Tag Archives: poems

Fire Sale Artists

Revised from 2014.

I’m down
to my last hundred bucks
waiting for 
a late paycheck
and thinking of Sal Paradise
who (disguised as
Jack Kerouac) used to
wire back east from Denver
for twenty dollars
and consider it
enough money with which
to see the country
traveling across the continent
screwing women over
romanticizing the hustle

I will grant you
it was the 1940s
Money and hustle went farther
back then
but now I can’t even go
to the grocery store 
with less a hundred bucks

I sit at home 
fuming and sobbing
counting pennies
trying to do right by 
the woman I love

The only thing I share with Sal
and his friends 
is the whole suffer for art thing
They claimed more joy and less care
than I do
the feckless bastards

I don’t envy them
They mostly all died
drunks or fossils
They were fire sale artists when alive

EVERYTHING MUST GO GO GO

I’m just the opposite
I wanna hang on to something
but a hundred bucks isn’t enough
in 2022
to buy much that will last

Anyway if poverty
kills so much around me
that I have to hit the road
at some point
I won’t last long because
in 2022
they just shoot the mad ones

 


Odd Jobs

From 1995. Revised

1.
Cleaning out the apartment
of a woman
who had disappeared.

Ivy around the bedroom window frame
may once have been meant
to evoke the woodland
for a homesick
“country gal”
in the city,

but that dust caked
plastic ivy around the frame,
long ignored fake ivy
tacked to the grimy window frame
with its broken blind, its cobwebs,
its setting among
clothing strewn
in disarray, 

suggested instead
an archway
into an otherness
long ago entered
by someone from this side
who has yet to return,
is overdue to come back through.

2.
Cutting foam rubber
with bandsaws
into pillow shapes.

If the noise somehow
can be absorbed by the foam
and enter all those
sleepyheads,

if people
end up in nightmares
about a ribbon of steel
whining through them,

all the boredom
of this job might be
worth it.
You might call that cruel,

but only if
you’ve never
done anything
like this.

3.
Industrial
corn chip maker,
or at least
the one who mixes
the batter.

Hair net, beard net,
gloves, safety glasses,
steel toed shoes, smock –

I entered the factory
on my first day
tricked out for
radioactivity
or
The Ark Of The Covenant 

only to find the hazard
was in knowing evermore
that the corn chip powder
I poured
one thirty five pound bag
at a time
into the hot tub size mixer
became neon green
when water hit it.

It cannot not be unlearned
once known.  It cannot be
unseen. I have not had
a corn chip since then,
and thus am denied
part of my national birthright –
something to eat at parties,
something to eat
from vending machines,
something eaten in the car
to stave off hunger
for the last fifty miles
of any given journey.

4.
Surveillance
of a deadbeat renter.

Hours in the DMV waiting
for him to renew
a license I’d learned was expiring
paid off.

He’d tried to vanish,
but I found him,
tailed him
home.

The house
was covered in ivy,
and for a moment, a wild
moment, 

I thought I might solve
three mysteries
at once,
if you could count

my muddle of a life
to that point as one –
but no dice.
He lived alone.

I made a note
of the new address,
called it in,
and quit.

5.
I’ve truly had no job odder
than this current occupation

which insists upon
incessant reporting

of connections and meaning
where none are visible;

demands that details
be magnified until they are totemic;

tastes, sometimes,
of swift steel severing tangled false ivy;

of hunger tainting long hours
of inert observation;

of ghost salt, poison corn,
and the tears of the disappeared.


Calendar

The calendar is a falsehood.
It ought to be as spring in here
as it is outside but in here
winter is sticking around.

Looking out
at soggy old shit
that has been hidden
under the snow: see there

a little man,
a little fat man. Little old fat man
with broken eyes
and self-important whine

who has been stuck inside
for so long he can’t see green
at all. It might be coming but
he turns away and grabs

at the calendar
that he just knows
must be a falsehood.
Tears it down, tosses it

across the room at the 
recycling bin. March?
Give March to someone who
can use the mid-month hope.

Turns his back on the window,
his little old fat man back.
If he could see the incipient green
out there, he would be trying

to shout it back underground,
back to brown. There are 
more blizzards to come, he knows,
but not how long before they strike.


To Dream Of Duende

Revised from 1995.

I got up grudgingly
just to see if the world had ended.

All night I had been wracked by dreams of treachery, seeing myself being pushed or thrown from a road painted on a cliff
into miles below that opened into dead space.

