Tag Archives: poetry

Little Wing Blues

Playing my oldest guitar
on the couch,
noodling a familiar tune
while the fans whirl
and the sun shines
brightly, but not
brutally so; not too sad
this afternoon, glad to be
able to play. Yet
I fear this will end
before I learn to play
“Little Wing” as I want it
to be played, with it
coursing through me,
for when the song moves
under my fingers,
I do not move,
and that makes me fear
that time has run out.

It’s not a song I adore
the way I love a good old blues,
that storm that lurks
in every note, that sense
of chaos just beyond the order;
“Little Wing”
carries something else, the calm
after a massive blowdown,
a song to sing while sitting
with your head in your hands
on a massive fallen oak,
then look up and see the sun
bright, but not brutally so,
and a new clearing all around.

It’s not that I don’t play it well;
I play it well.  It’s not that the guitar
isn’t right for the sound I want; the guitar
is the right guitar and finds a voice
through the notes just fine, ringing
when it’s meant to ring, the high notes
belling at the right times; no, it’s not
that I don’t play it well or I’ve got
the wrong guitar;
I think instead it’s that
the storm is never done for me.
That’s why I love the blues, I think,
its center in the howl of the moment.

So I bend over this ancient body
once again, and hold its neck up
while try to imagine
how it is to walk through clouds
and be still at the same time;

how to find
the fallen oak and see it
as a throne, and not think
about what is crushed below it,
and not dwell on anything,
anything,
that has been taken from me.

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I Like Animals

Wily
snake, no:
just snake
being snake.

Wily
coyote, perhaps,
but still just coyote
being himself.

Wily
young cat
in the window
curling the string
from the blind in his paw
and watching the light change:
maybe he’s just playing, but still
he’s cat being cat.

You, on the other hand,
wily in the kitchen calling
for me to come see what’s
going on:

a little snaky in the hips,
a little tricky in the eyes,
a little playful with the hands,

a little animal beyond naming,
and you know how I like
animals.

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Leave The Body

As my body
refuses me
shelter, I leave it
and go into
the teeth outside, amazed
that there is no pain
when I am ground
between them.
I float into
the throat behind
and lose myself
in there, feel it
fold around me
as I go down, down…

Ideologies fall from
my skin. Pressure
around me soothes
and shapes me back
into something I can stand…

If I return to the body
at some point it will be
in a form that will compel it
to take me in and keep me
safe, and if I don’t, what
a miraculous place to be —
inside this belly, in this starry womb
I had forgotten…

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Frog

If the frog you struck
in the road tonight
had had anything to say
as you spun him into the brush,
it would surely not have been
an expression of surprise.
They live like that all the time —
in constant expectation
of being spun into the void
by a predator or car. 

And we
are the delusional higher beings
who find it strange that others
might accept with no surprise
the honesty of death
that usually comes suddenly
and often in the strangest of ways,
often at our hands but with no malice
at all as a simple consequence
of living as we do, moving along
blindly, carried by our large lives.

When you sit at home tonight,
think of that.  Listen
to the corking and uncorking
of our bottled confusion
whenever these things happen
and to the gigantic roar
of What Is Coming.  Think of how
the frog said nothing and accepted
his last flight, his broken body,
mouth torn so deeply
that any last croak would have been
pointless.  Then,

say what you want to say,
what you would want to say
when it is your turn.
Say what you need to now,
for it will be drowned in the roar
when it happens at last…
don’t let it die stifled behind
your slack jaw…

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Hemlock

You will say “selfish,” and you will say
“crazy,” and you will turn from my last bed
to those left behind and say
“angry.”

You will say “asshole,”
you will say “waste,” you will say
“crazy” and “angry” again, you will say
“loss,” you will say “missing,” you will say
“there are no words,” you will say
words that say “nothing” in many ways —

but the one thing
you had damn well better not say
because you cannot say it and mean it
with a poker face after knowing me
all those years is
“why.”  You will likely be a liar
if you say “I don’t understand…”
and if you truly believe you do not understand,
if you are sincere in thinking that,
you really should say nothing at all.

