Tag Archives: poetry

The Desk

In the left hand drawer
of the old desk, 
a huddled pack
of long-missing
stars.

In a box
at the back of the drawer,
a mussel shell clattering.

Inside the shell, a book.

In the book, lightning.

The book’s
pages have fused.
The lightning
has burned the box.
The shell is cracked, fragile
but sound.  The stars
cluster and shudder.

I don’t question
the homing instinct
of such things,
why they’ve found my drawer
to be such a hospitable place
to survive. 

This book
may explain it.

I’ll carefully work its pages apart
to see what can be read of its tales of exile
and closely watched wars, its stories
of unspoken vows, and the reason
the stars fled here.

It is a translation
from smoke, fracture, and fire.

This is just the work
the desk was made for.

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The Voice After Midnight

When you hear
a disembodied voice say
“yes,” it is best not to ask
who is speaking,

especially if you are in bed
after midnight and
the fatigue of your own questioning
is what sent you to bed;

if you awaken to
that “yes”
try to stay awake and think over
all the questions you were asking
earlier. 

Try to decide
where that affirmative belongs
before beginning to question
the source of the affirmation;

if you choose well,
you’ll know at once what to call
the Voice.

If you choose poorly
it will hardly matter
what you call it
as you curse it,
slander it, revile it;

you’ll never listen to it again
nor will you call to it
on those exhausted nights
full of inquiry,

so you will have no need
of its name.

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Poet Profile

He says
“cunt” the same way
an eager little boy
says “mommy, look at me.”
Says “vagina”
the same way
he might once have said
“ain’t I smart?”
Says “pussy”
as if it were a key
and some locked door
might open if he turns it
the right way, exposing
fresh, exciting toys. 

Keep it up,
we tell him,
you’ll tire of it some day,
although at this point,
none of us are sure of that
anymore.

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It Gets Better

Colonial dentists
advertised for tooth donors
when they needed to make dentures —
half empty mouths and fuller pockets for some —
but the ads read, often, “White Teeth Only,”
and they weren’t referring to the hue of the teeth.

They were giving the people what they wanted.
Some white folks back then
didn’t want African teeth in their faces, but
George Washington didn’t care if had the teeth
of slaves in his mouth,
though he used to complain about how his slaves
had no work ethic, wouldn’t work long hours
in freezing cold he wouldn’t bear himself.
Suck it up, Washington told his personal slaves.
You’ll be free after I die and Martha dies;
it will get better.

Martha was so paranoid over the potential for revolt
that she freed his slaves early, upon his death,
keeping the bondage only upon those
she’d owned before the marriage.
124 out of 300 got an early release —
once again, things got better.

They banned the slave trade here a few years later,
leaving the breeding of existing slaves
as the only source of new sweat.  No more ships
full of anguished cargo, no more immoral raids
in Africa, no more need of the Middle Passage
for resupply.  Things, again, getting better.

Then there were all those years of conflict
and struggle and finally a war to free the slaves
once and for all, replacing human bondage
by law with human bondage by proxy, but at least
no one could be called a slave, and the dentures
all came from free men.  Things kept getting better.

Say it with me: it gets better. It’s what we tell those
who feel the silent stares
and not-so-silent ugliness: don’t worry, it gets better.
We’ll wear purple for you till it gets better, just hang on,
it’ll get better, suck it up, it’ll get better, we know it’s cold
but it will get better, just ignore it and be strong, it will
get better, we’ll be better someday, don’t know how fast
it will happen but it will get better, what can we do
about what is done today except know that slowly
all those desperate teeth become pearls of honor,
the mouths they’re drawn from
all become free, those who suffer
because we’re not ready yet
to take a stand
suffer on the future’s behalf
and it will get better
then — don’t die now
or cry now
or despair now,
it may not feel like it
but it will get better

in spite of our currently gaping mouths,
our comforting thoughts
about what the Founding Fathers intended,
how Washington is the father of the country
and he must have known what he was doing back then —
full medical care for the slaves,
not breaking up families of slaves,
keeping them marginally happy while still enslaved
till he had no need of them,

after which it was perfectly OK for it all
to get better.

But
who are we to say we are not
the better that was intended back then,
the better that is always intended?
Maybe better isn’t just a word.
Maybe better is a way of living
where we put ourselves
between the bully and the victim now,
and not tomorrow.

Maybe it’s up to us now to shut our empty mouths,
stop smiling, stop comforting the sorrowful after the fact,
stop giving up our bite and put all the teeth
we’ve got into the moment before us.

Stop waiting.
Step in between
the predators and their prey
and take a blow or two ourselves.
Stop the evil that men do,
even if we have to bleed a little.

It only gets better if we get better.

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Elephants And Guitars

Look at all the sleeping elephants in this room!

Everyone knows they are there.
You can’t miss them,
can’t move around and find a comfortable place
to sit.

