The Last Lecture (Revised; was “The Last Talk”)

It was around seven at night
when I finally got out of my mother. 
I started talking at once. 
The family was astounded. 
“Keep it up,” they urged,
and I struggled to think of things to say. 

There was a time when I considered
myself
the best talker in a family of talkers. 
Whatever.  It was a means to an end. 
That end was that I talked
myself
out of everything. 

Myself.
I used that word a lot.
It was a ratchet handle,
could be switched
from install to extract
with one motion.
Slap any socket,
any word on it,
and I’d make it work.

Myself,

I don’t care for legumes.
Myself,
I’m indifferent to rockets.
Myself,
I’m a big fan of radicchio
dipped in sea salt.

One evening
I made a mistake
and stopped talking for a moment.
It didn’t bother me
but a lot of the family thought I was nuts
and I ended up in a bare room
with a cheese grater wall to lean on,
in a pleasant sense of dislocation
without my usual tools at hand.
There was sand under my tongue.
My breath smelled of comic books
and colorfield theory
and it was so nice,
for once, to not speak
unless I was spoken to.

I got out and found a living
that made the talking
not so much a tool but a brace. 
The ratchet handle
slipped in my hand as easily as ever,
and I could talk about
myself
endlessly,
even when I used borrowed sockets to make
myself
seem like a chokehold. 

The family soon fell asleep —
why listen to things
that didn’t concern a fact at all?
I found new families to bore. 
I found new nuts to turn
and kept using
myself
to gain leverage.

Over time, I lost the urgent sense
of sand and blood in my palm.

Over time there was
too much wolf,
not enough sea snake.
Too much noose,
not enough bowtie.
Too much pistol,
not enough summer squash.
Too much fuck,
not enough no touch at all.
Too much rain of monkeys,
not enough snow of shillings.

This was so easy.

The alley girls,
the backstage boys,
those who called
from the shadows for the opportunity
to hear my disturbances,
they all wanted to eat the same things
every night, and I let them.

It was so easy.
Who was I to say I was not what they thought?

I though I could talk my way back to
myself.
I tried, but now the power’s off
at seven at night
and I’m sitting in the heat
of a small room
built from smooth, sweating walls. 
There’s no money
to speak of. 
Every dollar is a laugh
giggling good bye
and the cat is barely moving without the AC. 

I’m barely moving.

The wrench called
myself
is splintering, the receiver for the socket
worn, the switch that changes direction
finally swinging free and no longer engaging.
I talk more and more, trying to gain purchase,
work the bolts on what I need to construct or destruct
in one slippery increment at a time. 

Right here, on the desktop of this old computer
is a document named
“Everything I’ve Learned.”

The lessons themselves are scattered
around a lot of places
that exist in public and only in public.
I didn’t have a private thing to put in there.
This is what I get for a career in talking

The family would get a chuckle out of this if they could see me,
but I keep
myself
a little far from them these days. 

They don’t want to see
or hear me like this, the wrench rattling useless and repetitive
on steel. I can respect that. 

I sit here at seven every night
and strip my threads trying to make
myself
so useless
it’ll be understood and even appreciated
when at last I choose silence,
and throw myself away.

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My Little Oysters

I call your eyes
‘my little oysters’
as if they were each

a world
I could own

I know better

I can own nothing
of you

but it helps me
to pretend

that your eyes
contain everything I need

and that I could
take them in

in one swift swallow

and that then
you would see
what is inside me

insane, insane

I tell myself

but still
I am
so hungry

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O Jelly Totem

Isn’t it nice
to pretend to have a spirit animal?
Aren’t you in love with your imagined
cougar, lion, wolf
or hawk? 

If you discovered
one day that your familiar
was a jellyfish,
would you be as jazzed?
Or would you start
to trail around spinelessly
with your stings
firing at random?

You’d have a whole colony
to relate to then, you realize —
they’re not so much animals
as collectives, you know;

imagine that —
no one identity to call on,
just a faith built upon
the mix and match of tens of thousands
of little pains in the ass.
Maybe even some serious poisoners,
maybe some killers.

