I recorded a loose interpretation of my poem “Drunk Diner Breakfast Anthem” with guitar accompaniment as part of preparation for a recording session later this week…thought you might enjoy it.
Category Archives: poetry
A Beautiful Saturday Night
Isn’t it a beautiful
Saturday night
in the city?
A punk fan
spits up on a classic rock fan
in front of a disco
as a car banging rap slips by
and a country fan turns up her nose
at the hard, hard house music
her date seems to prefer.
The jazz fan hurries past everyone
because no one likes a jazz fan
except for the reggae fans — they
love everyone, mostly. Mostly —
except for that guy
with “Tosca” leaking
from his earbuds. Meanwhile
on the corner two surprising kids
are committing a bluegrass murder,
hoping for spare change in the hat
and getting some
while there’s a hint of bhangra in the air
and a hint of merengue in the air
and a hint of calypso and soca and mento
and someone’s got a ska torch lit too;
isn’t it a beautiful Saturday night
in the clamoring city,
isn’t it making you wish
you could play everything
whenever you close your eyes?
Nationbuilding
1.
Soundtrack: surf music remixed by The Bomb Squad.
A rope swing hangs from a fragile branch
over a quarry pool.
Two who from this angle
appear to be man and woman
or boy and girl
but could be otherwise
obviously feel safe enough
to be tearing now
at each other’s clothing
and falling together
to the patch of soft ground
at the base of the granite wall.
2.
Soundtrack: mbira, kora, pans, a dictionary being beaten.
When there were still laws,
when there were still boundaries,
when there were so many people elsewhere
who wanted to be here —
when this was an active quarry
they pulled the stones for the pedestal
of the Statue of Liberty
from that curve in the far wall —
there, to the left of the loving couple,
there, where the kids are jumping
from the top and somehow not dying.
See them huddled up there before they leap.
See them — yearning? Not certain.
They might already be satisfied.
3.
Soundtrack: electric revolver, blue cement slammed by a hammer.
Under the thick black quarry water
are cars resting where they fell —
some holding, perhaps,
the bones of lost drivers.
Too far down to reach without gear:
we see them when we dive in,
just before our lungs blow up
and compel us to rise to safety.
Crimes in the cold cold pools! We’re
shuddering with delight
at the proximity.
4.
Soundtrack: a clatter of unimportance, uneasily played on massed fiddles.
We’ve learned
that if you come to the quarry alone, silently,
it will swallow you.
We always approach in groups
making a lot of noise. It soothes the ghosts,
if you want to call them ghosts.
They move like ghosts
but might never
have been alive long enough
to be unquiet spirits.
We’re unquiet spirits.
Maybe we are ghosts?
ah, who cares; the important thing
is not to be silent
and never be alone.
5.
Soundtrack: blues and police whistles.
Once they built a pedestal for a Great Lady
using stone from this old delinquent hole.
Can’t they do it again?
Can’t we, if we skip
the brass band and the various evils? Or
does quarrying a home like ours
require evil of us?
I see, suddenly, that the rope’s
got a body on it.
Something’s stirring
in the water and
I can’t hear music any more.
