Tag Archives: meditations

Something Under The Arrangement

I’m a pop song
once mistaken for holy truth
by someone who heard me
at a perfect fallow moment.

Does it matter that they
misinterpreted me
and believed me to be
greater than I am?

I doubt myself as a result.
I question their faith,
dismiss it as so much
transference, then a small voice

tells me I should instead
be living up to those
operatic expectations. Whenever I
have tried that, I have been

terrified of the responsibility
that weighed in with it. Still,
I have tried it; I have noticed
changes in rhythm, in melody;

something under the arrangement
that estranges me from my known self,
pushes me to ask what I am and
what I am missing.

I turn again and again
back to my memory of them.

See them listening to me
as if I held 
all meaning,

all truth for them. I listen,
straining to hear
the same,
and it’s good. It is fine.


In Service To The Struggle

There are times when I am fluid
and beautiful, when I lie exquisitely
in service to the struggle like a well-worn hilt
in a master swordsman’s hand; other times

I’m all spikes and protrusions when gripped,
and all the struggle can do
is drop me from its grasp
for fear of my damage.

I would tell you I am the site of the struggle
but the lie embedded in that is cold,
sharp, and slippery with others’ blood.
I could tell you I don’t want justice

but I do want to be fluid and beautiful,
and if that’s how I get there then by all means
I am for justice — but that is also a lie,
one as hot as the previous lie was not.

What I want is negation. I want to skip history.
I don’t want to be here. I don’t want 
to have been here. I want for neither 
cold nor heat.  I want the cup to pass from me

and then I want to skip all of it: not fluid,
not beautiful, not sharp and impossible to hold.
I want to vanish into the past and be forgotten,
to have no qualities at all, to be forever

unscourged and unpraised
for what I did or did not do for the cause of Justice.
Invisibility, insignificance, even in fact
never to have been incarnate, as far as

the world can remember. That would be Justice
I think — to be unremarked among the faceless
of history. I feel it every time, until I am seized by History
and then, with a sigh, with a moan, I give myself away.


The Official Version

I’ve often wondered why
on the night the Romans took Jesus
they didn’t round up all the disciples
and end it right there and then.

That would have been
the logical, imperial thing to do.
No reason not to.  No reason not to think
they hadn’t done it before

to other revolutionary cells they’d found —
they were at the time
a more political threat to empire
than a spiritual one.  Something 

smells off, always has.
Maybe we’ve got the story wrong
and Jesus cut a deal — leave them
alone, you can have me. Maybe

Jesus wasn’t taken, but instead walked in — 
maybe with the Magdalene by his side? Maybe
Judas hanged himself after in shame
or maybe he didn’t do himself in at all? 

It’s possible nothing is right in any of 
the stories, and it’s all a myth, an
official narrative. A blank slate
scribbled on in haste.  Whatever

the backstory, the official version
makes for good reading, good platform,
good grounding; still, I can’t help thinking
of someone, one of the original twelve,

sitting grizzled in a cave somewhere
during a later revolt, listening to myths
being made all around him and muttering,
muttering, that no one there knew the half of it,

then turning to the wall to sleep in guilt
and grief, thinking back to the early days
when they were all together and it all seemed
like a new world was only a burst of bloodshed away.


One More Before I Go

We all think 
it will be obvious that
it’s coming: a disease with
documented progression, 
an increasing need to escape
rotten biochemistry, proximity
to a deepening war zone, 
risky behavior rendering us
so top heavy we’ll clearly
topple very soon. Instead 

the moment comes
in an accident beyond
the sciences’ ability to predict,
an aneurysm previously hidden
from view, a random bullet
or stray blade slipped in
when we aren’t looking.

I pray to have a lover’s name
upon my lips when it comes,
or some poetic circumstance
to frame it if I am silenced before
I can get a word out — and of course,
I pray that whatever art I leave
as a last utterance or imprint
says something worthy of it
being 
my last.

I pray like that each time
I sit down to the Work, as if 
I only ever have one more to offer
before I go. It humbles me
that I never feel I’ve been right,
never good enough to be finished. 

Maybe I stay alive because of that,
though I am not
so vain as to think
I am kept alive 
for it by Something Larger —

no, not me. But I do believe 

there’s an organ inside me
that knows this, and as if it were 
another person within — sure, 
call it a Muse if you must — it keeps
shaking its metaphorical head, saying,

not yet,

I’ll let you know. You’ll know 
when I know, and when I know
it may or not be too late to be perfected,

but whatever the one before you go
will be, it will have to do;

so practice, practice, then let this go.


Everything I’ve Learned

Originally posted 2010.  A Duende Project staple from the duo days. Probably something we should look at for the full band…?

This is everything I have learned:

that I am nothing.

That as nothing, I am exalted
to be nothing. Deliciously
inconsequential, a part of the Machine
of Stars/Necklace on
the Throat of Creation.

That I
mean so little, anything is free
to hold me.

