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Loud, Louder, Loudest

Originally posted 1/7/2012.

Some days
are just one
turbocharged
evocation
after another;

then there are the ones
where you sit around
wondering why
it’s not one
of the other days.

Frankly, I could do with
a few less of
the former
and a lot more of
the latter.

Every moment of every day
doesn’t have to have a point
and I’m tired of getting stuck
and bleeding almost out
because of the ones that do.

Right now, for example,
all I want it the road,
the wide open engine, and
the loud, louder, loudest
three-chord songs;

a day with nothing to escape from,
no reason to be driving that fast
except 
that’s how
loud, louder, loudest songs

sound best.


Post-American Song

Originally posted 3/24/2012.

It’s of no larger importance how any one of us dies, including me —
the inevitability of the event is king
over the madness of the method  

Don’t care if it’s from gun or blade or germ
Don’t care but don’t want it to happen too soon
I know it will happen and I wish you could see it as I do

As wave of the star enveloping
As wave of the earth encompassing
As wave of the wind embracing

Then the next minute moment second instant
must be suddenly different — suddenly not this
All I want to know about that moment I cannot know

So I sit here speaking of death, fingers tapping, waiting
Oh the damn notion of all of us having to wait
You wait as you will but I will be calm and resigned to it

How we die is trivia though it does not feel so
Every death I’ve known has been in some way most trivial
Every individual an inconsequential body gone

(except — I admit — each was a wave
of earthquake within me that felt as large
as how I had loved them)

But I am the broken acolyte of continuance
Death and aging hollowed me out a long time ago
Now all  I yearn for is my choice of method

As wave of desire punctures my reluctance
In this country devoted to living forever
To never reading the sick bulletins of its unconscious satisfactions

I don’t care how any of us live, no
Live and let live is here practiced as apathy not compassion
Does it look the same when it’s not about love but instead about disinterest

I don’t care how anyone anywhere dies, no
Do you think that is awesome or troubling or false
Wave of suspicion engendering my breakdown

Come as you are, all of you
come incorrect
to the throne of mirrors

Look at AMERICA the hall of just in time history
AMERICA the holler the chorus the cadence
AMERICA the man in the trembling suit

Look at the gun in the hand of the —
what is it today anyway?
Who are the current heroes of our vigilante songs?

We don’t care how others die
as long as the lettuce
stays crisp

Method is ghost
is memory
is suggested mask for the inevitable

I am wearing the mask of a wave all-encompassing
I am wearing the mask of a wave of righteousness
I am wearing the mask askew from its moorings

I will take off this mask
and look at America
Wallflower with its back to the fourth wall

or is it behind me
watching the others
Is it in front of me on a player’s mark

I don’t care if it dies or how it dies
if it makes sense to the plot, no
I don’t see that death as being all that surprising

since I never believed
that the rockets and twilight should lead for certain
to dawn’s early light


Bedside

Originally posted 3/14/2013.

Maybe that clock of yours is sick,
or maybe time itself is ill, but 
either way, trust me — it’s not time yet.

You’re going nowhere,
not at least until the daffodils in the front yard
are fully up and open.

There’s bad television to watch yet,
lots of it, enough that we could get tired
of watching and go for a walk.

You can’t go until we’re both tired of bad TV
and we decide that even a walk up and down
this terrible hill of a street is better than that.

I know I’m right. That clock of yours 
is sicker than you are, or time itself is what’s ill — 
you’re going nowhere until the daffodils

have bloomed twice 
and we’re in great shape from walking away
from bad TV.  Then once we’re in shape — 

not this spring but next — we’ll replant the beds
out front and get something
other than daffodils in there;

I know you love that yellow but face it,
everyone’s got daffodils.  When we walk
the hill, you’ll see all the daffodils

in all the yards.  You’ll see — 
the robins are back.  You’ll see
the sodden trash of after winter

and how much still needs doing.

Just listen to me, please:  your clock
is sick and so is time itself.  Please
don’t agree with them in their fever.