I could not see who or what shoved me
over the edge.
I could not see anything of the stop at the bottom.
There are more important things to notice
when facing the end of the world.

During the long drawing of breath as the body falls, so much sharpens the senses.
They then make one point upon which a body can land, piercing up from the killing ground,
opening deep waters in the rich soils that begin to flow across Death’s country.

I got up grudgingly.
I will not make that mistake again.
I will willingly wake from sleep
to seek desperate, praiseworthy knowledge —
one lives best when aware of the longing for that huge, deadly fall.


Atlantis

Revised. From 1999.

1.   Prelude

breakfast: approved fruits and grains and decaf

they sit and eat accompanied by radio’s easy news
of celebrity quirks
blood tragedy trivia
ripples over an abyss

there are the usual long silences
between two who’ve been together a long time
who once believed they had known each other
long before this life and are no longer sure

he paced his den last night
trying to recall the flavor of civilization

she lay awake upstairs
listening to other insomniacs’
fever fear of UFOs

if there were ever children here
they are not apparent now
so they will spend the day
as they spend every day

absorbed in paperbacks and gossip
never quite grasping the answering machine
if they were ever friends
those bonds have become invisible
in all this mist
that attends the slow closing of their world
as it slips to one side

and they begin to seek
Atlantis

2.  The Husband’s Library

Come into the
shadow of this red rock…

he read that phrase some years ago
it drives him crazy because he can’t place the source 

all he really knows is that as he read them the first time
the words rose out of his center like islands glimpsed from afar

and they are there still

some nights when he is lying in his den
surrounded by fabulous stories
he sees himself on one of those islands
draped in a fine robe
crouched in the cool shade
of an enormous sandstone ledge
he is adored by millions
who flock from the cities to see him

he stares across the crowd
from under the safety of his
natural pulpit 
is beloved
and is wise
and is haunted
by fiction

he knows his imagined wisdom
is all his own creation
there are plenty of other myths

that would have him crushed
or buried
or drowned

while the red rock loomed in the background
as metaphor
as symbol
some kind of doom
meted out by the earth
to those who dream of perfection
in small family rooms surrounded by fantasy

red rock looms
and looms
and looms

he drops his habit
becomes naked
in the presence of red rock

in a waste land
he never allows himself
to reconsider

3.   The Wife’s Radio

she lies down wide awake
as her clock opens the night with 12:47
it’s a good start she thinks
past midnight but not yet one o’clock
still time to get a good night in
barely AM

unlike

the radio that is always AM
and the man on the radio
who is always suspicious

he says

there are stars
that move

there are whiter
lines outside the yellow lines you can’t cross

there are cigars
over your head

there are scoffers
anywhere you look

anywhere you look
there are fools

there are people up
there

and down here too
but not visible

some are friends
and some are alien gray

blending into elf
tales we grew up with

the clock chimes in at 2:13
now we’re getting serious
now we’re speaking for everyone
who never gets out much
now we are talking olympus

he says

there are people
who are taken by the gods

there are stories
that don’t hold water when you pour it on

there are big heads
that won’t admit opinions

there are men in
the halls of power

there are women
under the sidewalks

there are marriages
that act like Kabuki parody

white faces farce
stereotype almost otherworldly

not ever quite
there

still awake at 3:36
way past dream now

is the rain natural this late, or this early

she thinks someone downstairs is tossing stones against
the windows
does she dare go find out
if facts are facts

he says

there are secrets
that look like commercials for mind loss

there are facts and
then there are facts

there are spotters
holding up the constitution for ridicule in the desert

there are old
stories that make ours seem like sequels

there you go when
you do go

when she falls asleep at last
nothing is stable 
except those huge eyes that shine like definitions

paradise has slipped

4.  The Journey to Atlantis

I will never kill
you, my love,

they are both thinking
as they resume their spots at their
breakfast table

breakfast: approved fruits and grains and decaf

they sit and eat
accompanied by radio’s easy news
of celebrity quirks

the usual long silences
between two who’ve been together a long time
who once believed they had known each other
long before this life and are no longer sure

when the news stops
being about the news
and nothing can be done

when the anchors talk and talk
of what the anchors want to talk about
and nothing can be said

