out in the streets —
massed like bristles
in a new broom
an urgent cleansing
in progress —
shaking off dust
chanting —
sound of layers of filth
beginning to shift
what was built from dirt
cannot stand —
new broom wrecking all
out in the streets —
massed like bristles
in a new broom
an urgent cleansing
in progress —
shaking off dust
chanting —
sound of layers of filth
beginning to shift
what was built from dirt
cannot stand —
new broom wrecking all
Tune in twenty-four
seven for the melody
of the moment. Explosions
and big deaths,
laws broken and hard weather
all get sung the same.
The newsreaders sing
the cadence of sport, sing
like play by play reporters.
They throw it to the sidelines
where generically handsome people
add touches of color to
their black and white
depictions of struggle
made simple and easy to
swallow. Every
story reduced
to winning and losing,
even if all there is
is loss. There is rarely
any story where
all are winning. That’s
not American enough.
Can’t be number one
without there being
a number two. They sing
that song in spite of
the fire behind them:
lullaby, fight song
for the last quarter.
Enough to make you turn it off
and go wail in a corner
waiting for silence to take over
and make you forget.
Make you want to stop caring
for any of it. Almost
as if
that was the plan from
the starting gun.
The red onions are trying to kill us all
with germ tricks they learned from the lettuce
the chicken and beef
and poisonous canned shrooms
The next door neighbors are in on it too
They’re nasty people
Everything is trying to kill us
I ate a whole pizza by myself last night
The pizza made me do it
It is trying to kill me
It’s scary out there
and in here too
I took my blood glucose reading this AM
and it wasn’t as high as you’d expect
after a whole pizza
and a night of sloth
It’s killing me slow
the bastard disease
of my bastard pancreas
Not like the neighbors who want me
gone quick
those diseased bastards
I wear the mask of the moment
but it’s more so the killers don’t recognize me
in some unexpected moment when I am alone
than in the belief that it will save me from anything
in this place where everything is trying to kill us
even the red onions and the bad fats in the good food
and the sugar and the Nazis and my own head-sauce
full of bad things and all the flags that mean anger
is going to win today instead of any single moment of joy
I never trusted the chicken I admit
My neighbors keep chickens
so I’ve seen them in action
The eggs are suspect as well
but it is the betrayal of the red onions I feel most
How I once loved their transparent skin
and the full bite of the first bite in my mouth
I loved that more than I have ever loved my neighbors
I expected the worst from them but not you
my produce my food my sustenance my flavor
I will hunker down with Oreos and pure white sugar
I will maintain my diligence
Keep a watch on my neighbors with new glasses
At night I will eat white onions in spite
Rip off my mask and breathe on their doorknobs
Smear red onions on their car seats when they are asleep
I will die before I let them not die as I am dying
Betrayed by the food and the air
and the eyes peering through the near-closed blinds
of all the neighbors watching to see who will fall
You can hear a recording of this piece with music here: https://soundcloud.com/radioactiveart/red-onions
I wear the name
“American”
by default only.
It’s not a name
that feels like
a good fit, but in truth
that ill-fit feeling
is as American
an experience
as feeling snug and comfy
when you put the name on.
In fact
the entirety
of American experience
is the history of
the party of the Snug and Comfy
telling the party of
the Ill-Fitting Name
that one name
fits everyone when in truth
the party of the first part
is only snug and comfy
because the party of the second part
has been made uncomfortable,
and of the discomforted
striving to make the name
fit them as well
when in truth
it wasn’t made
to do that.
I call myself
American
by default
but I keep trying
for a better fit and
I see all my fellow
uncomfortable
Americans pushing
the seams and taking in
the loose fabric
because it’s either do this,
keep living lives of noisy
desperation, or
die of exposure — but
since that’s what
the snug and comfy live for,
I swear by the bodies
of all who went before and
will come after, as well as
those here now,
that whatever it takes
to make it so,
they cannot win and this suit
is going to fit.
They are praying
to the god of gambles,
offering children in tribute.
Never had any of my own,
but still not willing to risk
losing anyone else’s. Tell me:
to what stronger god
may I pray to try
and get them a better deal?
Give me their name,
the place of their shrine,
the preferred sacrifice,
and I will make a pilgrimage
and an offering of my own
on behalf of yours
and mine —
the ones
I never had,
the ones I know
I would have died for if
I had.
Maybe that is why
I am here — to strive
on behalf
of the normalized
path I was not
healthy enough
to take. To offer
a hope I never had
to others
more equipped for it.