Please don’t agree with time,
with how it’s burning you up.  
Say you’re going nowhere, please.  Say

the only place you are going
is to the couch to watch bad TV with me
until it’s time for our walk.  

Say the clock
is delirious, is making a huge mistake,
is too sick to be right. Please.


My Body Steals This Poem From Me

Originally posted 3/19/2014.  

Tonight my body’s not working right
and I’m trying to keep it
from writing this poem.

It’s trying to steal itself from me,
attempting to work in first person.
I respond

butter pat,
maple sauce,
meaty arms of morning.

My body brushes that aside, barricades itself
in my hand, takes my intentions hostage
and demands the poem as ransom.

I balk at this and make
a counter offer, 
a good faith gesture with 

iron pendant,
bronze cuff,
stone talisman,

but my body rejects it
and again demands control
of the first person.

Defeated by my body’s insistence
upon its version of this moment,
I find myself once again with

elm tree,
granite slab,

late afternoon shade

no longer standing firm
on their own but chained
by my body to meaning.

My body scorns my hope
that I is not the only true word.
Perhaps I should agree and

let my body rail and fail its way
into this poem and all the others
I have not yet begun.

I am not at peace with this
but not at a loss for words,
exactly; no, 
I still have plenty

of those but my body
will surely steal them
and ground them in its own venality.  

My will being as weak as it is,
I fear I will not be heard
in the midst of that

so I sit and shiver
within, silent, watching my body
own me.


The Kick We Last Used In The Womb

Originally posted 2/10/2012.

A whisky master says,
“I suck the tongue of truth
from the pit of every glass.”
A wine master says,
“This sweetness burning within
pushes my eye toward Heaven.”
A pothead prays
in riddles,
grinning at the answers.

Whatever we do to stone ourselves
revives within us the kick
we last used in the womb.

We fight toward
what’s out there,

though we have never seen it.

We reach for it.  We may not be
steady, we may not be
completely sane.

We may not even be right

when we clamor that it is
all we need — but still 

we go for it, kicking free
of our bindings, punching
toward rebirth.


Men I Know

Originally posted 9/28/2013.

A man I know
calls his preferred
prospective partners
“chicklettes.”
Because they’re young,
young and sweet,
he says.
Because of their fragile shells,
he says.
Because he spits them out
when the flavor’s gone,
he says.

This other man I know
has jokes up the wazoo
about women, about
“how they are.”
Because that’s just
letting off steam,
he says.
Because of the need for a break
in the battle between us,
he says.
Because it’s better than shooting them,
he says, 
and laughs.

This other man I know
likes to stick his elbow into me
whenever he pretends he’s down
for women where we work.
Because they think I mean it,
he says.
Because as men we know the score,
he says.
Because, anyway, where were we before they talked?
he says.

Other men I know lose track
of bedmate headcount.
Other men keep track,
notch something to brag about.

Other men I know have heard about “no”
but they say it’s just a lock to be picked apart.
Other men don’t care much for locks,
bust down the door, swear they heard a cry
for help in there.

I know many other men who I’d have sworn
are none of these,
but too often I learn of one or more who are
not the men I thought they were
and now when I say

this other man I know
or
these other men I know

I stop and wonder 
if other men are in fact knowable,
why I seem to know so many of these other men,
and why those other men 
seem so comfortable with me.


Obsidian

Originally posted 3/6/2013.

A man who has never been rejected
is watching women on Highland Street
as if they were ruins in the Yucatan.

As if in the ruins of a Mayan city
these women were exhibits to be viewed.
As if they were souvenirs.

A man who has never been rejected
is shopping for a souvenir among the women
of Highland Street

while imagining
he is a prince of a lost realm
he learned about in school

or perhaps in books from his father’s library
that displayed women as souvenirs
for the taking by princes of the realm.

He is imagining
a backdrop
of old roads and palaces.

Ruins and palaces
and temples for men
who have never been rejected.

Never rejected,
ever,
at all,

because they’ve never asked permission
when they take a woman
as a souvenir of the realm.

A man watches women on Highland Street.
Imagines himself as center
of a useful myth.

