Tag Archives: poems

Solstice (Empty)

New poem.

I wish I had
a forest inside me
speaking only
through leaves and wind,
but I do not.

I wish
the whistle and squeak
of the branches
rubbing together
had been my only
soundtrack from birth,
but it was not.

If only I’d been
filled with ocean
or cave-song
or the howl
of blizzards
in far mountains,
but I was not; instead

I am today as empty
and as silent within
as I have always been,
as always
am waiting
for my own song
to rise from that void

and fill me
and the air
and the sky
and the rest
of this whole 
damned world.

 


Crossing The Bridge

New Poem.

May it be said of us
when the time comes to write history
that we crossed the bridge
we were faced with.  We crossed it

though it was not the bridge
we’d hoped for — not the genteel arch
over a clean and narrow stream
with little but discomfort to face if we fell from it,

and not the steel artifact of a golden past
teeming with millions crossing it with us;
for us instead that archetype of peril,
swaying and crumbling one slat at a time,

with so many working to kill us as we crossed,
bullets pealing like bells as they struck
the stone all around us. May it be said of us 
that we never turned our gaze

from the other side to the drop below;
that we held onto each other all the way over
and clung as long as we could to those who fell
along the way, and that when we were across we turned

to the task of putting a better bridge
where the rotten one once had hung.
May it be said of us when we are gone
that we did it the way
it should always be done.


Dust Storm

Originally posted 2/11/2012.

the distraught parents
don’t know what to do

their children
have fallen in love
with dust storms

they reach for a bible story
with which to chastise them

god is coming soon
come in
out of the grit

but the kids
otherwise enthralled

aren’t waiting for a tardy god

they start a faith
based on watching the wind
bore holes in rock

with a gospel
of how sand
gets into everything
without trying


Grief In The Smell Of Brass

Originally posted 3/31/2011. Original title, “Chastisement.”

First time you noticed
that 
brass smells of dirty fingers and ozone
was the day you learned your mother had died.

The keys were in the hand
you bunched up to your face
upon hearing the news.

You could smell and taste them
mingled 
with tears and dust from the oak table

upon which you laid your head to weep.

These days you dust the furniture frequently
and whenever you handle your keys
you wash your hands right after.

It’s been years
since you thought about
that day.


Shuggie Otis Sunday

Originally posted 10/12/2008; original title, “Hearing Slapbak On A Sunday.”

Invitation to Sparkle City.
The bass a friendly hand opening the door.
The groove shuffling me along to comfort
with a shout to someone unseen
to break out sweet tea and a good meal. 

It’s not much — no,
it’s everything. It’s church
softer than any formal pew,
warming me top to bottom 
on no more 
than an ember. 
Big pillow for a sad head,

holding me like a cradle I never had;
this is no offer I can ever refuse.


The Next Country

Originally posted on 4/29/2013;  original title, “The Unimagined Country.”

Yet-to-be-fully-imagined
next country,

country where we let our own blood
into the garden soil to feed it,

where we sing in our own tongues in the front yards
and kneel silently in the back yards

under the open sky, seeking
guidance or a little rain;

country yet to be founded,
already rich and storied,

abandoned, rediscovered,
abandoned and found again and again;

country, not nation, not state;
country, not homeland, not seat of empire.

Country yet to be ours, country
ours to define — country

for us to defend against the poisons
of borders, flags, anthems, suspicions.

When we come to that country
we’ll look into each other’s eyes

and we’ll know what to name it 
without a single politician’s speech.

We’ll know how to run it
without a single task force.

We’ll know how to love it
without a single weapon.

We’ll know we’ve truly settled there
when we look into each other’s eyes

and see a neighbor, a cousin,
or a self, no matter what else we see.


German

Originally posted 7/3/2006.

We don’t recognize the tall old man
who asks if he can be on the list.
After he signs up at number four,
he sits in the far corner, alone,
speaking to no one.

When his turn comes he announces
that the poem 
he’ll be reading
is a gift from the ancient ones
unveiling the dangers of the coming
ultrafascism. 

He begins in German
and if he could speak German
at anything more than a freshman level
we might find less menace to his voice.

We catch snips of words
and phrases, some in English:

holy war,
Taliban,
Allah,
Jehovah,
Freemasons,
KGB.

We shift in our seats
when he reaches
under his shirt. Nothing is forthcoming
but no one 
relaxes.

