Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Achieving Peace

a stumbling father
trying to be a savior
falls behind his daughter
as she rolls away
down the slope

stones at the bottom are avoided
as much by chance
as by control
and at the bottom
both rise laughing through tears
and forget the previous hazards
move onto the next ordinary thing

each moment on each of our paths
seems precious and set
when examined in hindsight —
such lies we tell ourselves —

did you know that moon
would give so much light
on the night you were willing
to step away from the fight
and turn your back on threat
feeling that if death
came grinning after you
you’d be good with that

and that light kept the killer
from pursuing the battle
he turned and put away
the knife
you did not die
and now
you look back
and say yes it was ordained
that this was how you would come
to find peace

fool

peace is a deceiver
it comes as it comes
no respecter of zazen
or prayer
is shuffling monk of nature
nurture
timing
and pure luck

random is
all

predestined is
nothing

acceptance is
peace

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This Is My Brain On Drugs

Woke smelling
fried eggs in a pan
but discovered it was just
my brain on drugs

Pissed me off
I was hungry

Woke thinking
I heard a superball
bouncing crazy in the room
but it was just
my brain on drugs

Pissed me off
I wanted to play

My brain on drugs
fucks me up and over
but without the drugs
I’m left with just my brain
and that’s worse

like the night
I woke up
hearing nothing at all
no sound
not even my breathing
It was as if
I’d stopped being
as if I’d been dead
for a very long time

then I discovered

that was my brain
not on drugs
I was hearing

and so I took some drugs
and
almost immediately
I was right back
where I belonged

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Water Inside Song Inside Water

This poem was written and performed to open a concert in Worcester, MA, on October 2, 2010.  Musicians playing:  Mike Connors, Charlie Kohlhase; Cooper-Moore, William Parker.  An astonishing night of creative music….I was honored to be part of it.