Imagines himself glistening,
a souvenir himself,
carved in obsidian.


Intro To Modern Mythology: Film Edition

Originally posted 10/19/2010.

1.
Billions of people in the world.
Your soul mate will be right next door.

2.
War, horrible in the macro,
brings forth the delicate emotions from men.

3.
The addict, once aware of her problem,
will cry as she swallows the pills.

4.
Loved ones with cancer
ennoble all those around them.

5.
Nature exists
strictly as a foil for hubris.

6.
Things from beyond this world
conform to strict rules.

7.
When love finds you,
you will be unready for it.

8.
Animals are smarter than us
in all the important ways.

9.
The force of a bullet or a bomb
can bestow the power of flight.

10.
The rich are rarely as happy
as the poor, but you will certainly be an exception.

11.
A neat ending is to be expected,
as is a lesson. Things don’t simply happen.


The Promise Of Risotto

Originally posted 4/30/2011.

I lean in to suck hissing gas
from the unlit burner,
just to see what that’s like.

I’ve got good food to cook,
good enough for a last meal
in fact.  And if I get past that,

there’s decent dessert too.  So
I stop. I will not put myself
so close just yet. It’s the little things

that always, always
do the trick.  The cat
hovering nearby with sacred fur.

The promise of risotto.
The desire not to leave a mess
for loved ones.  

I take what I can get
from the bag of small miracles,
treat them as talismans.  

Anticipation of dark chocolate, 
pear cider,
cool night air
on open skin. 

My hand filled
with whatever makes it hard 
to grip a razor.


My Dog

Originally posted 9/22/2012.

The pup comes right up to my nose.  

When I look him in the eye and say
shushumsmooshumnomnomnom pretty puppy,
I realize I’m actually praying, saying

I recall you stealing meat from my fire
when you were hungry,
when you were young 
and alone. 

Roll over on my back and let the pup
drown me with his face, his wash, his tongue.
I laugh and gurgle through it.

The pup turns
his belly to the air.
I am saying

I recall you barking, I recall
my understanding of the nuances,
the rough snap of those calls. So much has changed.

There is a book that calls this “dominion.” Another
that calls you “unclean,”  another that calls for you
to be skinned and boiled and eaten as a delicacy.

Pup, you don’t have a book, do you?  That’s a shame.
I want to know what you think of us
beyond the easy slurp gospel you’re preaching

now that you’re pure wag, unfiltered unspeakable joy.
Shushumsmooshumnomnomnom, who’s a good dog?
That is what the wind says when it whistles

around the throne of heaven.

 


The Rider

Originally posted 9/9/2014.

Crashing a motorcycle through a window twenty stories up,
plummeting to the ground below — that’s the way to go; 
so much implied backstory, so much obvious preparation.

Strangers unable to mourn such a whacked-out demise
would nonetheless be talking about it for days, 
and those who loved the Rider

would wonder in their sorrow if indeed this was the best way
to go, if this was indeed the obvious final arc
for someone following their bliss to its logical conclusion.

Every death by diving from on high
makes at least one person wonder:
what if they had landed on someone?

Someone else always wonders,
what if they had found themselves able to fly?
Would they have changed their mind?

Imagine putting in all that work toward dying
only to learn that you won’t die that way.
Imagine watching the bike fall away from under you 

as you rise, hover, begin to consider your options,
begin to imagine what those options
could possibly be.


Death Poem For All To Learn

Originally posted 12/3/2013.

On a cold Wednesday, as I’m
putting out the trash, I see
a dead mouse on the porch

that may have died
in the act of creeping along
the siding toward warmth,

or was perhaps killed by
something but left
unconsumed, perhaps

as a warning to others
not to pass
this way?  

I lift it
from the spot
where it passed

and hurl it
into the yard
where it will become

a different message
of how every death absorbed into
its environment vanishes.

Will I even remember
next year
that I did this?

Was that why
this was written?  
Was a mouse

born and killed
just to give me 
a poem?

