Tag Archives: poetry

Mean Freedom

Originally posted 5/23/2010.

I was in New York City last night with my bass playing partner in crime, Steven Lanning Cafaro, doing a Duende Project show on the Bowery in a bar full of posters hearkening back to the time described in this poem.  Had to come back and give it another look…

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A black sneaker, a rich man’s
Chuck Taylor knockoff,
on sale for 75 dollars
in a Providence store window.  
Along the border
of the sole,
lettered in white thread,
the following words appear:

PUNK ROCK MEANS FREEDOM,

and I struggle with a violent urge
to stretch out my hand, find a rock,
break the window, pull out a knife,
use the point
to tear out that obscene “S”
so I will be able to breathe again.

Walking in front of me
a blond girl,  maybe eighteen,
professionally slim,
decked in designer-wrecked rags,
excitedly tells her similar friends
that she wants to get crunk tonight.
By the curb
a Ferrari
as black as a hole
bangs out white streams of bass
as it begins 
its slow ostentatious cruise
down Thayer Street.

HIP HOP MEANS FREEDOM.

Again in my head
I subtract the “S”
to get at some truth I can stand,

and the more these metaphors are strained,
the more they seem the same.

It was 1975

in two apartments,
one in Queens,
one in the Bronx.

Two boys thinking the same thing
stretched out their fingers
to touch grimy windows,
each one writing 
those same bleeding words
in the gray condensation
on the pane:

MEAN FREEDOM.

The boys who wrote those words
did not know each other
but they each heard a soundtrack
and for each the soundtrack
was as mean as it was free
with a mean reason for its ferocious rhyme
and a mean reason for its sharp scratch,
whether it came from guitar
or turntable.

You had to be there
but
soon enough 
there 
was
everywhere

and that was that.  A snarl,
a linking of arms. A beat,
a charming discord,

freed hands raised
against the Big Slapdown.

Let us proclaim
the mysteries of faith:

To deface a culture
is to create a culture.

Distortion
of a signal
begins with a tight embrace
of its source.

Degradation
of a signal
is a function of distance
from source.

A clean channel
doesn’t exist.

Genre is expectation,
expectation can be packaged
for indefinite shelf life, and 
there is a shelf 
in the store 
for every expectation.

If you are hip hop,
if you are punk rock,
you understand that theft
can be a clean birthright;
when you steal from a thief,
you are washed free of stain.

A tag is reclamation;
a sample is recommendation.
A headspin is a compass in a maze,
a microphone is always aimed at Jericho.

A crunched chord is a fingerprint,
a sneer is an oath sworn in a kangaroo court.
A downbeat is a sustained objection,
a microphone is always aimed at Jericho.

Whatever you call it
is always defined by volume.

It does not matter
that the sound
will be heard
by different people
in different worlds.
It does matter
that those worlds
shake the same way,

and that someone always complains.

It matters that it is not heard
as music
by musicians, that 
its instruments are dismissed, that
its clothing is spat on.  

It matters that the culture of the cultured
becomes afraid,
that spatter and cut and mix and shred
are chained to the juggernaut
and drag the weight of this mean freedom behind them,
mean freedom inflicting itself with a roar and rumble
of jubilation
at the sound of breaking glass

until someone buys the shards
and the sound,
sells them at a profit,

and we have to begin again.

Mean freedom reminds us
that freedom will hurt
and there will be blood flecked skin
any time a hand travels through glass
to snatch back what was taken.

Mean freedom doesn’t wait
for Independence Day.
Mean freedom lights its fuses
any time a match
is available. Mean freedom
haunts.  It spooks
convention.  It curses and spits
because it knows it will someday
be imprisoned again
and will have to recall how to survive 
as grit in the cogs, static
in the signal
as the signal
degrades, fades

until
it falls like
a rusted bridge.

A supercar goes boom.

A college girl gets crunk. 

An old punk

steeped in nostalgia
violently reimagines
a marketing slogan.

Long ago,
I fell into arms
that bent me tight.

I burned holes in my jeans at 18.
I burned my hand with a cigarette at 23,
quit smoking for 25 years,
began again
on that street
as I stood by a store window
while bathed in the sounds of war,
recalling that every riot
starts with the sound of breaking glass
and ends in fire.

God, how I have missed this.

Somewhere back in 1975,
those boys
folded their fingers
back into their fists,
punched out the glass
and in the trickling blood they felt
at last
the cool sting of the real.

Freedom
rocked from side to side,
shouting as it
prepared a counterpunch:

That’s a good start,
but if you come through that window after me,
I will not let you pass any more walls
without a war.