That I am peer
of leopard and dysentery,
of coconut palm and stray wrapper.

That the pattern of rejection/containment
is the warp of my woof. 
Woolly headed 
and slubby
as a pilled cardigan 
on a grandfather’s back. 
Only here 
for the warmth.

That I am song
under shower breath.

That I will be forgotten,
and this gladdens the non-ego
that fights my stick-wielding
caveman heart.

That love and robbery holler equally
in the alley of my elbows as I grasp
the always coming always receding days
I bore through in anger and dread and joy.

That joy itself
is a movie written by another
but I imagine myself
as grip and gaffer at once
upon its set.

That the skin I’ve stretched
and the blood I’ve pressurized
will look awful when I go,
my bowels a roaring ghost 
of past indiscretion,
my face a sagged charlie horse
in the leg of a loved
one long after my burial,
putting a hitch in their walk.

That every barking tree limb
in a forest 
laden with ice
knows its place better than I do,
and I am happy to listen and learn.

That a man’s
no more human than a tin can on a heap of worms
and that the whine of a bomb is a natural song
of the city of God.

That I am happy
and I am nothing, and
all is nothing,
and since all is nothing
and everything at once

it must be so
that nothing is important and
nothing stands out,
importance itself is nothing,
my 
self-importance
is the Ganges of my fierce greed
where I will burn myself to ash and crackle
in the consummation of The Wheel

as the last thing I say to another
is swallowed in the Great River
and I am lost to the sun and the voice,

and the Necklace that hangs
upon the neck of Creation
will be my shade against
the long night 
of what comes after
this life, 
this night of knowing
how small I was
and how much I offered to Completion

by simply being what I was:
a petty, magnificent animal.


Delicacy

There is a delicacy to the question
of how we are going to move forward
from this moment — at least for those who see it
as yet another vagary of politics, a moment
up for firm but cordial discussion.  

For me the delicacy of the question
is drowned by the blood
from those being butchered
to feed both sides,
and how it pools ever deeper.

The ones who think it’s time
to find common ground and strive
for mutual goals are terrified
that someone might choose instead
to point out the red footprints 

they’re leaving behind 
on their way to the conference table;
to say that the words in their mouths
form the echoes of death sentences;
to say that agreeing to disagree

is equivalent to agreeing
to sharpen swords and load the guns
of the butchers. For me,
the moment for fear
of plain talk is long past.

Nothing in this moment
is delicate. Look at how the blood
runs. Look at how we hunker down,
hollow-faced, pretending. There is
nothing to be said. Now’s a time

for something that is not talk.
I don’t even want to give it a word
because it doesn’t demand expression.
Talking, we save for listeners. Listening
is a delicate art. This is not the time for it.


The Path

When the edge seems close,
step up to it. Take a long view
over the land below. See waters,
trees, deserts, stones. Look hard
at the distance from your feet
to the bottom of the gorge 
that you must travel to reach
the paradise you can see.

You can choose to turn away
or choose the leap,
you can choose to climb down,
you can try to fly.

You will not likely get there

but the fact
that it’s still going to be there
whether you abandon
or die in the attempt to reach it
is all you need to know
to understand why this feels like 
the only worthwhile moment of choice
in your enfeebled life,

and that thin, crumbling edge
where you stand
suddenly looks like 
the Path.


Emergency Back And Forth

An emergency game
of back and forth
as I try to fix myself.

How much I depend upon
the vanity of thinking 
such things.

I still imagine I’m
repairable. I still put it
in writing.  I still put it

out there. An emergency
back and forth, a triage
disguised as tug of war.

Everyone who can see
knows the game i’m playing
and how played out it is,

how I have played myself.
There’s no real emergency
in this back and forth.

The tug of war as always ends with both sides
sprawled and defeated yet
I imagine tomorrow will somehow be different.


Moment Of Truth

It’s OK.
You don’t have to survive all of it.
You have to fight, yes,
you must resist, yes. But survival is for
those who believe in a future
with them in it. Get free of that

and let your self-importance go;
do what you can and must. 

Don’t worry
about the ultimate triumph of your own
ideology when poison needs to be
ameliorated and 
removed from the suddenly broken veins
of the dying. Don’t worry if in the effort
you suck more death than you can handle.
Spit out what you can and keep moving
as long as possible. 

You’re expendable, always were, old man.
You were part of the problem long enough
to be suspect.  If you go, you go.
After all it’s not going to be
your world afterward. Move on with a smile.

You’re ancillary at best, a well-meaning nuisance
at worst.  Get out of the way of what must follow
once you’ve done your bit. Individual

survival is unimportant. You are 
not worthy of exception.  Move on.
This is the moment of truth. Live 
in it, not in the one that follows.


Four Scenes From A Weekend

Revised from its initial publication in 2014.

Originally, this was three separate poems written over the years 1976-1980.  Found in my ancient archives from that period.