Note: This is the text I carried on stage and worked from, but there was much improvisation from the text.

~~~~~~~~~~~~~~~~~~~~~~~~

When we are free
we do not need to dream of flying

When we are free
we are unlabeled

When we are free
we are in all places at once

Think of a city

Rusted fire escapes
frame dawn bright night
and car horns align
with shouted calls to neighbors across courtyards

Sunday churches
spill their God-seeds into the streets
to praise the day
alongside Saturday night’s hangovers
dew-eyed sleepy children
soft-cored hustlers
sad ancients
bewildered and strong
and rich and poor

In this city of now built on past

one may look up thirty
forty fifty stories
rise to the heights
look down at the rushing street

Think of rivers
cliffs
and
music

Think of a canyon outside the city
cut through to the roots of earth

where a woman sits
at the bottom
by a cook pot
near a carving river

She looks up at the walls
still dark at mid-morning
and thinks of climbing

Water in a pot
just ahead of boiling
sings to her

Listening only to that water voice
she must turn as it commands

Her eyes screwed shut
she leaves her chores
scales shadowed rocks
toward sun above

Climbs
with
that boiling song
in her ear
to the cliff top
and sees the city ahead

Begins to walk

Inside every song
is the voice of water

Water carving stone
Cold water warming
Water above fire
Water just before boiling
Rain on the streets
Rushing down gutters and drains
Fluid clockwork rocking time
that has no need of schedule
Quoting the nameless voices that burble
underneath

Everything we know from books
Everything we know from others
Everything we know
is water

The woman reaches the city
Enters the liquid violet energy
Walks hard streets
Stops before windows
Alleys echoing party chatter
Piles of boxes behind bodegas
Dinosaur rumble of trains and buses
Horns bouncing echo off echo

Night comes in
Ghost fog a redemption
for the punishing day

Think now of a night club
with its far corners dim and busy
crowded with remainders of dinner crowd
Slick aficionados
Novice joy chasers
Students and mages
All in watchful attendance
upon what is to come

Saxophone asters
Trumpet roses
Ivory key-bones
Starflung bass
Grown in fertile underlying soil
of swift sifting drums

The woman stirs with understanding
Water song singing inside her

The woman remembers the tree blown down in the storm
striking the ledge
tumbling down the cliff
into the water
which cried out as it entered

The essence of horn is in blowing and blocking
The essence of string is in striking, permitting, and stopping
No one needs to have explained to them
the essence of the drum
rush of shaken skin
thrumming in ear canals

Look at the shocked eyes
and the odd remastered ears
back in the startled corners
The dinner crowd saying
This is not what we came for
This isn’t what we thought we’d hear

The woman tells them

Do not give this a name you know already
Don’t try to manacle it to the words
harmony
melody
rhythm
Don’t think of formal labels
Don’t limit your attention to its purpose
Do not kidnap this
or hold it for ransom
It is a crime against Essence
to clap music into confinement
There is a trial going on here
This is just the opening statement
This is a broken dam
Just
Know
This
Voice
that is under all
Cutting shape out of raw time
examining the sound of its bones
eroded by current
exposed here
in the banks of the river

She hears the tree crashing
to the ledge unseen crying
The water In the canyon
The water in the pot
Just before boiling
Herself on the cliff side
not falling
singing

And she knows
She need not go home to the canyon
The canyon is an inside song now
Needn’t stay in the city
The city is an inside song now

And you now
Think of yourselves
Soaked in this
Think of the ocean
you’ve plunged into
Inside you now
Think of yourself
So moist with music
Inside the song

Play in the rough surf
Ride the rivers threading into the stone roots of earth
Follow rivulet into silent moss vanishing
Reemerge a spring on granite
Follow the essence of clear
The drum bossing the air
The horn crowning the fire
The bass bursting the earth
Keys and strings damp with music

All flooding all

When it ends
you will know the woman
you will know her as Mother
you will know her as Music
You will know her
as you know yourself

When she turns to disappear
into the healing fog
of the night
To walk past the churches
and the buildings
The neighbors and the blare of horns

When she chooses to climb
back into the heart of earth
back to the pot on the boil
back to the simple river carving beside

You’ll know what she knows
that the Song chooses its Singers
Its Listeners

Now

Think of the doors
you walked through to enter here
The water lapping against them

Outside these doors
when all is done

Altered ears will listen to the shell
you have lifted from the shore
of this new world

and then
you will
know

know Freedom
know the Song

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Speak Of These Things

Suckle
is one of those words
that sits well on the tongue
as it is spoken, sounds
as it means, a bit of hard,
a lot of soft.

Kiss

reminds you
of itself as well
with its breath caught
and its air slipping away
at the end.

Touch

includes both a tapping
behind the teeth and
an interruption upon completion.

Love

is deep, has throat hum
and stung, buzzing lips.

All you need do to understand
how they all work together
is listen when they happen,
and then follow their instructions.

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Punk Rock Song #2

sarah on the cover of another magazine
saying stupid things she really really means
calls herself a grizzly bear and dresses like a queen

why are we so happy