They stink, they snore,
and those infernal trunks
keep dream-slipping
into our pockets and pants.

The problem, of course,
is that everyone here is practicing
their lead guitar skills.  Everyone
wants to be Hendrix, rip and tear
the sky, fly recklessly up and down
their necks with the amps turned
all the way up.  You don’t have to listen
to anyone, not even the elephants,
if you play lead guitar.

We line the limited wall space with our eyes closed
and tolerate the elephants’ intrusion
while we shred and never hear a thing.
Superstars, all of us.  And when the beasts
rise, start to rocking our tunes, tear shit up,

we’ll blame the bass players,
the drummers, the rhythm sections,
the vocalists who got on the nerves
of the sleeping giants and made them angry;
not us and our Godlike soloing and screaming,
ego stroke pick rakes, hammer ons, pull offs,
dive bombs, distortion,

our eyes closed, our noses in the air,
our backs against the smashed walls.

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Lies, Damn Lies, And…

Statistics have shown that the more brass you eat
the smaller the chance
that you will give birth to a moon

If you relegate the wildflowers to the backyard
you will be ten times more likely
to be cruel to family ghosts

If you seek meaning in dust
you will dust
incessantly

The more often you indulge
in wet thoughts at lonely midnight
the less often you’ll sing of conveyor belts

More people have a chance
of dying at the hands of a priest
than will love the pop music of twenty years in the future

Flake gold sprinkled on the cereal bowl
has been shown to enrich the soil
from which grows the tree of all triviality

and the leaves of that tree
stick to the skin and block daylight
seven out of ten times

Statistics have shown statistics
can serve as a gloomy blanket
on a perfectly shiny beach

In any set of numbers
there’s a fifty percent chance of finding juice
for the quenching of embers

A greater part of the darkness left behind
will be overweight children’s tears
pure as the moan of charmed snakes

The numbers want to strangle
the scent of lovemakers as clean
as new mown grass

When no one chooses to count
the mysteries separately
they are as ordinary as air

Statistics have shown
statistics
turn death black when applied too thickly

Ninety percent of all humans alive now
would rather be counted as one of the ripples
than be a Stone

that once launched
slices into water
that cannot be divided

and vanishes
to rest in the lake
with the others that have piled up

in infinite piles
Memories of singularity
and monuments to the rejection

of the laws of chance

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The Lie

The lie
emptied itself
with a hiss.
It lay between you
as snaky and harmless
as a shed skin,
though it reminded you both
of poison
hiding somewhere nearby.
Neither of you
wanted to speak of it
but that papery husk
was so obvious
it drew your eyes
away from each other
into corners
and under the bed.
You each spoke
a while longer, hoping
no sting would surprise you,
no venom would rise
into your lungs and surge
forth at the other,
and while you managed
to get through the fear
and move on
you knew you’d be listening
and watching for it
for long bitter days and weeks
to come.

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Patternmaker

He opens the scissors
and begins to cut

the details which matter to him
(the origin of the journey,
the car, the mirror loose
on the driver’s door)

from those he has no need for
(the way the air felt like fur
when she held her hand
out the window as they drove,
her need to stop and pee
every fifty miles or so)

then stitches the parts
into a cloak, a story
fitted to what he believes
and to hell with what really
took place (long periods
of absolutely nothing, no talk,
mutual simmering)

since now that he’s done
her perspective is just scraps
on the floor of the motel room

where
he ended up alone
with no one to tell him
that the cloak looks unfinished
and doesn’t fit all that well.

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Still Face

She has a still face
under her more expressive mask,
and she says that it is
the truest one.

I love the active play
of her bones under the taut blush,
but will accept that it’s not the truth
if she says it is not.

What of your soft rocking,
gentle piston pulse,
I ask —

and she says that in truth
it is an iron engine
forever breaking stone
and what I hear and adore
is only its distant rumor.

Do I know nothing of you,
then, I ask?  And she says
that is so. But
she loves me for re-imagining
her. 

I reach out
at once upon hearing that,
wishing to seize hold
and take a measure.
I come up with only this poem
for my effort.  Her true face
and roaring heart
hang back but are clear
behind it, and I begin to miss
what I once believed in so strongly
that I could have lived happily
without ever writing of it again.

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Dreams In Review And In Action

Last night, I dreamed a series of numbers.
I don’t gamble, don’t play the lottery at all;
they meant nothing to me.  Some dreams
don’t mean anything to the person who has them,
and when it happens to me
I wonder if I had someone else’s dream.

I have high cholesterol, I know; that’s my gamble,
along with my fat-assed lifestyle and of course
the steady diet of smoke.  This morning I wiped out
every egg, piece of bacon, and hash brown potato
in the house.  I feel great; that’s my dream, always,
to feel great.  Even if just for a moment. But I’m almost
out of cigarettes, so “not great” is looming.
There’s a lottery machine at the convenience store
where I buy my butts, so perhaps I’ll try a new dream
while I’m there.

