Tag Archives: poetry

Biracial Surrender

If I am tolerant
of friends
who define me, if I
accept those definitions,
remain mute
as they forget
who I am
and choose what I should be,
become what little they think
they see of me,
I deserve to be stripped
of my own definition.

If I allow
smug anthropoogists
to set my name and limits, 
remain quiet
as I am measured
and fitted, let them
titrate my blood
and unstring
my helix,
I deserve
all the pins and tags
they stick me with.

If I allow bureaucrats
to grant me my ID,

if I allow my company
to give me my straitjacket,

if one drop makes some
one thing
and one sixteenth makes some
quite another,

if how I grew up
and what I was called
and what made me smile
and what I ate and drank
and what I was told I was

and what I faced
and how I was shaped 
and how I was warped
and how I was cold beaten
and forged
are discarded
because it doesn’t 
show — 
if I allow myself
to be all theirs,

I deserve to lose
what little I’ve cobbled
from my shattered history

and shall not dare to be
what I am 
again.


Questions Not Answers

I’m partial to the sound
of a rising uncertain
inflection these days

as the world is no longer
made of atoms
but of questions; answers

are now bombs,
wrecking balls,
crowbars. Questions

offer foundations that
can flex in quake or storm;
firm responses snap or shatter.

When everything is
in question, best just
to stay still and listen.

Two answers at least
for each question; two worlds
at least deriving from each;

demanding right answers 
seems insane — so much
dies when minds slam shut;

in love therefore 
with the uncertain inflection
as it rings with life.


Crisis

If you knew
your date of death
you’d turn yourself into
a candle with wick enough
to carry your flame 
to its sputtering end.

If you could predict
the time you’d end
you would put on 
bright clothes and dance
on the sidewalk in front of
your future cemetary.

If we loved you enough, you say,
we’d let you do those things
unfettered by our impending
grief; in fact we’d ask you
how you did it and then
we’d try to do it for ourselves.

Now then, the crisis:
we must decide
at once how much
we love you.  
Do we love you enough
to disobey, or do we dare to obey?


Seeing The Light

Worth sharing:
a description of the light

streaming between the houses
onto the melting road ice, but

better to share the light itself.
Come over and see it with me,

or wait until I’m gone to come see it
for it doesn’t matter if I am here,

or will be here
when you come; although

it would be good to see you,
what’s most worth sharing

is that light, and if I am gone
it will remain. Come see it

and if I am gone by then, think of me
for a moment, then let me go.


Message

In my last years I swallowed
what I was supposed to,
drank not what was forbidden,
moved as I was advised to move,
and nevertheless ended up dead.

Can’t speak of what 
that’s like — there are contracts,
and it’s different for all anyway.
I’ll say this:
nothing about the passage itself

should terrify you.
It is as simple as changing
clothes, easy as a dressing room,
calm as a Saturday morning 
without mirrors, with nowhere to go.

That said, here are things to consider
before you cross over.  Kindness
to others, yes.  Taking stands
against preventable agony, yes.
Relating, loving, speaking passion,

of course.  But also,
there is a remarkable
emphasis here on whether or not
you occasionally stopped 
in the middle of the day to listen

to the day — to all of it
from truck snorts to humming bees.
You were expected to hear the world
as a symphony now and then;
they never tell us that soon enough.

So — go do that.  Go stop the moments
and sit with them.  It will prepare you
for much of what it’s like here — cannot
say more than that about it, except that
it’s not at all a bad existence.

It’s nothing like life to be dead.  
There’s more singing, if you can believe 
that.  There’s also more silence. You
are always comfortable.  You 
are always fine — it’s going to be fine.


Ghost Advisory

The bedroom’s
the only lit room
in this house.

In the kitchen window,
a reflection
of the lit bedroom.

The lit bedroom
appears to float
outside.

A man struggling
to walk up the snowy hill
appears to be walking

out of the bedroom
that is hovering
outside in the dark.

I look back across the kitchen
to the real bedroom.
Walking out of there

is something.  It isn’t
a ghost, exactly.  It’s
more real, and is struggling

to move in terrible
imaginary weather.
It shoots me a look to say,

All your problems?  

Reflections
you’ve turned into spooks and ghouls. 

I go back
to the bedroom.
I turn off that light.

I watch
how quickly
the ghosts disappear

when I stop
roaming the house alone
and lie back

into the warmth
of her steady breathing,
her steady presence.


Cult Of Fancy Suffering

Raise and plant my hanging cross
Tie me to it in my wine-red robe
Time to profit from agony
Which face shall I put on

A “For Sale” face of childhood anguish
A “For Lease” face of monstrous trauma
A “For Rent” face of intermittent sting
A “Discount” face of disrepair

It does not matter which of those I choose
Each says it’s time to dance for my hunger
You don’t need to believe anything you see
There’s nothing to it except what you observe

A man dancing for you while telling a bleak tale
Mid-air maneuvers to illustrate and enlighten
I’m just one of thousands joined in this frenzy
All of us mad jerking in a cult of fancy suffering 


Thursday, 10 AM

Nothing good to be said
about now — Thursday morning,
ten o’clock.  Everyone’s
at work, street’s quiet,
cats are sleeping, I’m left
with The Work and the radio
or television, depending 
on what level of pain I’ll accept
to distract me.

