Tag Archives: revisions

Scrolling Down

Originally posted 6/27/2009.

A bird with three wings
has been found in Suffolk. 

Infants are born singing 
in Sao Paulo.  

A ghost, seen by thousands
who identify as that of a long dead rock star,
hovers just above the rush hour traffic
on the ring road around Atlanta.

In broad daylight, in Singapore,
a figure walks the streets laughing
and strumming a lute.

In Baltimore, green turns overnight 
to red.

The severed arm of a Jamaican wrestler
miraculously regenerates. 

A Swiss man lost for five days underwater
is found alive and breathing through a straw.

Slingshots have replaced cell phones
as the new status symbol for Japanese youth.

A Karachi flower market reopens for business with a new look
after a car previously pollinated with C-4 bears fruit.

In Kentucky, authorities report
a young boy has killed his entire family
because they were demons.

The death 
of a middle aged shepherd in Andorra
is linked to
a traditional curse of the Roma. 
Paris is now the world capital of sleeping sickness.
The news takes the world by surprise.

Connecting dots
on screens filled
with nothing but dots
becomes a worldwide craze
and competitive sport.

Winners will be chosen at a date to be announced.


When They Did Not Break Us

Originally posted 7/29/2013; originally titled “When He Broke Us.”

when they first came 
they called us
both resource and nuisance
land and labor bank
in the way
ultimately good for nothing

said it was high time to break us

they set to it
our mystery belonging broke
our fluency in stone’s tongue broke
our river dreaming broke
our river beds opened
and drained themselves down
to now mute bones

we ended almost
when we couldn’t speak to each other

our children were taken from us
they returned much later looking more like Him
and had no tongue to use with us

who were we then without them?

we searched
scrapped and fought
found our old words
or made new ones
mined old life from new seams

now they’ve begun to crack
shame lines crazing faces

tried to wear our clothes
they fell off
tried to steal our names
we called them back to us

we put them back on
somewhat the worse for wear
but unbroken

when we spoke those names out loud
for the first time in a long time
in long songs full of drum and tears
the stones cried welcome back
and welcome home
and welcome once again


Advice: On Maintaining A Daily Writing Practice

Originally posted 4/17/2012.

your favorite writers

always tell you 
to write
to keep writing 

your favorite writers

are going to tell you to write all the time

because they claim they did and you

(following along in their wake

like sweet little sleep deprived interns

in the Hospital Of Broken Hearts)

ought to damn well do the same

 

your favorite writers

are going to tell you to write every day

tell you to churn thirty poems in thirty days

or a novel in a month

because that’s how it works

when the Fire is on them

 

that’s how they get to be favorite writers

the poor slobs

that’s how they get to be famous

one month of crazy at a time

maybe for a few months at a time

and voila

the New Hotness doth arrive

 

your favorite writers will tell you

all sorts of things

to disguise the fact that they don’t have a clue

as to how this works 

 

they agitate for cause and effect

because not to is to suggest

a case for werewolves vampires

ghosts and zombies

not as literary devices and archetypes

but as the horrid afterbirth 
of their own failed work

 

listen:

if your gut tells you the best thing for your writing

is to take a month off
square your taxes

screw your neighbor hugely for hours at a time

walk your mother in the park

watch a lot of television

and drink

 you owe it to yourself to try that

because when I look at my favorite writers

I see more of that 
than the cold and sober work they prescribe

for all the whippersnappers and upstarts

 

formulas are for chemists and physicists

writers suck at those things mostly

write when you want

how you want

where you want

 

and for God’s sake
take a shower
eat a sandwich 
and try to get some sleep

 


After Fire, Flood, And Love

Originally posted 3/10/2012.

After
fire there’s ash. Warmth
underneath, pale wisp-paper
above, easily dispersed, easily blown around.

After
flood comes muck.  Damp
goes all the way through.
Deep and sucking, holds fast.

After
love — what?   
What should we call that hot bog
that draws us down and won’t let us go?

After
love — let’s not call it.
Let’s not even name it.  Let’s say:
first fire and flood, then ash and mud;

then, after love, nothing.
Nothing comes after love.