Bring it on,
responded those bleeding boys,
when we scream for freedom,
we mean freedom.
Is that really your name?
Is this really our song?

Thirty five years later,
thinking about them
with glass to break before me,
a season of exploitation before me,
rank appropriation before me,
punk rock, hip hop,
mean freedom before me — 

born to lose,
to find and lose
and find and lose
again.  

It’s like that.
That’s the way it is.

I reach for a stone.


Triumph In The War Over Nick Drake

Originally posted 3/18/2012.  

The overnight radio’s playing
Nick Drake
at exactly 2:04 AM again
as if there were not other options
by the score to choose from.

Tonight, I refuse
to let him do
my work for me.
I’m not going to torture myself
listening to him
while I contemplate my desperation,
all the while envying
his fingerstyle technique;

I always end up
forgetting the former
and pissed off at the latter, usually
while holding a guitar.
Afterward I’m always still desperate
but looking forward
to getting that tuning right 
tomorrow,

and the whole point of desperation
is to get past

looking forward to things — 

so let my soundtrack not be
Nick Drake.  
Let it instead be
Jackie DeShannon’s “Put A Little Love
In Your Heart.”  
God, yes.  That works

perfectly.  I start picturing Iggy Pop
singing it all Morrison-spit-take gruff
and no one believing
a word of that song ever again.

Chase it with ABBA or something —
here, let me
get the dial —
candied oldies
of a different stripe.  Perfect music
for the darkest hours

because if you actually sing
of despair, you know,
if you can hold its kite-lines
and wrangle it into song,
what you get is not in fact
despair;

what you get instead
is triumph,
even if just for a moment
and even if you later
succumb.

 


Damselflies

Originally posted 7/24/2013.

A mating I love to watch
is that of damselflies:


him arcing his abdomen back
to clutch her.  Her looping 
her abdomen forward to seize him.
After lighting, thus linked,
for motionless hours 
on the edge
of marsh grass,

they then break free of the spell
to fly off separately,
not to meet again.

After observing this countless times
on just this one afternoon,
I’m somewhat of an expert.  
I should cash in on that;

I could look up formal names, write 
a treatise on the aerodynamics
of love or an essay on the history
of common natural imagery

used in romantic poems —
and I know I would kill it
if I did write it,


but honestly?
I would much rather

lie here in sunlight with you,
practicing our own catalog

of such poses, delighting
in the sensation of flight.


That Delicious Engagement

Originally posted 5/30/2013.

Ask me once
what I want from life,
and I usually say
that what I want from life
is to be alive
until it’s more right
that I be dead,
at which point
I will be dead.  

But if you ask the question again
and ask it often enough, 
the answering of it
transforms me
through an obvious,
delighted hysteria
that anyone
would even care to ask,
and I fall into the consideration
of a delicious engagement
with the world — 
how the taste of it
may not at all be that
of ashes on my lips;

how like a first
post-virginal ecstatic sleep
each night could feel;
how like a morning
when a death sentence has been stayed
each awakening might feel.

Ask me, ask me, ask me what
I want from life — ask yourself,
I will ask you the same,
in fact let’s run through
our town asking everyone
what they want from life so many times
that there will be no choice for any of us 
but to laugh and love
and turn the streets 
into a banquet hall
and our stoops and yards into tables
where we can feast on the question,
reveling in the last meal we’ll ever have
before we take our last, gentle leave
of each other.


Pearls

Originally posted 6/16/2013.

Upon waking I am an engine
for cobbling together random things
and hoping they are true.

My first thought is of
a landscape
with a football stadium.

My second is of
a scrap of paper bearing these words:
“your prime is seven.”
 
There may be,
suddenly somewhere,
an esoteric cabal

of crushingly huge men
chanting prime numbers.  
I hope so. 

So much depends
on it being true
after I write it.

My next thought
is that I ought
to sit up in bed and see how I feel.

My first action
is to sit up in bed 
and see how I feel.  

I’m still afraid of social media,
angry without cause,
desperately in love.  

It is morning,
I am the new carrier
of the disjointed day, and

my first action upon others
will be to write something.  
It will be angry or loving or based in fear — correction: 

it will be angry 
and loving 
and based in fear,

but it won’t be large. It will not assume
the form of a linebacker.
I’ll be gentle.

Count to seven,
push aside the covers.
The world needs me

and people like me
who are the sand grains
outside the oyster.

We are many, we have
pearl potential.
Some become random irritants

but most likely
we’ll become the bed upon which
beauty happens, mostly in spite of us,

even as the offense
thunders forward, bearing
the irreducible math of living.


