Interesting observation — to me, anyway.

The most recent poem I posted is, I think, pretty different from what I’ve been posting.

It was a piece I had been working on, had abandoned, and decided to revisit after the “ghostly” comments of yesterday (thanks, upendedurn and anselm23). I figure if an image is in the air enough to make a couple of people look for it, and to make me use the same image in a different poem, it’s time to go back and look at it again.

I put finishing touches to it, at least for this draft, and posted it. I felt like I needed to get back in the saddle fast after yesterday’s locked, whiny post.

I looked it over and realized how different it was structurally, and it struck me that a major difference was that it was written in Word instead of directly in the LJ posting space. That seems to make me more willing to stretch out and play with longer lines, more extended narrative structures, etc.

The tools, I think, make a difference.

I long ago stopped writing in longhand, not finding it especially well adapted to the way I write (with lots of editing as I go, cut and paste, etc.) Word works well enough for me.

I may go back, now, and see if there is a difference in the way I write a longhand poem as well; something I’ve missed there that I need to recapture — something in kinesthetic learning, etc.

Does anyone else have anything to say on their experience with this?

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details. View all posts by Tony Brown

96 responses to “Interesting observation — to me, anyway.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • ablueeyedboy

    They all do slightly diffferent things to me. Writing directly in the LJ space i’m ususally dumping something strait out of my brain or that came out in a text editor when i was doing something else.

    Usually, i write in word or some variation there of… i know that it changes my writing, but i’m not sure how.

    I’m slightly dyslexic disgraphic… so writing long hand is hard, it tires me… i tend to write in sections the size of the piece of paper i’m writing on…

    *shrug*

    If i’m “inspired” though, it comes out how it comes out, regardless of the medium.

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • anselm23

    John Updike

    John Updike once noted that he kept a manual typewriter in his study, a legal pad in the living room, a composition book by the door into the back yard, and (later) a computer at his desk. He would write essays in the study, fiction in the living room, and poetry in the garden. When he got stuck in one place and mode, he would switch rooms and write using different materials and media.

    I found his pattern to be a valuable insight. I mostly keep my journal in LiveJournal now, recording events and dates and difficulties. Short stories belong to the computer. The epic goes in one kind of notebook, and that one kind of notebook alone; it’s always longhand. Other poetry goes in other notebooks, usually in block print; sonnets go in a specific size-and-shape book with a wraparound leather cover, sometimes in shorthand, sometimes in block print, and occasionally in backwards Leonardo DaVinci style writing.

    I think that what you write with and what you write on has a serious effect on how you write and what you write.

    I think what I write on,

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • january_embers

    For poetry – I ALWAYS first draft longhand. I find I write different kinds of poems based on whether I use pen or pencil, which I find decidedly odd.

    I then type, and edit as much as need in Word. But I am completely and totally unable to compose poetry on the computer.

    Fiction I write 99% on the PC only. Occasionally, I’ll scribble a scene or something in a notebook if it’s all I’ve got.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • quixote82

    For me I write best in word. I’ve got most of the auto-edit stuff turned off…just spelling left. I’ll occasionally start on the page, but that’s usually because at that time I don’t have access to a computer.

    Even when I do write on the page, it’s difficult, and i often don’t finish the poem. I get to a certain point and I think “Ok, this needs to be run through a computer now.” Like you Tony I make tons and tons of edits on the fly and play with a line, or a word, or a stanza a bunch before moving on to even figure out what the next one is going to be. It’s really hard to do that effectively without a good text editing program in which you know lots of keyboard shortcuts. On the page, it’s just too much work. I’ve burned out whole pencil erasers on one draft of a 15 line poem.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • babbott

    I did write longhand, but since I switched to Word, I’ve never looked back. It’s just easier. And when I wrote longhand, I didn’t edit much, cuz it was too much trouble.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • mojodragonfly

    I’m a Notepad fanatic.

    I write and save everything in Notepad and then move it around to different applications(LJ, Word, Frame Maker etc).

    I still write in long hand, but only when I’m not near a computer. But I work with computers constantly. Notepad is a friendly basic format.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • roxann_ireland

    Electronic formats are pretty much the same to me, I think, especially since I use an LJ client with a very Word-like interface and the ability to save drafts. If I’m blocked though, I find switching from keyboard to pen and back again helps, and sometimes writing it in one form and editing it in another form gives me the fresh sight I need to really see it.

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • lordrexfear

    I tend to write a lot of poems long hand. The problems comes in that a lot of my long hand work is still sitting there long hand. I’ve been fearful to transcribe it to computer in Word… the fear comes in “What the hell am I even bothering writing for?”.

    Then when I rite in Word stuff that didn’t happen in long hand comes out, it seems like total different styles, and I want to embrace them all, something I’ve been struggling with for a long time. Well, ever since college when a lot of the long-hand stuff was considired confusing and too complicated to many readers. That sidetracked me and still has in doing “real” poetry and more stories and weird stuff…

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • asthecrowflies

    yup – i read you loud n’ clear.

    writing longhand is really the only way that i get at least a start on thing – i can finish on the computer, but i can’t really start there.

    & i have to have pencil to really get where i want to go for fiction.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • realsupergirl

    I rarely compose poetry or stories on the computer. I need the kinesthetic experience of putting the pen to ther paper to have the freedom to move around, and for the words to have the space to move around on the page.

    I edit on the computer, but often find that after I print a copy out and read it to myself or perform it, that changes the editing.

    Livejournal is closer to my experience of journaling, which I do less and less on paper now. Mostly I use my paper journal for journaling while I am on vacation (away from LJ) and for my periodic mandala drawings, which I find centering and grounding. Sometimes words are not the modality I need.

  • radioactiveart

    see you soon! and thanks for the info last night!

  • radioactiveart

    see you soon! and thanks for the info last night!

  • radioactiveart

    see you soon! and thanks for the info last night!

  • radioactiveart

    see you soon! and thanks for the info last night!

  • radioactiveart

    see you soon! and thanks for the info last night!

  • radioactiveart

    see you soon! and thanks for the info last night!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • geminipoet

    when i have thoughts for a poem in my head that needs to get out, i prefer writing things into the computer. i pretty much ignore the error messages for bad grammar and spelling mistakes and just punch it out as it flows in my head.

    otherwise, the tursy journal helps me work stuff out but i know eventually i will come back to a PC since i enjoy the way it helps me frame the structure of the poem

    but i always return to longhand since it helps me in my memorization process

    take care!

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • radioactiveart

    That worrying about losing it struck a nerve — that it might push me to briefer forms.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • ted_badger

    100%.

    I write in Word, occasionally in Notepad but then generally move it to Word at home for editing.

    When I’ve written in LJ, I get stressed that I might lose the poem somehow, I also tend to be thinking more in LJ mode (i.e. drama and meme mode) which doesn’t translate very well into my poetry. I feel like I’m writing for LJ and not simply to write, it just doesn’t work out.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • radioactiveart

    Me too — but it’s usually text and stage. I do not consider a poem “done” until after it’s gone through at least a few revisions based upon performance. I consider those initial performances an integral part of the editing process.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

  • ciarajanae

    I always edit in at least two different “modes”– most often longhand and Word. Never written a poem specifically on the LJ client… should try that, maybe. But transferring writing from place to place seems to temper the effects of the tools a bit, if that makes sense. For me, anyway.

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