His voice rises to a near shout,
concludes 
with English:
“man cannot destroy
the earth, for he is of the earth.”
When he is done we applaud, as always — 

looking around to see
who else is applauding,
who sees us applauding,
who is sitting unmoved
and unmoving.

This room full of smart people is terrified by — what?
A stranger reading a bad poem in halting German
and disreputable English?  The potential for d
eath by a stereotype
of mental illness or fanaticism?  The invasion
of our comfortable bubble? A secret thrill
of guilty agreement?  Or is it how
his elementary cadence just 
marched
uninflected 
over art
straight out of history and into
our best knowledge of how evil
is supposed to sound?


Looming

New poem.

The blessing 
I’ve awaited is 
not yet in sight

but there is
a promise of it
in a shadow ahead of us.

I shall not
rush toward it.
Instead,

let’s see what birds
come toward us
from that potential home,

let’s see what the sea
offers us 
as we tack closer,

let’s feel something
like hope and regret 
co-mingled

until we are ready to land
and shift from past and future 
into present.

I have waited this long
to see it looming there;
so little time to wait now,

so little to fear now
as we approach, and I will not
speak for all of us

but I will say that
I am curious enough
for all of us. Lend me your eyes,

lend me your ears
if you are afraid;
lend me all your senses.

I can take it all on for you 
if it will ease 
your remaining way.


When He Broke Us

Originally posted 7/28/2013.

When He nearly broke us
on a knee and a treaty
our mystery belonging broke

Our knowledge of stone’s tongue broke

Our river dreaming broke

The river bed opened
and drained itself down
to bones

When He nearly broke us
on a promise and a prayer

we ended  — almost
Couldn’t speak to each other
After war came famine and
our children were taken
They returned much later looking more
like Him
Had no tongue to use with us
Who were we then
without them 

but when He cracked us

He did not finish it

We found glue among little stones
We found our old words there
We saw old life in new seams

When He cracked us

we saw his self capitalization at last
for what it was
and gently took it from his hands

When he cracked us
he cracked himself

He tried to wear our clothes
They fell from him

He tried to steal our names
We called them back to us

His children learned to see him
as unnaturally starved
despite leaning toward obese

They say they feel bad about when he broke us
Little breakers feeling sad in fancy hats
they don’t see as stolen property

They keep banging at us and calling it a tribute
Their hammers ring just as loud 
as when their fathers first cracked us
as when we first stood up to it
as when we first became unbreakable

and the singers
and the dancers
and the drums
our drums
drown their hammering 
in the renewed flood 
of our river dreaming


What You Call Me In Daylight I Call Myself In The Dark

Originally posted 2/24/2012.
Original title, “The Names You Call Us.”

Whatever you decide about how we should look
is how we look to you.

Whatever you decide you can somewhat pronounce
is what we are supposed to call ourselves.

You pick a petal and call it a flower
as if calling out a part conjured the whole,

as if naming a peak
described the range — 

Pike’s Peak for the Rockies,
Mount Rushmore for the Black Hills.

What should I be called?
Should I let you buy me a collar

with “half-breed”
or “wanna-be” on a tag?

Should I shelve
everything I have lived through

so I can sit in your easy box and beam up at you
with your pink bow on my head?

Should I stop cursing you under my breath
when you aren’t listening?

Perhaps I should speak up knowing
none of it will matter much to you

as I seem to fit in this world
without really trying — no surprise,

I was taught how to try
from the day I was born.

In the dark I echo you,
calling myself lost, traitor, hypocrite,

but not for the same reasons you give.
I do it because I know I have had to give up

one half of all my contradictions
every time I have tried to fit in.

Call me the wrong name, call me
the wrong kind, call me wrong simply for being;

all of the names you call me in the dark,
or when my back is turned,

are names I have called myself.
Y
ou needn’t keep trying to kill me

with your words. I have already
done so much of the job

that I don’t know my real name,
what it means,

or how it might have kept me alive
in a different time.


Play Guitar In Five Easy Steps!

Originally posted 12/11/2012.

