Monthly Archives: December 2011

Slumming

After your fall,
you’re free to examine
the customs of slumming
in the name of a new life.

You’re free to move about
the dark places of the country,
the shady shelters, the half-secure
shared apartments, the dank
holes of forgotten neighborhoods.
Enjoy it and make a brag of it,
buddy; someone will agree with you
out of necessity and praise it as
a lifestyle choice, a simplification.  

You’re free to self-medicate,
embalm yourself early, break open
the husks of imaginary taboos
in a world where everything’s permitted
and less is not more.  Laugh and barf
on the corner, bucko; no one need hold
your hair when you’ve shaved your head
that shiny. 

Maybe, though, you’re happy.
Maybe you’re glad things
aren’t better, more comfortable,
closer to what you once had —

but friend, you claim too much
for the way you live and too loudly
and for all the proclamations,
those keno slips in your pocket
flag a willingness to leave it behind. 

Really, you’re free as this worm
in this puddle and as
pale.  He’s wriggling
because that’s what worms
do.  It’s what you’re
gonna do too.  Snicker
and wriggle, pal; all yours
your low pride in low places,
even your wet pride of a pending
wet death in public, with not even
the utility of the fishhook
offered to you
to help you salvage a scrap.


The Hanging Gardens

Once, they were called
a wonder of the world —
gardens suspended
above the desert, 

the green heart of Babylon.
Never mind that they
did not belong, that they took 
unimaginable labor

to build and maintain,
immeasurable resources
to feed and water; never mind
that what they were

did not belong there.  
They amazed all until
they fell to ruin,
dried out and blew away.

I think of them here in the skyscraper
where a man is speaking of deals
and leverage, thirty stories
above a garden of blue tarps

and varicolored tents full
of those who worked once
to make the country bloom.
It’s the only color in the autumnal city

today, a firefest
of inchoate rage
at the care and feeding
of unnatural wonders.  

However many centuries have intervened
between the arrogant heartbeat of old Babylon
and this equal arrogance of ours,
it has not been enough time

to change the likely result.

 


Quick Note: The Duende Project

Just wanted to drop a note to the regular subscribers here (and anyone else coming by, for that matter):

First off, thanks for being here.  It’s gratifying to know there’s a regular readership for this.

Second, thanks for all the comments lately.  I’m normally really good about trying to respond to each one and it’s been tough lately.  Will get back to that soon, promise.

Last point:  I don’t usually refer to it here, but if you’re interested in The Duende Project, my poetry and music recording and performance project, you might want to join us on Facebook at:

http://www.facebook.com/TheDuendeProject

You’ll get updated info about shows, streamed tracks, occasional downloads for fans only…oh, I’m sure you know the drill.   

Thanks, all.


Fable

east of where we settled
was a bleached tree, spear-ended,
open-seamed.  on the nights
the full moon hung upon its top,
we built fires along the beach
and danced from one to the other,
all the while staring up.

later, when we’d grown too large
for the original camp, we spread out
and someone took down the tree
in the dark of the month, possibly
to burn, possibly to build with.
we did not seek the thief,
preferring instead to imagine
a better solution: that some god
had lifted it from us to free the moon.

nevertheless, we still build fires
and dance, having the good sense
to decide that while the moon is no longer ours,
we still belong to the moon.  we have that amazing
capacity: to imagine a change and interpret it
when in fact there has been no change.
all that’s changed is the rationale we use
to hold onto our past.  that, and this:
we do not sweat as much joy as we once did.


Cabin Fever

Go.  
Just go.
Go do laundry, shopping,
banking errands.  Pay the bills
and visit the folks.
See if there’s anyone
at the coffee shop, the bar,
the library. Make
some conversation.
At the least, pretend
that movement is valuable
in this case.

Go.
Just go.
Take a job, a volunteer
position, a role 
in a community play.
Play a unicorn, a pirate,
a fur-clad king or queen.
Take on the control and mystery
the house doesn’t afford you.

Go.
Just go.
Get out the door
and unravel your hermitage,
following its threads
to the world 
outside your house. 
Let the slam of the door behind you
be your fanfare.
Let the anthem of reverse wail
as you get out of the driveway.
You’re an American, 
royalty among nomads,
shining as you roll across the world.