How much would you love that?
Jellyfish need partners on our side too,
after all; they may not look as good
on a T-shirt,

but given the evidence,
it’s something you should consider
embracing.

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Afterthought

“Be the change
you want to see
in the world.”

A popular quote, that.

Perhaps
it would also be
worth your time
to examine
what you’ve contributed
to what needs to change

by digging into the piles
that trail behind you
for as far
as you’ve traveled
to be here now.

They stink,
are dirty, filthy even,
full of memories
you thought were good —
and so much else you barely recall
having done,
you don’t know what you might learn
until you hold them to your nose
and inhale —
that’s you there.
All of you.
What you left behind.  What
soiled the world. 

Be ready to clean up after yourself
because you are likely to sick up
something when you do this;
and then
when you’re empty
you can
move on.

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All We Do Is Win

A sign in the crowd of NASCAR fans
at the Michigan Speedway
celebrates
one driver’s motto, “All
We Do Is Win!”  Except,
according to the stats,
he doesn’t.  He wins sometimes,
crashes sometimes, makes
damn fool mistakes and gets pissy
sometimes.  But he’s out there every week
and I guess that counts for a win
in that broad all-American sense
that being bold in the attempt
is enough.  Still it feels
like a lie — unlike the sign
next to it, which bears
a different driver’s number
and the motto, “Go Beer!”

I turn from the TV
and switch on the computer.
Some Facebook updates run like this:
“It’s a wonderful day —
God has given me this, and I will do
great things today in God.”
Unless they’re like this:
“My car won’t start, someone
killed my cat, and now that job’s
out of reach, FML.”  How
All-American is that?  To believe
that God is either pushing you
to greatness or sitting on your head,
and no other possibilities exist?

It seems
like to be All-American these days
is to say
“All I Do Is Win,” until there’s no win
and then it’s to say
“Fuck My Life.”  It’s either triumph or drink,
succeed or fail, with God’s love
anything is possible, or nothing at all
is ever possible, and there’s always beer
to depend on for some. That middle ground
where you just get up in the morning
to read the paper and shake your head
vaguely at stories while sipping
discount coffee is nowhere, man;
it’s either vainglory
or devastation within,
arrogance or failure, potency or sterility…

Let me offer a new manifesto:

I’ll henceforth be happy to place twenty-second,
bring home a scraped ride
with a bunch of stripes
on the passenger side.  I’ll be happy
if there’s a God who doesn’t care
if a Chevy or a Toyota is out front,
and if my own Honda doesn’t start
in the morning I won’t blame
a disastrous fate for that
as I break out the wrenches
and spend the day under the hood,
shaking my head, saying, “I don’t know
what’s wrong with it…”  I’ll be OK
with middling self-esteem.  I’ll be OK
holding up a sign that says,

“All We Do Is Win…Or Not.  It Depends
On The Track, The Weather, The Tires,
How Much The Other Guy Wants It,
How Good Or How Bad We Are Today,
Who Wrecks Ahead Of Us And Collects Us
In The Pile-Up That Follows…”

Yeah, that’ll be a BIG sign.
I’ll have to make it shorter.

Maybe,

“All We Do Is Show Up.”

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Last Night

Take from my hand
the glass of green tea
and set it aside. 
It reminded me
too much of all the tea
I’ve had so far in my life,
and I can’t learn another thing
from it.

Do not bother
to cover me, if anything
has slipped and left me exposed;
I am past personified.
I was born more naked than this.

Pick up the pipe
that fell to the rug from
my knee, gather
the still glowing litter
before it burns through
to the floor,
and forget about salving anywhere
it may have burned me.
I don’t even feel it, I’ve been
burned so often before.

Let me sit here a while like this.
Mouth open. 
Hand empty.
My skin spotted with ash.

I’ve stopped caring
for the present or the future.
After a while, it all felt like the past.
It’s all a “used to be” now,
and it is enough
that what happened once
happened at all.  I don’t need
a new experience.  I do not see
how it will help.

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The Perseids Versus The Jaded

After a while,
nothing feels new
because it’s not.

