My Story

Trying to read
a book tonight
with my name on the cover;
title, “My Story.”

I don’t know
who wrote this but
most of the chapters seem
improbable.

I hear there’s
a movie being made from it.
I’m sure they won’t ask me to star
or consult me on the script.

Nonetheless, I’ll pay good money
to sit in a theater and watch.
Just me and my Milk Duds, just me and
my giant Coke, just me and some foods

that might kill me. That would be
something, all right. One for the sequel —
a man dies from self-inflicted damage
while watching himself on a screen.

Aren’t you dying to see yourself
fifty times larger than life? Isn’t that how
you want to go — I know I’m good
with it happening that way. It just feels right:

better than dying in bed, better than dying
a hero. When I’m gone you’ll have the fake book
and the lights camera action of the film
to remember me falsely by. Meanwhile,

I’ve got this book to finish and hope
that they cast a better person than I am
to play me. It won’t be hard. This book’s
a good lie, with good bones to work from;

exactly the type of book I’d write about myself
if I were inclined to do so, though I’m not.
I’m better as reader than writer. I’m better
in this than I ever was out there.


Night-Quiet

The disappearance of light this evening
was a comfort. I’ve fallen out
with the need for engagement, lying here
on the couch with nothing to do
but note every sign of aging
and disabling, no need to hide dismay
or fear. Strangely, I felt none;
it is accounting time. 
For once, no feeling other than
a dispassionate summing up.

Outside the feeders have gone night-quiet.
The usual flocks are somewhere
doing the same slow rebuilding
as I am before the light dares us all
to come back into daytime
where every weakness shall be exposed.
Until then? The couch, the thinking,
the steeling of my own wings
for tomorrow’s flight.


Restoration

how swiftly
untouched
becomes
apparently untouchable
and unloved becomes
utterly unlovable
in our heads and
cores

how easily
another’s invalidation shatters
our own experience of
our own validity

how often
them breaking a window
to escape from us
as if we were on fire
translates into us thinking
what we see in the broken glass —
shards, blood, scraps caught
on the points — is an accurate
mirror for who we are

we must close our eyes
to all that
and chant ourselves back

repeat:
I am not
their wreckage
neither toxic
nor shattered
neither invalid
nor in flames

open your eyes


This Concludes Our Broadcast Day

Used to be when the television got tired
it would briefly display a waving flag
while an old racist song played
(they always played an instrumental and few had heard
or even knew about the racist verse)
and then all would become a burst of static
or the soul-cry from the Emergency Broadcast System
while on screen you’d see a stereotype, what they called
an Injun
in what they called
a war bonnet
displayed in the center of a bullseye graphic.
Now they just turn their time over to sell, sell, sell.
I’ve always thought the old way was more honest
about who we are,
but was it?



obfuscations

what did you understand beforehand about
the end of your self. what were you told it would be
like. did you prepare accordingly. did you feel
ready when it came and now that it has come
do you know that your eyes have closed
or are you seeing things more sharply now
that all the trappings of your self
are out of the way. maybe this is how
one becomes immortal. no one else ever knows
you are not gone. you see them mourning
and bang on the Glass between you saying

stop, no. i’m not gone. i can see all better
than before. that’s all that’s changed. i see
you and forgive you, love you, wish i had,
wish i had not. it isn’t jesus land here, nor is it
valhalla or even something better or worse.
it’s just here. it’s being here near all of
the everlasting here and always now
and not being able to be a part of it
or even to be seen. we throng here, all of us
longing to be seen and heard
and you don’t can’t won’t
see us. we never left. i’ve gone nowhere.
you can’t see me and cannot realize
how complete the world remains.
how little has changed.

whatever could you have understood
about any of this
if you had been told the truth.
no wonder someone had to invent heaven
and its neighborhood.


Impeachment

Snip snip and a snippet of fabric
tumbles and twirls to the middle
of the floor under the worktable
where it’s going to stay too far
from easy reach, safe from discard
or scrapping for the moment.
We are having a superhero cape made;
no time for the mess we leave behind.
Cape to wear when being heroic. Cape
to fling about dramatically upon victory
or to pull over our face as we slump in
temporary defeat. All the beautiful cloth
in such large dimension. All the dynamic
movement inherent in the drape and shape.