Just put your arm across my cold chest then
and pretend to be close to me,
even though what you will feel
won’t be me at all anymore.  Perhaps
as you realize what it feels like to embrace
that no longer aching heart
in that no longer failing body,
the words will come to you
and they will be the words
you never thought to say.

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The Last Lecture (Revised; was “The Last Talk”)

It was around seven at night
when I finally got out of my mother. 
I started talking at once. 
The family was astounded. 
“Keep it up,” they urged,
and I struggled to think of things to say. 

There was a time when I considered
myself
the best talker in a family of talkers. 
Whatever.  It was a means to an end. 
That end was that I talked
myself
out of everything. 

Myself.
I used that word a lot.
It was a ratchet handle,
could be switched
from install to extract
with one motion.
Slap any socket,
any word on it,
and I’d make it work.

Myself,

I don’t care for legumes.
Myself,
I’m indifferent to rockets.
Myself,
I’m a big fan of radicchio
dipped in sea salt.

One evening
I made a mistake
and stopped talking for a moment.
It didn’t bother me
but a lot of the family thought I was nuts
and I ended up in a bare room
with a cheese grater wall to lean on,
in a pleasant sense of dislocation
without my usual tools at hand.
There was sand under my tongue.
My breath smelled of comic books
and colorfield theory
and it was so nice,
for once, to not speak
unless I was spoken to.

I got out and found a living
that made the talking
not so much a tool but a brace. 
The ratchet handle
slipped in my hand as easily as ever,
and I could talk about
myself
endlessly,
even when I used borrowed sockets to make
myself
seem like a chokehold. 

The family soon fell asleep —
why listen to things
that didn’t concern a fact at all?
I found new families to bore. 
I found new nuts to turn
and kept using
myself
to gain leverage.

Over time, I lost the urgent sense
of sand and blood in my palm.

Over time there was
too much wolf,
not enough sea snake.
Too much noose,
not enough bowtie.
Too much pistol,
not enough summer squash.
Too much fuck,
not enough no touch at all.
Too much rain of monkeys,
not enough snow of shillings.

This was so easy.

The alley girls,
the backstage boys,
those who called
from the shadows for the opportunity
to hear my disturbances,
they all wanted to eat the same things
every night, and I let them.

It was so easy.
Who was I to say I was not what they thought?

I though I could talk my way back to
myself.
I tried, but now the power’s off
at seven at night
and I’m sitting in the heat
of a small room
built from smooth, sweating walls. 
There’s no money
to speak of. 
Every dollar is a laugh
giggling good bye
and the cat is barely moving without the AC. 

I’m barely moving.

The wrench called
myself
is splintering, the receiver for the socket
worn, the switch that changes direction
finally swinging free and no longer engaging.
I talk more and more, trying to gain purchase,
work the bolts on what I need to construct or destruct
in one slippery increment at a time. 

Right here, on the desktop of this old computer
is a document named
“Everything I’ve Learned.”

The lessons themselves are scattered
around a lot of places
that exist in public and only in public.
I didn’t have a private thing to put in there.
This is what I get for a career in talking

The family would get a chuckle out of this if they could see me,
but I keep
myself
a little far from them these days. 

They don’t want to see
or hear me like this, the wrench rattling useless and repetitive
on steel. I can respect that. 

I sit here at seven every night
and strip my threads trying to make
myself
so useless
it’ll be understood and even appreciated
when at last I choose silence,
and throw myself away.

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My Little Oysters

I call your eyes
‘my little oysters’
as if they were each

a world
I could own

I know better

I can own nothing
of you

but it helps me
to pretend

that your eyes
contain everything I need

and that I could
take them in

in one swift swallow

and that then
you would see
what is inside me

insane, insane

I tell myself

but still
I am
so hungry

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O Jelly Totem

Isn’t it nice
to pretend to have a spirit animal?
Aren’t you in love with your imagined
cougar, lion, wolf
or hawk? 