Drunk Diner Breakfast Anthem
Oh,
my country —
my late night
drunk diner breakfast
country
we sit down to it
knowing it is rich and
fatty and huge
but insisting upon it
and starving for it
knowing how bad it is for us
gobbling it anyway
knowing we will be sick
when we wake up
knowing it will kill us
one day
The Youth
Blessed be the youth
and fuck the youth
as they dismiss the past
and caress the old mistakes
Blessed be the youth
and fuck the youth
as they eat the best
and slip away to new feasts
Fuck the flat-footed youth
who will not flee though we scream run
Bless the fleet-footed youth
who flatten and hold on tight
Bless the youth
who manage some surprise
at every vintage act of oppression
gussied up as new
Fuck the youth
who turn away from intersections
with a headdress
and a stupid rap on their lips
I alternately bless and condemn youth
as I have alternately blessed and condemned those my age
Blessings for being human
Condemnation for imperfectly feeling humanity
We live in a time of great fuckery
and grand blessing
and cannot always tell the difference
or balance well between those poles
so fuck and bless the youth
for their maddening cavalier living
for their unwillingness to stop
for their inability to avoid our mistakes
A Poet’s Memoir
Nine years old
I wrote something
Teachers liked it
I got noticed
I was doomed
I instantly knew it
I kept at it
Was picked on for it
Was applauded for it
But soon it became
Its own reward
It was how I breathed
That was enough
I found my doom
Another voice
And offstage sustenance
Onstage became pure and creamy junk
Still doomed
Someone loved me
Someone real loved me
Someone real paid me a bag of pennies
Now middle aged
Still doomed to this
Still amazed at how often it’s enough
Though too often because
I have to eat
I have to lay my head somewhere
I have to be warm and able to breathe
I have to have an arm around me as I sleep
I have to set it aside
I kept going
Long after I should have
Should have stopped
Should have kicked the junk
Should have died and taken
The acclaim accorded to a dead artist
But
I am what I am
Not happy exactly
Wholeness isn’t always nirvana
But doing something else and
Being something else
Aren’t my doom
And doomed
is who I am
Is why you are reading this
Piece of apparently necessary
Crap
Men I Know
A man I know
calls his preferred
prospective partners
“chicklettes.”
Because they’re young,
young and sweet,
he says.
Because of their fragile shells,
he says.
Because he spits them out
when the flavor’s gone,
he says.
This other man I know
has jokes up the wazoo
about women, about
“how they are.”
Because that’s just
letting off steam,
he says.
Because of the need for a break
in the battle between us,
he says.
Because it’s better than shooting them,
he says —
and laughs.
This other man I know
likes to stick his elbow into me
whenever he pretends he’s down
with what women say where we work.
Because they think I mean it,
he says.
Because as men we know the score,
he says.
Because, anyway, where were we before they talked?
he says.
Other men I know
lose track
of bedmate headcount.
Other men
keep track,
notch something soft
to brag about.
Other men I know
have heard about “no”
but they say it’s just a lock
to be picked apart.
Other men
don’t care much for locks,
bust down the door,
swear they heard a cry for help in there.
I know many other men
who I’d have sworn
are none of these,
but too often I learn
of one or more who are
not the other men
I thought they were
and now when I say
this other man I know
or
these other men I know
I stop and wonder
if men are in fact knowable,
why I seem to know so many
of these men,
why these other men
seem so comfortable with me.
Bo Diddley Halleujah
My beaver heart
drums and pumps as I
tear up and reform
my environment.
All I want
is to leave a mark.
Something to say
something, anything
about anything.
I don’t care if
that urge makes my
ass look big or
my name look small,
so small it’s not
remembered — although
to have been Bo Diddley
and have left a rhythm
behind me that conjures my name
whenever it’s played?
Praise, hallelujah — two bits.
The Proper Perspective
Love’s not much
to worry about: you either
have it or don’t, are loved or
are not. Simple
and devastating.
You can’t worry about such things
to the point of no return; instead,
worry till just before that point.
Say there’s a pair of brown eyes
that wreck you often.
Why worry
about wrecking — you will
or will not crash,
they’ll turn your way
or stay fixed
elsewhere,
and there’s nothing you can do
except think about them until
just before you see
the bridge abutment looming.
Love’s neither voluntary
nor subject to reason, so
to sit with your head in your hands,
utterly controlled by love, is foolish.
Just rest your head
directly on your desk
and save your arms from fatigue.
Rest it there repeatedly, in fact,
several times a minute.
It will hurt less than worrying
about love. You’ll see — eventually
you’ll pass out and love
will fall into its proper perspective
of blackout and pain
and the dazed look on your face
upon revival, at which point
you may still be worried about love
but no one will be the wiser —
and maybe, just maybe,
you’ll have amnesia.