I stop being tolerant
of people discovering
what I already know to be ageless,
forgetting how it felt
when I discovered it —

it all becomes wearying,
the blah, blah, blah
of wow, this is so
important, so cool,
so brand spanking new
and I know damn well it’s not —

but then I recall how I’ve seen
meteors before,
more than once,
even one that burned green
and showed sparks
and skipped across the whole sky;

and I’ll certainly step out tonight to see them anyway.

And I would certainly cry
to see anyone else see one
for the first time.

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The Cleansing

Let there be no electricity.
Let there be no oil.
Let there be no dammed river,
let there be no steel.

Let there be berries,
no candies.
Let there be no light beer,
only mead and wine.

Let horses course the streets,
and dogs free to chase along.
Candles in every window,
no glass in any window.

May the houses themselves fall, the walls tumble,
may our crops suddenly spring from their rows
and run wild among our swift sprouting lawns,
tractors fall suddenly into rust,
cars flatten into heaps of ore and the insulation
on their wires flow liquid and nontoxic
back into the soil.

May every brand and sign vanish now —
no Nike except as victory winged over
the crumbling tar, no Arby’s, no Wendy’s,
may McDonald only be he who ran
the mythical farm, may everything we know
and televise be purified,
may we gang together and burn
all we have ever desired.

And then, what of ourselves
who know nothing of this new world?
What of the gods we discarded,
the teachings, the living script
of oracle and fable?

May they fail us as we failed them,
long ago. May we be unmothered
in this land we ruined as it is reborn,
and may we dance in fear as we learn
how much we were
what we once made and held dear.
It is foolish to think we could survive
without our artifice. May we shatter,
may we only be memorialized
as the Foolish Age that has passed
by the ones who figure out
that we had to perish,
if they were to survive,
that we had to perish
if anything
was to survive.

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Proprietor’s Tongue

I am gonna call you
what I wanna call you
no matter what you wanna
call yourself

names are mine to choose
and you can’t take them back
or coin your own

so
my blacksnake
snickerdoodle
little cabbage
friend

simmer down
and feel what
a proprietor’s tongue
can do

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Tour Diary

doubt
remarks upon itself
endlessly
repeating

increasing the volume
four decibels at a time
at a pace of once per day
until it is not a sound
but a body within
pushing on lungs
from a foothold on your kidneys
voting against
your drumkit and banshee business
of getting by

how will I get by

your monster noise
spurns that worry
even as fear
paralyzes your jaws
as if there were
bitewings in there
that now hold an image
of your cavity

how am I going to eat

there were those
who warned you it would be like this

rock and roll leftover
spitter of your own meat
a bit of tacky danger
a lie

how will I live

a distortion pedal
makes a lovely church
out of your empty bones
chorus is for those
who cannot bear to be alone
and it’s the crush of the sticks
and the dog yelp of the drums
that carry the loneliness off

how can I not be anywhere at all except when I’m on stage

not telling

but
there’s honor in the bigness of your attempt

o huge rejection rejected
o mastery of the returned stone

in the rat’s nest of the van
after the one night stand

rest assured
no matter what fails
the last voice you hear
will still be the one you own

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How I Write A Poem

I begin with finding something so attractive

(not by definition beautiful or lovely
but something that compels me to look
without filter or judgment)

I at once believe I am in the presence
of a being or visitation or revelation
from a dimension
we all think exists but until now
have been unable to verify,
and here before me is the proof.

I study it, fall before it,
reach out in vain to touch it
before light or wind or time change it
(or my view of it more likely,
as something this potent
must be infinite, immortal,
immutable) and I am unable
to spend any more of myself
upon it.

I carry it in my head
and rush to find
some place to write,
then damage it
beyond repair while telling
of its perfection.

I try to rebuild it.
I slap words around, cut myself
to improve my ink, lose sleep
over paste and staples and stitches,
and generally make a huge mess
of the story of how
all my time
made sense at last
in the viewing of this
that suspended my cynical breath
and stopped my constant flight away
from hope,

then eventually abandon it to the eyes
and ears of others, hoping
that some day some stranger
may approach me and say,
“Yes!” and that the pulp of time
will stop pulsing again, and that
I may know again
that what I said I saw that day
was indeed what was there.

