Monthly Archives: December 2009

Telling Time

From the kitchen,
I can hear the cop show’s score;
they’re playing the Music of the Sad Reveal
so it must be quarter past the hour.

There’s a creak from the front stairs,
two sets of feet clomping up in winter boots,
and it’s Tuesday, so it must be
half past by now.

If I close my eyes I can hear the heat coming on,
can feel the chill settling in on the windows.
No need to go outside to see
the streetlights coming on.

I have ancestors who must have read signs
in the wind, the water, the sky and the upturned leaves.
Nothing has changed.  I live
the clock I’m given, call the hours as they come.

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Spill A Little

A spoonful
A cupful
A bucketful sometimes

Want to
spill
a little
now and then

Anger’s a dangerous thing
but a natural thing
Red justice is justice
no matter what the meek tell you

A spoonful
A cupful
A Bucketful

Long knives in the dark
Bullets kissed before loading
A pole axe in the trunk
Garrote in the pocket

This time
we’re going to find
the right pig to gut
Want to spill a little

Spoonful
Cupful
Bucketful

I know it’s wrong
to do such a thing
but it’s hard not to want it
sometimes

Especially when it seems so easy
to solve a bunch of problems
with a simple moment of movement
directed at the right spot

To want to let a little blood
seems the human way
And most of the pacifists I know
hide a criminal within

We think we’re better off
without the shedding of the blood
but in our sneaky hearts
we just think the wrong people are bleeding

A spoonful
A cupful
A bucketful

I never would do it
except in the cartoon of my head
but I think it’s ok to say it
because I think it’s who we are

There’s a dog pack in our eyes
when the food’s running out
and we’re gonna snap
when we’re hungry

Saying you feel that way
now and again
isn’t the same
as opening a vein

but it keeps you honest
Denial’s just a river of blood
and there was one once in Egypt
or so they say

Give me a metaphor
and I’ll show you a matador
waiting for the shouts of the crowd
Who doesn’t root for the bull

while secretly hoping
the horns find their mark
Who doesn’t love the poetry
of seeing some oppressor in the suit of lights

Who doesn’t want to spill a little

A spoonful
A cupful
A bucketful

A room full
A street full
A river full

A mansion full
A church full
A country full

now and then

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Pothole

If I walked by me on the street
I wouldn’t know me from a pothole,
and I’ve been a pothole.  I’ve tripped
people up and ruined their days.
I’m one ugly son of a bitch,

by which I mean I think I am one
beautiful son of a bitch,
and you just can’t get close enough
to see and agree.  (Even I
can’t, so don’t try.)  I’m short sharp cliffs
and rubble at the bottom
and you don’t even notice me
unless you step on me or drive by,

which is how I get along.
Even when patched (which happens
now and then, some well-meaning
fool takes pity and fills me)
I come back as big and rough as ever.

I try to think of myself, sometimes,
as the Rift Valley,
full of origins and the mud of ages.
I tell myself all those pebbles at the bottom
hide relics

until the next time I shudder slightly
at the rupture of a tire, the curse
of the tripped pedestrian who was simply
trying to get somewhere when they encountered
me.  When it’s over I snicker

and tell myself,
yeah, I’m a damn pothole and I’m OK
not seeing myself for what I am
until I cause some hurt to another,
it’s my nature, negative scorpion on a frog’s back,
created by some flaw in the making,
some resistance to repair,
some blindness and suspension
of desire to be whole.  After all,

a cussing out
is better than nothing.

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Form/Roll/Die

You follow their instructions
and become one of them,
all of you in line, all as rigid as posts
in the prairie —
here are your slots,
your holes — get in there
and stand, hold up
the fence and hold back
anyone threatening
to get by you.

You are there a long time,

Late one day, a wind
takes you down.
Cracked but still sound,
you tumble toward the ditch.

Not long after a boy takes you home,
balancing you
on the back of his bike.
Sets you by the side
of the fire pit
in his backyard strewn
with roadside junk where he
makes sculptures. He and his friends
sit on you and smoke, talking
of how they were fated
to be here.  It’s a crapshoot,
one of them says one night:
how some end up stiff and accepted,
others remain rootless, fluid,
free.

You hold them up.
It’s your job: settle into the ground,
support
another person in the role
they serve.

It’s no crapshoot, you think.
From assigned form
to accidental roll to
the final cast die, you just do
what you were meant to do.

