Tag Archives: poems

Spectators

Taking a walk around the neighborhood,
I see an older fellow wiping blood 
from the arms and seats of his lawn chairs.

I slow down to watch, express my dismay
and concern.  “Oh, nothing much
to worry about…just 

the usual, just the everyday
mess.” He turns away to resume
the cleanup.  I notice the pile

of bloody towels beside him
on his still-brown, slow-greening
lawn. I shrug, then head home

for supper
and the evening news.
It’s spring, I guess.

Of course that’s what it is: spring.
The world gagging on blood
as it tries for renewal. Some of us

strolling by evidence of the bleeding,
taking quick notice,
shaking our heads,

then heading home for
a quick word
from our sponsors.


The Phantom

Today is for
the streams of 
“if only — “

if only the front room
was lush 
with palmetto,

if only the sink
was not full
of sharks,

if only you’d grown up
on porches
on Mars

and spent hours there
thinking about the art you’d make
if you could live forever.

Today is for
faking happiness with what
replaced dreams unfulfilled —

a celebration
of your absence
from your deserved life.

For the phantom
you became
in its impossible place.


Metal For A Bed

What metal
did you sleep upon
last night
that conducted such dreams
and from what source?

You stirred 
with every spark 
that stuck you
in the dark; suns 
and their entire systems
revealed themselves
as you breathed in charged 
solar wind.

Was it copper
under your head,
was it gold? You can’t wait
to go back to sleep
and learn; 
to travel again into
the burnished universe
you wish you could claim
was all your own.


Just Like Tony

I wear about a quarter
of my father’s face in mine, though

my dad used to look at me and say
my mother would never die

until I was gone. I can see them
both when I look closely at a mirror,

especially if I’m smiling, twisting
my mouth for a crooked instant. 

I’m not sure I can see myself in there.
Not sure I ever have.  Just a mix

of other people — his mouth,
her eyebrow; maybe that’s

a chilly, distant uncle I barely knew
in the left ear, a hint of

a damaged cousin who died
when I was newly born

sleeping in the curve
of the jaw. 

I have no children, but surely somewhere
there is someone who shares

something of me in the worry lines
around their eyes.

I think it will take me being gone
before I am fully present in the face

of someone I do not know, some relation
I never knew existed; someone who recalls me

and sees him may say
oh, he looks just like Tony.


What You Call It

Note: This poem, written back in the 1980s, was published originally as part of one of the most unique collections of antiwar poems ever created. It happened in 2003, prior to the start of the Iraq War.

nth Position, a well known literary website, put out a call for poets to submit poems to be collected into a free, downloadable chapbook called “100 Poets Against The War.” The resulting chapbook of 100 poems was created in one week from over 1500 entries, and the file was downloaded over 175,000 times; copies were used at readings and protest rallies all over the world.

The poems were eventually collected into a book of the same title by Salt Publishing in the UK in 2004; all proceeds were donated to Amnesty International. I am proud to have been part of this powerful phenomenon.

And I am saddened and angry that it remains forever relevant.  

For the people of Gaza.