I think this once
then snort at my ego
that doesn’t even know

why I’m here — maybe
I’m just here to take out
the trash,

and will some day die
and be found frozen out here
with the yellow bags in my hands.

Others will nod sagely
and agree
that I was good at that.

Then, they’ll wrap me up
and put me
out of their minds.


Philadelphia Story

Originally posted 12/8/2011.

Overheard words
on a Philadelphia street
a toothless woman

a rusty gun 

Been quivering for two full days now
as I’ve tried to decide
how to steal and reuse them
in a context of my own choosing —

how to create
a suitable conversation
not slanted
to redneck imagery

Perhaps I’m quivering because
I can’t decide
why that was the first context I imagined
to fit those words

Perhaps that’s why I’m working so hard
to ensure that you know 
that I’m putting someone else’s words
to work for me

Perhaps because I myself
have grown toothless and rusty
by making the original conversation an evil to rail against 
I get to feel smiley and shiny again

Whatever the words got caught on
They landed in my ear
Now they’re trying to leave my mouth
and having a hell of time doing it

I don’t know where they want to go
Per usual I never even looked up to see
who in Philadelphia
was using them


Animals As Leaders

Originally posted 3/10/2013.

Once upon a time a wolf, a hawk, a dog,
a cat, a snake, and a pig

were hanging out together
outside of a poet’s house —

the one place they knew
they could be safe

from natural enemies
and from each other.

Each was waiting to be chosen
as a symbolic inspiration to others,

or to be pressed into service
as a metaphor for something else.

They spoke in low voices over coffee —
who might be chosen?  

Snake and Pig prayed for the writer to be
politically motivated.

Dog and Cat argued
for a sonnet on domestic abuse.

Wolf and Hawk, as always, took the
metaphysical angle; hoped

for someone with a natural bent
who could press them into aspirational role modeling.

When the door opened and the poet beckoned 
it took them but a moment to swarm in.  

It wasn’t planned but they were tired,
and damned if anyone was going to be asked

to be anything other than what
they were.

This is the poem they ended up in
and they lived happily ever after.

Well, perhaps it was not ever after, 
but for a moment at least they were happy.

Not as happy as they would have been 
if the poet had just offered

to put each of them into a haiku
without bending them to human need at all,

but pretty happy — 
for a while anyway,

at least until the next poet sat back 
from scratching on their pad.


Sociology

Originally posted 9/4/2008.  Originally appeared in “Flood,” a chapbook from Pudding House Publications, now out of print.

All people can be divided into two groups:
those who divide people into two groups,
and those who do not.

We call the people who divide people into two groups
“them,” and we call those who do not
“us.”  Sometimes, we call “them” “the Others.”

Let us say everything we know about the Others:
they are grown fat with their unjust ways.  They
hate us.  They are the source of the Smell — ha,

they are overripe with it.  If you were to crack open
the “O” at the beginning of the word “Others,” it would be
as though a durian had been split in a closet and left to rot. 

In fact, the Others
are the splitters of all fruit,
the drainers of all carcasses.

We, of course, are the stitchers of that which is split. 
All people, then, may be split 
into two groups: the splitters of things, and those
who guard that which can be split. We are the Guardians, 

and we call the Splitters “the Others,” “Them,” “Those People.”
They are known for cunning, conspiracies, their inability to follow
laws.  If you straighten out the “S” at the beginning

of the word “Splitters,” you see that it is a snake’s spine;
they have been holding the serpent close to their breasts
since the beginning. Venom is their milk; we

are their silent milkmaids, the ones who carry
the venom to their tables.   It sloshes onto us and we are burned
daily.  All people, in fact, may be divided into two groups:

those who are burned, and those who do the burning;
or perhaps it is those who are poisoned and those who live on poison,
or those who 
worship division and those who pray for shielding and healing;

it’s as lamentable as it is observable
that this is how it is: lines drawn between us and them,
them and us, the People and the Others.

In the end, of course, we know that all people
can indeed ultimately be divided into two groups.

and the division falls as follows:

all people can be divided into two groups —
those who divide people into two groups,
and the dead.