Tag Archives: poetry

The War Face Down

The war is lying face down
on a hard cot. Legs twitch, 
breathing gets hard. I think
the war is dreaming much as

a dog dreams. People always say
a dog dreams of running when
they see its legs jerk like that.
Truth is, we don’t know what 

dogs dream and neither do we know
what the war is dreaming about
except that it is not likely
to be anything good. Not like peace

offers much more than the war
to everyone, certainly not
to those who fight, not 
to those who die, not to those

left behind. When the war lies
there on its face, kicking and
whimpering, all I can think of is
hope and hate: hope it doesn’t

turn over so I can see
its restless, mashed up face;
hate the idea of the war waking,
turning 
face up, seeing me.


Left Hand Story

My old left hand
feels so strange today

with its new little bend
that limits
how well it holds
and hangs on

but with it I cradle the stone
I raised years ago
from the bed
of a pond
where I swam
daily for a summer
when I was twelve,

a white stone chased 
with black smears, laced
with mica stars, lifted
from the rich stew
at the bottom in 
the deepest part
of that pond the first time
I touched bottom, swimming
straight down to snatch it
and bring it back with me

to where I burst
through the surface into

late morning sun, holding it
tighter than I can now
with this weakened paw:
bursting up to the air back then
from the silted water,
taking a great breath
as I breached;
a browned, slim boy
coming into my own
so many years ago
that I cannot recall if I
was as alone then
as I am now:

neither slim nor browned,
not wholly alone in life
but solo in this moment,
hanging on
to what hard treasure
I may find 
in deep, unfamiliar
places. 


His Wallet

A bald brown man
is out on the curb with a black
trash bag of a kind disallowed 
by my city carefully picking through
our building’s recyclable bins
for cans and bottles, almost tenderly
placing those he cannot use
to one side on the pavement before 
adding to his bag with what little
he gets from us and then
putting the ones on the pavement
back into the bins, although
I cannot be sure
he puts them back into the ones
they came from they all go back
into the bins where they belong
without ever touching the yellow bags
the city makes us use for trash

and then he straightens up and 
moves on, up the hill, up the street
to the next three decker, then the next;
then he crosses over and descends
doing the same on the other side 
where I see him one more time, 
directly across from my window, 
picking through the plentiful options
from the green building’s bins,
and I note as an afterthought that
he’s new, not one of the usual crew
who come through on Wednesdays
or Thursdays if Monday was a holiday;
he’s younger, fitter, more neatly dressed,
stands up straighter, looks like he can carry
more weight as the bad black bag the city
won’t let us use for trash is full now
and he is tying it off and pulling
another one
from his back pocket
where you’d expect
a man
to carry
his wallet.


You Half-Unbuckled

You,
half-unbuckled,
verging upon 
dropping all your armor,
ready to take on what is coming
from out of those dark mists
before you, those charcoal clouds
boiling from eternal battles;
you, 
half-unarmed, 
edge dulled, bow unstrung,
arrows blunted, still
with your stance set to stolid,
holding fast before
what is coming toward you;
you,
trying to recall every word of advice
about how to meet this enemy
with no toxins in your grasp,
no arms to bear against it;
you,
trusting you cannot fall
or fail except by failing
to face it, even if it kills you,
even if it takes you almost
serenely, almost with grace,
lifting you into its maw
and swallowing you;
you,
refusing to let yourself
be absorbed, digested,
making it spit you out
or choke upon the weight
you carry with you into war;
you,
unbuckled, unshackled,
naked now as it approaches, still no
shake in you, no shiver,
nothing but the unsheathing 
of what sits at your core,
the one thing it cannot surround
or destroy: the essence
of what has answered
throughout history

whenever your indomitable name
has been called.


Getting Closer

When they first came
they measured themselves
against the trees, found themselves
less than acceptable; shrugged, cut down
the trees, built homes, built forts,
slid the scraps into their mouths
like toothpicks chewed solely 
for the soothing taste
of wood, of victory.

When they’d been here for a little while
they came out of homes and forts
to witness and approve
beatings, burnings, massacres,
displaced thousands marching from 
their homes, footprints freezing into memories
in reddening snow, baking into
blushing sands; they slid all that 
into their mouths, pills to be swallowed
for prevention, for nourishment,
for their great peace of mind.

When they had been here for a while longer
they began to imagine themselves
measuring up, full-rooted here, seeded here, 
forest primeval; shrugged, cut down memories
of those who’d been here all along,
slid those names into their maps,
their family trees, called them their own. 

One day I came out of my home
and saw that no matter how much
I mourned departures and raged over
shed blood, I was now mostly one of them
thanks to the long “whatever” and “so what”
of how casually they’d cut down and consumed
my place, my people, my places.