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The Dream Of Order

In this house,
above all houses,
there is order.

There is order
in the hamper.
There is order
in the drain trap
and at the bottom
of the garbage disposal.
The compost heap
decays in step
with a timer.

Even in the bowls
of chaotic potpourri,
there’s order. 

This is no place
you’d expect to find a junk drawer,
yet there it is:  right where
it always is in every other house,
in the kitchen, top drawer
below the most-used cabinets
and close to the most-used door.

This
is Martha Stewart’s junk drawer.

In the drawer, of course,
there are old screwdrivers, twist ties,
and an expired coupon for microwave popcorn
— those, in fact, come with every junk drawer
straight from the manufacturer —
but they do not rest alone
in Martha Stewart’s junk drawer,

because it’s deep.
Really, really deep.

In Martha Stewart’s junk drawer
there’s a red 1982 Ford Fiesta
with one black fender
and a donut on the driver’s front wheel.

Fifteen baby shoes.
A bootleg copy of “The Rocketeer.”
A tea-stained ticket stub
for a show in Branson, Missouri.

A purple thong, size 18.

A blue hat made from a plastic bag.
A fibrous growth from a boar’s kidney.
A jammed .45 with a broken grip.
Hollow points loose in the bottom,
and a rust-caked cleaver.

A map to the stars’ homes.

A small address book
bound in bonded leather,
blank except for the letter “K”
written on the page for “J”
in orange crayon.

A broken rib she calls “Daddy.”

One old rose.

In the darkest corner,
something squirming
the approximate size of a human fist,
squeaking “I’m a good thing!
I’m a good thing!”
You touch it and
the wardrobe in the bedroom
begins to shake, the flowers
to tremble.  Martha’s far away,
but somehow,
her stomach knows the danger
and she sits for a moment
in fear, twisting a paintbrush
in her aching hands.

When you shut the drawer,
everything falls back to sleep:
the house in perfect order,
the forks aligned in their trays,
the tissues in Martha’s body
nestling back into place,
just so;

while in Martha Stewart’s junk drawer
the lovely chaos resumes its churning
as the house dreams
of its brief sojourn
as a home.

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Ladybug Sutra

the fall
from a rose petal
to brown soil

is long
if you’re small

but if you carry
no weight

you walk away

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Between The Lines

Jimi Hendrix
had huge hands,
his vast natural reach
explaining his gift.

Andres Segovia, though,
was a genius.

Michael Jordan,
some kind of freak, some animal
bent from birth for basketball, was laden
with natural talent.

Larry Bird, though,
was a genius.

They say that Robert Johnson
was a bad player, disappeared
for a while, came back
astonishing.  They said back then
he must have sold
his soul to a devil
who gave him his music.
They still say that.

They said the same thing
about Nicolo Paganini, in his day.
No one ever says that now.

But they do say that someone
built the Great Pyramid
for the Egyptians. 
Someone
from Sirius gave the calendar
to the Aztecs. 
Someone
in a flying saucer
drew the Nazca lines for the ignorant Indians
down in poor old Peru.

Stonehenge, though,
that ring of stone
to mark the passage of the year —
now, that was a work of pure genius,

with the emphasis usually
placed most definitely
on
“pure.”

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Chupasasquatch

Meet the New Colossus.

It’s coming to suck your marrow,
kill your livelihood,
wreck something you built,
and probably wants your women too;

builds its nests in woods
and swamps and hollows
where you were planning to build
a condo development;

shows up in your headlights
when you’re trying to get somewhere
and leaves its thick hair all over the place.

According to legend

it has either been here since before
the first white settlers,
is a recent entrant
from across the border,
or was dropped from on high
like a curse from aliens;

the only thing you know for sure
is that you’re terrified
and you need a name for what scares you
so you’ll watch some television show
and some authoritative voice
will offer you an explanation
so you’ll seize on that

until a scarier one comes along.

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