“he didn’t leave much to ma and me just this old guitar and an empty bottle of booze”   — s. silverstein

if you thought it was written by Johnny Cash
you are forgiven a little

if you thought he was telling the truth 
you are forgiven a little more

if you hate your name too and all you have to fight it with
is your missing bad ass dad’s old guitar

you are not only forgiven everything
you are blessed

and you should forgive me
for everything I am about to say

“they’re dead wrong I know they are cause I can play this here guitar”  — weill, mann, lieber & stoller

marvel at how it took four people
to write one line

about a truth every 16 year old
with a death grip on a maple neck

learns by osmosis
from the first chord

“well I got this guitar and I learned how to make it talk”  — b. springsteen

interrogate your guitar till it owns up
to things you have never done

“the bitter comes out better on a stolen guitar”  — d. bowie

you tell me: if you’ve not yet stolen a guitar
have we even seen your bitter

“your guitar it sounds so sweet and clear but you’re not really here it’s just the radio”  l. russell

dream yourself into being a ghost superstar
by dint of broadcast ominpresence

but even the superstars will tell you
that in fact

in truth and real life
we end up most often alone

in a small room with wood and wire 
pen paper bone pain and joy

this is
what that thing does to you

welcome and
don’t say you weren’t warned


Squat Seduction

Originally posted 1/19/2013.

On a physical search for God, angel,
devil, or some other entity
good or bad for us;

looking for transcendence
in an abandoned liquor store
behind the wasp-ruled chest cooler.  

Sitting behind it,
not caring for stings one bit, sucking
a pipe full of our last kind bud; 

searching for some guide
just as smooth and stony
as the pipeful.  

Seek and ye shall find —
was that the Bible or
our school librarian who said that?

We spark up another one. Need it 
to look for something deep
and certain in these ruins.

If TV alien hunters
are remotely not crazy

or greedhead hucksters 

when they
do the same 

among mounds and pyramids,

who would say
there’s no similar chance

of tracing the tracks

of extraordinary beings
here in the half-emptied rubble
of Sully’s Cash And Carry?

Maybe
these wasps are little
demigods.  

Maybe there’s a snake
in the cracked walk-in
the way there was in Eden,

the way there was in the vacant house
we hid out in last winter, the one
on Gutter Road.

God would so get
what we’re trying to do here.
I bet God’s a squatter too. In fact

I bet God and the Devil
both prefer ruins to churches
and sticky floors to clean holy beds.

Heaven is undervalued property and 
mostly abandoned, as is Hell; these days they mete out
paradise and punishment 
wherever they can.

I’m telling you, these days God’s likely
hiding in a pipe, and Satan
is probably hiding in a lighter

so let’s light up. Let’s seek them.
We’ll sit in the dust in the dark
and wait for the End Times 
to begin.

 


Terraforming Mars

Originally posted 12/31/2009.

Watching a show
on terraforming Mars
and can’t help but think
of Crazy Horse
when an astrobiologist says,

“To me, Mars is the lot next door.  
The lot is vacant,
so why not plant a garden?”

Crazy Horse,
if you’re listening,
please accept my apologies
for us all.

All that blank red dust, 
all the things we’ve learned,
yet we still think we know best.


Flight

Originally posted 7/12/2003.  The OLDEST poem on this blog, though not even remotely my oldest poem.

There’s a hole in me the size of a departing flight.
Something taxis up to my edge and takes off,
flying out of me toward a horizon.

Not that I can see that horizon;
that’s just what planes are supposed to fly into these days. 
It used to be the wild blue yonder that planes

flew into, but no one thinks planes are that wild anymore —
they seem to us more like stale buses
full of cranky people eating meals

that never fill them,
in precisely the same way
that nothing fills me now. 

Somehow I keep thinking 
even after my mind falls into this hole
and disappears.

I keep thinking that I’m going to rise
and follow that vapor trail into the blush,
catch up to the flight before the sun goes down.

You’d think I’d know better by now.
I ought to know better by now. I ought to be able
to figure this one out.  Some flights

are just lost. You can’t catch
a plane that has been lost, 
not by thinking.


Enabler

Originally posted 7/23/2003.  The second-oldest poem on this blog.

Call me black ice,
the patch on which you skid.

Call me your shadow’s lasting fragrance
for how our bad nights sting you raw for days.

Call me water on granite,
wearing you down over time.

Call me your sad sink — full for days, smelling of bones,
old salad leavings, greasy teacups.

No matter what you call me,
I will look back at you tenderly.

You shine more brightly
whenever I am the dark.

You seem more right
whenever I am your worst past mistake.

You seem more
whenever I seem less.