I was a kid then, a teenager, and my reach was often far greater than my grasp.  I had an essay and a whole theory about what I was trying to do with poetry that when I read it now (of COURSE I kept it!) makes me giggle and blush.  But I was aiming at something, something larger than the individual Poem, even back then.  

Didn’t have the life experience or the skill back then to make it work.  Not sure I do now either, of course, but I am far more clear on my small abilities and my large ambitions than I once was, so…let’s say I think it’s worth a try.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

1.
Overheard from a dusk-dimmed driveway:

“Basketball’s simple — 
you take the ball,
you dribble it,
then you 
shoot…”

Father, uncle or big brother speaking.
There was no second voice.
After that, the flat notes,
rhythm of rubber on asphalt.

2.
Two worn men on the sidewalk ahead of me.

One says, “Every time I get my check
I try to hold on to the money.
They rob me at the bank
so I keep it all at home
but they rob me at home
but now I got them all fooled — 
I give all my money 
to the man behind the counter
at the liquor store.” 

His companion howls 
and slaps him
on his age-sloped back.

3.
On the bus
another old man, taller than I
by a head and a half, lighter than I 
by a body and a half,

muttering
again and again,
“…had a big 
fat fat 
fat fat 
fat fat 
wife, seven kids, forty years, 
I’d know her face now I think
but not her name…”

4.
By myself, in bed alone,
 
diving into sleep, into a prayer

that I never forget
the innumerable ways 
to get from one end of the court 
to the other;

that I never 
scorn a journey
for where it ends.


The Bank

Late last night I heard someone calling out in the street. 
Heard someone come down the stairs from the second floor.
Heard the door open, someone came inside,
and more people went upstairs than had come down.
There was talking and loud stomping for an hour,
then someone left quietly and I went to sleep

imagining backstory, drifting in and out of anger,
picturing someone hungry, someone thirsty,
someone done in by cold and impending snow,
someone done in by a longing to end a longing
by buying or selling themselves or their drug.
I kept myself awake far longer than I needed to
wondering and raging and reproaching myself 
for wondering and raging. It was no business
of mine beyond the nuisance of being roused
from two AM to three AM.  All the fear
and righteous thought I soaked in
for an hour after that

was a stale old problem I borrowed
from the bank of pain I keep
and owe and curse,
where I cannot seem
to close my account.


Waiting Out The Storm

To remain asleep in this storm,
waiting it out while the snow piles up,
is a white comfort in a whitening landscape.
You can lie there and think about

what you are going to do
when what’s outside
no longer matches up
to what you think you’ve been seeing.
When you find it’s all been a cover up,
will you die or explode? Or will you
step out and see the green and gold light
on the brown earth? When spring comes
will you allow yourself to be happy?

You think about that now while you’re seeing
the whiteness covering everything.
You think about that and stop pretending
it’s never going to go away.


The Older Artist Looks Over His Shoulder

I’m beyond the depths now,
at least beyond the ones
I’d always thought were my home.
I’m a skimmer now. I never dive.
I can’t imagine the pressure there
and know I would not survive it.

I watch the younger ones go there.
I do not always love how they go,
do not always honor what they return with, 
but that they can go at all, fearless and 
sometimes wrong and dumb but still
willing, is enough sometimes almost
to kill me when it does not make me 
swell with envy and pride for the work itself.

Now and then I stare back across
the surface I skimmed to get here
and tell myself that someday
I will go back for one attempt
to go deeper than before,
and then I look down at my feet
and realize I’m too often terrified
just to stand here
and hold myself upright
on the solid earth, and I know
that descent is no longer mine
to make, so I turn and watch 
the younger ones taking my place
and see them coming back up
holding what was never meant to be mine.


Survivalist

I sit up in bed and stare at the ceiling
as if it is going to sink down upon me
like a car compactor at any moment
and push me into two dimensions from three,

and at the side walls as if they would slide over
to meet each other and take me
from two dimensions into one,

and then toward the foot of the bed
to see if that wall will come up
and crush my newly linear self into a single point. 

A vanishing point, maybe. 
A pixel on a screen, perhaps. 

I have faith that none of this
will hurt, no blood will flow from me,
my bones will simply telescope shut
and compress into memory.

A single point seems indestructible enough.
A single point can slide through any catastrophe.
Infinite lines can pass through a single point
and it will remain indelibly itself.
I can do that.  I can be myself,
reduced to holding infinity stretching
in all directions. 

It seems far better to do that,
to enable that which remains,
to be a mere point
allowing others to intersect
and extend themselves,

than to wring these temporary hands
over the loss of my identity
to the weight of looming darkness.


Oh, Fuck It

oh, fuck it. you 
are not a mistake 
or a problem, not at all.
no matter what you’ve been told.
fuck it. you live in a society
that was built by shifting blame.
do not believe in it or accept it
as the way things should be.
delight instead in how resistance
can be framed as a dance.
delight instead in how you have survived
such things. delight in your own being.
you were not made to work this hard.