Tag Archives: poems about poetry

The Mythology Of Scorched Earth

Last night
I dreamed
that there
in my hand
I had conjured
a gnome
in a red hat,
something
from a book
I’d read long ago. 
He began to spin
there on my palm 
and when he at last 
spun away it was as
a dervish born
in a handful
of fire.

Last night 
I remembered writing
this poem once before
when I was no more than
18.  Back then I thought 
I was something,
didn’t I — back then I thought
I too had been 
formed in a hand
to be a dervish
in a handful
of fire and that I had 
a fire hand of my own making
and I spawned poems in it,
fast red, and long burning hot,
and I spun them into the world
to ignite anything
other than myself, but still
I burned, almost, to ash.

I soak my wounds these days
in any running stream
I find
and think of how
I am no longer what I was,
am I — no dervish,
no wick, no kindling
in this poor hand,
and I am grateful
for how final and good
it feels to stop short of a full life
of poems romancing the mythology
of scorched earth.


Trash Day

First I take out the trash
and then I sit down to write.

I hold off on coffee until after
I’ve done something poetic.

I have friends who swear
the coffee must come first

but the coffee comes second around here, 
or even third on a Wednesday trash day. 

My friends understand why
the trash comes first, but how is poetry

something to get past and not
at least in part something I owe

to downing at least one delicious cup?
They don’t understand: I have to have

something to look forward to
so I hold the first cup in reserve. It’s

the Blue Mountain on the end
of the stick before me. Writing the poem,

on the other hand, is less a pleasure
than a — not a pain, no; more

of a requirement. More of a 
“take your pills” practice, a glucose test

of what pushes your blood through you.
Not so much medically required as 

now so much a part of the rituals
that to do so on some days hurts, on others

sings within, but is each day ignored at my peril.
So first the trash on Wednesdays, then

the poem, then the coffee. Today
it’s all tasting pretty much OK:

trash out half an hour early, and listen 
to this — not great, not terrible, but when the body

holds it up for inspection, it says 
all is in balance for now; I pour a cup

with a splash of milk and nothing else.
I don’t know what else I’ll be doing today

but at least I’ve done this and if today I pass away,
when they find me they can say they found me at rest.


Aging Into The Work

Begin
by switching 
from late night 
frenzy jags 
to mornings
before the coffee 
has finished brewing,
changing
your work wardrobe from
naked or T-shirts and briefs
in bed
to full dress
in whatever you decide 
to see as your office,
refusing to rely
on inspiration in bursts — begin
not carrying a notebook
everywhere and letting
the lines come and go within
as they see fit, trusting
the Work itself will put
those that would matter most
back in your hand when the time
demands it.  Continue like this
for as many years as you have left
to spend on it. It may be few,
it may be many, it may be
none at all and of course 
the Work itself
will continue without you
but when all is done,
take comfort in how
serious you were
about finding your own way
in your fading light.


Praise Poem Against The Grain

Revised from 2009.

There are people who think we should all write more,
one poem a day, one thousand poems a day,
five hundred fifty five thousand poems a day,
one for every thought that slips along our nerves — 

excepting only poems about poetry.
The belly full of meaning poetry offers should be emptied.
The places it lives should be cut out of us.
We should never write of it or speak of it.

What nonsense — to go into church
denying that church is worth discussing in church. 
To refuse to cry ecstasy when ecstasy is upon us,
to refuse to explain what it’s like to those all around.

I’m ill informed tonight, and half asleep.
I haven’t watched the news for a week.
I’m alone with no one but the cat
curled next to me on a fleece blanket. 

A documentary on Crohn’s Disease
plays unwatched in the next room. 
I could get up, or I could stay here
until spring.

All the poetry I have tonight is the poetry of poetry itself — 
a right whale inside me, dangerous, endangered,
rising island within my body reminding me of marvels
that could slip away and never return.

There may be something else to write about someday
and the poem I write then may be fibrous, luminous,
may hold together on its own
and pass from me without pain.

Tonight I write one poem about poetry,
write it over and over again, 
one poem for the blessing of knowing
that poetry still exists in me,

even if
it’s hanging
by a thread. Even if
it hurts.


