Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Colonial Style Furniture

Ask the Colonial style furniture
on which I’m sitting.
It will tell you
I’m a heavyweight

but compared to the ledge
that juts into the basement 
of this ragged, saggy house,
I weigh nothing. In 1890

instead of blasting
they figured it out and
put the house on that stone
then dug room for stone walls

around it and for 132 years 
they’ve borne the weight
of all the wood and mice
and people who’ve been here.

Don’t tell that to my furniture,
though. It denies history
and the earth that holds it up.
It hogs the glory for bearing my weight

as if it has been my sole support.
Maybe it doesn’t know how often
I go to the basement and thank
the ledge and the dirt floor

for their years of service
to my big, dumb ass
and all the asses big and small
that came before me.

Don’t listen to the furniture.
It has forgotten that it came from
the same earth. It wants to take
all the credit for holding me up.  

It’s as much 
colonizer
as its dated style 
would suggest.


Philadelphia

I don’t feel that this
is how I should feel.

I feel like a weight bench
has appeared before me
in the street where I am standing 
in front of Philadelphia
City Hall.

I don’t feel that this
is how I should feel.

I feel like wind has blown open
a door and wherever I was
in solid life is now behind me
and this apparatus is trying
to tell me I can’t turn around. 

I don’t feel that this
is how I should feel.

I feel that feeling is unremarkable
and unimportant when you are pressed
to use what’s before you in a setting
you don’t know at all except
from pictures and maybe one trip long ago.

I don’t feel that this
is how I should feel.

I feel nothing beyond
the vague need to strip to the skin
and lie back and begin a workout
I’ve never done in my life and don’t think
I should be doing here. 

I don’t feel that this
is how I should feel.

I feel like denying this is Philadelphia
then wondering why it is Philadelphia
and why the weight bench is red
and who any of this was meant for
as it doesn’t feel like it’s meant for me.

I don’t feel that this
is how I should feel.

I feel like I should embrace
the feeling that this was meant
for someone else and perhaps
I am no longer the person I was
when I was on the other side of the door.

I feel I should change my name and move
to Philadelphia and forget my hometown
and my hometown love and my longing
for desert and mountain and a long
and fruitful life ending in a hometown bed.

I feel like a weight bench in Philadelphia
is all I’m good for now, that I’ve become
a sweaty old man struggling to lift 
things that get heavier and less
balanced as I go, a tin can beside me

with a scrawled sign
beside that that says, “Don’t you
love your brother, good 
people of Philadelphia? Toss me
a penny or two or more.”

I don’t feel like this 
is how I should feel,

but there is the bench and there is
Philadelphia City Hall surrounded by
heedless Philadelphians, 
and what difference does my unease make
when this is apparently all I have left?


A brief note to my readers

You’ve likely noticed a pretty significant drop in my output of late, and I’d like to explain why.

First off, I’m spending a great deal of time and energy in caring for my mother, who is 94 and was recently diagnosed with moderate dementia. She has severe mobility issues, still live alone in the family home, with my sister living next door and me about 25 minutes away. My sister is pretty sick too with a fairly rare autoimmune disorder and associated flare ups and consequent conditions that especially of late have rendered her less than able to do all she typically does. Hence, I’ve been there a lot handling issues and daily concerns, including estate and insurance stuff related to the estate of my late father. It’s a lot and is both physically and emotionally exhausting, so my energy for doing this work is pretty depleted, though I’m still up by first light most mornings to try. 

Second, my finances are disastrous right now; my consulting practice, always slow at this time of year, has been downright anemic and I’m scrambling for every dollar. That takes time and energy, too. 

Third — on top of everything else, my own health is not great. Diabetes complications like neuropathy in my feet and fingers makes it very hard to do certain daily tasks and adds to my exhaustion at the end of the day. There is, also, a cognitive problem going on — short term memory issues and ability to negotiate complex thinking at times aren’t easy to deal with, and I’m usually pretty much in a fog by late afternoon and evening on many days. (Not saying more about this issue, and not entertaining advice. I know what’s going on. Some of it is aging, some of it is not. Right now, that’s all I’m going to say.)

I recently received an award for a history of achievements and support of poetry in this area. It was sweet, but I’m unable to think of it as other than a “lifetime achievement award.” Can’t help thinking the the timing is about right for that. (A joke, but more than a little sobering.) 

Still, I’m plugging away at a full length manuscript; still doing readings; still producing work and maintaining my Patreon site as an alternate way of getting work out there and generating income. I’m still here, and I hope that certain things my sister and I are doing to bring professional in home care to my mom will ease some burdens in relatively short order. 

Thanks for reading. Still here, a little slower than before, but still going. I’ll be here as long as I can be. Promise.