they will think of Atlantis
stop dreaming of a temporary sacrifice

they will think of Atlantis
in the western ocean
or the eastern sea

Atlantis
where sabbaths came with no clouds overhead

Atlantis
where braver tales were told in the councils of power

Atlantis
where the highways were long and straight

Atlantis
I loved you then

Atlantis
when the egg you were hatching

Atlantis
was the thing that would drown you

Atlantis
which was solely red rock on soul blue sea

Atlantis
which was dark against the sky every holy peak of it

Atlantis
which is still a name of dreams

Atlantis
every people has you

Atlantis
every school refers to you

Atlantis
isn’t it nice to be remembered by

a couple
who lives forever in silence
whose children are grown

whose every memory is infected with longing
for something
that has always been

Atlantis
a place of such perfection
they know it must have been real once

hear them whisper

please say that
just now it’s only covered over

for God’s sake say it isn’t gone


Footpath

So little new 
to say
once you realize
that you have stopped
being a person and
transformed into
a footpath
now that you have
reached a certain age,
that people
either follow you
or wear you out
or stray from you;

you are so carved
into your surroundings
that you cannot help 
but stay in your groove, 
ground into the landscape
until the last person
who remembers you 
as a person has passed,
and that will be all,

but still you keep
doing this Work

because there’s always a chance 
of you becoming one path
to that which is still out there,
beyond your view, a destination
everlasting and pure enough
that even if no one ever
says your name again 
you will have helped,
you will have mattered.


Since You’re Up

Unloved head
engorged
with refusals.

Rejected body
flaking, sugared up,
hurtling toward blindness.

Severed connection to earth,
air, water, and all else. 
No true belonging, no safe relations.

Profoundly diseased,
immersed in delusion;
cats don’t care,

demand feeding
and attention. To offer
those things to them is

a purpose. Mechanical,
disconnected purpose;
means to an end. 

Been here before.
Unsustainable.
Enough for now. 


Birch recording

A new recording of my recent poem “Birch” is available here. 


Cassandra And I

I’d like to be prairie
but am forced to be war.

Grind and not ocean.
Hustle, not canyon.

I once had a voice
of forest and meadow

but am now distant murmur
of ending on fire.

You prefer my former.
How could you not?

My latter leads nowhere.
I don’t want to see.

I’d rather be alone
with sunset on a mesa

or before me a sunrise
over endless blue water

but that’s not the place
for me now, or hereafter.

Instead I’m the singer
of gears full up with gravel,

chosen and forced to stare
into the sparks

that may ignite a prairie.
Remember the prairie

that is ready to burn?
I keep watch. Alarms

in my voice, are my name,
are my all. You sing of the ocean,

you hover above it. I will warn
of what’s coming. Cassandra

and I understand
who we are.


Tied Down

Tied down
like a fresh shot buck
to a roof rack
(future meals for a family)

Or like a tarp
over a roof under repair
Coverage against
sudden blue sky wind storms

What looks like carnage
or restraint
is sometimes
just protection

as a future sometimes requires
a good rope to bind its past
tightly down until it is at last
transformed into present


Material

Just now one arrow
or sharpened word
landing in an arrow’s place

Bandaged hand holding either
pen or sword but either way
struggling with grip

A face so common
no one feels any need
to  put a name to it

Did someone stutter
or was that a
mechanical noise

A voice made of
ground down gears
and silt still in its teeth

Can anyone dance
to a song first sung
by stones falling

from a ledge to
a highway below
and then a car

falling from there and
in this car was a child and 
no one dared to climb down

and see what happened
An adult climbed out
years later with

a broken grip 
weapons and 
a quest 

Never mind a dance
There’s a whole book in there
somewhere 

says someone 
who really doesn’t know
anything about these things


Tales Of Lost Treasure

Spending the scant treasure we have left
on the mundane. Breathing’s now as expensive
as sleeping. How we’ll balance the books
is unclear. Feels like we will owe forever.

They gave us a cursory accounting, 
said there would be no full reckoning 
until after we were done with being;
we accepted these lies. Accepted this decline.

Silver and gold, folding bills, 
electronic ghost money; even our best lives offered up
on collection platters to the liars we have always 
honored who claim destitution is freedom.

So: they call this broke. They call this
poverty, poor, bereft and adrift. We call this
now.  We call this eye of the needle;
exit of the labyrinth; birth canal.