Adjustments

People think these are poems
But they are more like adjustments
My bones crying out like
A door’s being shut

People worry my frame
sounds just like a breakdown
When comes the adjustment
You will hear me crack

If they call me to answer
they can call me in Hell
I shall have my phone silenced
for I break when it rings

People ask for more
and then more of the same
From a man who can’t answer
without crumbling within

They think these are poems
I’m stretched to create that
Stretched to create this
and I still can’t stand straight

If pain is a virtue
I’m topmost among angels
If poems are adjustments
why am I still so bent


Working Title

I’ve written a book I now pray
will never be published
Working title “Goddamn”
Subtitle “Fuck”

You think I’m joking 
but in fact the profanity
is the least offensive thing
about that book

I thought I was sweet 
until I wrote it
but the brain of one
who could write such a thing

(where the title and subtitle
were the least deadly words
the cleanest and sweetest
I could use to proclaim the rest) 

that brain grows from
a bitter root and I’m sitting
with all that means
in my little room

The air reeks from it
Disturbance on paper
Common vulgarity
announcing common dirt

I wanted more of my work
I demanded less of me than I was
What have I got to show for it
when “Goddamn: FUCK”

is likely to be my legacy
unless I burn it and start again
Unless I burn myself down while 
praying I’ll have time to start again


A Grand Stone

A grand white stone on the bed
of a familiar pond

seemed to be
in shallow water

but then you remembered
as you reached for it

this pond is clear
but deeper here

To retrieve it
you had to plunge

your arm in almost
to the shoulder

So cold
you were disabled

for a while
in terms of being able

to feel and hold 
the desired stone

to heft and bounce it
in that hand as you tried

to understand better
the reasons why it drew you

which had seemed obvious
until the shock

of seizing it
snatched your breath

It seemed so close
and easy to grasp

It looked
so perfect down there

Now all you’ve got is
this cold rock and

a longing
left unexplained

swiftly drying 
into mere memory


The Work Undone

Five in the morning
has always been my time
though I haven’t seen it
in a while. Sick as
a sputtering candle, 
sleepy as the old dog
I am, I’ve been keeping
less funereal hours of late
as once it gets dark
this body says go, sleep; 
get used to it, soon enough
this is all you will have.

So to bed
after dinner I go, hating
myself for succumbing.
But somehow the graceful lamp
of Work Undone
relit itself tonight and now
before dawn I am here: back at it;
uncertain of the time left;
I am here aroused
into sword time
with the old weapon of choice
at hand. I ask:

what am I supposed
to do now, dimming body —
pretend to joy
while I stare at despair? 

It shouldn’t be a pretense,
retorts the body half-lit before 
the Work Undone.  So much to do
before you drown. You are
out of the dark and joy is
out here, somewhere, waiting;
pretense is for false warriors. Go.
You are not
allowed to fade without 
at least making a stab
at finding it. 


Anathemas

Quieting my
breathing until
it can slip past words
longing to leave me

so it may sustain me
through the fire of
wanting to speak
but not trusting myself

to say things 
softly or with precision
Slowing my heart rate
until it is no louder

than thoughts
of righteous outbursts
terrifying self-exposures
infamous last war cries

My best work
is destined to remain 
imaginary because 
to put it out there would be

to proclaim anathemas
intended to be seductions
and watching
the world recoil


Apologia

More than once I’ve thought about
a man in his recliner watching football, 
and told myself that it should have been me. 

I should have continued my career,
such as it was, and worked myself to rest
fully funded and mostly healthy in such a chair,

or so it would appear to others.
More than once I’ve lamented
that I took what some would say

was the lazy road and followed
words down another path. 
I could have done it part time

as I did for years and maybe
done more if I hadn’t been so bent
on chasing them where they went

instead of having them come
to where I reclined in comfort.
More than once I’ve mourned

the self I lost the day
I turned in my ID badge 
and walked to my car with a box

of stuff I did not need which felt like
gold I’d mined and wanted to keep
as proof of my having mattered

in one specific place and time. 
I was a fool, of course, then and now.
I had never mattered that much then

and I don’t matter now. If I stop now
in ten years most won’t remember
much of anything I’ve said or done.

It’s fine, really. Did I move 
the earth? No, it moved 
anyway pretty much

as it would have if I’d stayed
in that job. Did they miss me
when I was gone? No, at least

not for long.  Did they miss
the gold I’d taken with me? No.
It was not real, as it turned out. 

