Monthly Archives: February 2015

Last Hawk

Originally posted 8/30/2013.

The last hawk in this town
just lifted off from the Town Hall roof

and flapped straight over the river,
rising as she went.

I know somehow she won’t be back.
I know somehow we’re somewhat doomed.

I get an itch in my limbs just thinking of it.
It’s not going to be the same here without the hawks. 

I’ve been trying to empower myself
with other animals’ symbolic value

but they all insist on living their lives.
How dare they! They really ought to be

useful.  The hawks
have never understood that well.

Far beyond the river, a dim sighting
of many hawks plunging and soaring.

Such teases.  What are they telling us?
How should we respond? 


A note to subscribers

I just wanted to thank all of you for signing up to read this blog, whether that be in your reader, in your inbox, or via Facebook.  It’s gratifying to know that what I do touches some of you enough that you want to have it in your lives regularly. 

Since I made the decision to not make the standard journal/manuscript route for writers my own primary path, but to put more of my time and effort into being read more often by a group of readers who would see my progress and my body of Work on an ongoing basis, I’ve had multiple occasions to question the decision.  

Many of my writer friends think I’m nuts, that I’m missing out on more standard acceptance and reward by doing this.  Certainly it has made it more difficult to submit to some opportunities and journals in which I DID wish to appear.  But overall, I’ve never looked back with anything more than a small twinge of regret.  Knowing that the Work will be read is all I’ve ever cared about and I still think this is the best way to do that.

I appreciate your loyalty and your attention and thank you again deeply, with all my gratitude, for your kindness, your comments, and your time.

Tony


Auction

stiff-standing
antique figurines
are being sold
at auction

one’s an iron jockey
holding a hitching ring
clad in red and white
and blackface paint

another is 
offering cigars from a wooden hand
the old wood’s
brown through and through

people are bidding them up
for (they say) the sake of
historical preservation
and the marking of bad memory

hard to believe
the prices such things command
among people who profess
to understand the offenses they bear

it seems the privilege
of being able to buy and sell
the past
is not cheap


Charles LeVasseur, 58, Of Bridgeville; May 17.

Originally posted 5/18/2012.

Stupid you, cold drunk crashing
right through the knee-high fence
in your own front yard
and planting your face

among the weed-strangled old tulips.

Through the old weak fence
right on your old weak face 
in the front yard where the neighbors can see,
and you don’t seem to care enough
to run and hide in shame this time;
you seem content
to lie there ass up
for all of us neighbors to see.

You’ve been stupid since you were a kid,
a drunk since you were just past that,
and none of us can count how often
you’ve tripped over that fence stupid drunk.  
Stupid drunk, that’s what you are —
our object lesson, our signal disaster;
face down in the dead tulips with ass sticking up.

You’ve been in that position for a bit now,
at least an hour, and we’re all still laughing because
it’s likely the best job you’ve had, the perfect job for you —
no real effort required: just lie there,
let the neighbors point and laugh
and say things to their kids
about being drunk and stupid
and a public spectacle.

Now a crow, a real live crow,
has landed next to you and is inspecting you
up close and personal.  

Never gonna let you live
this one down, asshole.  
Priceless.  I’m gonna see
if I can get close 
and snap a picture —
if you can’t get up on your own,
you deserve this.


Lights

New poem.

This afternoon light,
picking up dust in the air
and the unmasked 
then hidden at once
secret sadness
in the faces of
co-workers — 

over the weekend,
the sudden spill
of light in the bar
at
closing time
that illuminates the writing
on the wall that says
“too long at the party” —

no difference in the light,
no difference

in the message.


Colonialism (Plastic Shaman)

New poem.

The road 
from my ancestors
to me
is grassy and grown,
as green as it ever was,
still kind to the feet of those
born to it.

I don’t recognize
this toll road you’ve made,
the one
you are calling
“The Way Of The Elders.”  