Go.
Just go.
Go big, large, gargantuan, grandiose,
universal in your journey.
Make a virtue of pretending to tear
your roots from the ground, 
even if just for a little while —
for the afternoon, the morning, the day —
your car radio on roar, your home behind you
laid open and wasted as Jericho from the sound. 
Take comfort, though — 
magically, it will be reborn when you come home
and rest.  You can tear it down again
the next time you need to go.


Geodes

An old poem.  Someone was looking for it.  Here it is.

1.
This Monday night bar in Union Square
is loud enough to allow for intimacy.
You have been here for hours when a co-worker, 

who is also the woman you’ve been seeing,
who has also been sitting across from you all this time,
rises from the table and turns toward the door.

You catch a glimpse
of a tattoo on her back, 
visible between the shirt and the belt.

It stretches from hipcrest to hipcrest
as if she had sprouted 
low-slung wings.

Her skin, her body, her message — now your sudden burden;
she has just recently inked this code for
escape upon herself, but 

you never noticed it until
she stopped listening 
to you.

She leaves the bar,
moving away from the sound of your voice
out into the night ‘ and you know she’s thinking that 

though your words, like stones, were clearly born in fire, 
though you have tumbled them a long time between your water heart and your earth tongue
to make them cool and gleaming and edgeless,

as if all that labor had meant nothing 
you took and tossed the once-burning words at her
through the air, and it felt like hail in July.

She is longing for flight, but how will she ever rise
when you keep burying her 
under such a tumble of dead things?

Inside her 
a stone is growing where her heart once was. You know
she believes now that you will not be the one to move it.

She is gone, but you drink for another hour. 
On your own cab ride home, you begin to plot a path 
toward the cracking of her heart. Your dreams burn and spin all night.

2.
Next day, awake at 6 AM.
Thin clouds beam in the dawn,
slip by the window.
In them, her face: and then you see her face become 
the face behind the voice of heaven. 

There have been many things 
in your life that were 
seen once or many times 
and unremembered 
until they were needed. 
A ripple on a lakebed, 
a patch of wrinkled layers in old stone,
some tree bent and gnarled into a twist ‘ waiting
until they could give meaning 
to something else. 
Her face last night, 
seen so many times before,
was like that. 
You saw it and now
you hear secret voices,
voices heard solely in the body, 
saying that
revelation exists 
in a simple trace of 
transcendence – even inside 
the skin and eyes 
of someone you think you know.

Before now, you certainly would not have called out to God when thinking of her. 

Now your brain slides into that way of being — 
now you say, alone in your bedroom,
what you have learned: 

it exists, 
it certainly exists,
a way of living, 
a holy space that only another body can make real —

and because you will not call it 
‘being in God’,
you will call it 
‘being in love’. 

You have never felt like this 
before work before –
ready to pray all the way up to the 
forty-fifth floor.

3.
By Tuesday noon 
you have run back down 
forty- five floors,
you’ve learned thousands 
of new names for God, 
crying them all 
as you run from the thunder, 
fleeing stone 
and powder 
and shock.

The running itself is a kind of prayer
that she is running too,
or watching this happen from elsewhere, 
one hand on her mouth, tears 
leaving trails in the white, 
awful dust on her cheeks.

Your running is a prayer that she still can fly.


4.
You kick in the television at 9:30 PM.

You have not spoken for hours, staring at the phone, waiting for it to ring, waiting.
You close all the blinds while waiting, waiting for the phone to ring, waiting.
You wish you could drink but everything tastes like suicide. 
A pill forms in your hand while you wait, wait for the phone, waiting.
A pill washes down past the scratch and raw breath of your coughing. 
A pill makes you lucid in the face of delusion long enough to realize
that someone really is at the door, it’s your landlord, just arrived, 
all the roads closed, been waiting for hours in the lines,
waiting, checking up on all of his tenants, tells you
the towers are gone, the towers for the cell phones are gone, 
no calls coming in or out, no calls, 
all those hours waiting, 
air filled with voices in tears, 
in arrest, in thrombosis, in embolism, 
waiting, waiting, with crush injuries, 
burns, inhalations, rages, fevers,
blames and names and hatreds,
silences and understandings, moments gone with
all the bodies newly torn, flung, 
sundered, crushed, and cindered;
all the memories and the bearers of the memories 
waiting to get through, 
hoping to reinflate, 
to reanimate, 
to be reborn:

while you’re still 
waiting.