T


Today’s Assignment Is On The Whiteboard

Trying to understand how things happen.
Silence is the whiteboard upon which
the teacher writes with a small
stick of light. The words glow blue-black
up there before us all. Each minute of class
contains a lifespan. All minutes
are lifespans, in fact. Do you know
how many lives end as quickly
as they begin, how we thankfully
are never fully aware of it
but can sense, somehow, at times,
the sputtering back and forth
of ghost beings who were never here
long enough to register as such?
Human and inhuman alike, they mattered 
as much in their impermanence as we do
in the only slightly longer time we are held here.
The teacher writes on the whiteboard with light
drawn from the flickering in the room.

Trying to understand how anything happens
in such poor light. How in all this cycling
there is no moment where everything is alive enough
to have full agency, and no moment 
where everything is dead enough to have full peace.
The teacher writes in silence. Feel, it is written.
To understand how everything happens, you must
feel the static from all these comings and goings.
The stones themselves flicker under your feet.
Can you now feel them? Nothing and everything
happening at once, lives and deaths, existence 
a flame first here, then there. Consciousness
humming a steady note with a name
we keep meaning to look up to see
if one truly exists for this. The teacher
writes in what we once called silence
with a small intense light on the whiteboard, 
dismisses us without turning around, keeps writing
as we go out single file from the room. 


Exposition (How To Read My Poems)

If any lines 
are addressed to
“you” it is likely
that I’m talking
to myself

unless I’m thinking of 
a specific “you”
in which case
it’s not likely that
I’m thinking of 
or speaking to you,

in which case you should
also know that “I” is never 
completely me but is some
part; perhaps an aspiration
or a cringe, but not “me”
as a “me” whole and
imperfectly human
as I write and live and 
eventually die;
unlike, I hope,
the “me” I will
leave behind.

I’d rather not
have to tell you
any of this,
of course,
but there are times
when I need
to be reminded 
myself. 


Scratch And Bleed

Buy the tickets,
then dig from your pocket
the lucky quarter minted
the year you were born.
Rub the gray parts, trade
any winning tickets in
for new ones, repeat 
until you win no more.
Having scratched the itch 
you wipe the blood 
from your wallet
and head for home.

On the way you feel the tug
of the bar and stop for one, then two.
This whisky tastes like your own blood
as it stops the tickle within for a moment.
The air here is full of karaoke, 
a night of allergen songs,
happy people who somehow
aren’t scratching. You hope
that joy is contagious
but as your skin is getting anxious,
home at last you go.

Which of the convenience store meals
in your fridge should you microwave?
Pull out that quarter one more time,
settle on the deadly burrito.
This is, of course, a pure contradiction
to all you know about your body.
You’re going to itch inside all night
if you eat this late, as you always do.
At least you are home,
bloody man, itchy bloody man.

You try to count what’s left in the wallet.
The denominations are so red
you’ll have to try again
when the bills are dry. It won’t matter
overnight that you don’t know;
you know that come morning,
whatever happens,
it won’t be enough. They used to call it
death by a thousand cuts. 
Now it’s just called being an American:
scratch and bleed from wallet to belly
to soul or to what replaced the soul
after you sold it while thinking the itch
would go away.


Get Up (The Gardener)

A gardener lies on his back in the late fall stubble
in his suburban garden.
He looks up and begs God for healing.

His hair’s dirt-full from lolling around out there
for so long. It’s been a day or two, you see,
since he first laid back and let the earth hold him. 

So, how about it, God? he asks. Are you willing
to heal me? I’ve broken so many parts 
I can’t do recovery any more. I’ve got cornstalk slivers

somehow in my back, somehow the dirt 
in my hair is coming to life, somehow last night’s rain
didn’t do a thing to clean me or quench my thirst.

God, meanwhile, is listening with only half an ear
to this. There’s a giant gap in Creation
that needs filling and this is just wind whistling through.

When God speaks at last it’s only to say, 
oh me. Oh my. Get up, beloved. You’re mistaken
if you see me in your details. I dwell elsewhere.

If you want to heal, forget about them. Get up and grab a shovel.
Look at the big picture. Pitch in and help re-weave the rip in the canvas.
Don’t blame me for the little cuts, the thirst, your wormy head;

just stand up and stop asking me to do all the work.
Spring after winter, fall after summer; that’s mine.
Tilling, planting, tending, harvest are yours. Get up.