Crash

Originally posted 6/29/2013.

On more than one occasion
I’ve nearly burst
from imagining that I
was self-sired
and never tired,
on an epic solo flight — 
a great aviator,
all alone.

Self-sired, never tired;
those are my best lies — 

as if I’ve ever been anything
but a lonely son, 
as if I’ve ever been
anything but exhausted. 

As if
the sleep I rise from
hasn’t always been robbed 
from the dark.

As if I
have ever been
formally cleared to land
on my own.


Butterfly Language

Originally posted 6/22/2013.  Original title, “Grief At The Graveside (Butterfly Language).”

Behind our formal speech at any graveside
we offer each other a butterfly language,
floating and whispering without obvious words.

We turn back and forth
and tell each other of life and death,
understand and are understood.

Go home, we say to each other
in this formless tongue.  Go home 
and be at peace

in the day to day
now that we have laid them to rest;
they have no more need of us. Remember

how they began and ended
whenever you think of them, remember 
what lay between those gates — 

who they were, who we were
with them, who we are now
without them.

The priests
have never had solid comfort 
for us.

It’s why we use butterfly language
to speak of this and do not rely upon 
the rough pulse of speech.  

It is older, smarter, tighter,
better on the breath, lighter in the ear.  
It heals.


Feathers In Your Hair

Originally posted 1/26/2011.

You claim
it’s a safe neighborhood.
a good one, trumpet 
that there’s never been
a violent death nearby,
nothing at all in your safe space,
nothing at all seeping from
this ground

that is only yours because
at some point
it was taken by force
and force is what keeps it
yours, even if the blood
was and is spilled
by your proxies,
even if you didn’t know 
it was being spilled.

No matter —
you are you, 
you have no need to pay
any mind to that
so you can pretend to ignore
the black feathers
that have just now appeared
in your hair,
that everyone but you
can see.

When you are home alone,
please —
look in the mirror.

When you finally see them,
pick them out
and place them in a box.

Pull that box out, open it
and stare at those feathers
whenever you feel
a little too divine,
whenever you 
want to remember
how human you are,

then
go lock your doors
and feel a little threat
and a little guilt —

not too much,
no,
but enough.  


Breathe

Originally posted 8/19/2008.

The natural order: first
we breathe,
then we cry.

Nursing, sleeping,
dreaming, eating,
drinking, elimination — 

the breath is the one constant, 
alternating
between sweet and foul — 

smiling, laughing,
writhing, crawling, walking,
reading, writing, eventually
sex and its attendant foibles;
working,  grieving,
losing, winning,
parenting, 
more of all the above — 

the breathing continues through all 
until it stops for good
when all else does — 

we were built to breathe,
to ride those rails of breath
on a lifelong recovery
from the first sharp cry

after drawing
the ripe tang of the world
into our lungs.

The rest of it, all the rest 
of what we call a life,
is merely a consequence
of breathing — 

we breathe, we cry,
we act, we cry again,
and in the end

when the breathing stops
we fade 
like the whistle of a train
going home.


A Longing For Death Is A Form Of Hope

Originally posted 8/17/2012.

What horror you leave behind —
your cold face
colder than it is now;  
the cooling mess they pull from the sheets,
the colder one they put in the ground;
the grief on your loved ones’ lips,
the pain through which they’ll whistle every word
for a long time;  

those things don’t concern you at all,
do they?

The way you see it,
a longing for death 
is a form of hope
that the disaster of your last moments
and whatever follows them
will be so different from one another
that the latter will make up
for your lifelong slide into the former.


The Accusation That Wakes You Before Dawn

Originally posted 4/18/2010.

Animals struck and killed by cars
can sometimes come back to life.
When it happens,
one in seven million of them

is given the power of speech.

The accusation that wakes you before dawn
comes from one of them. 
It ticks off every time
you heard a thump below your wheels
and drove on with a shrug.

You see you are naked,
fur emerging
from your chest and back.
You find yourself on a familiar road.

Headlights ahead — 
a car that’s rushing toward you
holds your father, your mother,
every easily forgotten lover,
every friend you don’t call anymore,
every colleague you’ve blindsided,
every server you’ve stiffed,
every aimless stab in every back
and every turn of the wheel
that took you over a body in the road.

Then it happens — 
you,
in the blanket of silence;
you,
waiting for
your one in seven million chance
to come back and give back.


Song On The Radio

Originally posted 10/29/2011.  Original title, “One Stupid Song.”