T

~~~~~~~~~~~~~~~~~~~~~~~~
What d’you call it
that thing
that thing that came in the night
that hung above our village
and a war fell onto us from its mouth
what d’you call it

What d’you call it
that thing
I couldn’t see it too well in the dark
I think it had grey skin
know it had red eyes
it wasn’t a dragon
it was too hungry to be a dragon
it was too angry

Whatever it was
a thing like that
ought not to be free
ought not to be let loose to do that
ought to be locked up
ought to be somewhere else

What d’you call it
that thing
that roasts your children
that cinders your wife
takes your father in flame
melts your tongue to the roof of your mouth
burns the consonants out of you
until all you can do is scream open throated, only vowels,
nothing to give shape or form to the sound
no words
and what words could you have had before this
to describe — this

what d’you call it?

Yes
I suppose
you could call it
a helicopter
a vertical takeoff and landing armored air support vehicle
an Apache
a Cobra

and I suppose its anger and hunger could be
a mistake
an unfortunate incident
nothing to deter us from our mission

but
HELLFUCKER – SHITCLOUD – DARKRAPER- CHILDBURNER – SKYEATER
STORMSWAN – DEVILROAR – DEATHBIRD – WIDOWERMAKER
FLAME GOD HAMMER –
all work just as well

There are no clean words for some things


Coil

Calico coil
centered on
the living room rug

springs up to nestle
near me on the couch
as I weep and try to write. 

All is right with that;
I try not to think
about her, take less comfort;

there are holy wars
and greed to resist
as always, of course,

people I know
say if you say nothing
of those, if you don’t 

raise your voice,
you’re scum. So
I’m scum, I guess.

Still, the cat keeps me
from thinking
of my own death

and from turning
my eyes completely
toward darkness. Right now

death is greedy for me,
an unholy shadow
standing behind that.

Resistance
takes the form 
it takes — sometimes

as tears drying
on the calico fur
of a cat curled beside you

as you fight for
your voice to strengthen
enough to be heard.


Ocean Ahead And Within

Ocean in view ahead
(and in time within) that resets all 
with every wave breaking,
changing not just the land
but this man
standing on the land

watching, feeling the shift underfoot;
the country itself shifting, the nature
of what has felt solid shifting — yes,
it was illusion but all we have had here
has always been illusion and we’ve learned 
how to live in it more or less; 

now as the ocean —
out there,
in here, or both at once —
begins its
inexorable drive
to deconstruct 

and then to rebuild,
utterly unconcerned
with the particulars
of what and who
shall crumble
in its rhythmic path,

this man on the sand 
falls to his knees,
soaking them in the littoral,
wondering what may fail
as he may fail
as the ocean triumphs,

as the world
changes
without a choice,
as I change
without a choice
or even a chance to choose.


Of No Importance

It does not matter
where you find yourself.

End of
a cul-de-sac.

On the median strip
of the road to safety.

Alone on a trail through 
woods you do not recognize.

It does not matter
whether you are wealthy

or broke; with failing sight
or deeply healthy; broken

or whole. All that is of little
consequence and has no effect

on how you will take the moment
when you look into

the eyes of the Inevitable
and say, “Ah. Of course,”

one more time,
one last time.


The Neighborhood

Come from the highway
up Millbury Street toward home

on a day that feels like
the end of a world

in the after-rain sunset.
On the sidewalk is

the woman I’m sure 
a sitcom would name “Cookie”

walking away from 
a pickup with flashers on:

walking in a long coat,
curly red hair full of handsome grey;

walking an Afghan hound,
leaving the disabled pickup behind

on her way to somewhere
else. Leaving what doesn’t work behind.

Taking her comfort with her,
like Cookie in a sitcom finale.


Filthy Silk

You have become so timid
about how things are in your world, 

keeping to your grimy cocoon
even when it is touched

by something liable to break it
or tear into it before you are ready.

You’ll never be ready at this rate.
You can’t move in there, long ago grown

but unwilling or unable
to emerge. All you do is fret

about how it will be if you ever do,
about how certain you are 

that it won’t measure up
to what you expect.  

You have become so timid — 
stop. Better to be devoured

out there, it is said,
than it is to rot in 

former comfort,
filthy silk.


How To Talk American

We
is one of those words
everyone kisses
but no one loves.

They
is said feverishly,
furtively, side-eye given
toward its target.

I
exalts and wallows
at once, misery 
grounding satiety.

Us
means nothing. Like we
it barely exists. Written always
in blood, it dries quickly. 

To speak American
is to know instinctively
the importance 
of such words,

then cast them 
casually about
and let the blood fall
as it will.


Stunning

Stunning how the microplastics
catch the light as they float
in this glass of water
that I just took from the faucet,

how they spin in suspension.
I may yet drink it anyway.
It seems that I have little choice
if I’m to quench my thirst.

It doesn’t seem fair
that this has been done to us all
with only our implicit consent
by way of our consumption.

It doesn’t seem right
that the pollution, from 
what’s in the tap water glass
to the red in the sky at sunset,

is pretty enough sometimes
to distract us from fear
and disgust at what
we’ve made of this place.

Still, I’m thirsty,
and so I suck down
the glass full of poison gems,
this acknowledgement of guilt.


Eagle Poem

Twice now
I’ve seen an eagle
flying over the highway
north of the city.

Once when I was northbound,
its white head clear as day;
once when I was southbound,
its flight distinctive as its colors

which I was
unsurprised to see
included no
red or blue.

Nothing patriotic
in the clouds behind.
No hint of war or profit
under its wings.

That’s one big, beautiful bird,
I told myself. That’s one
joy I’d like to see more of
every day.

I keep my eyes open for it
when I drive to and from
my job trying to hold
some hope, however small,

that what is
true and clean
will not perish
from the earth.


Your Words

If you have words
to bind your pain, 
bind it and put it 
to one side.  Step
around it, walk away,
don’t look back.

You will
come back to it, of course.
One day it will reappear
in your path. You will
have walked full circle
and come back to it — 
it never moved, cannot
transport itself — but the words
that held it will prove
to have bound you too.

Here you are,
never having looked back
but with it in full view
before you.  The view
isn’t that familiar at first — 
you thought
you’d managed to forget?

Then you find 
your antiquated prayers — 
your knees crack 
as you strike the earth
with all your weight — that or upon
dropping to a bathroom floor, perhaps;

maybe you wake in bed,
with your knees
curled to your chest.

You may have no words,
now. You may be 
unable to speak
of any of this
to anyone but yourself
with something on your tongue
that is not open to language — 

well, you may have these words
if they work. They are as much yours
as they are anyone’s.


Let’s Catch Up

…but I am forgetting my manners —
how are you, how are you,
and how are you? So good
to see you here, to see you
anywhere, in fact. I’d heard
things and although
I know better than to credit them
without corroboration, I was afraid
they might be true in this world
of deportations and vanishings
from off the street. You can’t ever
be sure anymore.  Torture chambers
springing up on back streets,
in the old warehouses we once played in.
Never trust your neighborhood watch
not to get you killed and call it 
due diligence, am I right? Come in,
though, come in! Come in
past the doorbell camera, pay no mind
to the blinking light on the mantle;
I’ll cover as much as I can for you,
should have done it sooner, before you
got here; can’t be too careful,
I suppose, although I suppose
we are too careful in some ways.
The border fence, the guard posts,
the minute wars and accidents
of vigilance.  I knew a lot of people
once. They seem to have disappeared.
Thought I saw one the other day
on the corner. But let’s not dwell
on the bad parts of the living
we are making here.  Focus instead
on the music. The fashions,
the holy trends and not the holy wars.
Focus instead on the trappings
of “the greatest country in the history
of the world.”  We’re on the moon again,
did you hear? And I’m replanting
the old trees we lost in the drought —
the magnolia, the poplar, whatever
will take.  Sit down, I’ll fetch drinks.
Let’s catch up.