Burying The Needle In Massachusetts

Originally posted 2/21/2009.

twenty five, coked out, driving away from my life
with my skewed eyes stuck on the needle
buried at 120 on state road 140  — the snakepath
from the cape to the stubby hills north of Worcester

south of the basalt shadows of New Hampshire
that are full of whatever Lovecraft adored
I strand the Firebird on a leafmold bank
and get out

there’s a puritan darkness under the trees
that still hasn’t lifted
the inbred imp in charge of hating difference
still sits on the bones of the old farm walls

once you get past the liberal mask
and the self-congratulation inside 128
where the Cabots and the Lodges used to play at benevolence
this state’s as redneck as any media slander against the South

there’s a quote from 2 Jeremiah
hanging outside the house across from where I’ve landed
“…your own sword hath devoured your prophets,
like a destroying lion”

some lay ministry of warning
carved with a router into brown stained wood
just like all the
bed and breakfast signs around here

this state looks pretty as hell
in October from inside a minivan
or even from inside a muscle car
at 120 miles an hour

people come and gawk from buses
stay over, buy trinkets and maple sap
go back home to sigh and say
“we love New England in the fall”

but now it’s high summer
and all those not-yet-red leaves
are barely rustling under the moonless sky
shading God and his devil and ancient blood in the soil

where the colonists beheaded algonquin children
brown people still keep to themselves in fear
and when a boy grows up looking like he wants to break away
or maybe wants to deny how good and right the kingdom is

when he gets to a certain age they start to whisper
he’s gonna end up bad
he’s not gonna make it
often he falls from the prophecies

sometimes he gets older
and can’t escape the feeling that he’s lived too long
goes looking for the sword in the trees
offers himself to lions long after he should have settled down

calling out I’m your boy, simba
your snowfaced speeding bullet
stumbling into your face full of misery
give me your sharp tooth and set me free

not too far from where I’ve stalled
is redemption rock
the natives once gave a hostage back there
and got themselves killed for their trouble

who am I tonight?
hostage or hostage taker?
colonist or colonized?
prophecy or prophet?

I bleed at the very thought of me
I bet Lovecraft is thinking
of changing his name from beyond the grave
because I love him

I’m on the side of the road
the car’s idling rough
I kneel in the gravel on the pavement’s fringe
listen as hard as I can for the lion’s roar

bury a needle deep in these woods
and the local ghosts will use it to sew your shroud
you’ll join them in being
just another sword to wave at unbelievers

now I don’t wanna wreck this car
but if there was any light out here tonight
maybe I’d take the snakepath of least resistance
and plant it on a tree

but turning my head back toward where I started
reminds me that every vehicle has a steering wheel
the way out might be in no place you ever imagined
and what the hell — I’ve got a fast car

so I get back in and turn around
thought I saw a sign somewhere back there
for a highway going somewhere not here
somewhere not in massachusetts

I’m gonna bury that needle once again
send horror ravening back into its den
let the rpm scream and turn the high beams on
drive as fast as I can toward bright lights big city anywhere but here

I’ll be up for a while yet and
there’s always two directions
to any road so let’s pick one and ride
let’s see what this baby can do


Call Center Incident

Originally posted 11/27/2009.

The first words
out of her mouth are,
“why are you working on Thanksgiving?”

I hold my tongue
instead of saying,
“why are you shopping on Thanksgiving?”

Later in the call (which is far longer
than our four minute standard
and I’ll probably get written up for it)

she tells me her son’s
moved out of state
to be with his girlfriend,

who has a huge chest. For Christmas
she’s buying her
our Fairy Fantasy Sweatshirt;

do I think the XL
or the 1X 
would be a better fit? 

I say I would go
with the 1X
based on her description.

She says she also has a huge chest
and both her sons were always
“tit clutchers”

and she’s had long talks
with the girlfriend
about that.

OK, I say,
and by the way,
we’re running a special today,

as a thank you you can have
another one or two items
at 15% off.

She declines at first
but then
goes silent.

I can hear the pages flipping,
she’s looking
for something else to buy — 

a perfect gift for someone.
She mentions that her other son
doesn’t talk to her at all.

I take another bite
of the cold apple pie
the company’s so thoughtfully provided

and I’ll be damned
if I hurry her
along.