As for the time since: did I move the earth
with my words? No. Did they pay back
all I owed? No. Do I get to rest

now that I’ve acknowledged
how small I am? No.
Did I owe you all this work? No.

All I wanted, all I needed
was a recliner and handfuls of love
from those I loved in this life,

then silence in the next. 
I’ve been told it’s golden.
I’ve been told it feels like peace. 


Exposition (How To Read My Poems)

If any lines 
are addressed to
“you” it is likely
that I’m talking
to myself

unless I’m thinking of 
a specific “you”
in which case
it’s not likely that
I’m thinking of 
or speaking to you,

in which case you should
also know that “I” is never 
completely me but is some
part; perhaps an aspiration
or a cringe, but not “me”
as a “me” whole and
imperfectly human
as I write and live and 
eventually die;
unlike, I hope,
the “me” I will
leave behind.

I’d rather not
have to tell you
any of this,
of course,
but there are times
when I need
to be reminded 
myself. 


Leave It Alone

leave what creates alone.
tend to its home
but not to it except
to stay out of its way
and listen to it.

you may at first mistake its voice
for that of an illness or a deity.
call it what you like,
a Muse even, but don’t
imagine it’s a separate entity
or anything but a mundane
part of you. it does its best work
if you ignore it. leave it
to its chores.

one day you’ll awake 
to a gift shining casually
from your seat
on the worn out couch:

freely given, left to you
by you, in your name,
to make your own. 


The Unaccustomed Sea

o my people
hear me when i say

do not fall in love with
a poet. a poet will learn

nothing of you unless
it directs them back

to the cosmos and then
you will be left to wonder

if they are in fact
with you when they

lie with you or are instead
attempting to understand

the language of stars
through your cries. to fall

for a poet is to develop
invisible parchment over your wounds

only to have them write 
all over you without acknowledging

they are sustained
by your pain. if they speak

of love know that they are
worn from love and too wary

of the word to know how to use it
in any way without slanting it

toward themselves. 
o my people — may i say

to fall in love with any poet
is such a disaster — and if

the poet in turn falls
into a true love with you

understand how much of a tsunami
it will become before you can both

come up for air and try to find yourselves again
in the unaccustomed sea

that has swallowed you both
and (if you are lucky) has 

raised you to high ground
and kept you together.


Never Trust A Muse

Try to start,
it says, 
from something 
outside of yourself.

Find a way into
the edge of the picture
once you understand 
how you fit, fill in
an empty place, tell us
what you see and hear.

You fit somewhere
in the everything 
out there, one with the 
orcas, one with the squirrels
and the sphinx moth
clinging to the wall
inside the front porch.

It’s simple, really,
it says.
All you need 
is to become
part of everything
and the whole
of everything 
will become obvious.

Nothing, I retort,
is obvious
and never has been.
I’ve been looking outside
since I was too young 
to truly see the difference 
between outside and inside
and now, now that all
is on fire no matter whether I look
within or without,
what is supposed to become clear
through all this smoke
now that I am also smoke?


One Week

Wake up
bathroom
cats fed
coffee on
write
coffee

or

bathroom 
cats fed
coffee on
garden
write
coffee

or

wake up 
crack open
coffee on
bathroom
cats fed
shatter
assess damage
stop
coffee
write

or

write
wake up
sleep
wake up
iced coffee
coffee on
write
coffee
write
sleep
coffee
write
coffee
sleep

or

sleep
write
sleep

or

sleep
coffee on
garden
cats fed
coffee

how did I forget
the litter box? the 
opening of blinds
to daylight? the 
cursing of the bills? the
running of the 
mouth inside about 
what is read and unread
on the bedside table? how
did I forget to say
I am not alone enough
and lonely more than not?
how did I forget to say 
that I am churning with questions:
how are my mother, my sister,
my lover, all my tragicomic
friends, all the deadly Senators,
all the fucking style prisoners, the morning
becoming sexually awake, the spiritual
evening of entire mountains, the
timezones and islands and
orphans and smugglers of orphans,
the smiles of how many better equipped
than I am to take on what I’ve got to
wrestle?

or

wake up
lie there
imagine
what I must write
lose it before
the first cat is fed
coffee on
die a little
grieve the loss
write