The Hole In The Pocket

To be lost
in a pocket
like a key or
an urgently needed coin
and know that
someone’s trying
to find you

To be right there
between their fingers
and have them 
impossibly fumble you
back into the dark

To be sought
then remain unfound
in a pocket or
a deep bag
riding on the hip
of someone
seeking you
calling for you
although they know
you are right there
with them

is to find
the hole
in the dark
in the cloth
and fall through 
to the hard floor
in the hope
that the sound
of you hitting hard
will serve to announce
your presence to those
searching for you
before they move on


Back When

back when
my summer days
started late

back when
in late morning
I’d leave the house
to go into fern-laden woods
on the other side
of the railroad tracks
sometimes (most times)
alone to write and maybe
(later on) smoke pot or perhaps
make out 
with one or more
neighbor girls
(that never happened
no matter how hard I try
to remember that it did)

back when 
summer was a friend
who had my back — 
cover of foliage
and the heat which kept
sensible and prying
adults inside with the AC
while I roamed between
the river and the tracks
thrilling myself
when I found junked cars
clandestine weed farms
(I never touched a leaf
I swear) and now and then hid
from other kids plinking cans
and squirrels with 
borrowed rifles

back when 
I had one beloved companion
the color of light filtered
through solitude
who had no face or known name
who nonetheless held me
as I’ve not been held since

back when I was
differently alone
than I am now

I didn’t know
how good I had it


Summer Bed

Who needs a reason
to be naked
in their own
summer bed?

A heat wave ought to be enough
to make you happy
to choose the exposure
but here you go again, rationalizing,

telling yourself 
that if you die in your sleep
it won’t matter to you
if they find you like this and

it’s so ridiculous
to think you’ll be forced
to rise from bed and fight
a home invader:

if they kill you naked
you’ll be as dead as
if you were clothed;
if you kill them

you’ll certainly have time to dress
before the coroner
and the police arrive — 
or you can choose to be found

in your just recently savage,
still bloodstained skin,
still clutching the bayonet
you keep by the bedside

or the baseball bat 
you keep by the bedroom door
against such an unlikely 
invasion of privacy. 

Sleep naked, then. You clearly
already have found enough
to worry about and no one’s
here to see or care.


Leave It Alone

leave what creates alone.
tend to its home
but not to it except
to stay out of its way
and listen to it.

you may at first mistake its voice
for that of an illness or a deity.
call it what you like,
a Muse even, but don’t
imagine it’s a separate entity
or anything but a mundane
part of you. it does its best work
if you ignore it. leave it
to its chores.

one day you’ll awake 
to a gift shining casually
from your seat
on the worn out couch:

freely given, left to you
by you, in your name,
to make your own. 


Diving For The Moon

The elders have told us
the moon is not fully at home

in the sky. Whenever it
vanishes it is because

it sinks to its true home
under the waters. 

Ever since I learned this 
I have been throwing myself into ponds, 

seeking the moon on lightless nights, 
but have never found anything. 

I have lately been eyeing
the ocean as a place to look:

the ocean, full of its own light 
at times but more often darker;

full of life, full of death, full of
whatever it is

that makes me long to dive in,
and if I don’t come back up?

Don’t assume I’ve found
the moon. It may be that instead

I’ve found the reason the moon leaves us,
and I’ve made that my reason as well.


Saucy (A Study In Goth)

you were saucy
once upon a time

in love with all
the damned objects

tingling if you heard
anyone mention Satan

forbidding the term
“adulting” from your discourse

except in complaint or
humble brag 

you were easy-wild
once in a while 

sat up all night
cybersexing distant names

with one hand
from a close-up screen

while below you in the family room
you thought of as hell

the others sat feet apart
and never talked at all

you were busy
back in the day

with a life no one but you
claimed to want for you

they almost had you convinced
you were the crazy one with your

black leather and star studs
it felt wrong to them that you brought them

into the chamber of orange plaid upholstery
and something soothing on the stereo

you were something
you were onto something


Bright As Corn

I’d like to see
the world become
as bright as corn
and as sweet

As shiny as
a sword fallen
to the ground
when dropped
by the soldier
running to embrace
their child

I’d like to taste it
and find it
as sharp and thrilling
to the back of my throat
and the front of my head
as a good whisky
after a terrible day

There have been days
where I could see how
it holds itself
above our slash and burn
Where the liquid churn
of the feeder’s many
starling voices
made me forget
they are another part
of the problem
we’ve made for ourselves

It’s too hot already and
it’s barely sunrise
but a good sunrise it is

In the time left
it’s grand to see the ailing world
still able to be as bright as corn
solid as song
strong as a Scotch in the soul
ready to show us
how great it can still be
and will again be eventually


Politicians’ Hairstyles

behold
the mad construction of 
these politicians’ hairstyles 

sculpted to hold
a hard crest like 
a cruel dragon or cold raptor

or left loosely spectacular
as wild as some 
indecent architecture 

what you see is the result of a devil
running its hand through
early on in their lives

tousling their pelts into flags
saying “don’t ever forget
you’re my special boy”

and they don’t