Tag Archives: poems

Let’s Do It, Let’s Fall In Love

Let’s go further into
this hard world
we’ve discovered.  Take a left
turn into the wind
so our faces become flushed with cold
and the fun of the gamble.
If we were explorers this would be
the plunge over the falls
into a valley full of
anachronisms.  We should
honor the stuck pig
on the stake up ahead,
a portent of what is to come,
our love a sacrifice to some god
known only to the desperate citizens
of this land.  I’ll make maps and
build fires of palm fronds and old
soda bottles, you can weave traps
and skin the rats we’ll be living on
for our whole time here.  Dirt poor and
stinking of fear and imagination,
we’ll establish a camp and fester
beyond the known ways,
and we’ll be legends elsewhere
for having gone somewhere unknown,
at least until the day we return.

No one will believe us then when we say
it was not horrible, not wonderful,
just another place like the one we came from,
full of people just like you except
we were the first to chart it and name it
and it was ours, all ours,
beloved homeland, found once and lost
and we do not speak of it often,
though the memory sustains us.

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Current Events Roundup

1.
Trying to decide
what to do with my old broom
because I haven’t had the money
to buy a new broom yet
and I’ve been exhorted
to sweep clean.  Should I
toss it out  and let the house
go to seed with dust and grime
until I get the new one
or keep using the old one
knowing I’m out of compliance
and could be seen as a reactionary?

2.
Cup of tea,
I ask myself?  Certainly,
I reply.  Don’t feel like making coffee,
but I need the boost.  And though
I’m alone here, no reason not
to think of this as a party.
People like me are doing the same
across the country.  Except
maybe they aren’t like me,
maybe they don’t really like tea
and are drinking it only because
there’s nothing else? Because
it beats mumbling to yourself?

3.
This slow laptop full of spyware
and shitty ads and dead files?
It wasn’t always like this.  It used
to sing and scream.  That it picked up
so much debris along the way
has to be someone else’s fault:
I can’t be expected to think about this stuff
every time I download a movie
or open my mail, or to upgrade
my protection regularly
and be perpetually vigilant.  That’s not my job —
it’s just supposed to work for me.

4.
“No, I’m an American,”
I tell the attendant at the gas station
who asks if I’m French
after I thank him, on a whim, in Italian.
He regards me with suspicion.
That’s the problem with this country:
none of us know enough languages
to be able to identify
genuine expressions of gratitude.

5.
I don’t recognize the blond woman
on the front page of the paper
whose bruised shin may keep her
from five gold medals in Vancouver,
just as a few weeks ago
I didn’t recognize
any of the brown people
pictured standing around homeless
in Port-Au-Prince after that earthquake.
But I do feel
a similar sense of loss,
so I’m good.

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Test Post: the vagaries of searching

This is a test post to be removed
when the time is right,

just like
everything else
I write;

nothing lasts forever,
a search initiated too late
will come up empty
sooner or later,

the words that are evidence
of my head in progress
will vanish,

as will I.

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What Not To Wear

Courage
is a ruffle
on a suit
at a funeral,
a puffy sleeve
in a sports bar.

The bravest people I know
are not the instantly, drop a hint and it happens
nude ones.
They are the grandmothers
in huge hats
perched on shrunken heads
and turkey necks,
the old men with the hiked up pants
and flat asses.  Sweatpanted
chunky moms, dads
with the weekend beers
thrust out over the belt.

Anyone who says
this clothing
is mine, I chose it,
I reveal myself through it.
Then, if you want the real me
to get naked for you,
take this hot but honest mess
as is
and prove you’re worthy
of seeing my history
uncovered.

