, would you remember me today
as fondly as we do him? Or

would you have blocked me out,
thinking me stupid

for dying from sugar poisoning?
Would you ask yourself

how it could be that a man died
from an overdose of light?

If you were me,
you’d understand.

I was born to be the praise
for what crawls from under the rock.

I was born to be sullen art.
I was made for contrast.

Know I didn’t choose this.
I’d have rather been sunlit,

blind from the glare of day.
I do appreciate your cheer.

But sometimes your words
are doubled by a voice

saying, “Not that.  Not that.”
Neglected darkness speaking?

I don’t know. I just know
how I am when it sounds off:

I’m most comfortable
with that in my ear.

Call me a downspout
for psychic rain.

Call me a slipped noose
or a damaged launch. Not that —

I am the brother of those.
The diary of a charm

against what we won’t name.
Keep your affirmations —

I can’t learn that tongue;
the one I know, I know too cold.


After The Industrial Revolution

A short vacation,
hiatus, rest break,
sabbatical

until the day after 
everything
blows over.  Will be

back after a few words
from our sponsor

who expected us
to work harder
and longer
for his dollar.  

He doesn’t seem pleased
or inclined to re-up
the contract as

it seems everything went to Hell
while we were sitting back
and enjoying the inattention
to detail.

No idea
what we’ll be doing now
that the gig’s fallen through; 

sit very still
watching the dark horizon,
I suspect,
at least until night
closes in. 


Sandbar

rocking like a sand bar
in current, particles flowing off
with every wave, there goes
what I loved, here comes
what I’ll love now, shape
shifting, now crescent, now
straight line, now blockage
to tides, now broken barrier,
perhaps husks will wash up
and bulk me up, perhaps
I’ll be an island, perhaps
a continent

or maybe I’ll
wash away, get into
the seabed, become a beach, 
grit in someone’s shoes, dragged
or carried inland, washed off
in a cold shower, down a drain, 
end up at rest far from home,

a memory of past nautical history,
found in a crime scene, mystery of
forensics, evidence of change,
cryptozoological marker,
here was a mermaid passing
at some point, a kraken, a dead sailor,
pirate gold, something, anything to spark
an imagination,

the mundane nature
of what I’d been lost, no record 
of what loves I’d lost and gained, 
my mere physical trace all that remains
and that much of me made to tell a story
I’m not a part of,

as the ocean
takes me in without making me a part,
as the drain carries me away
without calling me to itself to stay.


Tools Of The Trade

All along the walls of watchtowers
that keep inner sanctum sacred
the hymns of longing
rise, supplicating for bread
and access.  With a raised eyebrow,
those inside intone spells
and make ritual gestures —

delicacy,
the tool of the upperclass
when there’s a need
to put someone back
in place;

etiquette,
a menu for delicacy,
a ghostly menace
behind it. Dig deep and see
how door holding and fork placement
condescend to some, set tiger traps
for others.

Fashion,
a uniform for separatism;
accent, a marker for acceptance or rejection;
grammar, a two-edged sword
guarding the gates of Paradise;

all so beautiful that soon enough
we aspire to our own prisons,
to acquire
our own sets of keys,
our shackles,
our marching orders.

Are we not handsome now
with our hybrid vigor
draped in such vicious elegance?


Ragged Lamb

A ragged lamb
on a high rock.  False
thunder in the distance,
perhaps guns far off, perhaps
a tin roof falling in close by,
somewhere I can’t see.  That lamb,

matted and filthy, bleating
in fear and pain, scared perhaps
by the thunder in a blue sky.
I scramble to catch her
before she falls off the edge 
into the ravine below,

but I fail and she falls.
But she doesn’t.  Instead she hovers
in mid-tumble beyond my reach,  
as if held up on a thermal,
as if she is no lamb
but a falcon.  She is a falcon, in fact,

transformed without my seeing
the event; her claws extended
toward me now, as if to keep me
from attempting the rescue
now that it’s no longer needed.

To hell with finding the music
to speak of this.  To hell with
perfect rhyme and set meter
in my telling; I’m no singer
of mystery.  

That ragged lamb
fell, and did not die; the lamb
became a falcon and is threatening
to tear me up.  There is thunder
that is not thunder; there is violence
or tragedy filling the air.  Here was
a miracle that feels foul to me,
feels unbelievable — 
but it was a real lamb, is a real falcon,
a real cliff, a moment that feels real.
Why else am I still sitting here
on the edge,
wondering what I should risk?

 


Research

Once upon a time
I stole a tooth
from the skull of a virgin saint.
When planted, the tooth
bloomed a library.
I read deeply for months.

The virgin’s story,
captured on parchment,
reeked of flowers and sand.
A soldier met her, thought to take her,
then thought again; those words
were scented with iron and spikenard.

When I put down those books
I understood the nature of restraint,
but the distance between understanding
and practicing is wide.  So I returned to the relics,
stole another tooth, and swallowed it.

No secret worth keeping exists 
without a little pain.  No knowledge
blooms to being unless fed by blood.
That tooth bit deep.  It filled me 
not only with my own blood —
but I must hold my tongue about what it gave me
as I tasted sand, ground its grit 
between my own once-ignorant teeth.

I sit now in an impotent library.
Every book read, every page turned —
I’m no better a man than I was before the thefts
and the plantings, though at least I know now
how short I’ve fallen. How deeply I am flawed
when I compare myself to that soldier
who turned from the virgin, took nothing from her
though he had the chance,
and lived happily ever after. 

 


Pig Roast

man o man
we are getting to the point
of needing to know how
a throat is slit —  

the piglet is struggling and we know
it’s got to be strung up by
its hind legs and
the blood’s got to be drained

but 
we also know
you’re not the kind of guy
to do that
and as the host
you could save face

by delegating the
honor or the chore to a trusted friend

and we’re all drunk
and hoping and fearing
that you’ll choose us

but never mind — you say you’ll do it

and when it’s time
we envy you
your chance at sanctioned mayhem
and your willingness to do it
your not-quite eagerness to do it

so when you are ready
we gather
and watch your face
not your hands

and man o man
it’s
something to see