abercrombie model talking fratboy rapist shit
with a head that’s barely bigger than a fucking cherry pit
and a brain stuffed inside it that has lots of room to fit

why are we so happy

it seems that the dumber they come
the wider we grin
it seems that the louder they talk
the bigger the pain

senator ridiculous opens up his mouth
water turns to burning oil and rivers all dry out
they put money in his pocket to buy a little clout

why are we so happy

it seems that the poison we take
keeps us amused
it seems that the poison we make
is never refused

abercrombie model and a frozen lizard queen
always keep us laughing we don’t question what it means
senator ridiculous is riding limousines

why are we so happy

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Paranoid?

it’s a mysterious grain of sand
in your shoe one day
coming home from work

it’s the resultant blister
water leaking onto your sock
skin coming off
in your hand

you have to walk slowly now

you hear whispers
on every corner

they don’t care if you know
because you’re not important
and it’s gone too far to stop

everyone’s in on it

they aren’t covering up something that’s already happened
it’s an operation in progress

you’ve bent one slat on the living room blind
because you watch the street all the time
every truck and skateboard a lure to the window

it’s secret squirrel stuff
and you’re wounded
and one step behind

but you know
they know you know
you know they know you know

you’re buying a gun
off the grid
you’re stocking up on ramen
and peanut butter
you’re not talking to anyone for very long

you suspect you’re part of it

it’s not all that bad
to be so aware of your surroundings
that you can hear
codes in the crickets
saying
the key to all this
when you find it
will have to be turned
in a lock you haven’t found either

everyone is talking about it
and your bleeding foot
you’re leaving a lot of tracks
it’s a race against time
and you’re slowing down

hurry

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Testing

Is the man who learns from swallowed stones less a learned man
than he who sits up and begs for easy knowledge
dispensed like treats to a trick dog, taking in whatever is offered
regardless of effort expended or potential for poisoning?
At least the stone eater knows how his teeth will crack
as he chews the hard lessons and struggle them down.
At least if he is cut by his own broken teeth
he knows the pain is immediate and if it scars him
he will have the scars to remind him of what he learned.

Is the woman who climbs the sheer wall of her prison
less a climber than the one who rides a proffered elevator
or ladder, giving up a piece of herself to gain escape
and then to walk the world with a piece of herself left behind?
At least the climber who attempts to summit the prison wall
owns the chance of falling and shattering, and if
she is broken into shards they will lie close together
in the landing, no need to search for what’s been lost there;
if she succeeds with her ragged nails still on her hands
she will always know what she can do once they grow back.

If we fail and fail again, struggling with every fall,
standing up on telescoped legs, swallowing our own blood
raised to our mouths by biting through our own tongues
in an effort to stop repeating the wrong words again;

if we stagger, if we stumble, if to be ourselves we try on
mask after mask to see what fits and then finally with irritation
toss the false face into a battered can and call out
that we will face the world now without disguise,

will we be less worthy of love and honor
than those who smiled, nodded, bent their backs as directed
to bear the traditional loads of straw and brick —
those who did not understand and turned and sneered at us
and gave us the backs of their heads in response to our cries
for help in a time of need?  Or will we spit stones at them
from the tops of their walls?  Will we then teach them to live
as we were taught to live, or will we say
we understand so much they do not know that a lifetime
is not enough time for the learning, and turn our backs on them
to build anew?

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The Search For Meaning

by loving that tree
on my wall

the tree outside the window
becomes a metaphor

the metaphor
becomes a conviction

the conviction
becomes a prejudice

the prejudice
becomes a work of art

the work of art
becomes a metaphor

the metaphor
becomes a moving target

the moving target
becomes a religion

the religion
becomes a bloodsport

the bloodsport
becomes a conviction

the conviction
becomes a cause

the cause becomes a tree
outside the window

the window framing
a religion

that has become a cause for bloodsport
aimed at moving targets

a work of art
made from a prejudice

and grown from roots of arsenic
and love

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Dying Con Man

Go without me
and take with you
all the green stones
and gold you can grab.

When I’m here alone
I’ll have no need of them.
No one to flatter,
no one with whom to trade —

some will from afar call it heaven
and call me the luckiest man
alive.  But I won’t be lucky,
or alive.  No face to lie to,

no back to stab, no handshake
to pull away from — the bad man
is not lucky when there’s no one
to steal luck from.

Go without me, let me stay
here, dead as I should be,
that highest penalty paid
through my deserved loneliness.

Take the pilfered wealth
and go.   Leave me here, poor
and starving for a mark.
Wave good bye and turn your backs —

that’s what I’ve always cared most for:
your exposed wallets, your undefended spines.
Leave me that memory to work with
as I play myself, the only mark left in the house.