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Middle Class

That’s a beautiful place
you’ve got there

As intricate as
a sand castle

It’s so
lovely
With such fragile materials
and such a fickle base

You’ll excuse me
if I prefer to walk around it
and ooh and aah
rather than move in

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Old Artists

Old and in a way
supermen, in a way
lint, the artists
who came before
are never comfortable
among their younger
comrades. Something
revolutionary stuck to them
like a tobacco stain,
a badge that pins them to their time
and it’s not now,
more’s the pity.  They’re
all romancing their own youth
and it’s not coming around
anymore, so they grouch
and slouch and grumble
because no one talks to them
when they’re like that, and they’re
always like that.  So
they go home alone and say
I could do better, and sometimes
they do but it’s lint like them,
picked off because it makes
the new kids’ wardrobe look pilled
and shabby, or they get pointed at
like supermen up in the sky far above
when all they want
is grounding and for some of these punks
to say come on, let’s have a beer
and talk, I like what you’re doing now
and I don’t want to dwell where you do
now, but they aren’t ready
for that.  Instead they claim
superiority
and say
damn these kids these days,
we aren’t lint or heroes, just wanna be
honored for journeyman work
right now, fuck the damn pedestals
and the dismissals alike, we’re still
just another sack of artists
doing what artists do, failing as often
as we succeed but not caring as long
as we can work human.

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To Face It

Do not hesitate to spill
your gasoline blood
near an open flame.
Do not fear to approach
the angel of justice
when its sharp wings are open.

Don’t imagine the world is safe.
Do what you need to,
shiv the guard before the gate
or bed the devil who carries
the keys to the kingdom.

Just don’t expect to come away
with your prize without a scar,
because claiming to honor
the impulse to danger
and then insult it
by attempting to render it
impotent
is to die indeed.

They are before you now, the teeth of the Hydra
waiting to fall from the jaw
you swear you want to bust open
and grow into a army arrayed against you.
Are you truly ready to fight?

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Listening Very Hard

I seem to have forgotten
my ribs at home
tonight;
my chest
is apparently
soft luggage
holding
an unprotected heart
swimming in red air.

To inhale
is to slice myself
from within
but since I must breathe
I force myself to do it
through my nose
by smiling hard
with my jaws locked.
You can count my teeth
even when my lips are
closed. 

Go ahead
and do it now
for they may be gone
soon, tumbling back
through my throat
to gash me further
as I doubt my gums
can hold them
for very long.

I’ve never felt
so rotted, so
superfluous,
such a corpse
to be kicked
for amusement;
so ashamed
to be caught
decomposing
in public
when I’m
expected to be
listening very hard
and applauding
what’s being said.

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Beat The Ghost

Sam beat the hell
out of a ghost last night,

his fists all tangled with cobwebs
and soft blood.

When the body holding his father’s soul
hit the ground Sam did not stop

but kicked it and broke it
until the bouncers pulled him off.

Then the poor vessel got up
and shoved a knife into Sam

before anyone could stop him.
Sam didn’t die, though,

not right away.  In the ambulance
on the way to Milford is when it happened

and Sam got a sour laugh
over who was waiting for him

when he made the leap
into that space.  The two of them

would have leaped at each other if either
had solid arms, but instead they just hovered and snarled

with no material way
to continue the fight right then.

But both Sam and the guy he’d attacked
have brothers, so no worries.

Dad will get his chance
to goad Sam into rage again.

In a few days
Sam will seize his little brother’s body

and force him to square off with the brother
of the man who killed him.

How I hate you, he’ll say to his dad
as he moves his brother’s arms

to smash back at the face
of his demise — the face he sees

there, not the boy’s face.
Shut up, Dad will say. Don’t be a pussy.

Shut up and fight.
Fight like a ghost in a man’s body,

the way I taught you
to fight.

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Pre-Brawl

It’s on? We
all over that shit? Got it covered,
you got my back, I got yours, we got this?

Yeah, I’m with you,
down for it,
I’m your boy.

They got nothing
for us.  Nothing.
We’re on top of it. They

got nothing for us.
They
ain’t shit.

Let’s go.  Bring it
if you got it.  You ain’t got shit
and you know it.  Big talk,

all you got’s talk,
bring it, let’s
go.  Let’s see

what you got.

