Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Heavy Metal

right now
there ought to be
heavy metal welling
from the floor and
rising to my knees
at the least

because if I am too hurt
my own karma and enter
this place again
I ought to have
the proper soundtrack
for how sludgy that walk
feels

right now only shredded trust 
and hoarse-creamed-lava on toast
will do

I want to be in here
when it burns
and smell it burning
before anyone else can

I want the burning
to have
incoherence as a soundtrack
(I want to know
the words)

I want to stumble away
fall on fire far
from the main blaze
set off the stubborn second fire
die before too much time
goes by 

I hated
being here as
I hate
dying here
I hate the red and the black 
of it all
the crunch of it
the distortion of it
chug
chug chug
chug 


Big Mad Angel

kill all the babies
then tell everyone.
they don’t let you do it 
the other way around usually
without a uniform or
some clothing to authorize you.

make sure you insult someone
today, publicly, damage a 
friendship a little.  maybe more?
maybe.  ah man you know
how to work this one — dramatize
the stink in the backstory.  

go to work mad, to love mad,
to play mad, madden at the sight
of pets and cupcakes and the only person
you’re talking to all the time, twenty-five
eight, twenty eight fifty two, three hundred 
sixty five days stuffed in a straitjacket 
called a year, no wonder you are mad
at your own dark face and whitey-white hands.

goddamn it you are fifty two and so certain,
so clear, when fog is raised as an issue
you see through all the way to the other side
and it’s foggy there too.  so why 
do why at all?  just breathe and fog inside you
so that’s all there is.  you’re so clear
about the fog.  claim you don’t know
what you’re supposed to be

but aren’t you that now?  because you are 
so obviously just that:  straitjacket model.
big mad angel.  biracial ghost.  
someone no one ought to give a fuck about
but they do.  goddamn, what idiots
to love you the idiot as well.  give up your arms
because you don’t need flesh to hug 
when no one’s gonna need a hug, when no one
has ever seen you do it so no one
expects anything from you anymore. 

and after all
you just told everyone you killed all those babies 
so who would ever
hug you 
except a baby-killer like you?   


The Portland Moment

What drives what I am
is the thrill I get when dark syllables
clink together.  You might say
I’ve got a thing for such sound aggression.
A thing for near-shattering. A thing
for hairline cracking.

Other than that I’ve got no love
for anything about this mess
less required than breathing, eating,
pissing, shitting, sleeping, fucking,
or commiserating.

I call these moments of noting
hard truth about myself
“Portland Moments”
for the first one I recall,
when I was smoking a joint
on the fourth level of a downtown garage
in Portland, Maine.  The sky was sky blue,
the air was winter cold, the ocean
as ocean as it could possibly be —
for half a second I believed the Sixties
had it right and all you needed was weed
and light, and love would make it all work.

That was not the Portland Moment, though —

that came a second later
while ducking the cops and hacking,
my lungs cough-laughing at me
crouching behind the car; I said,
gee, sorry, almost had myself fooled
into thinking I was someone else

and not the guy
who’s got a thing for aggression,
a thing for near-shattering, a thing
for hairline cracks and rough repair —

a guy much like Portland, Maine,
where even the hippies walk around
with punk rockers glaring
from the rooms behind their eyes.


Rip (originally 2/2011; revised)

We have been accumulating solace.
Make us afraid of how we were.    
~~ Rumi 

When I’m all tore up.  When I’m
pissed at being at loose ends
and how I can’t tighten them.  
When I’m heating the air
with spew and it’s not fooling
anyone, or me either:  God,

smack me.  Don’t even try to 
touch me without full-swinging
an open palm.  

Mumbling now something about
stones thrown
in the crystal house:  
whatever, I want
to be judged and found wanting.  
Looking for a finger to write
a burning on my wall, my skin.
Hold off on the embraces a while.

Mumbling, now,
about the Abuser,
the Great Abuser:  whatever,
hello,
no, not that.  Not saying

that.  But
I could bear
a judicious scar or two
if the story behind them
is worth remembering and 
keeps me from gaping,
wounded, later on.

No sense in holding
all the comfort for myself;
it’s good, I don’t need it,
give it away, somewhere it
will be appreciated.

My inner child
was a whiner.  I like him
better now that I’m all
tore up or at loose ends.
I check in on him, say:

hey buddy, now what?
And he says:  up to you,
it always is.  
Stay afraid
of your used-to-be, then
let it rip.  


Bolorimbe Atrarcus (revised; original post 5/2009)

In my world we have a placeholder name we are given at birth
and a real one we pluck from the air by ourselves later,
the one we recognize immediately when it arrives.

In our tradition when we partner
we plant a dogwood tree by the door
of our first private home
and cut our chosen names into the young bark.
Custom dictates that every day, before sunrise,
before we go our ways, we rise together
and touch the wounded trunk, so that
we have at least that connection
before the day to day divides us.