To be at last of some use
in a nearly useless life:
to take
the divine gamble,
offer myself to the odds.
it looks into
the eyes of its beloved
demigoddess
and explains itself thus
look
my darling liberty
we have
repaired our
repulsive pancakes
and disturbing butter
we are busy renaming
our war gamers
isn’t that enough
at least for a good start
I mean
we still have to preserve
our borders
while opening our factories
and how will we live without
circuses to go
with our sad breads
our white breads and
flatbreads
our wheat breads and
trend-sponsored
sourdoughs
right now we’re a little
under the weather
so we’ve told everyone
to wear a mask
to protect everyone except
those we are used
to killing and who
cares about them so
mandatory takes on
a new meaning
for us
as in suggested
as in contemptible
but why not try it
anything more than that
will cost us plenty and make us
different
so
with all
deliberate speed we will
dig into our thick authentic
red label
blue jean pockets
for small change
and spend it
on small change
liberty
you sweet old girl
take off your blindfold
and see me
I’m making an effort
put down the scales
and hold me
I’m cold
if you read the papers
they will tell you something else
but if you know the history
you will know we’re still
your darling
your favorite
your same old used to be
Three words —
BLACK LIVES MATTER —
printed on a banner,
painted on a street,
and you saw fit
to tear it up, light it up,
spill paint on it,
burn rubber on it.
I want to seize you,
drag the sneer off your face,
and ask you to explain
which of those three words
hurt you the most,
tore you up so much
that you had to do
what you did.
I suspect you
will be puzzled
and unable to answer
whether it was the word
BLACK because it isn’t
about you, LIVES
because, after all,
it’s not like your own
feels much like a life,
or MATTER because,
of course, in your eyes
they don’t. Maybe you
can’t tell me which one word
but you can say
you are insulted or
disturbed to think of
someone daring to say
the phrase as if it was
a truth held to be self-
evident when it
isn’t and wasn’t ever
supposed to be and now
that it’s out there you might
have to behave. Whatever.
The point is,
they do — and now
that I have you here,
sneer boy, cocky lump
of plain dumb,
big old red hatted
cracked rung on the
evolutionary ladder —
now that I have you,
I’m going to turn you out
onto the places where you thought
you were safe from having
to consider your actions
and see how you fare
walking down the street,
wondering who hates you,
who might want more of you
than I took from you, who might turn
the other cheek if you act up
again, and who might not.
Welcome to a cracked door,
buddy. Welcome to a door
slowly opening, welcome to learning
about all that’s been locked away
so that you could
sneer in comfort.
Welcome to the place
of your definitions,
where all the words
you can’t stand to hear
will either change you
or drown you out.
Today I speak neither
of my parent’s
first languages.
I did speak
Italian, my mother’s
tongue, until I was five
and sent to school.
Lost the ability
to speak it, although
I still understand
a bit, as long as my mother
is speaking.
As for my father’s language?
Gone; tossed upon
a boarding school’s trash heap;
can’t even pronounce it
when I see it written
as I’ve never heard it but once
in a reservation store
on a visit there; someone
was looking for Fig Newtons,
the only words I understood;
I assume he found them.
I didn’t stick around to find out.
My only authentic voice
speaks nothing but English:
all my truths must be drawn
in an occupier’s medium,
a colonist’s artifact. How I work this
when I feel so robbed by history:
strive to turn the tool
toward mastery of the house
where I live. There must be words
I did not learn
or have forgotten
that I can reincarnate if I try,
and I must try.
Tired unto death
assuming that there must be
enough words already
for all I know
when I can’t even
speak the full truth
to myself which is all
I’ve ever tried to do,
the only reason
I write, the only reason
I’m still here.
He lives four doors down
from you.
She rides the elevator daily
with you.
They went to high school
with you.
On her wall in the FaceTime background,
a suspect flag designed to scare you.
On his truck, a bumper sticker
for someone who hates you.
In the conversation you left, stifled laughter
about some joke aimed at those like you.
But they’re so damned nice
to you.
She now and then has lunch
with you.
He had pizza one day and held a slice out
to you.
You know why they role play cordiality
to you.
You don’t like to think about how it plays
you.
You try not to think about how they’re shrinking
you.
They prefer that smaller, quieter, less present
you.
It makes it easier to demand more and expect less
of you.
One day they’re going to look at
you
and see
you
and scratch their heads and reimagine
you.
Beware that day when they finally see
you
because on that day — yes — what could happen to
you:
you being you at full height and strength; could be curtains
for you
or them, or they’ll change and see you
for you;
not an excuse not
to be you —
if anything, it’s a bell ringing
for you,
an alarm
for you:
they are who they are no matter how nice and you
are you.
Learn them for who they are
and then do you,
do you, do
you.
(with a nod to Billy Tuggle)
America’s too in love
with Whitman’s barbaric yawp
ever to offer honor soft words
spoken kindly.
This is why I’ve almost
stopped offering the latter to anyone:
it left me feeling almost
un-American to do that
and what I’ve been called
for daring to care about
others, there is no need to repeat;
I’m sure you know the words.
The single cry over
the collective voice.
Barbaric insistent
bastardization of language
toward selfish ends.
Not communication
but announcement,
claim-staking;
America, barbarian
nation, founded on
conquest, enslavement,
and plunder. And yet
somewhere here
are communities where people
speak quietly under the Shadow,
in spite of it,
and only raise their voices
in amplification of what was said
while the nation wasn’t listening,
or in song. That’s part of
America too, although I think
it needs a different word than American
to describe where it comes from:
human, perhaps. Civilized, maybe.