When I’d known that for a while
I chewed off a piece
of me, a huge piece of me as one might
chew off an arm or leg, a piece I saw only dimly
as it disappeared, as I left it on the path
and moved on, a wraith, with a mystery
taste of ashes, wood rot, metal flake
on my tongue; then I shrugged,
told myself I was getting closer to an end of this road

and said I was long overdue for that
and lightening my load in such a savage way
was a departure all its own
and nearly as efficient as any other.


100 Words About Where It Happened

I’ve seen stains
on the road where 
it happened.  I’ve seen
ambulance lights
heading away from 
where it happened.
I’ve heard weeping
and screaming, 
tortured explanations
of torture and death,
condescension turned to
terrorism, eventual drift
from truth to shrug, and
blue, blue winds blowing
any remaining truth like
so many dandelion seeds away
from where it happened;

if you want me 
to testify about where 
it happened, where
exactly it happened, 

we’ll be here a while
as I point and say
there and
there and
there
and there and
there

is where it happened.
Everywhere
is where it happened.


Would-Be Suicide Seeks Spiritual Guidance

Originally posted 3-23-2012.

Into the heat of the night to chase Lazarus.
I have something to learn from him:
how he got over his anger at his friend
for pulling him back into the struggle. 

I want to ask him how long he held the grudge
and if he led with it whenever he and Jesus talked,
if indeed they ever spoke again after that day,
which seems likely though it’s unrecorded.

How do you have that conversation
about him not just saving your life, but pulling it
all the way back from bankruptcy and liquidation
to deposit it right back where it had been

as if nothing had happened at all and anything 
that soul had seen while it was gone could be forgotten?
I know it can’t.  Know it for a fact.
And I need to know how to speak to a friend

who brought me back like that, though 
in my case I really wanted to go.  I want to know
how I’m supposed to be his friend again.
I want to know if it’s even right to try.  If anyone

should know, it’s Lazarus. How did he and Jesus
get past it, if they did at all?  
They never tell that story in the Gospels.  
They never made a sermon out of that.


Taking Stock

My body,
deceiving me
in some new way
daily.

My main diseases?
Sugar sludge blood, 
moods lurching
from death sludge 
to joy stomp, sleep
a series of strangulations;
each of these a wee bomb
waiting to rend me.

My brain,
pummeling me
as it always has.  

My approach to life,
a recalibration loop
barely held together 
at a weak seam.

My upbringing,
gentle horror show 
wrapped in
soft white bread.

My heritage?
Half worlds away from here
in two opposed directions,
the vacuum in my core strong enough
to suck at them, too weak to bring them
smashing together into a good
cold weld. 

My understanding 
of that history?
Half book learning,
half frantic triage, all 
of it guesswork when 
push comes to shove
on the edge of the void.

My homeland?
An experiment in something.
Steal a medium and grow
a culture on it. Pretend
we don’t know 
what it feeds on.

My future here?

I’m not alone in the game,
in the approach to it,
thank all the small stones
in the earth and sky
for that; thanks for
a hand to hold while I wait;
thanks for the hope that
I make it easier for them
in my own way;

but I know I will have to
run it in alone, diving down
a slip and slide built with
rust-fouled water and 
undercover stones;

I know
I’m coming in too fast,
too hard, and in no shape
for the finish,

but I’m coming in. It’s
something to do, the only thing
to do; confusion and conviction
in action;

here I come
smashing in.


In The Wind

To the people who stopped dancing
after the Twist, after the Frug, after
the Robot, after the Dougie: pick up
what’s left of yourself from the doorman
and leave the club. Why are you here

when there are so many people waiting
to dance? You’ve crowded the floor, 
taken up a lot of space.
No one can move unless they do
a shuffle like yours. So many have

so much wildness to unleash
that this is killing them.
You might have known that feeling once
and you might want to know it again, but
what you’re doing right now doesn’t come close

to the free shake they long to do. Maybe
that’s why you want this. Maybe them dying 
without a leg to dance on is part of some plan
you’ve hatched to get your own rhythm back
but it’s nothing that will stand. So: get off the floor

if that’s all you’ve got. Get out, get
out the door without looking back.
There’s a new crowd waiting.  Stay
if you are ready to move again. If not,
there’s a wind outside. Go be in it.


Tattoo Dwellers

Whenever they buy a country
they have their names tattooed
all over every open patch.

We lived here before they got here
or got here after the inking up but
our names don’t look like theirs, so 

we have to hide in the spaces 
in the letters, the gap of the upper
“A”, the narrow rooms afforded

inside “D” and “O.” It helps your chances
if you are comfortable

living under a thin sheen of blood.


Poem To Be Read At A Press Conference

Hearing of your latest
spurt of hell, I wonder
who will ask the question
that will close your throat
at last.