Tales Of A Tarot Deck

Originally posted as “Stories From The Deck,” 12/29/2011.

1.
I read the cards myself
but not often these days,
and no longer for anyone else.  

I have to be “in the mood,” and
I’m only in that mood
when I am utterly alone.

2.
You ask, are they parlor trick
or font of wisdom?
Fool, who says one thing can’t be both?

If you hold them one way
they shine, another way
they blind.

The map is not the territory
but now and then the map is where
you have to make camp.

3.
I was taught to read the cards
by a woman who could not read the cards.
It took me one spread to learn this:

staring into the pattern I felt
a mansion rising on the table before me,
my best possibility dwelling within it,

even as my mentor droned on about
paths not taken, choices to be made,
a trip over water I should not take.

4.
It wasn’t long before I was sitting in bars
cold reading for strangers
in exchange for drinks;

sitting in living rooms
cold reading for strangers
in exchange for cash;

sitting in a strange kitchens
hot reading for a stranger,
hoping for sex;

sitting in bedrooms
reading for myself,
imagining myself as a stranger.

5.
If you think, they fail you.
Just go with the story
that comes to you

and follow it
no matter where
it goes. That’s why I’m here.

6.
Nowadays when I play with cards
it’s more often penny-ante poker
in a basement.

I surely miss
the Hermit, the Star,
and the Sun.

When the Jack Of Hearts
shows up in my hand,
I remember how good he used to look.

He used to call himself 
the Knight Of Cups. I remember how good 
it used to feel to see him in my hand.

7.
I’ve been over water a few times in my life.
Once upon a time in a Venice bookstore
I almost bought a new deck

just for old times’s sake, but the woman
muttered something 
and shook her head

when I pointed,
so I walked out before
anything odd could happen,

but I’ve lived
happily ever after anyway,
I guess.

8.
They tell you
your first deck
should be a gift.

Mine was.  I still have it.
All the others were my own choices,
and they’re all gone.

9.
I should end, I suppose, with predictions. So:
two countries will go to war
and one will win.

Two lovers will meet, part, spend their days
recasting what happened
until in retrospect they can say

the signs were clear. An old man
will die, and so will a young one,
and a child and a dog and a tree.

Someone’s going to act a Fool
while being utterly certain and alone
on a path they devote themselves to walking,

and a deck of ratty cards
will be picked up
and rewrapped in silk 

while congratulations
and mystic chatter
echo all around. 

 


Talking To My Children About The Night

Originally published in 2002 in my chapbook, “In Here Is Out There.”
Original title, “Talking To My Son About The Night.”

I have been thinking:
what do I tell my children
about the night?

Something wicked these days
stirs in the night,
and I cannot lie to them
and say shh, be still,
all is well and safe.

I will tell them the night
contains both darkness
and light.

What shall I say to them
of darkness?

Darkness is a young man
holding a knife to a lamp.
He adores how it separates 
skin from flesh,
sinew from bone.
He knows that when it is sharp enough
he can see the body’s coherence
fleeing before its edge.

Darkness is a woman
leaning out of her window on her elbows.
She sees something she does not favor.
She slips out the back door
to carry her gossip to the slaughterhouse.
Someone there will take the news
to the mechanics who will adjust the wheels
of the juggernaut for maximum kill.
On her way home
she will wipe her face with a stolen liver.
Behind her
she will leave a trail
of rumors and cartilage.

Darkness is a gaggle of children
trapped in a dream
where they are made to suckle straws
filled with their own blood.
They purse their pale lips,
draw the red up, columns red rising,
red cresting in their mouths,
falling red into their stomachs,
such sharp nourishment,
such a simple lesson:
living through the night
requires such a meal, 
a simple meal for a simple terror.
They have learned
to devour themselves.

We stink of rich meats, phobias, fires,
restless pride, secrecy. 
We inhabit our stereotypes,
slowed to the speed of custom,
houses crawling with indignation,
ferocity unbridled by logic,
atomic proverbs to live by —
a man decides to force himself
on the next random passer-by,
a boy slits an ancestor’s throat;
we shake our heads, we cry out
for the light, we get the darkness,
violent, clean cut, simple, fast:

darkness is thinking
that we can live forever
by living this way.