If you discovered
one day that your familiar
was a jellyfish,
would you be as jazzed?
Or would you start
to trail around spinelessly
with your stings
firing at random?

You’d have a whole colony
to relate to then, you realize —
they’re not so much animals
as collectives, you know;

imagine that —
no one identity to call on,
just a faith built upon
the mix and match of tens of thousands
of little pains in the ass.
Maybe even some serious poisoners,
maybe some killers.

How much would you love that?
Jellyfish need partners on our side too,
after all; they may not look as good
on a T-shirt,

but given the evidence,
it’s something you should consider
embracing.

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Afterthought

“Be the change
you want to see
in the world.”

A popular quote, that.

Perhaps
it would also be
worth your time
to examine
what you’ve contributed
to what needs to change

by digging into the piles
that trail behind you
for as far
as you’ve traveled
to be here now.

They stink,
are dirty, filthy even,
full of memories
you thought were good —
and so much else you barely recall
having done,
you don’t know what you might learn
until you hold them to your nose
and inhale —
that’s you there.
All of you.
What you left behind.  What
soiled the world. 

Be ready to clean up after yourself
because you are likely to sick up
something when you do this;
and then
when you’re empty
you can
move on.

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All We Do Is Win

A sign in the crowd of NASCAR fans
at the Michigan Speedway
celebrates
one driver’s motto, “All
We Do Is Win!”  Except,
according to the stats,
he doesn’t.  He wins sometimes,
crashes sometimes, makes
damn fool mistakes and gets pissy
sometimes.  But he’s out there every week
and I guess that counts for a win
in that broad all-American sense
that being bold in the attempt
is enough.  Still it feels
like a lie — unlike the sign
next to it, which bears
a different driver’s number
and the motto, “Go Beer!”

I turn from the TV
and switch on the computer.
Some Facebook updates run like this:
“It’s a wonderful day —
God has given me this, and I will do
great things today in God.”
Unless they’re like this:
“My car won’t start, someone
killed my cat, and now that job’s
out of reach, FML.”  How
All-American is that?  To believe
that God is either pushing you
to greatness or sitting on your head,
and no other possibilities exist?

It seems
like to be All-American these days
is to say
“All I Do Is Win,” until there’s no win
and then it’s to say
“Fuck My Life.”  It’s either triumph or drink,
succeed or fail, with God’s love
anything is possible, or nothing at all
is ever possible, and there’s always beer
to depend on for some. That middle ground
where you just get up in the morning
to read the paper and shake your head
vaguely at stories while sipping
discount coffee is nowhere, man;
it’s either vainglory
or devastation within,
arrogance or failure, potency or sterility…

Let me offer a new manifesto:

I’ll henceforth be happy to place twenty-second,
bring home a scraped ride
with a bunch of stripes
on the passenger side.  I’ll be happy
if there’s a God who doesn’t care
if a Chevy or a Toyota is out front,
and if my own Honda doesn’t start
in the morning I won’t blame
a disastrous fate for that
as I break out the wrenches
and spend the day under the hood,
shaking my head, saying, “I don’t know
what’s wrong with it…”  I’ll be OK
with middling self-esteem.  I’ll be OK
holding up a sign that says,

“All We Do Is Win…Or Not.  It Depends
On The Track, The Weather, The Tires,
How Much The Other Guy Wants It,
How Good Or How Bad We Are Today,
Who Wrecks Ahead Of Us And Collects Us
In The Pile-Up That Follows…”

Yeah, that’ll be a BIG sign.
I’ll have to make it shorter.

Maybe,

“All We Do Is Show Up.”

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Last Night

Take from my hand
the glass of green tea
and set it aside. 
It reminded me
too much of all the tea
I’ve had so far in my life,
and I can’t learn another thing
from it.