All you need to be a superhero is how you feel
when you’ve got the right cape. The waste
left behind is of no matter. The apparent blood
on the shears: is the blood coming from the hands
of tailors in the crowded shop or (more
fantastically, more illogical but still possible)
flowing in fact from the fabric itself; is it
possible? Do you in fact start with actual skin
to make a superhero cape work
and flow as it should?

It’s not our concern;
someone else makes the cape. We just twirl it,
make a great show of twirling it
as we put a supervillain temporarily away
because to vanquish them utterly we’d likely have
to take off the cape and get down on the floor.

Someone else gets down on the floor
to clean up the blood and the scraps;
then snip snip, start on a new one,
or perhaps on a shroud.
They have their calling. We have ours.
We live for the show. They are lucky to live.


Pitchforks

revised — originally posted 2/11/2018

American Gothic is a very famous painting
Experts like to argue about which America it’s about
One thing I think we can all agree on
is that the picture is centered on a pitchfork

We like to think we’re different
We like to think we’re beyond it
We like to think we’re not the ones
who are supposed to hold the pitchfork

Our biggest problem?
Out of an excess of kindness
we have let the other side pick up
all the torches and pitchforks

No one’s scared of
any of us because
we said “this can’t be happening”
instead of “where’s my pitchfork”

It’s not the exclusive tool of the devil
It’s just another tool on the rack
We can’t make hay while our sun dims
We need to learn our way around a pitchfork

Boycotts chants and votes do matter
They matter even more when
it’s clear that behind all our moves
are the tines of a forest of pitchforks

It is good to punch the obvious ones
but eventually we will have to get around
to watching a billionaire wriggle
on the end of a pitchfork

So go and look at that painting
Put yourself in it and imagine the feel of the handle
No one in there looks happy but they surely have
a hold on that blessed pitchfork


Look At You, Holy

Look at you there: holy,
solid, and still, as if all night
you had been walking the dark paths
of a once-familiar wilderness,
the death-sounds

of predation and mishap
nearly piercing you the whole way
— and now you’ve come
to a clearing and are standing there
under the blessing of the moon.

You cannot forget
the sounds that terrified you
but without them
pushing from all sides
you would not be here now.

Look at you, holy:
honoring the howling as holy;
as holy as this silence,
as holy as this light,
as holy as all else.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I’ve posted a rare public note on the craft behind this poem on my Patreon account, if you’re interested.



Rumplestilskinned

I’m good. I’m OK with this
walking, talking, working, being —
all the while wading through, falling in,
playing in, loving in a field of shit.
I’m OK with this. I’m good.
Live with it long enough
and you will be too. I mean
live with it, really learn
the game of shit, the process of it.
How we made this for ourselves.
How we added blood and flesh
to the mix to make shit into bricks.
How we Rumplestilskinned it into
this yellow stuff and called it gold.
You love to be revolted by it.
I’m good enough now with it to admit it
and if not to embrace it at least
to know how far away we are
from a clean-up. You are going gentle into it,
gently forward as if you ever could be clean
having been born here, raised here, made here.
You won’t even admit you can smell it
on yourselves. You say it’s the other
side. You say a lot of things, talking shit
and it smells like it. I’m OK with it
which is not about acceptance
as much as it is about seeing it and saying
it’s there. It’s everywhere. I’m soaking in it
up to my neck sometimes and sometimes
I play in it just to keep from drowning.
Sometimes I even enjoy the game. Sometimes
I even dig the music. Sometimes I have to
take a little joy from watching the horror
rather than let my self slip underneath
the crust on top, never to come up again.


Welcome To New England

In New England we stare up at gray,
see no individual clouds, call it
a snow sky. We say, looks like snow.