Not Now Tree
about to author
a fatality and offer
my last words
I recall
how less than a hundred
feet away
is a backyard giant oak
so large and old it has sucked in
an entire chainlink fence
its roots protrude
like knees from our bad soil
it threatens to fall
in every halfway
scary storm but still
it survives
here I am about to say
“I’m lost” and cut
my wrists or throat
over something as petty
as despair and lack of hope
which are of course not real
that tree has beaten
every obstacle
and grown immense doing so
I remember my chainsaw
is gassed and good
to go and soon
I’m clearing that tree
that ancient smirking rebuke of an oak
not caring what neighbors think
this is why
some empires happen
this is why we scorch and rebuild
something catches our attention
that counsels patience and acceptance
that tells us not to panic
and we say
not now tree
I can’t right now
so you don’t get to be here
you don’t get to be here thriving
you smug bastard
Lie Of A Brother
Past midnight
I awaken: the daily mask
that I left on the nightstand’s
gone —
I can hear one of my fictional characters
typing somewhere;
I’ll bet he
has it on.
He is creating
a fictional character.
I can tell by the tempo —
he’s killing those keys.
When he’s done
I will take my mask back.
I’ll put it on, although as always
I’ll struggle to breathe.
It’s hard to understand
how someone I made up
handles my day-face so well
he can make up another:
my myth
is taking over
my life, as if I were being kept
by my own lie of a brother.
He’s better at being me
than I thought.
I built him well, it seems,
and he’s caught my spark
for creating. I think I’ll roll over
and maybe skip living tomorrow.
Let the two of them handle it.
I think I like it better here —
breathing calmly, listening to myself in the dark.
The Animals Are Off The Grid
The animals are off the grid. Think
about it: no jobs, so no need to keep time.
What’s the point to having a Monday
or even a Tuesday if you’re an animal?
Friday? Pointless. There are no weekends,
people, and no Sabbath! It’s intolerable.
I propose that we give the animals jobs.
These will of course have to be tedious —
how else to depress a deer or make a clockwatcher
out of an owl? Soon enough, they’ll develop
calendars and then start crossing off
the days to vacation.
Of course, we could just kill them. Nothing
gives you a reason to put a structure on time
like your own death. “It happened on a Tuesday.”
This assumes, of course, that there is an afterlife.
An aferlife for animals. Will deer get their own, and owls
get another? Will they be close to our own?
The new world is coming: forest cubicles.
Rows of antlers visible, bent to their tasks.
Owls calculating in the trees; now and then,
a shot will ring out and a corpse shall be dragged away.
This will show them what Humpday means!
No more slacking, no living in the now,
and of course, they’ll line up
to get a good pew on Sundays
from which to worship a benevolent God.
Knowledge
I know less than I used to —
or more to the point
I newly distrust what I have known;
discard certainties, ask more
questions, live more with no answers
to old questions. Fire-feeding,
all the time, using past platitudes
for fuel.
What little I still trust
doesn’t glow or shine
as much as burn low,
those slow burnished embers
a dull rose under fluffed ash.
One can keep warm a long time
by a heat as small as that.
Children Of Swords
Dismayed daily
by our capacity for violence,
how a desire for it seems
never to fade entirely
from our nature.
But it’s unreasonable
to expect that the children
of swords
will mature into ploughshares
on their own.
They are swords
as we are swords —
built to cut, built to spear
and shed, built to last
and to itch at all times for war.
There isn’t a moral here,
or at least
there’s no intended moral,
certainly nothing you could hang
a blacksmith’s hammer on.
You should probably just move along.
Hold your children tightly to you
and try to pretend they don’t feel like hilts
when you use them
in your war with Death.
Regrettable You
Nothing to be done,
except it be done for you.
No world to save,
except it be saved for you.
The injustice you decry?
Only as what may be done to you.
The famine you wish away?
Only as it feels empty inside you.
What you love, what you hate,
what you protest — only what involves you.
How in particular you love or hate
or dismiss God? Based only in what’s seen by you.
Is your pang for tuna-slain dolphins
not for how their absence will sadden you?
Is your scream for loss of polar ice
not just a cold reflection on how such loss cripples you?
Every day a track to you, every night a rail to you,
every breath a sweet cloud raining all for the growth of you.
I know you. I know you, though I’ve not met you.
I know you and your infinite regard for you.
In the larger scheme of all there is and all the pain there is
there are worse things than to be taken up as a cause by you;
there are worse things,than being taken by you.
One could wake up one day and find oneself you,
empty of cause or idea except as offered to you
by all those waiting to see which will swallow you.
