Tag Archives: meditations

A Remark You Made

Originally posted 3/27/2010.

A remark you made

affirmed for me
that someone
had indeed
been listening,

at least once,
perhaps by chance
more than
for any reason,
but however it happened
it happened, and so
I thank you,
for as a result

I was able to imagine
for a moment

myself
as carrier,
as burden-bearer
in the oldest sense,
the honorable sense,
stepping out
of my front door

carrying a seed
which by chance or design
I must have dropped
into a good place

as I hurried away.

 


Privilege

Originally posted 7/25/2010.

Definition: it is
an oil
that gets on everything,
clumps in dark corners
where it’s obvious
if you put a light on it

but when spread around
becomes invisible,
almost intangible
until you try to grip something.

If you’re born coated in it
you forget it’s there.

The ones who came before you
teach you
to work with it,
to make it your friend,
make it stick wherever
you want it to stick.

You won’t even remember it’s there
once you get the knack.

It’s no wonder
that you’re insulted when people
call you “slick”
as they try
to make you see how
it shines so evenly on you.

The wells that pump it
are deep.  Pulling up the pipes
is not like pulling teeth,
more like pulling roots,
long roots,
nearly interminable roots,

roots that
cross the lawns:
pull the roots
and the lawns
come up with them;

roots
under the roads:
pull them
and the roads
crack and split above them.

The wells that pump it
are deep

and the depth
of their reservoirs
is like unto
the Hell you’ve heard
so much about:

there is fire,
there is ice, there is
the Adversary who rules it.

He says he loves you,
calls you his beloved
slick bastard.  
It doesn’t feel terrible
no matter how much 
you yearn to hate it,
which is why 
no one really knows 
what a dry world
will be like,
except  that
we might find it easier
to hold onto each other.


Icelandic Fiddle Music

Originally published 9/27/2011.

Fiddling on the radio at 4 AM.
A singer with an Icelandic accent.
Maybe.  


You’re lying in bed fully clothed.  

Tonight was a banquet you chose not to attend.
Everyone said community demands it.
You weren’t buying.

You weren’t convinced there was a community there.
All these people coming through town say they love you.
No one comes knocking for you.
You wanna see them you gotta get your butt up and see them.
Get to the banquet.
The banquet you hate.

Icelandic fiddlers on a 5 AM radio show.
Kids these days.
Whatever happened to rock and roll?

Naked or clothed lying in bed or at banquets.
Everyone’s a liar.

You don’t want to tell anyone you’re dying.
You want them to figure it out for themselves.
You want to hear the words from their contrite mouths.

We missed you at the banquet and came to see you.
We didn’t know.
We’ll undress you now.
We’ll sit or lie with you all night.
We adore that old-time Icelandic fiddling and singing.
We adore you too.

You don’t go to banquets anymore.
Your teeth are disgusting.
Your teeth are falling out.
You are exactly as old as you feel.
You are as old as Iceland.
As old as a fiddle.
As old as a gaptoothed singer.
As old as the weird music of just before 6 AM.
Twice as old as some of these meddling kids.

You are better off fully clothed and alone.
Listening to this crap.
Waiting for sleep.


A New Color

Originally posted on 10/28/12.

How to explain
a new color?
How to define it
beyond calling it
a crisp, refractive purple
only visible
behind my eyes?

I sit in my car
in my driveway
thinking of the two women
panhandling in the rain
at the end of our street
at the start
of a hurricane.

How to explain this color
I know I have never seen before?

When I asked them
if they had a place to go,

one smiled and the other said,
“Thank you, bless you sir.”

I’m sitting in the driveway
looking at a color
with closed eyes,

with my head on the steering wheel.

A color I’ve never seen,
a clear and crisp refractive purple
in the crazed, urgent, irregular form
of a paper flower
or a crumbling gem.

This is the color
of a blessing or a mercy,

the color of
driving back down the hill
to take them to a shelter,
the color of shame
when they refuse
to get in my car,
the color of understanding
why
they refuse,
the color
of praying
for them,
the color
of feeling
that I have not given
enough,
ever, to them,
maybe to anyone.


The Towns Between New Haven And New London

Originally posted 10/28/09.

Last night’s drive home
was grand moment
after grand moment

of four of us
laughing and chatting
as well as we could
over Parliament blaring,
cigarette after cigarette flaring,
New York City
in the rear view,
home still
some hours ahead.

The towns between
New Haven and New London
are strung along 95
like green pearls on a black string.
I have forgotten their names,
for there was no room in the car
to hold them.

Forgive me, towns
between New Haven
and New London.
You deserve more
than a mention here.
You ought to be
destinations
and someday I hope
I’ll make that right

but last night, you
were just distance
to be covered,
just white letters
on green signs
breaking my trance,

neither
the good time
we were leaving behind
nor the home
we were longing to see.


