Tag Archives: poetry

Lives Of The Artists

There was a point
in each life
when an explosion
turned the inside outside
and it was like a burst
in the night sky on a holiday,
and so on

until a look around confirmed:
it was all out there
and what was inside
was burnt to ash, and
then came the question:

what is next?

And so began the refilling
or the attempt at that. There were
experiments and failures
and now and then a replication
of fireworks but
still, it was not the same

and so they gather
more and more fuel, then sit
striking matches
to build a fire that will
burn steady and bright
for the long night ahead.

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Collapse

Only if
the structure utterly collapses
will I run from it,
and then only if escape seems easy
and there is no chance of shoring up
and rebuilding swiftly what has fallen;

or perhaps if the collapse
seems imminent and someone’s
built a similar structure that seems to be
solid and capable of sustaining me
exactly as was done before;

or if running
is a short term solution
and at least enough people run
to make me feel not so alone
and conspicuous as I flee, less a genius
of my own safety than one able
to read the obvious signs;

only if there’s no other place
to hide, no shelter, no promise
of shelter whether based in fact
or ideology, only if
the choice is clearly stated
and fear is stronger than logic;

lastly, if the structure collapses
after having been clearly signed
by a demolition crew
I can side against,
and all other conditions
have been met
then yes,
I’ll run
like a rabbit
or a sheep
or some combination of the two,
furry and fat,
ahead of the harvest
and the shakeout
and the reckoning
and the judgment
and the culling
and the rubble falling
and the long shadow
of the tower
coming down.

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Catch Him

He’s
an interstitial zone.

He’s the littoral.
Either
in between dark and dawn
or
between day and dark.

How strong is your grasp?

He’s slick.
If he gets loose
he’ll not be
easy.  Might catch him
but might not know
we have. 
That’s the same
as failing to.

He’s fine this way, though.
Never thought of
incompleteness or
lack of definition
as his fate. 

Our failure to catch
is not problematic for him.
Our distress isn’t,
either. 

We wither
and, as stated,
he’s fine.
Fine enough
to slip between closed fingers.
Fine singing
“I Walk On Gilded Splinters”
to us.  Fine

watching, ow, ooh,
how we step wrong toward him
and contrive a blessing there.

Even using the word “him”
is our
contrivance.

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Squirrel

A cat has caught a squirrel,
and I have come out to stop
the noise.

First, I chase the cat away from the squirrel.
He does not go far, sits
and watches from the lawn
as I bend over the small body

that is screaming
limply, the hole in the throat
weakening the voice slowly
but not so slowly
that it does not make me cringe.

Next, I step back to watch the squirrel get up
and try to climb the maple three times,
getting no farther than four or five feet up
before the grip gives out and there’s a clumsy tumble
into this squirming on the ground,
eventually lying on his (or her) side,
panting, squeaking softly
like a balloon
losing air.

I am glad my knife is sharp.

I lean in and set the point on the ground near the neck
and draw it fast and firmly across the leaking wound.

It all ends instantly,
the animal going limp at once.

I wipe the blade on the rough grass
next to the curb.

The cat is still watching, waiting for his chance to see
what has happened to his kill.

His kill?

At home, I wash the blade in the sink for ten minutes
under the hottest water I can stand, then do the same with my hands.

I know I have done the right thing
and I cannot stop shaking;

this is, sometimes, what it takes.


Humbled

to be humbled
by the unexpected gift
of a blessing

is to acknowledge
that the river of luck
is not a servant

as it carries its cargo on eddies
and whirlpools which will shove
crisis and generosity equally well

they weigh the same
and float perfectly in tandem
with each other

to be humbled when the current
gives you its best is to see
that you could easily have received the worst

and then cursing
could have drowned yourself
in the flood

and it would have meant the same
to the river
as the joy you feel right now

so you kneel by the riverside
in the mud on the bank
and say out loud

that you are neither worthy
nor undeserving
but accepting

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November Night

When it is this dark, there’s no point
in leaving the house.  You’re hidden
from the world.  The blinds
are down and the lights
in here are on; what reason,
really, to go outside and face
a cold November night
looking for safety or peace?
Here, there’s coffee, chocolate,
sandwich makings — everything,
really, four dim walls can contain
to sustain an existence. 

The only thing
that might be out there is
a balm to the gnawing
inside you — the rat chewing
at your core with his perfect,
slide along the bone bites
that take so little, really,
only a small shred at a time,
and how do you measure that against
the cold outside? 

Maybe he’ll stop,
sometime soon;
maybe you will
get used to it
and him and the hole you can feel
even if it doesn’t show up
on any X-ray. 

Against the possibility
of freezing in the open air,
losing your way, running out of gas
in a lonelier place, ending dirty
and stiff in an alley or a grove
north of town somewhere close
to the long woods that stretch
into Canada,
the rat and the close walls
and the light that spills weakly
from the hand me down lamp
seem downright friendly. 