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Ignorance

Choosing not to know
something millions know
is a luxury

Whether it’s the nature
of oppression
or the story of the hot game

to choose to ignore
what’s in front of you
is an easy way

to segregate yourself
from your brothers
and sisters

and raise yourself
onto a pedestal so high
you can see

only the long view
of the ants below
while you pat yourself on the back

for your superior
vision
and grasp

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Captain

Through the door of the Ship Room comes
one snapped mental carrot,
one steamrolled nose,
a duffel full of puppets,
and the echo of his scratchy greeting
piercing the room:
with a hearty “yee-yee” and a “ham-ham-ham,” 
the Captain
has arrived.

I’m one of only a few in the club
who know his real name.
I’m not telling.
Here he’s the Captain and
he runs things
by presence
and enthusisam
and chaos, perfect
sweaty chaos.

A band on stage
grinds out bluespunk
and here come the shark
and the pig
out of the bag.  The Captain
slugs and pops
at the front of the crowd
and thrusts them at the singer,
who hasn’t played here before
and has no clue how to react,
but we sure do.  We’re pointing
and moshing like pirates
behind him, the rock and roll
unleashed, now the bassist gets it
and starts to grin, steps up the bottom
as we charge and yell for louder
and more, while the Captain
leads us puppet-handed into
the heart of Saturday night.

Half these kids don’t know what they’re seeing:
the act I’ve known for all these years
still in progress, this stocky little block of a lunatic
for the release of every tense energy ball
in our chests and our feet knows us,
isn’t afraid to lead us to crazy and abandon.

No one would believe me if I told them
anything of what I know of him: how I’ve seen him
tear a computer down and rebuild it
in less time than it takes to power one up;
that in rare moments he quotes Shakespeare;
that under the weed and the acid scars
there’s a guy who once knew more about more things
than most of us could imagine forgetting —
but he’s managed it, for the most part.

Somebody outside the club calls him a retard
and I want to flatten his nose,
tear out his hair, tell him that now
he’s ready to judge him.  The Captain
wouldn’t care, of course, and that holds me back.
A rock and roll army needs its leaders.
Needs the lifers who live it.  Needs the guys
who could care less how they’re seen
by people with healthy metal carrots
and nothing alive in their hands.

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Hitting Bottom, Take 43

Held it in my arms
as it decayed
to charcoal, as pieces of it
scaled off and crumbled
and fell at my feet.

This is of course
why I picked it up
in the first place:
I only hold tight to my chest
what will fail me
most visibly.

I love the sound
that rises from the ground
when I tread upon it
as I walk away,
and the stains on my arms
that offer evidence
of my martyrdom.

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Rebirth/Death

When the last word
of English is spoken,
when it finally dies
and is forgotten,

everything we know
will disappear into the forest
where the ghost languages
recall their recounting

of feasts, lovers, wars
and memory, descriptions
of mountains and oceans,
specific words for snow,

sand, arrow, child,
mother, warrior, wine, bread,
chill, dawn, night, embrace,
holy, evil, baker, poet, song.

It will not matter. Someone from the next
dominant species will begin again,
trying to snare fact in the wind.
It’s always been thus: one voice fails

but the world itself remains to stimulate
the next voice to falter, gain strength,
describe the truth before it. The silence
breaks and then washes back into place.

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Nonni

Watching the salted
water rolling softly
in a shiny pot, I realize
my Nonni

wouldn’t know me now:
no olive oil in the house,
putting butter on the pasta
when it’s done…shaking cheese

out of a can onto the sticky pile
in the bowl.
This is hunger, I’d tell her
if she was here: I’m just hungry.

She’d frown, her lips turned down
the same way her hands curved and curled
over the wooden stick she used
to roll the fresh dough out for her spaghetti,

her quadretti, her wandi.
Always a white enamel pan
full of meat and sauce in the ancient fridge —
but she never called it sauce.  It was always gravy.

She could lay out a meal, nothing fancy,
just good food that satisfied,
in no time. I’m fast too
when it’s time to eat,

but it’s not the same.
And I don’t know how
to make it so.  So instead
I turn my back on her

and stuff the naked noodles into me
and try to fill myself.  I’ll likely eat
the whole pan, fall asleep
early, and wake up still hungry.

In the morning I’ll stare
into the fridge and look for
gravy in a battered pan.
And I won’t cry.  Not again.

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