It’s easy to say that I’ll play my numbers
and try to better myself that crazy-odd way
and maybe I’ll get everything I want all at once.
But it won’t happen.  I’m not that guy.  I don’t gamble
except on an early death by heart disease or stroke,
and that’s not really a gamble: if I do this, this will happen
at some point is a near certainty, something
to look forward to like

next month’s elections, about which the morning news anchor
said, “in one month exactly, we may be electing
a new crop of leaders.”  This must be her dream,
it’s certainly someone’s dream that such a thing
will happen.  It’s not one I share, by which I mean
I’ll believe in their leadership, or that it will be
all that new, if I live to see it, and as I crunched
down the last bite of so-good, so-deadly bacon,
lit an oh-so-expensive-and-dangerous cigarette,
I confessed another dream to myself

that I had sincerely hoped I would not.

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Young Actors

Young actors
playing others
go home at night
to kiss and drink and sleep
and get up and do it again
tomorrow,
maybe with some shock or joy
at their faces appearing in the news;

but old actors
have a harder time of it.
When they’re done playing
they go home too,
but they’ve drunk and kissed
and slept so much already
they’re left with a yearning
only for tomorrow’s script
and to try to learn
what they couldn’t learn
when they were younger,

and they are rarely surprised by the morning news.

It’s not a good thing
or a bad thing.
It’s just the falling away
of distraction

in favor of one repeated question:

what’s next?

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A Few Words About The Poems

Don’t ask them
if they’re telling the truth.
They will always answer,
“Of course,” and they might be,
but really,
you shouldn’t trust them.

Don’t try to bother them
for their life stories
because chances are good
that they don’t even know
how they got started.

If you’re attracted to their metaphors
try not to show it too much,
because they’re notorious
for pressing any small advantage
and then, next thing you know,
they’ll be moving in
and staying
for a long time,

and that’s damnably inconvenient —
because as mentioned earlier,
they are not assuredly honest.
You may find yourself missing things:
settled opinions, firm perspectives,
a sense of security,
the good silver.  (Did I mention
how hungry they are, how they steal
to pay for their appetites?)

The poems, you see, are brats
born to raise hell, diddle and screw
around.  Sure, some of them,
the love poems especially,
are downright adorable — but beware:

the love poems are the worst. 
Love one of them too much,
put your trust in their preternatural beauty,
confuse that loveliness for truth (regardless
of what Emily had to say about that)
and you could end up letting them
do your work for you when you ought to be
speaking for yourself.

I think we’ve covered the critical stuff:
untrustworthy, cynical, plastic pretty
little monsters, blah blah blah…

and hell,
we haven’t even talked about the poets yet.

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The Grand Scheme Of Party Talk

Two conversations going on,
one in each ear, neither making sense
by itself but put them together
and behold the emergence of
new thoughts.

I will go now
back to a dead corner far away
from the actual talk
and come to some decision
as to how to use the energy
I feel now; I will begin
by eating scraps of cheese and crackers
and finishing a half-empty beer,

and when I fall asleep on an unfamiliar couch
and wake up several hours later,

I’ll have forgotten everything
and that will be at once a crushing blow
and a reason to attend another party
where, if I am lucky,
I’ll have it happen to me again —

except this time,
I’ll get it all down on paper
before I lose it completely.

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Achieving Peace

a stumbling father
trying to be a savior
falls behind his daughter
as she rolls away
down the slope

stones at the bottom are avoided
as much by chance
as by control
and at the bottom
both rise laughing through tears
and forget the previous hazards
move onto the next ordinary thing

each moment on each of our paths
seems precious and set
when examined in hindsight —
such lies we tell ourselves —

did you know that moon
would give so much light
on the night you were willing
to step away from the fight
and turn your back on threat
feeling that if death
came grinning after you
you’d be good with that

and that light kept the killer
from pursuing the battle
he turned and put away
the knife
you did not die
and now
you look back
and say yes it was ordained
that this was how you would come
to find peace

fool

peace is a deceiver
it comes as it comes
no respecter of zazen
or prayer
is shuffling monk of nature
nurture
timing
and pure luck

random is
all

predestined is
nothing

acceptance is
peace

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This Is My Brain On Drugs

Woke smelling
fried eggs in a pan
but discovered it was just
my brain on drugs

Pissed me off
I was hungry

Woke thinking
I heard a superball
bouncing crazy in the room
but it was just
my brain on drugs

Pissed me off
I wanted to play

My brain on drugs
fucks me up and over
but without the drugs
I’m left with just my brain
and that’s worse

like the night
I woke up
hearing nothing at all
no sound
not even my breathing
It was as if
I’d stopped being
as if I’d been dead
for a very long time

then I discovered

that was my brain
not on drugs
I was hearing

and so I took some drugs
and
almost immediately
I was right back
where I belonged

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