And after that?
After that, what can I possibly say

of the light?

I will say to them:
children, it is slander
to speak of the night
and only note the darkness.

I will say to them:
children, my children,
look at the stars.

I will say to them:
children, my children,
whenever you despair
of this world,
lie back 
and look at the stars.

I will say yes,
there is horror afoot in the night,
but always, always,
we have the stars.
I will say that one star
may singly pierce the darkness
but that one star
cannot cut through
the darkness alone.

I will say that there is
a forever beyond the darkness.

Then I will say,

children, my children,
if ever you despair,
look up at those hints

of the hoped-for forever
behind the darkness
waiting to be torn,

and tell yourself:

I am a star, 
and I do not
shine alone.


Big Joe Turner

Originally posted 6/13/2012.

Big Joe Turner 
could palm a jump blues
like an egg, handle it rough 
without breaking it.
The proof is right there —
find him on old vinyl,
open up that piano ripple 
on “Shake Rattle And Roll,” 
let Big Joe, long dead,
smite you with
the soft club of his voice.

I think I sound good,
as good
as Big Joe. 
The shell fragments
and the sticky yolk on my hands
say no.

The heart of me says no.

People are starting
to forget Big Joe.
Forgetting how he rolled
those notes across the room
with his bare hands 
on ivory — 

No.  This stained,
sticky heart

says no.  Forget that
wild noise, that man’s hands
and what they did?  How the world
was remade after that? How my world
was remade?

No. 


In Transition

Originally posted 8/3/2013.

Currently I am in transition
from easily visible, solid, and present
to softly hazed and hard to see.

You offer sympathy? 
I turn it gently aside.

Nothing painful to this. I am, rightly or not,
beginning to fade from view,
preparing to sleep through 
the obvious slow apocalypse.  

All the signs point to an end coming,
from the hot wind and the scarce bees
to gray water in the Arctic
where permafrost is relinquishing its hold.

The sequence of expected events is not important  
and how my time will slide out from under me 
is not important.

I am in this moment, called now,
remember my history, called then;
none of us own any of it
and none of us will decide
what happens after us.
Most of us are going to be forgotten
the moment we’re done.

When it comes, that ending, that curtain — 
when it comes it will come in obliquely.
It will not be swift. It will take a long time to happen.
It has taken a long time already.
When it comes, that disaster, that shaking off,
when it comes I pray that I will be asleep
and I will not be dreaming.

Currently I am in transition,
waiting in the now that will erase the then eventually.

Perhaps I am a whore or a broken seal
but I am no horseman riding frantically, no multi-headed beast,
certainly not a soldier in any army evil or righteous.
See instead this body bloated and sluggish
and this mind resigning position after position.

See how hard it is becoming 
to lay a finger on me.

 


Cursing That Genie

Originally posted on 6/10/2010.

Walk into a store full of junk.
Start looking for your fortune.
Rub the wrong lamp.
Get a deeply messed-up genie.

He grants one wish with the stipulation
that you can only ask for a secret blessing.
No one can ever know you have it 
or you’ll die.

So much for
the perfect cheekbones.
Forget wealth and health
and everlasting youth.

You think for a moment
and choose the ability
to put into words exactly what you’re feeling
so you can understand it yourself.

You walk out the door
of the store not changed,
except that people start calling you 
“Nick Drake.” 

Confused
as to who that is,
you start writing and singing
to chase away the confusion.

One day 
people hear you,
they start to talk,
and then you die,

but you come back.
They start calling you “Ian Curtis.”
It happens again.
They call you “Kurt” something,

and then “Elliott”
something,
and another name
and another name

until you barely know what to think
but you’re going to keep writing about it,
cursing that genie
the whole time.


Hymn For Failure

Originally posted 7/12/2010; original title, “Hymn For No Purpose.”