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Bread At Night

Bread and a block of cheese
and one small glass of absinthe.
Pout it all into my mouth and let me slide.
I’m not fussy about where I end up.

I’m not fussy about ending up on a slab.
Fat in the arteries, pain in the chest.
I don’t wish for it, but I’ll accept it
if it’s what comes my way

after a night with good bread, fresh
and warm, a block of cheese
and a solid, sharp knife to cut with.
And the green milk of the absinthe

sets me apart from the rest of the night owls:
all of them out there thinking pizza or chips
and a beer and a late night talk show.  I’ve got
the knife, the cheddar, the white flesh

of the bread cut thick and soft,
the shot to warm me and steel me
against the winter night.  I’ve got a pen
and a knife and a good meal.

I’ve got an eye on the slab where I’ll end up
and I’ll make myself comfortable in the mean time.
It’s a mean time out there in the dark
but I’m fed, I’m lit, and ready for what’s coming.

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Four free fan downloads on Reverbnation…

I’ve made four pieces by Duende available for free download to anyone who signs up as a fan on the site.

Click on the “Show Schedule, Tracks, and More” tab above to go to the site, sign up, and get your tracks!

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Diary Of A Plague Year

When it came to us
from somewhere else,
we could not acknowledge
that it had been born
among us.  It traveled
to us as prodigal,
not as alien.

Dirt from its boots
got into our food,
lay on our sheets
and scored us as we slept
and made love,
clouded the very water
in our drinks.

We stopped using
our bowels, absorbed
our own waste

in an effort to stop
the spread,
but it spread anyway,

we could smell it
everywhere we went:

concrete
and flesh on fire.  Roses
in Afghan graveyards
and homely Iraqi streets.
Honey in clay jars masking the stink
of money.

The fresh odor of the flag
on the stiff wind, snapping
in our nostrils.

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there is no chance like the present

there is no chance like the present

imagine the hard-luck man, brown from drink and tobacco,
reaching for the pencil to check off the keno numbers,
then dropping his dollars on the moment
when the TV screen will show his fate.
lose or win, it’s a great moment while he’s waiting.

or picture the son of the same man, cracking the books
and studying for the physics exam,
mind slipping toward the tabs in the bottom of his sock drawer,
calculating what he can take,
how long he’ll be flying, equations, formulas,
and what time can he spare from the one
before he must give time to the other?
deciding, he falls in love with the notion
that luck is with him now and always.

for the next door neighbor, it’s all good. the cats
won’t eat her for at least a day yet. she lies on the floor
and luck holds the swinging door closed
against their yowling needs. in the moment before they push hard enough
she is most beautiful, face at peace, hands at rest,
quite still inside at at last.

there is no chance like the present. better still,
there is no chance except the present. the moment of waiting.
of all best worlds existing at once. of luck being not a possibility,
but a birthright. of life and death and remission
and subterfuge in the name of happiness. of the dice
coming up divine everytime.

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Anhedonia

Bruce doesn’t get up anymore
when his favorite song of all time
comes on.

Bruce has stopped thinking
in terms of favorites.  He feels
all of them are arbitrary, his
and those of others. 

Tomorrow
he might have a different favorite
candy, position, drink, person,
song.  That’s why he doesn’t get up.
Save a little for the next favorite thing.
Might be here any time.

While waiting, he starts to think
he’s a freak for not having a favorite song
anymore, some kind of foreigner
from where they don’t have favorites.

I tell Bruce,
not to worry, you’re just becoming
a shoulder angel.  You know what I mean —
the whisperer for the right thing.
Not a shoulder devil, I’m sure.  The shoulder
angel never plays favorites.  The shoulder devil
tempts you with the longing for the thing
you love best.  But the shoulder angel
rejects that sort of passion.

You sure, says Bruce?  Because
it feels like hell, I think.  Feels
unfeeling and I’m scared of it.

Don’t worry, I say,
you’re almost there.
You[re nearing a breakthrough.
Once you give up pleasure entirely
you’ll be right there near where God is.
God doesn’t like anything too much. 
How could he?  That would be playing
favorites with all of Creation.  God
doesn’t do that. 

You’re sure, he asks.

I’m sure, I say.  You’re almost there.

OK, says Bruce.
Which knife should I use, do you think?
I’m having trouble choosing.

It doesn’t matter, really,
I tell him
while folding my wings.
Pick one —
they’re all sharp.

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Across The Line

That line —
the one you’ve always told yourself
you’d never cross —
is right there
in front of your toes.