You read a book
of some half-understood
road maps
and made a turnpike
from it.
You’ve decorated the road 
in trappings you don’t own,
maybe tricking yourself into full belief,
at the least
into believing others
will pay to travel it

and maybe they will
but I’m not one of them. 

Those aren’t paving stones,
those are chunks of asphalt.
Those aren’t standing stones,
those are concrete falsehoods.

I know this weight you sell
and it’s not the solidity
of the spirit
but that of
a plastic shaman’s boot
upon my neck, upon
my ancestors’ necks.

Don’t,
says every gene of theirs
in every cell of mine.
Don’t.
Don’t pretend this is real.
Don’t pretend
that by stepping on me
and by stepping on them
that you are walking
any ancient path

except the one 
that led you to our soil
in the first place.


Traveling

New poem.

We travel too often into places
where deceptive shadows
promise mystery and romance
only to reveal teeth
when we lean in, eyes closing
before an anticipated kiss.

We travel too often into places
where springs that bubble forth
from those shadows
are cold and quenching but taste 
of that blood-filled ground 
in which they rise.

We travel too often into places
where we eagerly seek a home
before we understand
how where we’ve arrived 
is exactly like where we came from
and how much we brought with us from there.

There’s no moral to this. There’s no
simple lesson. We travel to places
that promise those things
because we cannot recognize 
that they will never be given to us,
that we have to take them where we find them.

To do that,
we have to stop traveling,
constantly traveling, in the hope
that what we find will be
well-fed, kindly, satisfied,
and waiting to meet us on our terms.


With Fever

New Poem.

In meditation to starve
my greatest fever, I

realize suddenly
what folly this is

and lift my head from 
pose to say: not

for nothing is there
such fever. Not for nothing

do we let a little of it in
to raise us to just under

boiling point — a small
concession but

with that concession
comes relief from full fever,

relief I never found before this
when I denied that fever existed,

or by claiming that
it could be forgotten

by rejecting outright our true need
for at least a little bit of such heat.

I return to meditation
more easily now that I have

told this truth.  I am calmed,
whole, sated, and safe

knowing that full denial
of an appetite for what is natural

is neither my continued aim
nor my future false hope.


Strike (A Lesson From Afghanistan)

Originally posted 10/6/2012. Original title, “Drone Strike.”

Early fall,
window has been open for cleaning.
A fly’s gotten in,
sounds like 

one last big bluebottle
for the season with a voice like 
a Dangerbee.  Should look
twice to be sure, but no time for that;
I klll it with one smack

of an already read,
soon to be recycled
magazine.  
Done.  And lo —

it was a
Honeybee.  

How did it seem
so huge?  Tiny, golden thing…

quick: brush it
into the gutter of the window
and then push it out

onto the ground
along with my small regrets,

telling myself 
this would have been done
differently
had I recognized it.


My Dance, My Bad, My Deep

Originally posted 2/7/2013.

I give a sorrow
opening.  I
loose it on
a gap within. Soon come

ornery, tantrum, layabout and cry.
Going to victim this whole long day:
grow kudzu, a funeral bouquet
for neverending grief show.

Still, I got rocker hips,
roller hips, jazz groin and jazz lips:,
joy ends up somewhere
when pushed from head and heart.

Still, I end up one sad grinder.  
End up bad into more bad sinking,
but still with one way
to set it off and hold it back — and so,

on to music. Still in the hole, I give
my dance, my bad, my deep
some resistance. Rhythm’s a big mole digging in 
under the roots, a charged up winner

rubbling the dark; my earthly body
quakes cracking in the light.  Whenever
I, frightened, shake fear, I gotta dance
my dance, my bad, my deep — 

it’s my gotta happen.


It Is Only Without Understanding That We May Overstand

New Poem. (?)

Did there are there to be a rejection
Did there are there to be fancies
Did there are there to be a response to balked desires
Do there be a forget time

Forget time
Do the slide and fashion fade
Did there are there be
Experience open sky forgetting time

I’m a going rate
I’m a getting going late
Do the slide and open fascist gate
Do the fastest fashion slide to mate

Did there are there to be a mistake
Did there do there a being fine and clear
Did they do they mystery mystic mad big gate
I’m a going rate a getting going late an open fascist gate

Forget time
Do a slide and fade
Do the mad mistake
No one’s cool enough for that mate

 


We Shall All One Day Gladly Pass From This World

Originally posted 2/27/2014. 