Last Poem

It ends here

on a pinpoint
balanced,
pierced
lightly, slightly
raised above a
white matte surface,
well lit
and prepared
for study;

ends here

in death, still
apparently ready
to come back
to life at a spark
moment;

is its own
epitaph, condensed
clues,
map to buried
value;

what it says about
its origin is not
easily discerned

but that it ends here
sends some signal
as to where it might
have begun — in

a collector’s eye,
a pirate’s free hand,
a gravedigger’s shed
full of dirty tools
used mostly in
necessary chores
of sorrow and
what sorrow
leaves behind.

— Tony Brown,  May 23rd, 2014.  Finale.


Apology

I am sorry,
but you must understand
that whatever tenderness
I held from birth
as my own

was squeezed early on into
the relative safety of
stony, hard locked fists.

This constant warring,
this impotent boxing
I have called “living,”
has all been
a shadow game
I have played

hoping it might
shake loose
a better man
from inside them.

 


Music For Funerals

Revised, and set to music for The Duende Project.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It seems to happen often
that I receive
a phone call to request music
for a friend’s funeral.

This is my role in my circle,
my holy manacle,
this ability to know the voice
of personal grief intimately well;

the understanding
of which songs will speak for us
the way we would
if we could stop our voices from cracking.

When it happens I run through a list
in my head
at once, choosing
only after some thought.

Sometimes I reach for the guitar,
thinking that maybe this time
I will compose a song that will
make all future requests moot.

It never happens,
but I still think of it from time to time,
imagining that all at once
I will know

the song I have always
wanted to find: the one
that, if played well enough,
will bring them back.

When I go, don’t make anyone
choose songs for my funeral.
When I go, burn me like sheet music,
burn me like hell money,

burn me the way children
burn their parents’ love letters.
Lift any uncrumbled pieces from my ashes
with drumsticks held like chopsticks.

Set them in a tambourine,
take turns pounding it,
set me rattling against that skin.
Ring me out until we all grow hoarse

and our voices become
as soft and ragged as old clothes.
Make me into the song
I never could write by myself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Listen to the track here:  https://soundcloud.com/radioactiveart/music-for-funerals


Dead Letter

The more I see
of this world,
the less I desire
to be a part of it — 

though I feel
that every time I say this
I am even more
a part of it,

participating in it
as one of the
customary
dissenters.  

Such a tired pose — 
I would be better off
without a tongue
or an urge toward art,

as the rest of you
would be as well.  
Thus, therefore,
the great experiment

of killing an artist
to seek a man in here,
for at least
a short time.

What makes anyone
think it will matter
at all a year,
two years,

fifty years from now
if I never create
another blessed
or cursed thing?

At best, I’ll be
your footnote friend
or object lesson.
At worst, I’ll be

one more
dead letter
to the future
from the past:

the most
common
thing
there is.


Pick Me Ups

A trigger word in my ear,
key to my ragged ignition,
which when turned
will get my mind racing.

Some visions I’d forgotten
of how I made failure a faith
and disaster its daily sacrament.

Then, a small gun, just big enough
to set a bullet rattling
in my noggin;
a razor blade for picking
my locked arm;
a proper portion of proper pills;
a well-hung noose;
a cliff, ledge, or bridge.

Just give me what I ask for,
if you please.  
I’m being polite,
after all.

Well, you say, none of that
will make you happy;
it will make you angry or sad
or dead.

Eh, you choose
your pick me ups
and I’ll choose mine.

It’s not like you can skip
happy, angry, sad, or dead;
it’s not like any are avoidable.

For me it all comes down to pace
after a while — how quickly
you embrace the inevitable,
how much you value control
of your own timing.  

Me, I’ve got a thing
for punctuality.

I get a rise
out of being early
for important events,
no matter how much pain
they eventually bring,

or how much
I dread them.


B & E

Once invaded, 
a home becomes
a broken promise.

Once breached, 
walls and doors become
dark, porous lies
and windows turn into
lesions to be healed.

Maybe
whoever did this
needed the money.
Maybe
whoever did this
needed it more 
than I did — 

but all my voices urge me 
to soften my caring,
harden my heart,
put aside 
anything within 
that’s akin 
to compassion,
join the rest of us
in suspicion and fear
of what’s outside — saying

all the things I hate to hear.

It will take a long time
before I can ignore them enough
to be me again.


Banal

I am certain I’m supposed to be
something else — no idea what —

just something not so
banal

as a fifty four year old man
who looks white and therefore

for most observers
that’s all that counts

when in fact I grew up
shredded by a war between

my original parts
yet

I would never deny how much
I’ve been privileged by

looking right and male and white
and all the extra special entitled

treatment that attaches to that but
what I mean to say is

I’ve always felt so let down
because I’m not so obviously

other when inside it’s
all I think about most of the time and

what a relief it might have been to have
the misery right in my face

You’ll tell me I’m crazy
for saying that but

slots suck when you don’t fit them
except I sorta do at least to

the making eye of all who see me
To them I’m merely a common sort of hypocrite

of a certain age and visual
Take a look at the optics

Rest assured I do know I’m supposed to roll over
and die in a comfort  I’ve never really known

That’s certainly a banality
to be infected with

such all American confusion
You think I’m

you think I’m
you think I’m

just another Cherokee grandson
stuck in a shitty common myth looking for

some validation
some agreement that I might know

a little something worth knowing
when truth is I don’t know

anything for certain other than
the war at home was ugly and

war is hell long after it ends
it hasn’t ended yet

Looking at how you
are looking at me

it doesn’t look like
it ever will


Homesick

Remember that song that claimed,
“…you don’t need a weatherman

to know which way
the wind blows?”