No one knows how this all began.

I firat thought of my name
on the occasion of my first forbidden coitus
but only settled upon it
when at last both my parents
had passed. I’ve never said it out loud
or carved it anywhere.  It’s my name,
a hideous name, an ugly breath
but my own.

If there is a house out there
with a yard big enough for a tree
that could hold two names
as thick and ugly as mine,
I’ve not found it yet.

When it happens, when it appears before me,
when I learn the big name of my partner
and there comes at last the carving time,
we will not plant a dogwood, of that I’m sure:
more likely an oak, even a banyan
if we’re somewhere a banyan will thrive.

Perhaps we’ll plant no tree at all
and just whisper our chosen names together
before each sunrise.  Maybe at sunset, too.
Our names will be enough to make it pretty,
whatever we choose to do.


April poems

I will not be posting any new poems during the month of April.  

I will, however, revisit poems from the 3000+ poem backlog I have here online and elsewhere, and repost them; some I’ll be revising.

Just thought it might be good to see where I’ve been.  I’ve posted 81 new poems this year so far, which I think is slow for me but feels right at this time.  A little retrospective feels right. 


Final Poem

In the backyard
my legacy:  a bonfire
of all the books
that explain me,

that made me
and that I then made.

In the house, empty shelves.

My directories and address books
torn apart on the floor.

Where are the pages and pages
of friends and family and contacts
and brownnosers and suckups
and slavish touchers and holders
of hem and knee?  Where are
the pages and pages of those 
I’ve groupied and touched?

Outside in the flames,
all the unwarranted names.

No scene, no family.
No crowdsourced art.
No more of this.

It’s going to be much easier now,
I tell myself. No more fires,
no more poems.  

I tell myself a lot of things.
One day I will in fact do something
to make what I say true.  
Today, I feel it’s closer
than it was yesterday.  That

will pull me through. 


You Are Not Going To Win The Lottery, Maria

Maria,
it’s not in the cards
or the Ouija Board.
It’s not in the fortune cookies
either.  There’s not going to be
a revelation in the shapes of smoke
rising from the bowl full of sage on fire.
Nothing is going to give you the numbers.

Maria asks me if I am psychic,
that I know this so certainly.
No, I say.  No.  I’m just one of those guys
around whom the energy drains.
One of those guys who cools a room.
One of those guys who knows better
than to carry a mirror, or to keep walking
when the black cat appears ahead on the sidewalk.

She brightens up, all at once:

Ah, she says, I am Maria
around whom men like you become
so confident that luck awakens
and so I am sure of what will happen!

There is this weird gladiator scent
in the bar all of a sudden

as she bounces out to buy a ticket
next door at the bodega.  I pat my coat
for cigarettes — might have to mosey over there
myself soon.  Pockets feel a little
light.


Dragon Advice

Having
a great Dragon to fight
is important.  

Yes,

you say,

I know,
but finding the right dragon
is heavy and hard work.

Is there a short cut, a bypass
that leads past it?
I think I can get by on charm.

Of course you can…
but your Dragon will miss you
and seek you 
and in your later years will find you;

your charm will get singed
and you will find the Dragon smell of belly-smoke
and longing intolerable at a time 
when you have no will or strength left
for fighting. 

The road you are asking about,
by the way,
begins…

here.

 

  


The Sidewalks Outside The Poetry Readings

on every street where there’s a poetry reading
there is a sidewalk

and on it the rich folks stroll, the middle class folks 
hurry, and behind the windows the poor folks 

stand behind counters, behind bars,
behind the scenes,

and everyone looks a little bit lost,
a little bit scared, a little in a fog.

but in every reading everyone changes —
there are just poets there and people thinking about poetry 

so is it any wonder that in there we love
our detailed narratives and our persona poems

and our big broad stories told loud?  stepping outside —
bah, who wants to do that?  who among us here

in the warm hug of the poetry reading
ever wants to go back onto the sidewalk

with the rest of the foggy scared
lost rich poor middle class people?

 


Lesson

Her hand moves
from first position
through second
position.  I see

her studied
shift of each finger
settling in,
tenderly precise after
each movement;  see how
her face changes,
how she moves
differently;

in fact if I listen only,
go beyond watching,
forego seeing,

each finger’s placement
still carefully opens
my ear; her
breathing
changes
as she moves into
the new position, how
the song changes;

it is a matter of some
fearful astonishment
to me, as she quickens and
strums; a matter of some
anxiety to me
as she plucks and strokes across,
each finger a small bow drawn across,
and when I open my eyes
to see what is drawn across
her face by this playing —

it is a matter of some concern to me
that I fear I will never learn
how to draw forth 
such music
as she can draw forth.