Your life
is contained so perfectly in this tight space
that the open arms of the night
can’t possibly compete.

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Desire

Willingly
suspended
on the pole

Blood-flushed
faux-sweet
like we all have
all the time
in the world

I was born with everything I need
for this Work

of putting self
in abeyance
Of body presented
as message and not
presence or identity

Letting myself
be seen
without betrayal
of who I am

I can be anything I want
in this place where they demand
that I be whatever works

I chose the name I use
for its clowning value

Not all of us have done this
the way I have
but some of us
know very well
what we’ve stripped off
and what remains intact

The money isn’t bad
as a way of keeping score
but it’s not great all the time

On the nights
when it’s bad
I play harder

What I offer
under the guise of sex
is a tug of war
between their power
and mine

where who’s winning is secondary
to the push and pull joy
of this Work

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Gazelle Ghazal

As I dozed off a famous comic appeared to me, holding a baby gazelle
and suggesting that if I took it and cared for it, all would be well.

I lifted her from his arms.  She trembled as she slept; dreaming, as I was,
of the plains of her birth.  She dreamed of running, leaping, living well.

Just a hint in her quaking hide of thoughts of jackal and lion.
A hint that she remembered her lost mother, but in her dream, all was well.

The funnyman was serious for once, no hint of laughter or a cynical eye.
“If you can keep it, keep it wild and safe at once, you’ll be doing well.”

I asked him then, “How can I keep it safe and wild at the same time?
Is this a joke?  You confuse me with this, and scare me as well.”

He locked eyes with me.  “Laugh if you want; I joke about things
that matter.  If you find this scary or strange, consider that well:

a certain amount of fear for that edge you’ll walk is the price of caring.
The steps you take with her should scare you, and you would do well

to know that only by sharing her trembling will you understand
that her path is long and hard, and yours must be as well.”

Then he vanished, and I woke.  The night was not over, not even close.
I tried to sleep but thinking of what this meant kept me from sleeping well.

My broken sleep echoed with his final words: “Tony, this dreaming gazelle
impels you to leap though you know the danger, if you would be well.”

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Fable

Once upon a time

there was a stalk of wheat
that could speak. 
It had a story to tell.
It grew up whispering
of its future as bread,
and when it fell
before the reaper,
before the winnower
and the miller,
it carried its whisper
into the flour and the dough
and the bread
that was soon eaten
by a hungry child. 
The child grew up
with that spare voice inside,
listened to it whisper,
but never let anyone else know.

The child grew
to be an adult, aged,
then one day fell silent
before the gray press of age.

It so happened in those days
that a traveler stopped by the roadside
near where the wheat had once grown
and the once-child had just died.

The traveler
sat down to rest
beneath a tree. 

He grew hungry
for bread,
and approached a small house nearby
to offer a few coins for whatever
might be offered.

The house was abandoned,
but on a table in the kitchen
was a loaf of golden bread. A knife
lay beside it, and the traveler
took up the knife to slice the bread.

A thin voice spoke and said,
“Name this bread Isaac
before you cut.”

The traveler was not unlearned
and knew that voice, knew its story;
also knew that while there was a reprieve
at the end of the tale,
one could not count on that happening
twice. 

He picked up the knife
and shouted, “Isaac, I adore you!”
as he cut deep through the crust.

As he ate,
in a field
many miles away
a new stalk of wheat began
to whisper and grow,
and a weaning child
began to cry for bread.

Moral:

Stories have a way
of finding the thread
they most desire,
and someone will always arrive
at the right moment
to complete it, to change it
and carry it forward,
even when it seems
that the tale will be lost forever.

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“Welcome To Your First Corporate Job!”

It may seem foreign to those who stay at home
and practice their bliss behind closed doors,
but not to you.  The Anaconda Priesthood welcomes you
behind its curtain of jewels and whole cloth

to the church of fascination and deceit
and imminent if not certain death. 
You may stare at each of them (it’s
expected, of course) but not for long,

and do not lock eyes with any one of them
for any length of time, as that will be seen
as an offer of self-sacrifice.  You’re used to that
of course, thinking that time spent

in your bargain basement occult gatherings
has been preparation enough.  Not even close,
novice — those teenagers didn’t have a clue as to
the nature of true menace.  These snakes

mean business, longing for meat
as fresh as they can get it, and you’re
looking sweet and fat.  But that’s what you
came for, of course; here’s the good danger

that you’ve only sniffed at from afar.
There before you, in sharp suits
and big, big bloodlust, sit the serpents
you’ve always wanted to be: their eyes,

their supple lies, their mechanical
calm and unhinging jaws. 
You think you’re ready?  You might be
if you can cool your blood and head

and keep them cold.  Look at them,
fat and ripe and old.  You believe
in every hiss and slither, and your own eyes
are narrowing as you smile back.

