Persona II

In the way a house where a murder happened
is sometimes hated and left empty for months
after, though the wood and walls

were not guilty of anything
and merely contained it, though the house
is not a murderer or a murder,

I let a person
step into me after careful consideration
and listening to them for a long while,

let them use my body and voice to speak
since I had an audience
and they did not, but might

once they stepped back out,
when people saw what I had done
they called me a liar and shunned me,

for ritual demands a sacrifice
and confusion
leads to black magic,

but that is what a shaman does
or a poet sometimes does, this comes
with the title, this dislike

is honorable, who told you
you were supposed to be beloved
all the time, it was never something

I was promised, nothing I expected,
and while there’s pain, in the end
a voice was well-heard though it was not mine,

and is the hearing not enough
to make the sacrifice worthwhile?
The Spirit wants only hearing, after all.

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About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details. View all posts by Tony Brown

6 responses to “Persona II

  • Pearl Nelson's avatar pearlnelson

    This is very disturbing to me for some reason. I can’t put my finger on it. I’ve read it multiple times and each time I want to stop reading before “ritual demands” even though that’s the strongest voice of the poem. Amazingly done. I have to say I like it a lot, not withstanding my scaredy cat comments.

    Pearl

    • Tony Brown's avatar Tony Brown

      There’s a lot of debate in the slam world about “persona poems” — poems where the poet takes on another voice, another skin, or even the more loosely defined work that creates a fictional character to speak. A lot of slammers think of it as lying to do that. This poem comes from that debate. (I’ve way oversimplified it for this comment.)

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