All I did
was touch
the reddening tomato on the vine
and it fell
into my hand
I took it inside and washed it off
Sliced it thin
and ate it like that
just this side of ripe but still
first fruit of the summer good
I thanked the garden for providing
it to me
and then stopped
It still had a day or two to go
I robbed the plant
of its fullness
What if another had come by
one with more need
than I
What if its destiny
was to fall and re-seed
for another season
I assume so much
of the world
for I am American
from the land of no obligations
beyond the ones
we have for ourselves
We ride rough here
and alone
Take what we want
Slogan our way forward
It’s my right
and no one can take it from me
I am owed this
and no one can take it from me
Kind words
are for others to speak
and no one
can force them from me
The world owes me its fruits
All I did was touch
the tomato on the vine
and it fell into my hand
Any pressure I put upon it
was unconscious and innate
Something in my presentation
keeps me dangerous
to everything that grows
Something I’ve learned
to use without thought
Something I trust
I can unlearn
in spite of the fact
that the tomato was delicious
Behemoth
wants to die
It flings the curtain
from its face
so we can see it
snickering as it tries
to choke itself
It scolds us for saying
it could live if it changes
It sneers at changes
It loves its burglary records
It loves its murder tributes
It loves its most vile deeds
even as it sobs that it’s changed
and why are we
so mean
Behemoth
wants to die
It sucks poison air
drifting through
its shops and taverns
and calls it good
It spits raw bile
while laughing at the discomfort
of those upon whom it lands
It insists it is God-chosen
and Heaven made
even as it longs to die
even if it is removed upon death
from here to Hell
Behemoth
wants to die
Wrapped in a blood flag
over a camouflage suit
A pair of sunglasses
and a salesman’s smile
A fat wallet in its hand
blocking the sun
Singing its anthem
and rolling like an infant
on the floor
in the muck of its stall
while claiming
it never knew
and so what
and so what now
and so this is how
and won’t we be sorry
when it at last is gone
We look down
at Behemoth
in shit on the floor
while holding
mops and shovels
We’ve bided our time
for a long span
We can bide our time
a bit more
When there is a beginning
worth mentioning, I will
mention it. I will tell you
that I have returned to the source
and after a proper interval has passed
I will tell you that I’ve moved
onto a fresh path. That I’ve dressed myself
in clean clothes and washed myself
deeply for a change. That I’ve cut my hair
to the scalp, that I’ve trimmed my beard
to the chin, that I’ve razed my shanty
and set up a small tent where it stood,
that I’ve cleaned the ancient campfire pit,
relined it with new flat stones and
rebuilt the tumbled walls. That at night
I tend the fire with great care,
my new face warm before it,
my backside cool behind me
as I turn it toward darkness unafraid
for the first time in six decades,
the first to do so in many generations.
When there is a beginning
worth mentioning, I will tell you
I’ve forgotten
where my family graves are,
what events sparked
my long suffering, where
desecrations took place.
I will tell you I’ve forgotten
boarding schools,
that smallpox blankets
must have indeed been a myth, that
all those heroic statues
just look like stones with clean hands
and faces, that I can see
how to you any mountain
with such monumental outcroppings
certainly begged for its own carving.
When there is a beginning
worth mentioning, I will tell you
that I’m ready, that I’m
healed at last. I will tell you
that the slurs I’ve heard, the ones
I’ve carried with me everywhere,
are all packed away and dropped,
that the half-measure
I’ve always taken
of my half-breed self
is brimful now, wholesome
and complete, that I’m together
and at peace;
no longer merciless,
no longer savage.
When there is
a beginning worth mentioning
I’ll let you know. Until then
I will sit by my fire alone
in these new clothes,
body clean, half warm
and half cold,
waiting to see
what you do next.
You sit up all night
watching the trenches from
the high road,
pretending that directing
love at the enemy
is helping.
Save your love
for the lovable.
The blood
you’re collecting
on your other cheek
is crusting over
and your gentle smile
is becoming ghastly
and stuck in place.
If you want this
to end, get down
from your lofty perches
and fight where and how
they fight. Fight them
on their ground —
it used
to be yours,
after all.
I cannot trust anything,
so I set myself on fire.
I’m burning now
and a crowd gathers.
Someone calls out,
“Is there nothing we can do?”
I can’t talk with lips this crisp
so someone else says,
“he must prefer it, let us
leave him to the flames.”
Of course, I prefer this
to help from anyone saying
such a thing. I did it because
of my lack of trust. I’m
a whole nation of distrust
in a single body
and this fire is how I tell you
you weren’t worthy of me —
how I show you my arrogance,
my horrid willingness
to start bigger flames.
“Is there nothing we can do?”
Maybe water, maybe
smothering, maybe just
bury me in sand or under
a dome of concrete.
You could paint a flag
over it later — it’s what
I would expect of you:
glorifying me and my
narrowed, stunted life.
You’ll pick the flag
that works best for you,
I trust. I know you that well.
Hence the flames,
hence the greasy bitter ash
I am now. Hence the memory
of what I once thought I was,
curling away
in smoke.