I wonder if you
will be at a podium 
in the middle of some
hateful, stupid sentence
full of self-referential, self-
serving pablum for you that
will deal terror to so many others
when someone blurts out
the right spell, the right curse
in the form of an inquiry
you can’t deflect, or

will it come from a half-trusted aide
on a golf course
somewhere, mid-swing,
while you’re trying to forget
everyone else and focus on
your own perfection that’s always
just beyond your grasp, or

will it come from one of your children,
checking in on you  
long after midnight as you stare daggers
into the screen light between 
your soft little hands, or

will it come, most improbably,
from yourself as perhaps
a chunk of clot hits your brain
in the right spot to release you
from this unrelenting lust for 
the reverence and squat obedience
of all others. What question will it be

that takes you down, pours you
into a puddle of gray flesh on 
a public floor, terrified as always
but with a fading awareness
that this is what you always wished
for so many others, what you dealt
with so many of your labored breaths,
and now you may meet them face to face?

No one’s certain,
but rest assured,
we’ll keep asking
until we see you fall.


The Public

They are realizing at last, if only dimly,
what they’ve bought and what’s been
sold out from under them.

Sitting there slack, slumped against hubris, mouths
opening and closing, sounds coming out:
no sense to be had there. You would think

they’d get up and move, either 
trying to escape or beating a path
toward something better to come after

such an awful time; but not now, or not 
yet at least, in spite of the scent of urgency
in the air. Instead they hold harder to 

the prejudices and suspicions 
they’ve always been chained to, 
as if such things could save them

in a storm that’s only now begun 
to rise to full scream. They sit there
and scream along, they do not move;

as they are engulfed, they seek
a scapegoat and avert their eyes
from what they’ve bought, from

what’s been sold
from under them
with their clueless, ecstatic consent.


My Left Hand Soaked In Oil

My left hand 
soaked in oil:

those are the first words
I heard this morning,
if you can call 
how they came to me
“hearing.”

It’s not
a true descriptor, but
as close as I can get 
to how the words come
so I call that hearing 
and hearing it is,

much as my left hand
feels dry with no apparent
oil upon it yet I trust
what I’ve heard about this,
I don’t argue when I hear
words this way: clearly,

my left hand’s soaked
in oil.  Up to me

to figure out if perhaps
it is magic oil
I can’t see or feel
that shines in darkness,  
or maybe a social oil that
gets on me from others
and later ignites
when I try to reach out,
or in some way a deep soul oil
that seeps out of me and
covers me wrist to fingertips
and it’s only on my left hand
to reveal to me once again
what I forget and forget:
how hard it is to hold fast
to what is closest to my heart.

My left hand soaked in oil,
shining at dawn. Perhaps
all it means is that oil

is a decoration, a highlight
reminding me to celebrate
my weakest parts, even as
I write this all down 
with my right hand.

If you are a bear for truth
and have read this far, tell me 
what you think it means 

for it seems that all I know
has become slippery,
falling again and again
out of my grasp

no matter how many times
and how tenderly
I listen to the words
I hear upon waking,

no matter how faithful I am
to the words.


Three Ways Of Looking At It

1.
In these sullen days
a half smile has become
a badge of subversion.
In these enraged times
any peaceful face has become
enraging.

In the white fingered
company of the ones
who dance confidently,
well-gloved
and bespoke-booted,
at their self-congratulatory
banquets, to be barefoot
and casual 
invites punishment
and raises alarm.
Being at odds kills you
here.

Taking a side 
kills you too but
you’ll have company 
when you die,

while those
left out of all sides might die but
might be left standing as
either proof of or contradiction
of dialectic,
but they will be
as alone afterward
as they were 
beforehand. 

2.
Today I am
in a process of dying
no matter how
you look at me:
dressed down,
worn down, well over
halfway along, staring at
this side of the long hill
I’ve crested,
looking down,
picking up speed.

3.
Ah well, I tell myself
as I start to roll,
I prefer not dancing.
I prefer not wearing
such damned clothing.
Soon I’ll feel such a wind on
my poverty skin, in my
blood-sugared hair, that
I might forget that I never
figured out
who I was or where
I belonged. 


Warm Salt Water

Spent this life sipping
warm salt water
in drops, only

warm salt water
and only in drips and
drops,

yet am expected
to taste sweetness
easily and reject

the only taste 
I’ve ever known
at once, with no thought

as to how all those
dribs and drabs of salt
may have burned

my ability to taste
anything else.  You do 
not understand how

oceanic it is in here,
how such trickling
pleasantry and joy

disappear into
that sea with no 
trace; meanwhile

warm salt comes
relentlessly, in bits and
blips, filling, spilling.

Spend a life sipping
those and see
what happens when

another flavor offers itself
to your tongue. See how
it feels to understand that

what you are meant to love
cannot touch you now.
See how you cry then:

it won’t even
feel like a loss as you
sip the drops,

as you shrug off
the suggestion
that there could be 

anything else for you
but the sip and the 
slipping away.