5.
Wednesday, driving north from the city before dawn toward New England
to stay with friends. It’s mid September, nearly time for the leaves 
to come off the trees in one last burst of flame. 
The day looks like it is going to be
perfect.

You are trying to remember yesterday morning’s dream of her,
how it felt to rest in the moment of knowing
she could leave you. You linger on one small moment of it:
the moment of not caring where she was, 
as long as she was out there somewhere, 
as long as she was happy. 
You called it love then, 
but now you know it was God, 
that moment of being without attachment to the result 
was something you could call God. 
a name you could hang 
on the moment,
a name you’ll cling to 
though it has become hard to say because
it does not include enough syllables 
to describe the fact

that you didn’t bother to bring your cell phone with you this morning,
that you did not leave a message on hers before you left.

At a rest stop outside Waterbury
you pull over.
Maybe you fall asleep. 
It isn’t important ?
what matters is that 
suddenly all around you
the earth is pushing up geodes
by the thousands.
You pick one up and it cracks in your hands,
spilling oceans of ancient, limed water,
soaking your hands with salt and 
the flakes of 
long concealed
crystals. 

She is suddenly there,
watching you weep, 
and as she rises from the ground 
she tells you:

keep moving

there are more names 
for God 
than any of us ever 
could have 
imagined



Breaking Your Story

Breaking your story
right down the middle
into perfect half-shells;

I see fruit left standing on end —
to rot?
to sprout?
to be consumed?

Did that truly come out of what you’ve been claiming
was yours?  I can’t see
impressions on it at all;

it’s lovely, soft, so ripe —
how is this possible?
How can you be?
How might this, so unguarded now, grow?

 


To Love My War

acknowledging
that war
can make my blood
sing a little

means only
that I know myself
and the animal somewhere
within

if I pet him
the right rough way
now and then
he stays quiet mostly

I’m at peace
with the bloodsong
I do not deem it necessary
to pretend I cannot hear it

and will not deny
that I know how war
is a part of me
settled on my hands

as tightly
as skin
snuggled cozily in my mouth
sharp as teeth

and why else does my blood
burst scarlet from my wounds
as if it were the chorus
of a grand opera 

as red as all other blood
from all other wounds
blazing the aria
of the common nature of all 


Pondering The Critic

who refuses us
entrance
calling foul
on us
saying
the door is closed

we should say
pfffft
we’re too wide for that door
and far too stubborn
to turn sideways
and try to get inside
on his command alone

who then turns away from us
to hide his stuff

pity him and not ourselves
for we can make our own
as anyone can
and as countless anyones have
for as long as there’s been
breath

 


Philadelphia Story

Overheard these words
on a Philadelphia street
a toothless woman

a rusty gun 

They’ve had me quivering
for two full days now
as I’ve tried to decide
how to steal and reuse them
in a context 
of my own choosing —

how to create
a suitable conversation
not slanted
toward redneck imagery

Perhaps I’m quivering
because I can’t decide
why that was the first
context I imagined
would fit those words

Perhaps that’s why
I’m working so hard
to ensure that you know 
that I’m putting
someone else’s words
to work for me

Perhaps because
I myself have grown
toothless
and rusty
and making
the original conversation
an evil to rail against 
makes me feel
smiley and shiny again

Whatever the words are caught on
they landed in my ear
are trying to leave my mouth
are having a hell of time doing it

I don’t know where they want to go

I never even looked up to see
who in Philadelphia
was using them

 

 


Freedom Of Choice

He repeals
a law he has lived by
for a long time,

contemplates
how the first word
he thought of
set the path
for the ones to follow,

how choosing
“repeals” created
the notion of “law,”
how “law” led to
“rules to live by,”
how that opened the door
to “a change of life and
law.”  And so

by repealing a law
he’s held sacred for
most of his life, and then
considering the process
as a function of choosing
the right words and their
intent, he put on fresh clothes,
cinched his belt tight,
and walked out into the sunlight

as the same man who’d lived
arbitrarily locked down
for so long, one who 
having freed himself
at once prepared himself
for the next binding
he’d impose upon himself,

but far more aware,
at least at first,
of his freedom of choice.