Regarding The Recent Unpleasantries

among us:  there is no time 
to fully explain
how things have come to this pass
but whether because of

a fear of differences,
an unresolved history of slights,
a record of injuries sustained by parties
brightly recalled or dimly suggested;

a daily microcosm replicating
galactic collisions of culture
alloyed with equal parts suffering
and misunderstanding of the Other;

small unending matters of rape upon rape,
murder for entertainment, mayhem
as amusement, enslavement and subjugation,
genocide on behalf of profit motive,

and the reimagination of Creator
as Personal Injury Attorney seeking to pull
whatever it can from Creation itself
until it implodes, or all of the above, here we are.

Regarding the recent unpleasantness:
we endure and shake our heads as if
this can go on forever because of how long
this has gone on, because of how

we have built our home upon this 
as if it were a foundation and not
a pile of sharp rocks soaked in old blood
and new flesh — but oh, the stench of it.

How it burns the head from inside out.
How it chokes our children.
How this decay has become
our banner. How we have died away

from each other. How leaves shrivel
as roots loosen. The sun and moon
turning from us. The earth and ocean
say: Together now, or pass from us.


As Slow As Possible

revised from 2010?

Sept. 5, 2001:

A group of musicians and philosophers begin to inflate the bellows of a church organ in Halberstadt, Germany, in preparation for a performance of John Cage’s piece, “As Slow As Possible”.

 

Hate’s eyes pop open;
he gets up, dresses,
steps outside.

Hate finds that while most people do not want to talk to him,
there are still others who embrace him, taking him to mean something
he never wanted to be;
and all Hate can do is numbly
submit, for no does not mean no,
when your name is Hate.

 

Although he’s dragged it with him for so many years,
Hate does not understand his own baggage.

 

He tries to pretend that his name is
meaningless. He tells himself it’s
simply a breath
pushed through a half smile, ending in a full stop
behind his tongue.

Every other thing it carries
was added by others along the way.

 

Hate thinks of himself as having had
so much potential.
It’s all their fault
for having robbed him.

 

“As Slow As Possible” was written in 1944, at the end of WWII, as a piano piece that would last a half hour or so, based on the natural decay of the notes being played. This organ arrangement virtually eliminates the possibility of decay, and creates the space for the performance of an indefinitely long piece of music.

 

Hate prefers silence.
Assuming that to be a disability, everyone who meets him
offers Hate
a voice to speak through.

When he does attempt to speak on his own behalf,
Hate’s throat cracks.
The edge of his own meaning salts his tongue.
Nothing green can grow there.

 

The vision of those who now inflate the bellows is that this piece will be played beginning to end, and that the distance between the beginning and end of this performance will be 639 years. The people who will play this music will die before completing their service to the piece. The people who will complete the service are not yet born.

 

In slack moments Hate tells himself:


“If I were to change careers, I’d be a baker.
All the loaves I baked
would split open at the far end
and grow larger as they were eaten.
You’d never want for more,
would never get to the end of a loaf.

 

“If I were to marry
I’d pick a partner named Bread Dancer.
If Bread Dancer and I were to have children
they’d be named Easter and Breakfast.
Bread Dancer would dance the bread dance
for each person
who bought bread.

 

After many years
I would leave the business to my children,
and they would bake for others’ children,
and that’s the way
it would go for as far out
as I can see.”

 

The church that holds the organ was purchased strictly to house this organ and this performance. It was unused for years, and is now refurbished as a place for the longest music to stretch out. There are still pipes waiting to be installed. This organ cannot even yet play all the necessary notes to complete the piece.

 

Hate finally moves from his home, burning it
behind him, leaves in the dead hour before dawn,
taking little with him, no ID, no passport.

Hate becomes a monk
on multiple roads,
plays at pilgrim and tinker,
but always ends up a soldier,
always regrets,
turns away,
always, always,
always.

 

Feb. 5, 2003:
The first chord of the piece is struck upon that organ. Lead weights hold the keys down, and the notes will sound for the next year and a half.

 

Hate, after poisoning
many years
with his wandering,
discovers the Halberstadt church
and enters to pray
for amnesia.

Everything must be possible, even if it has not yet been imagined.

 


Precipice

Midday gusts
push my car
from side to side
while driving on an 
expired license,
just above speed
limits; stalling at
lights — fuel filter,
I hope that’s all 
it is. Hope gets me
home to collapse
where I start to think about 
how expensive gas
has become and
how long till my money
comes again;
and yeah, there’s 
nuclear war and 
my long ago relegated
to a far closet
childhood fears
knocking to come
out. Around here,
we call this Monday
or Tuesday or 
any old day of 
nothing definite
but precipice.