Maybe that was true
once upon a time.

Now we don’t trust ourselves
to know what we know or don’t know.

Nothing goes down smoothly.
Nothing safely quenches our thirst

and no forecaster or fact checker
can say anything

without someone
calling it a lie.

Every expert’s a liar from birth,
their lies bought and paid for

by someone
who lies to thrive.

Your opinion is
the only truth you can trust.

It’s a north wind to you,
a south wind to the next guy.

Both of you are wrong
for in fact it is a westerly breeze

because I said it was
and neither the Tea Party nor Obama

can change my mind;
it’s certain that one of them controls 

the majority of stock
in compasses.  In fact,

it’s entirely possible that direction itself
is an Illuminati plot

to make us think we can get
somewhere else from here.

I just thought of that.
It must be true. It is as good a reason

as any to explain
why we’re all just standing still.

“The pump don’t work
’cause the vandals took the handles.”

Parched, paralyzed,
in fact parched nearly unto death,

thirsty for one sip of truth,
mistrusting each other, fearing 

there’s no point in taking even one step
in any of those dishonest directions

because there’s no place
any different from this one,

no place without liars, leaders,
or parking meters.  Seeing us now,

you’d think no sailor had ever set out
on nothing but trust in wind,

stars, hope,
and a bucket in which to catch the rain.


Your Substance Of Choice

Your Substance Of Choice
hollers at ya.

It tells tales, says

stick with me
and live

forever.

As proof it shows you
your worst parent,
the long thought dead
mostly unmissed one,
waving at you
from inside a shoebox
you use to hold
photos,
odd linty pills, a penknife
with a bent blade
that won’t stay open.

See that?  Back
from the dead
like I said —

stick with me, kid,
and live forever.

What am I saying, you’re not
a kid anymore — what am I 
saying?

You’re grown, you got this —
hollaback
holla
back

y’all.
C’mon.

A penknife with a bent blade
that won’t stay open.  A brown crust
in the pivot point keeps it
from locking into place.
You won’t clean it.

Odd linty pills
for cold and flu, allergy,
sleep, pain.
You can’t even be certain they worked
when they were new and fresh.
You won’t throw them away.

Photos.  Not enough
and too many.  The tiny parent
waving among them,
a frond in funeral decor,
a skin tag gone horribly huge;
you won’t look.

Back from the dead
come the dead
you don’t wanna know

but c’mon,
you’re all grown up,
the dead can’t hurt ya,
you’re no kid anymore — 

holla back.

Shove the box into the closet
so its load can’t seep up
into your dreams.  Strap on
the getaway shoes. Get the hell
away from the house.

Your Substance Of Choice
can’t run. It can’t
fly.  All it can do
is lurk and lie
and beg you to notice it
lying there. That’s how it got
your worst parent.
That’s why
you never stop moving.


Facing Colonialism

He’s jerked awake in the morning
by a sound from inside
one of the dresser drawers.

Pulls it open to find
a tiny family living in there —
he startles them at breakfast, tells them
to keep it down, goes back to bed
to sleep some more
and not to lie in wonder
at the miniature panic he’s caused
across the room, not to lie in wonder
at tiny people scrambling to hide
among his socks.

That tiny people live furtively
amid his domestication
and it is not a source of wonder to him
is in itself a source of wonder.

He may think
upon rising again
that it was a dream,
his waking was a dream, the faces
upturned in horror a dream, the diving
away from the light a dream.  Or
he may believe he was awake.
He may now believe in the little people
quite sincerely
and decide that they
have been present for his entire life
and he only now sees them.
He may consider his sudden ability to see them
a sign of maturity.  He may tell himself
that these wonders that came to him unbidden
are wonders common to all
if they all would just open their eyes. And
he may fall back asleep pondering
the potential uses of such a family
to darn his socks, arrange his drawers,
care for his small desires, fulfill
need he will have to invent…
right now all he wants
is for them to be quiet
while he tries to sleep.

That’s a source of wonder.

That he does not care to know them
or learn more about them,
ask their names, apologize
for the interruption, offer
to make amends,
that he goes back to sleep
as soon as possible
is a source of wonder.

That this has all happened before
and happens over and over
is a source of wonder —
someone, anyone,
get to those little people somehow
and tell them
to run while he’s still
asleep.