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Selling Out

All you want from me
is the traditional big noise
and words that echo our social agreements.

All I want from you
is to have you listen to me,
even if I’m being quiet.

I don’t walk the bar,
I don’t windmill or throw scissor kicks.
It’s been years since I needed to pull those tricks.

You call this “selling out.”
I call this learning
that slogans sell coffee and condoms

but rarely knowledge,
at least of anything deeper
than what’s obvious

and black and white, and now
that I’m gray I’m relentless
in being gray, living gray.

Gray is the sound of a voice
that’s talked too much
for one life but can’t stop,

and I don’t need it but
I’d love it if you’d lend an ear.
Leave the kids their acrobatic life, their easy chants

and simple slang.  I think I’ve got something
to say to the gray out there,
and I’m not going to shout

about how necessary I am,
or how important this is.
I think it’s good, but I leave that to you

to figure out.

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NASCAR Race Day

No matter what you want to believe
we don’t all come just for the wrecks

(though some certainly do
they are in fact few)

We come for the pulse
of steel and rubber on asphalt

We come for the oil on the track
that can change the day from green to black

We come for the luck
that amplifies the science

We come for the threading of fluid holes
with one ton needles

We come for the physics
of spring load and banked tracks

We come for the unwasted motion
of tire carriers and catch can soldiers

We come for expletives and cryptic bursts
on the radio that sing focus over the scream

We come for the unbelievable noise
of precision in chaos

We come for the wrecks not for the wrecks themselves
but for the juggling magic of spotters — stay low, stay low, pull up, stay high, you’re good

We come for a faith in numerology
and for 48, 24, 18, 11, 29, 31, 43, and 3

We’re not all rednecks
and idiots

and if you brand us all as such
because of our enthusiasm

for machines and their extension
of effort into hard space and speeding light

for the play of numbers and sweat
that makes a race team a team

If you know me to be smart
and not easily impressed

If you listen to me rave about how this battle of engineers
holds me tight from February to November

and then say
I’m surprised you’d be involved in something
so stupid

and
you’re not as smart as I thought


may I suggest or indeed affirm
that you are the bigot you claim to despise

If you don’t like it then simply don’t like it
and keep your opinions to yourself

Even though they say rubbin’ is racin’
just know I would never trade my paint for yours

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Lazy Fall

All it takes
is the fan going on
when triggered by the thermostat

A breeze on my legs
A paper lifting off from the table
and ending up on the floor
after a lazy fall

Startled
I take a moment
to ignore the hard work before me

It turns into an hour of
nothing
No words for the time spent

When the fan turns itself off
I sit some more

wondering how hot it has to get
before I begin to work

especially knowing that the hot days
are almost at an end

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Good Night Ferret, Good Night Cat

Good night,
says the ferret in the couch;

it’s been a good night
here in the seat cushions.

Good night,
says the cat in the closet;

it’s been a good night
here on the T-shirts.

Good night,
says the man on the couch in a T-shirt. 

It’s been a good night
watching you both figure out new ways

to be here, using the same things
I do in new ways, turning the house

I see as a coop
into a grand palace,

a playground full of possibilities.
I’m the worst animal here, I guess,

except I can write this
while you’re sleeping, make

a Himalaya
out of a dust bunny

while telling myself
it’s OK that my ass

hasn’t left this couch all night
because I wrote this.

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Working Man Blues

When I’m working

feather in hand
remarkable paintings in head
and squall in cheek

then I am
most myself

When I fail
and am idle

stuck to carpet
face dirty as an old bone
dog-torn under a sparse hedge

I become the bad doll
in the chest of forbidden toys
Unsafe sharp arms
and a missing topknot

No one wants to play with me

The hard part of all this
is that when I’m down
I can’t pull the together out of me

alone

but who wants to see me
like this

When I’m working
I’m magnet happy
I’m covered with faces smooching
and all the happy lips make me wet
and then I want to dry off

But dry and slow
stopped in my track
I’m not sweet

Smelly old man
stay home alone

and who wants me for a co-worker
when I’m so lazy it seems
I can do nothing

someone stick a feather in my hand
and open up my mouth
move the jaws around

or at least come over
and talk to me
while I’m down on the floor

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In Berchtesgaden

Abner,

says Jeremy,

did I ever tell you
about my first time?

Not that I recall,

says Abner.
You were always pretty close mouthed
as a kid.

Jeremy responds,

It wasn’t when I was a kid.
I was in the service.
It was in Germany,
Berchtesgaden. 

Ah, says Abner.
Some local fraulein?

No, says Jeremy.

He was from Utah.

Ah, says Abner.
Ah.

A long pause, then:

It explains a lot.  Why you didn’t marry
till late.  Why no kids.  Why you never
flirted in the bars, even at school.

Did Ruth know?

Jeremy nods.  Then:

Did you?

Abner says,

It explains a lot.
Yes, I guess.  Yes.

Jeremy, then,
his voice low and even:

You never said a word?

No need, says Abner.

Mmm, says Jeremy.
Mm.

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