The forecasts call out exact times
for when it is supposed to start
and we stare out the window and say,

I think it’s coming early, let’s see
if they’ve got it this time.
When we
catch sight of the first flakes, we judge

the weather reports and say, nailed it
or looks like they were wrong. The snow
itself could care less about commentary

as it falls. In the end, neither do we. We sit
on our couches and say, too early to go out
and clear the walk,
or better get out there

before it gets too deep, or screw it, I’m going
nowhere it’s too damn cold
. We stare at the
television as the snow comes down

regardless of our gaze. Welcome to New England,
we say. Don’t like the weather, wait a minute.
We laugh a bit, stare at screens and the sky, powerless

and resigned and judgmental to the end. Don’t like
the weather, why are you here?
If you are one of us,
you will sit with us. If not, Florida awaits.


New eBook available for Patrons…

Just made the 2020 anthology of my year’s work, “Variations on a Fugue State,” to all patrons. 24 chosen poems in either ePub or PDF format. Become a patron for as little as a dollar a month and you too could partake…

https://www.patreon.com/TonyBrown




The Middle Ground

The savage tiny wars
have brought you at last to this one
where you are facing your enemy
over middle ground
you both disdain.

You still need to fight it even though so many
who say they’re on your side
are trying to claim there’s nothing at stake
that a willingness to meet out there
in the line of fire couldn’t salvage.

That’s quite enough, thank you,
you tell them. You’ve seen
how soaked the middle ground is
with the blood of those who listened
to such nonsense, and you know,

as they do not, that most of the
the iron-red soil in the middle ground
is permanently muddied
with generations of good intentions
that were slain by bad ones.

Maybe some day the middle ground
will be arable, even fertile, but for now
you put aside any thought of plow
and seed. That will come later.
You raise your weapon. For now, anyway,

this is how you hope.


Working On It

Hoping for a small slow start
to the process, he turned up in any place
he thought he might find it. Slow and small
in bars, small and slow in all night restaurants;
listening to small talk for clues, watching
others taking their time with whoever
was across the table from them.

One of these days, soon, he told himself every night.
He would be ready soon enough. He’d make contact
with another. Watching people in public spaces
from his seat alone with a cup of coffee
or a glass of whisky and his imagination
and no one ever really saw him, none of them
even knew his name — not even the servers
to whom he never said a thing except to give his order
and murmur a pleasant thank you in return when it came.




Change Is A Drop In A Bucket

A drop in the bucket: an old cliche.
Every small act honored or dismissed
as a drop in the bucket.

Filling the bucket is expected and demanded.
The drops are incremental, are loved
or hated depending on how quickly or fervently
we wish for the bucket to become full,

and how deeply we want what is going
into the bucket.

A drop in the bucket repeated steadily —
a gun’s hammer-click ringing in metal, a pebble
bouncing against the hard plastic sides
as it falls to the bottom — maddening
to the heart or soothing to the ear. The sound
of the landing changing to splash from smack
or from thud to clink.

No one wants to think about
the ones drowning slowly
in the bucket.

The bucket itself
isn’t changing as it fills;
no one thinks of that except
the ones waiting
inside for it to be spilled.

Trying to tip it before
it’s too late.

Screaming for someone
to come kick it over.


Stupid Man In Stupid Town

smarter people
than I are needed
to figure out
exactly which numbers we need
that will come out to
creating something like equity
among the dispossessed

but even a stupid man
from stupid town like me
can see that if you start with
seeing only three-fifths of a human
then forty percent remains missing
and if you start with two words like
merciless savages
and end up with fifty-six million acres
of US land still run by Indigenous folks
(only two point three percent
of total US territory)
even if someone’s
massaged the numbers
along the way
and said that 60% is now 100%
so everything’s hunky dory now
and anyway we dig
the music
and even if someone’s said
it’s not OK to hunt
those redskins anymore
they’re good enough to be on
jerseys and
they’ve built some great casinos
on that 2.3%

even a stupid man from stupid town like me
knows lip service when they see it

and even a stupid man from stupid town
should be able to tell you
that original sins
burn holes in a nation’s insides
and if we can’t see
or if worse we deny
that something is still owing
we are just as
hollowed out
walking around happy to be
blissfully
stupid in stupid town