On the side you’re on
there’s nothing but shit
and sand.  On the other,

food and water: no banquet
but there’s enough there to hold you together
once you’re back on your side,
and to give you the strength
to stay away from the line
in the future.

When you tell yourself
it’s ok to step over
as long as you don’t erase it,
you realize
you’ve already begun to erase it.

Perhaps the problem you’re having
is the line?  Perhaps
it’s not so much that
there’s a line as it is
that there should be lines at all?

Maybe the truth is
that the problem is
not the line,
but your desire to wipe out
your footprints
so that you can tell yourself
it never happened, so you can tell yourself
no one will ever know you were here?

That’s really a question for the vultures
who are already circling
to answer.  Ask them,
why don’t you?  I think they’ll tell you
they’ll take you
wherever they find you.

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From Above

what the hawk sees..

details
of hunger

simple need

a rupture
in human attention

balance

regret

the leading edge
of her own wing

the rumpled hair
of the worried lawyer

sustenance

regret, again

need, again

a snake unnoticed
near the cars

the bright fear of
what is above, below

below

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Migraine Says

the prettiest lights
wear my ring

all you have to do
is stay in the dark
and I’ll let you play with them
for as long as I want

so what if it makes you puke?

you know I only let my favorites
have them

what did you need your day for anyway?
what were you planning on doing
that could be more important
than just lying here in the dark
with your explosions

you need a slap upside the head
with a crowbar
to learn to shut down
shut up
and see what’s what, pal

you stubborn bastard

you need to slow down
and let it all get to you
once in a while

and doesn’t it feel good
to have an excuse to do so?

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Salvage

On the outskirts
of town
in an open space
where someone’s gathered the bones
of houses, pipes and such —

Johnson’s Scrapyard, or Pulaski’s Salvage,
some place like that
with some name like that —

all the refrigerators
with their doors off like burial vaults
skewed crazy on end, and the doors
in a separate pile, you know the kind of place

where it looks like a bomb went off
but that’s not what happened,
just the normal tear it up and cart it somewhere
where we don’t have to see it every day kind of place,

full of old corrugated iron
and the odd bike sticking up
out of the rusty creek that’s always on the border,
maybe a fence with barbed wire, some frontier
you recognize somehow, kind of place
you loved as a kid but now you tell your own kids
to stay away, that kind of obsolete —

yes,
that kind of place where a car you couldn’t
put back on the road legally gets reused
to move stuff, a Buick with its back
torn open like a pickup truck, seats used
by the little shack where the attendant sits
and waits for something, that kind of man

with greasy Dickies and a name tag, sitting smoking
Mustang cigarettes, yes, he goes home at night
to kids too, maybe kids your own kids
know but don’t talk to much,
that kind of place,
you know the kind of place I mean?

Well,
because your lawn and garden
and garage with its stainless concrete floor
and all that oil you studiously avoid,
all the things you replace,
all that stuff has to go somewhere

and that’s home too,
no matter how far out of town you put it,
no matter how hard you try to forget it’s there,
that kind of place you were told to avoid,
it’s dangerous out there, someone
could get hurt.

Yeah,
that’s home too.  Don’t pretend
you don’t know, or that it’s not true.
Ask your kids sometimes
where they ride their bikes
when they’re gone a long time.
They’ll probably lie,
like you did once.
But you’ll know.

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Dark Flirt

I am nothing
if not faithful
to the dark.

Self-destruction
is a sexual being.
It flirts like a pro.

I’m in love with you,
it croons, and I give in
the natural way, allowing

myself to be seduced
until I’m wound up in a string
of sunrises seen at bedtime.

Those nights awake
have given me much,
cost me much.  I breathe

wrong, sleep wrong,
snarl at kindness,
marry the sorrow

I am bound to hold
and cherish.  I’ve learned much.
Wouldn’t have it another way,

if I’m to be honest.  Someone
has to do this — otherwise,
who would give meaning to the day?

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Will

I have more than I need
of wine and music
heat and light

I’ll share
enough of what I have
to make a space

for you to enter
because this fat man
doesn’t want you to die alone

and empty
I can’t imagine wanting
as much as you do

as I have not wanted
for much
in this life

having taken and taken
it’s time to give
a little or a lot

everything
to those thinner in living
than I am

I could surrender and go
but what would happen
to all I would leave?

Rather
be forgotten
except as a source

for the living
to use as they go on living
in the times to come

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