A note about the recent poems

Just wanted to thank all the folks who’ve been reading and commenting on the poems lately.  It’s gratifying to know that people I’ve never even met are getting to see them and that they’re being read.

It’s the whole reason I do the Dark Matter blog in the first place — to put an ongoing body of work in public for public view.  Sometimes it feels downright quixotic, and I’m gladdened when it seems to work.

Heartfelt thanks to all. 


Truth And Consequences

A blind woman
accosts me
after the reading breaks up,
refuses to allow me
my convictions, challenges
my view of my own humanity —
seizes me by the arm,
insists I listen —
and all because she didn’t like
the last line of my poem.

“You don’t believe that,”
she implores.  “All the rest of your work
says you don’t believe that.”

Maybe she heard something
in my voice
that I didn’t intend to leak, maybe 
something only she could hear,
because I’ve questioned that line
a million times before deciding
to let it stand
because it has always made me so uneasy
that I suspect it is in fact
a core truth
that I want to reject
before I have to live with it.

She won’t let go of my arm
but I’m at ease.  “We’re going to have to
disagree,” I say, pulling loose.
“I know that’s true — I’m sure
of it.”

“No, no…you can’t!” she says,
louder and louder, over and over.

I step away,
telling myself
that only those most unsure
of their convictions
are this vocal —

but then again,
I chose
to read that poem
and I always read
that poem. 

 


Angular Living

Try angular living —
approach from the side.
Taking things head on
results in television and
a corporate existence.

Do not imagine yourself
a lion or other predator —
orchids make fine familiars
as do hermit crabs and 
the common rat.

The hairstyle matters.
Doctor it up with fronds
and stick a Christmas string
in there — no matter that you have
no plug to illuminate them.

When asked for a biography, dissemble.
Demonstrate charity by offering
a lollipop to the questioner
but demand the stick back
after it’s been sucked clean —

recycling, y’know.  Watch 
responses to the most common
questions — place of birth, siblings.
Choose, perhaps, the life of a saint
or a local practitioner of chiropractic

as a source for details.  Whatever you do,
don’t mention motorcycles, or umbrellas —
routine items lead to routine assumptions.
Again: routine items lead to routine

assumptions.  Nothing you say
should establish a routine.  If you are 
an artist, for God’s sake deny it.
If you are an embalmer, stiffen up
and lie right.

The angular life is worth living skewed.
Long term pollution of the mainstream
with your existence pays off.  When the rest
die off, you’ll be sitting pretty.
It’ll be a world made for your type.

 


The Lonely Dress

I never said this out loud
but I have always called it
her lonely dress

because whenever she entered the bar with it on I knew
at some point in the evening
she’d be telling tell her beau of the moment
she was lonely,
so lonely,
with a slow wriggle
as she spoke.

You can guess how I knew this.

My friends called her
horsefaced,
crazy,
said she dipped into the pills
at her nursing job,
was wild, 
predatory, 
too much for me.

Yes.
And when she told me
she was only three years older
than me
and later related a passionate story
of seeing Janis Joplin
in concert, 
I did the math
and said to myself,

oh, she’s a liar too.

Let me tell you things, though:
I regret nothing,
and I still smile when I think of her
and

the pills.
All the drinks I bought her.
Piggybacking her out of the woods
because she couldn’t walk
after we’d stuck her battered Nova
deep in a bog at 4 AM.
Hearing her cry
the whole way out about her car.
Pills spilling from a pocket
and having to stop and gather them for her.
Driving her home at 7 AM
the unexpected fifty miles to her apartment.
Staying there with her,
holding her, not sleeping,
thrashing, blood on the sheets,
bites, welts, movement
I had never called out of myself,
tenderness, listening, barking insane
morning and afternoon
of something beyond lovemaking
for seven straight hours
before climbing out
to head home —

this story,
still hot and heavy on me,
this story of being twenty and 
contained in her fury
and strapped into her ride
by the sight of her Lonely Dress
and the slow dance wriggle
that took her
almost all the way to the floor —
yes,
having this story now
makes it all OK.