Caught napping, nebulous, infirm,
soft edged, cloud-conscious.
You snap back to semi-solid — 
did someone knock?  

Jump to that door and pull it wide open. 
No one’s there but a wisp, bowing near invisibly.
You can see it only because you’re still
waking up, mostly wisp yourself right now,
so it’s kin.

It straightens up, slides
past you to the couch, and takes

your spot.  

You step out into the hall.
The door locks behind you —
what now?

Everyone for miles is sleeping.  

Start knocking on doors and bow
when one opens for you,
even if the occupant can’t see you;
slip by, take their place on the couch,
and begin again.

You are learning to be comfortable
as one of the cloud-caught,
as more thought than flesh.

When you jump from that couch
and are in the cold again,
you go out to the street and recognize
that the spirits out there with you
have the same indistinct and tender face
you now wear and you lose any desire
to ever knock on a door and change places
with the sad life of flesh ever again.


Diamonds Are Not Forever

New poem.

We have been speaking for minutes, 
decades, centuries
on the nature of inequality —

we have watched an entire
concocted history
driven by it — 

we have shown how 
blood
is the grease for it —

we have shown that
even the diamonds
used to symbolize
eternity and love
are greased in
blood —

and still,
things are bloody,
blood flows, blood rises.

in closing, then,
in sad and angry closing

we offer the truth that 
the four Cs —

Color, Cut,
Clarity, Carat weight — 

are artificial,
are designed to facilitate commerce,
are purely cynical exaltations

of a central metaphor;

in closing, 
what we oppose is
the unnatural,
flawless, 
white,
heavy diamond

as
the standard
for all stone,

and we are unwilling
to mine it
any longer.


Chant For Hard Times

Originally published on 11/14/2009. Original title, “Mantra For The Hard Times.”

It’s easy to weep, to be sad — 
praise, instead.

Find a purpose to the day.
Praise, instead.

Raise your dead upon your shoulders.
Praise, instead.

If you are cut, paint the gray trees with your blood.
Praise, instead.

If the crow slips into your veins, cackles, and you die a little —
praise, instead.

Flight into the desert, no water, no sign of shade?
Praise, instead.

Open a moth-haven billfold in the presence of a feast.
Praise, instead.

Love splits and draws away from your hard skin.
Praise, instead.

Praise, instead,
the levers that move you,
the gears of your throbbing head,
the dinky children born from your fears,
the light of fires burning the spars of pirates,
the hats of soldiers riddled with flowers in the long battlefield grasses,
the red charlatan’s grin as he slops his hogs with your fortune,
the skulls of ancestors empty of expectations,
the diversion of hunger,
the urging and prodding of want — 

all this is brought to you by the machine of living,
you are taut and combat tested,
you are honed to contest and create.

You can lament or

praise, instead,
the pain of painful life.
Lamentation is 
the snuffing of 
a lone candle —

praise is a fire set 
to feed on the joy of 
survival.

Praise, instead,
this work called life;
chant for it, burn with it
and
light the way.

 


A Little Cup Of Coffee

Originally posted 4/12/2010.

A little cup of coffee,
hot, black and unadorned,
would be good right now.

Now and then I’ll take a little milk
to ease it down, but not today; and I’ll never
use sweetener — no, not at all,

because I like it bitter and I like the heat.
I like the way it stains my teeth
so my smile’s not as happy-kid bright.

I like how it opens my eyes
to the day
as it has been made.

God may trouble the waters yet
and if so I’ll have to wade them;
that little cup of coffee will help me go.

A little cup of coffee now.
Perhaps another later, and then another,
depending on how deep and swift the water;

a little something to remind me
that the sweet life
is not the only one worth living.