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What Needs To Be Said

You were right
to run
from

the mama and the papa
who learned far too slowly
how to right things born wrong

Old nuns
hunched in classrooms
spouting hydra teeth

Thick handed
bosses who offered
honor for slavery

She who was right
for a minute
and stayed for twenty years

The angels who
beat your moods
up and down

That was all long
ago
So many coats and bruises ago

You could stop but
you forget how to stop
They are all still behind you

How are you to blame
for there being no home
that could protect you

And you agree for a moment but then
you say
You could have built such a place

and should have
You knew how
Read enough and knew how

The sick is not excuse enough
The fear not prod enough, apparently
No pride enough to drive you to the effort

So now you are going to pay for this
Glad to pay off the shame of this
Only way to gladness after all of this

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Choose Your Weapon

Choose hand grenade
or horseshoe
if you want to speak
of love to
just anyone. 

If you want
to talk to me, though,
use the longbow;
practice a long time
before you draw;

I’m no broad target
to be bludgeoned
or shattered by
just any old effort
if you want me.

My heart’s small,
tough, and exacting.
Aim carefully and be sure
to still yourself.
You don’t want to shake

when you release
the arrow.  You don’t want
to miss, I don’t want you to miss,
and I don’t stand still for more
than a breath at a time.

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A History Of History

Let’s assume the position,
lay hands on the hoods of our cars,
bless the steel with our fear. 
They’re coming
for us. 
Always the sound of the bees in the air. 
Always the crack of batons
and the hiss of the tear gas. 
Close your eyes
and get right back to the bright red world
full of vigilance we thought we left
on the savanna. 
Hunters are coming,
they’ve got traps and laws, we’re animals
they love to stalk. 
Lay hands on the ground
and listen for the tumbling of their wheel
from miles off. 
Why are we waiting from them
to arrive?
Lay tracks for the distance,
there be giants coming for us,
god-henchmen
as we thought we’d outrun in the past,
we’ve got to run again. 
We’ve got to be smart.
We learned how to make spears
the last time this happened. 
We learned fire
and song
and how to shout directions to each other.
Those ancients had no more smarts than we do,
they just knew a bad thing when they saw it
and believed they could defeat it. 
They created everything there is today
to get away from the crush and the curse. 
Lay your hands on something,
fashion it into defense. 
They’re coming, new hides,
new weapons, new uniforms,
still the same old saber-tooths,
the same old giant bears
who thought we were made
for their survival needs, and
we’re still the same old prey that got away,
so pick your hands
up off your cars,
turn off the deadening TV
that keeps you from hearing,
talk to the neighbors,
talk to each other,
talk to me,
talk yourselves into the battle,
they’re coming,
it’s nothing new
and nothing we haven’t defeated
a thousand times
a thousand times,
get up, fight, remember
you’re still the One
who got up
off all fours
and looked the Hunters
in the eyes
and made
the first ever Political Statement:

“No, not this time.”

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Remembering Jimmy Marvin

“The evil that men do lives after them; The good is oft interred with their bones.”  — William Shakespeare, “Julius Caesar”

Jimmy Marvin died
on a railroad track
where he’d passed out
after one last night
of fighting and drinking,
drugging and pissing
people off. 

No one would let him
crash at their house that night,
since he’d broken so much furniture
and burned down every bridge,
so he slept where he fell,
and the train cut him in half.

Once his fire
had been smothered
and all that was left
was the charred surfaces
he’d roared over
in his race to burn,
it was easy to forget
that there had been light
around him, too,
in the times I saw Jimmy
share his smokes or beer with us
in the moments before he became
his normal night time raging self,
swinging wildly
on friend or stranger alike
at imagined slights, pushing himself
on girls he’d just met,
and all his blind inattention
to the rules of keeping safe
and sane.   

Whenever
his name is mentioned,
his friends point
only at what was destroyed
and shake their heads.
It will likely stay that way
for as long as he’s remembered.

There’s something to be said for that, say
all the immoral immortals;
better to burn out than it is to rust,
burn the candle at both ends, etc.,
and don’t take much care as to who
loses skin in the process,
as long as it’s not you.

Do unto others,

then split; when in doubt,
freak out — things
Jimmy always said
before he turned up dead,
and I can remember those lines
better than I can
his jokes.  Nonetheless,
eventually we just let him die out there
on the tracks,
but we have not forgotten him,

no matter how hard we’ve tried.

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The Meaningless Goal

Onward to
a Meaningless Goal —
upon death,
to be recognized for
most toys,
best artist,
most tragic figure,
grayest beard,
longest torture session —

whatever.

They’ll surely put roses on
your chest either way.  That’s
The Big Prize —
a well adorned corpse.

Onward then into
the night, collecting
markers all the way.

All you ever are
in the end is your leftovers,
and all you can hope for is that they will feed
those left wanting in your wake.

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