Do not bother
to cover me, if anything
has slipped and left me exposed;
I am past personified.
I was born more naked than this.

Pick up the pipe
that fell to the rug from
my knee, gather
the still glowing litter
before it burns through
to the floor,
and forget about salving anywhere
it may have burned me.
I don’t even feel it, I’ve been
burned so often before.

Let me sit here a while like this.
Mouth open. 
Hand empty.
My skin spotted with ash.

I’ve stopped caring
for the present or the future.
After a while, it all felt like the past.
It’s all a “used to be” now,
and it is enough
that what happened once
happened at all.  I don’t need
a new experience.  I do not see
how it will help.

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The Perseids Versus The Jaded

After a while,
nothing feels new
because it’s not.

I stop being tolerant
of people discovering
what I already know to be ageless,
forgetting how it felt
when I discovered it —

it all becomes wearying,
the blah, blah, blah
of wow, this is so
important, so cool,
so brand spanking new
and I know damn well it’s not —

but then I recall how I’ve seen
meteors before,
more than once,
even one that burned green
and showed sparks
and skipped across the whole sky;

and I’ll certainly step out tonight to see them anyway.

And I would certainly cry
to see anyone else see one
for the first time.

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The Cleansing

Let there be no electricity.
Let there be no oil.
Let there be no dammed river,
let there be no steel.

Let there be berries,
no candies.
Let there be no light beer,
only mead and wine.

Let horses course the streets,
and dogs free to chase along.
Candles in every window,
no glass in any window.

May the houses themselves fall, the walls tumble,
may our crops suddenly spring from their rows
and run wild among our swift sprouting lawns,
tractors fall suddenly into rust,
cars flatten into heaps of ore and the insulation
on their wires flow liquid and nontoxic
back into the soil.

May every brand and sign vanish now —
no Nike except as victory winged over
the crumbling tar, no Arby’s, no Wendy’s,
may McDonald only be he who ran
the mythical farm, may everything we know
and televise be purified,
may we gang together and burn
all we have ever desired.

And then, what of ourselves
who know nothing of this new world?
What of the gods we discarded,
the teachings, the living script
of oracle and fable?

May they fail us as we failed them,
long ago. May we be unmothered
in this land we ruined as it is reborn,
and may we dance in fear as we learn
how much we were
what we once made and held dear.
It is foolish to think we could survive
without our artifice. May we shatter,
may we only be memorialized
as the Foolish Age that has passed
by the ones who figure out
that we had to perish,
if they were to survive,
that we had to perish
if anything
was to survive.

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Proprietor’s Tongue

I am gonna call you
what I wanna call you
no matter what you wanna
call yourself

names are mine to choose
and you can’t take them back
or coin your own

so
my blacksnake
snickerdoodle
little cabbage
friend

simmer down
and feel what
a proprietor’s tongue
can do

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Tour Diary

doubt
remarks upon itself
endlessly
repeating

increasing the volume
four decibels at a time
at a pace of once per day
until it is not a sound
but a body within
pushing on lungs
from a foothold on your kidneys
voting against
your drumkit and banshee business
of getting by

how will I get by

your monster noise
spurns that worry
even as fear
paralyzes your jaws
as if there were
bitewings in there
that now hold an image
of your cavity

how am I going to eat

there were those
who warned you it would be like this

rock and roll leftover
spitter of your own meat
a bit of tacky danger
a lie

how will I live

a distortion pedal
makes a lovely church
out of your empty bones
chorus is for those
who cannot bear to be alone
and it’s the crush of the sticks
and the dog yelp of the drums
that carry the loneliness off

how can I not be anywhere at all except when I’m on stage

not telling

but
there’s honor in the bigness of your attempt

o huge rejection rejected
o mastery of the returned stone

in the rat’s nest of the van
after the one night stand

rest assured
no matter what fails
the last voice you hear
will still be the one you own

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