 


Not Dancing, Not Minding

if in spite of
the bright organ and
impetuous drumming
that fill this room

you somehow find yourself
unable or unwilling
to dance

stick your back in a corner
and squint at the crowd

count the upraised arms
count the faces glimpsed in 
flashes of light from the stage
count how many of them
have their eyes closed
see how in the roar of the band
so many bodies have lost
the inhibition against
the casual touch of strangers

and say out loud the words
reserved for those who find themselves
separate and alone

say
“I did not want this anyway”
or
“they never want me anyway”

you will be correct
no matter your choice
and maybe you can use this 
to fuel a solitude
a run by yourself to a glory
not bounded by the mass love
of each other and the group rate
for the trip into mmmmmmm…
mingled joy

as a famous loner once said
in a movie
as he held his hand famously
in a bright-hot candle flame

of course it hurts
the trick
is in not minding

as long as you can tell yourself
you don’t mind being alone
everything’s
possible

 


Architecture Of Misery

Architectures of misery:
for one, the brickpiles of public housing;

for another, the triple decker units of aging neighborhoods
with sagging porches and facades of cheap vinyl over clapboard;

for another, the detached homes
and closecut lawns of the suburbs;

for another, the family farmhouse
and its windburned outbuildings huddled tight in the wide plains;

for another the perfect home on the perfect ridge
perfectly sited above the perfect ocean;

for another, the trailers and prefab shacks
on the reservation, clustered in the shadow of all the others.

If you can name a misery you can give it a home
and a palace and a yard and estate to hold it;

if you can name an ecstasy you can do the same,
and the ecstasy of one may be the misery of another, of course.

Admit it: the home in which you are happiest
is a negation of one where another lives best.


Post-American Song

I don’t care how any of us die, no
Method is king over madness of believing in our immortality
Don’t care if it’s from gun or blade or germ
Don’t care but don’t want it to happen too soon
But know it will happen and I wish you could see it as I do
As wave of the star enveloping, sick as you are
As wave of the earth encompassing, wounded as you are
As wave of the wind embracing, struck down as you are
And the next minute moment second instant it must be   — not this
As NOT THIS as any moment ever
All I want to know about that moment I cannot know
So I sit here speaking of death with intense fingers tapping
Oh the damn notion of all of us having to wait
You wait as you will but I will be calm and resigned to it
Call for tacos and pizza and meats and cigarettes to be delivered unto me
By horse and by helicopter and by men who have made that a living
I don’t care how any of them die, no
Don’t care how any of them live
Method is king over judgment of such trivia
How we die is trivia
And every death I’ve ever known has been trivial
And every individual an inconsequential body gone
Except as wave of earthquake to those who love them, dead as they are
I am the broken acolyte of continuance
Death ate me out a long time ago
And now what I yearn for is method of choice
As wave of desire punctures reluctance, weird as I am
In this country devoted to living forever
To never eating the sick bulletins of unconscious satisfactions
I don’t care how any of us live, no
Live and let live is here practiced as apathy not compassion
Does it look the same when it’s not about love but instead about disinterest
I don’t care how anyone anywhere dies, no
Do you think that is awesome or troubling or false
Wave of suspicion engendering a breakdown, such as I am
Such as you are, come as you are, come correct to the throne of mirrors
AMERICA the hall of just in time history
AMERICAN is the holler the chorus the cadence
American the man in the trembling suit
AMERICAN the gun in the hand of the — what is he today anyway
Cowboy over Indian, soldier over prisoner, boss over peon
Vigilante songs in the heart of every person
We don’t care how others die as long as the lettuce stays crisp
Method is ghost, is memory, is suggested mask for the inevitable
I am wearing the mask of a wave all-encompassing
I am wearing the mask of a wave of righteousness
I am wearing the mask askew from its moorings
I will take off ths mask and look at you
I am the wallflower with back to the fourth wall
Are you behind me watching the others
Are you in front of me on a player’s mark
I don’t care how you die if it makes sense to the plot, no
I don’t see your death as being all that interesting, no
I don’t see how the rockets and twilight should lead to dawn’s early light


Would-Be Suicide Seeks Spiritual Guidance

Into the heat of the night to chase Lazarus,
for I know what I want to learn from him:

how he got over his anger at his friend
for pulling him back into the struggle. 

I want to ask him how long he held the grudge
and if he led with it whenever he and Jesus talked,

if indeed they ever spoke again after that day,
which seems likely though it’s unrecorded.

How do you have that conversation
about him not just saving your life,

but pulling it all the way back from bankruptcy
and liquidation to deposit it right back where it had been

as if nothing had happened at all and anything 
that soul had seen while it was gone could be forgotten?

I know it can’t.  Know it for a fact.
And I need to know how to speak to a friend

who brought me back just like that, even though 
in my case I really wanted to go.  I want to know

how I’m supposed to be his friend again.
I want to know if it’s even right to try — and if anyone

should know it’s Lazarus. How did he and Jesus
get past it, if they did at all?  They never

put that in the Gospels.  They never made
a sermon out of that.