I hate The Work as much as I love it,
as much as I hate and love myself.  Hate
its compulsory lion-taming ethic,
its dance-card-always-full expectation;
love its ultrachic disturbance
of the astral plane, its almost-human
face. When it beckons I am at once
comfortable in and imminently fearful
of rejection from its favor.

Thrusday, 10:00 AM.
Tired.  
Losing myself.  
Beginning
to become The Work,
puppet dancer
for a distant master,
unsure of the answer
to one Great Question:  

what should the singer do
when the band enters 
an instrumental break, when 
they extend, jam, go somewhere
the singer cannot follow;
what should the singer do
when it’s early and 
there’s nothing left 
to be sung?


Biracial Prayer

Face,
change.
Split, mix,
rearrange.

Match
the divided
house
inside me.

If they are going
to hate me, from now on
let it be because
I confuse them
as I confuse myself

and no longer because
they’ve slotted me
according to
their preferred labels.

If they are going
to love me, from now on
let it be because
I stir them
as I stir myself

and no longer because
my image tugs at them
from within imagined
costumes.

If they are going
to ignore me, from now on
let it be because
they know all of who I am
and find it safer to do that —

though it’s unnecessary
as I no longer feel
much for them
either way.


Stink

The stink
draws from you
a cry of “my goodness”

for the whale
of a whale carcass
stranded on the beach.

You call out for goodness
as if it were perfume
against stink.

You call out “my goodness”
as if it would help
at this point,

as if death
were opposed
to goodness,

as if goodness
could deodorize
death.

What you call for
doesn’t matter now
to the whale, or course,

but it’s all you have
to reach for
in this life where

we say
cleanliness
is next to something

we see as akin to goodness,
and stink and decay
signal evil.

My goodness — with this
attitude, you and I will never know
the other half of the world —

the half that stinks,
the half that lets us down,
the half we cannot avoid;

and if we killed the whale somehow,
don’t we need
to set our own goodness aside

and breathe in
what we’ve done
if anything is to change?


Chautauqua

study these maps
and atlases

find aerial views of
our current herds
of obscurantists

lose the shock and awe
and welcome to what passes
for us:

a faked enthusiasm
for intelligence
that skips over intersecting complexities
and human behavioral understanding
in favor of  belief in
Illuminati

when did we get so scared

when did we surrender
the spirit of Chautauqua

to rutting and beating our way
across information
toward specious theories
simply to excuse ourselves
from actual thought
from being pressed to action

what was in our hands once
we handed away to high and mighty
heirs apparent and
we lose and lose and are lost

maps and atlases
only help so much
the GPS device dumbs us

no more spoonfeeding
look up hard words
and then we have to talk to one another again
learn to read a landscape
strip myth from our eyes
start walking

with a glint and a purpose
and pitchforks
always pitchforks
if we can find them

if we can even recognize them

look it up


Catch The Drift

In 1492
a man from here
died at the hands 
of a man not from here

and once he’d passed,
he found himself speaking
a new language, one 
that had never existed till then.

Before that when a person died
they kept their own words and spoke
in the next life as they’d spoken 
in this one, and all was continuity.

Soon enough he was joined
by others, all unwilllingly
using the same new tongue,
and then there was a steady stream

and then there was a flood
and eventually, a genocide’s worth
of students practicing vocabulary
and syntax they’d never wanted to learn.

If you listen, you can hear them.
It doesn’t matter where you are. 
You won’t catch every word
but I think you’ll catch the drift.


Weapons

Quick-draw heart,
an ever-overwrought gun
set to rock and roll
when triggered.

Small thermonuclear
mouth, hardwired to blow
when coupled with
strategic command ears.

Hands, not as deadly
but as willing to bash and bang
as the rest.  Eyes, tossers
of darts and daggers.

I’m an armory waiting
to be raided.  Waiting
to be looted and then have
my weapons turned against me.


Retirement

People
retire daily.

There is 
precedent for it.

I am going to 
stop cold 
soon, end this 
nonsense, stop with
poems, end this 
blather and 
get back to 
what I was before

I was Seized.

Everyone
scoffs,
but they don’t understand
how little of this
has made me
happy.  

Maybe I wasn’t meant to be happy —

but I damn sure need to try and 
this is the only thing left to 
eliminate —
the only silencing
of compelling voices
left to be done,

so it shall be done.
If it takes and I live, 
all the better.  If it doesn’t take,
then I will die and then
it will take.  One way 
or another,
I shall one day
be rid of the words.


Let Go, Vanish

The goal
always is that I
will disappear
from the poem.

The goal, always,
is that I see the poem
for what it is: the Being
beyond this being,

and always the goal
is that I am to push it
ruthlessly forth
so that when it appears

it will
always be
without me
visible by its side.

Let go. Vanish,
I always say. I fail often,
succeed rarely.
I keep trying,

hoping always that one day
I will disappear entirely
into one, lay down the pen,
and know that as a good ending.