In your first moment
of God
there were commands

GATHER WITHIN YOU ALL THAT CAN BE SPOKEN
CONTAIN ALL THAT IS IMAGINABLE
ONE DAY YOU MUST GIVE IT ALL BACK TO ME

How far you’ve fallen behind
in answering
that urging

Consider the gospel of Bacteria
suited to living anywhere on or under Earth
What could they teach you

The white bloom on your tongue
embodies a colony of unspeakable beauty
Within that paste they know just who they are

When slime molds crown
they are the exalted seat of Paradise
forging their future from wreck

It is time now
to lie down and decay
At last you are the perfection of Acolyte

Though you think you failed
the God
you always denied

in favor of 
One given to you
who already had all the answers

Who told them to you
Drilled you on them
Locked you into a box of their dust

Though you think now
you did not serve
the first One well

rest well knowing
you were perfect
and honorable to the end

for you have learned
how one thing
follows the other

and now you smile
as in death
you give the other life


The Narrative

Originally posted in August 2011.

Eventually I do want to get home but for now, 
I’m content to sit here in contemplation of this peach.

It’s a story all its own. The seed within is both past and future 
while the flesh is the present, so wetly present.

It is all I want right now, 
a solitary moment free of nostalgia and anticipation.

This sweet ball of interruption!
I reach for it and let the narrative go.


What We Take

Originally posted on 3/26/2010.

We take
our coffee without cream

We take
our lunch when they let us
Ham on rye
yellow mustard
maybe cheese
maybe lettuce
chips and pickle on the side

We take it on faith
that we might lose these jobs

We take
our money home
Keep it close enough to hear it squeak

We take
our clothing simple and plain and sturdy

Once in a while
we’ll take on something
with a touch more style
as long as it toes a certain line

We take
our evenings as they come

We take
our friends as warty and hard as we are  
We talk
the way we learned to talk
at the knees of those like us

We change the conversation 
only a little at a time
unless we’re shoved along a path
we didn’t plan to take

We do what we can
to hold on to what we used to say
adding new words only where they fit

We take
the daily news with a heap of salt
Even when it makes
some kind of sense
we don’t pay much attention
unless we recognize a name or a face

We work too hard
to care too much
about which suits are running a game
we know we’re going to lose

We take
our champions as they are
and our warriors
as we find them

We take them to heart
if they sound like us
because that’s how we know they’re real

We take on
the battles they want to fight
because that’s how we learn to hope

We take out the garbage
first thing in the morning
to keep it safe from the raccoons and skunks
and the neighbor’s dog that rips the bags for snacks

We swear we’ll mess that dog up one of these days
for messing us up and making it hard
to keep order on the streets where we live

We take
a moment to look one way then the other
before crossing the street
and climbing into our cars

in our same old solid clothes
clutching steaming travel cups
and brown bags
that hold the same sandwiches
they held yesterday
and the day before

We take it
and take it 
and take it
and take it
and take it

until we stop
until we die


It’s The “Spangled” We Love Best About That Song

Originally posted 10/3/2008.

once you were chucked salt berry
fogerty full of sloppy chords
skip to my lou reed

you got all slippery with your own clean sauce
tossed out your faded paper bag of dark wanderings
bought your commercial anthem from the fluorescent aisle

come back to your game desire
come be slaphappy sharp
come to the war against plastic

you used to have a mouth full of splinters
honored the dingbat and the idiot
those who broke the social charm with a fart

you were gas monster
huffer of free roaches
smoker of the right goddamn herbs

you feared not death
when it came through charred fences
borne on tornado cellar blown open

you were the scent of acorn porridge
you were delta mysterious
and that devil in the crossroads still valued your willing ass

you used to not be such a freak for safety
you used to not be such a doom escape
you used to stick your cane in the bike spokes

and watch the cards fly
into the dead end street
you knew the cut was coming

your children
hate you more
now that you’re safer

we’ve got nothing
riding on the bet against your death
we’ve got nothing in the skin we ripped open for you

you big poor land
you’ve gotten so big you’ve shrunken
under your own weight

you’re better than this
you know you are
you love the tawdry scent of your former scandalous past

you’re all about descent
and not a scrap of care left
for your tradition

bite me or better yet
infect yourself
be the sick fuck we loved to love

no matter how bad you made us feel
we loved your all jazz
cotton ball friendly face

we love some of you still
down underneath your crystal fraud hippie faking
wall street loving gutterpunk

surrender oprah
we’ve still got hot dogs
and we’re not afraid to say they’re the bomb