4 AM.  
2 PM.
9:35 AM.
10:30 PM.

Monday. Tuesday. Saturday night.

Driving 95 north through New Jersey.  

The 405 or the PCH in the Southland.  

New England backroad, border of MA and RI,
not sure which state you’re in minute to minute.

Under full moon, Card Sound Road, FL,
flat out,
due west back through mangroves
toward US 1
and then out across the Gulf to the Keys.

Radio on,
volume down.

“What’s that?
When did this come out?
Is this the new album,
the new single, 
where the hell did this come from,
when did this drop?
Who the hell IS this?

“Turn it up, turn it up, turn it up some more —
if that is as loud as it goes,
I will be selling this car as soon as we stop — “

You smile big,
as big as the music…

We are all forgetting
(and some of us never knew)
that once upon a time
this is how it was.

I wish for you just once 
the joy of being surprised and changed
by a song on the radio.

I wish you all just once the joy
of having the usually stupid radio deliver you
from the evil of the always stupid world.
Once there were no earbuds
to make finding joy
a private revelation;
I wish you the joy of looking stupid in public
as you fall forever into the arms
of a perfect song.


How About That Tsunami

Originally posted 12/28/2004.   I used to write poems “ripped from the headlines” on occasion.  Most served their purpose — awareness, outrage, release of pressure, etc. — in their moment, while not having much staying power.  I thought this one deserved a second shot.

All day a stream of co-workers have come
to the world map on my cubicle wall,
coming to look for the place where it all happened.

Should I be surprised that on at least five occasions
I’ve had to point at the Indian Ocean
and then do a quick finger tour around the rim?

Or should I be heartened that at least
they came by to look? Or that they even knew
the map was here? It’s evidence, after all, that

the wave in fact reached beyond Aceh, that the wave
hit everything,  though not everything
got wet enough for everyone to feel it.

Here, we use money like paper towels
to keep the damp out, and already we’re bundling up
wads of it to ship overseas and make it all go away.

It’s possible that some come by
because they at least want to see
where their money is going.

“How about that tsunami?” “That one in Indonesia?” 
“Yeah, that one.” “I know!  That sucks.”
“Hey, can we look at your map? I wanna see where it happened.”

I wish I knew if I should cry
or just keep going back to the wall
to point it out again:

here is Phuket, here Aceh,
here Sri Lanka, here Tamil Nadu,
here Pondicherry, here Chennai.

Here is Myanmar, which so far
has been silent. Here we are
in the United States,

and here is everyone else.


The Father Wound

Originally posted 9/30/2011.

“they have the father wound”
says the handsome minister
speaking of gangbanging boys
not yet out of their teens

“they have the father wound”
he says again to the interviewer
“fathers take off
or are in prison”

“the father wound”
he says it so gently
candles appear in soft focus 
behind his graying voice

“the father wound”
sounds so deep yet
the minister speaks of how
he thinks he can suture it

as if the killers
off-camera were infants
waiting to be picked up
in their fathers’ hands

and cuddled into health
as if assisting them
into the American dream
would be enough

as if that dream itself
would be enough
to keep them from harm
in this country nestled

at the bottom of a father wound which is
at the bottom of a mother wound which is
awash in the blood of other wounds
named Sand Creek, the Middle Passage, My Lai

 


Word Market

Originally posted 10/29/2008, titled “Wet Market.”

A woman stops
at one of the stalls
that offers words for sale
and wonders
what nourishment she can take from 
there is a flower
that grows in plastique
and blooms in blood.

Someone else weighs the possibilities
of 
Valkyrie 
against those of 
Knight Rider Barbie,
tries to choose, fails,
buys both and moves on.

A third rejects all the proffered produce of love,
the red breath, 
the silk finger,
the charred emerald eyes. 
The seller
throws his hands out in disgust.

Modern diamond or heirloom adamantine? 
Is the dusk blue or azure?
Is this a stream or a creek
running under 

sky or heaven or firmament?
People head for home

after hours of haggling,
passing
a small table
outside the bounds of the market
that holds bowls of fresh water,
herbs, fresh spiced fish
soaked in lime juice.  

A sign on the table reads:

Whoever tastes the fresh water
will want to taste the herbs.
Whoever tastes the herbs
will want to taste the fish.
Whoever tastes the fish
will turn from the market
and go home simple and satisfied.

If the sign had advertised
ceviche, or if the sign had advertised
magic for the belly,
this might have been

a different story.
But after too many stands serving 
quick meals, too many ways to overfill
basic needs and answer want with gluttony,
there’s no need to ask
Who will stop there?  
because it’s already clear:

no one.