Tag Archives: poems

Late Afternoon TV

Watching a landscape on a television show
where a castle once stood, one torn down
by soldiers attempting to kill a man’s memory;
frightening his followers, satisfying his haters,
leaving him up to wind and rain for so long
that no one recalls his name. It happened
so long ago that the assistant director
yawns and rolls his eyes in weary disbelief
that he has had to come here to keep
some measure of reality alive for those folks
who worship each rumor and whisper each hint
and relentlessly watch and wonder if it’s true.

Watching a landscape on a television show
that tries and tries to render it alive and dangerous
while the watchers sit outside the story and think
that if it is true then this must be magic
and if it is not it still is magical in the way most music is
except it is not lyrics or notation or anything
at all like those; rather it is an exhalation of sound
and in there is a lock that can be picked without a key
if one cares enough and one day it will happen
but until then the story will have to be enough.

Watching a landscape on a television show
where a man dies and an assistant director rolls his eyes
and ardent fans of mystery struggle to understand
and casual fans of music struggle to hear it in the background;
in the meantime the musicians take a break from it
and smoke cigarettes and try not to think of it
and manage not to think of it at all; in the meantime
the soundtrack devolves into a case of blues
and no one, but no one, cares for it at all.

Where did the landscape end up?
Who wrote this music?
What is the name of the song?

When the TV is turned off, does everything dissolve
into the everlasting stream of memory?

~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T



On A Morning In December

Listen up.
It is hard to speak to this:
outdoors the low rumble
of something, trucks or
an unseen train, perhaps;
perhaps the accumulated
higher pitched rattle of cars;
I don’t know. It doesn’t
come toward me, that much I know.
It’s just a suggestion civilization
is making — that I ought
to get going. That I ought
to be out there, too.

Listen, please listen.
I did not choose this selection.
It was driven by health or maybe
another choice — perhaps
a semi-deliberate slip and slide
toward some edge I never recognized?
Trees, leaves, soil have gone to sleep
until spring; snow from last week
covers black tar, and none were involved
in my choices to stay inside and
to stay gone from this busy world.

Turn away if you must.
Reflection of my past in my darling
memory is all I have to hold.
All I have is bright memories
I love, or used to love. Whenever
I close my eyes I see them
in rumbling vehicles,
amidst shrubs’ barren sticks,
fading slowly off in unmelting snow.
I close my eyes yet again,
hoping for a listener to make sense
of all of this. I hold out my hand —
listen, I beg you.

~~~~~~~~~~~~~~~~~~~~~
onward,
T






Acknowledgement

I wake up to realize
it doesn’t matter what I say.
It doesn’t matter at all.

I am sitting in the living room
without a true care in the world.
Lots of false care, lots of forlorn hope;

none of it matters. None of it.
All of it is forlorn and nothing
is a true care. In a long run

of living, of life, I am still here
and that’s what matters. The sorrow
and the triumph all the same;

nothing matters at all. I just
don’t sit here involved in anything;
just sit, a blank look on my face,

an empty head on my stooped shoulders.
It’s almost a comfort to acknowledge it.
Almost makes it worthwhile.

The pure light of emptiness
lifts me up and holds me, transparent,
opposed to fullness.

I just said it: I am almost comforted
by knowing my emptiness, and soon
it will drain away completely.

And that’s a good thing. That is what I want.
The pure light of empty being.
The empty light, the light of being full

of not wanting any thing or thought.
I didn’t know it would be like this.
If I had, I never would have done otherwise.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Saudade/Fado

After the ball, a prince
and princess undeniably
shacked up.
No pregnancy followed
and a few months
later the two broke,
somewhat bitterly
though that faded and they both
were left feeling a sweet sorrow
called saudade by the Portuguese,
one that is most often felt in the lyrics
of one of their folk songs,
akin to flamenco, called by them
fado
but I digress, as I so often do
these days.

Yes, prince and princess
went their separate ways,
their tiny countries not unfriendly
bu clearly at a distance from
the world order, almost as if
they were forgotten by the larger
nations around them until such time
as they became a jewel to be plucked
and placed, stolen, in a diadem
by first one and then the other;
there was sorrow and anger following
and both princess and prince perished
in the aftermath; bloody, disheveled
yet unbowed; one could hardly
tell them apart — but once again I digress
from the point I’d like to make:

ah, it’s forgotten —

but somewhere in this sodden fairytale
there lies a moral about faith
and forgiveness
and a sordid little message
about two against the evil world
for a short time until they
fall apart; how their countries
fall apart almost independent
of the failings of individuals;
instead I am left with
my own cold fingers
trying to conjure a new missive
that is also an ancient one
and nothing prepared me
for this —

how mundane
the world became overnight,
how hard it was to get up
and sit here typing, how easy
it’s become to just close my eyes
and forget all this — prince,
princess, war, fusion, struggle,
sadness, music —
saudade, fado
just close my eyes
against it all, not weeping for it,
never a tear in me
for all the sweet bread
in this world.

“““““““““““““““
onward,
T


Listen To The Radio

Reggae: thin and spare
up top but sinewy and
benefitting from thick,
supple bass down below.

Heavy metal: dense, frantic
as a power tool run amok
on a plywood surface with
bumps and bruises interrupting.

Country comes clinging
to a root it claims; it fastens
hold, yet has no visible chain
to the same.

And rock, rock and roll?
Riff after cliched riff with a shout
to whatever gods it last saw;
welcome to new gods when they’re gone.

There is folk, and jazz, even
a bit of classical; blues after sunrise;
Dixieland to ease the night on through.
Turn on the radio, spin the dial;

refuse silence in favor of a noise
no one really loves but Lord,
they say they do. You ought to know
by now — it doesn’t matter, really,

which poison you take, which manna
you eat, what meal comes your way.
You eat what you’re given, listen to all.
You’re lost. You know that. You close your eyes.

~~~~~~~~~~~~~~~~~~~~~~~~`
onward,
T


Cup Of Coffee

I sit with a coffee

Cannot help but think
on a cold morning
on this the final day
of November

of how I’ve got
prescriptions to pick up
and over the counter meds as well

Maybe have another coffee afterward

Sit and sip and ponder
those lives I’ve lived
and that I’ve ended living
with no death to speak of

The last chapter of the book I was writing
just ended without a warning
just ended with no closure
just ended with not even a whimper
just ended with no hope of a sequel

I sit with coffee

If I have time
before the next book begins
it will likely be the final book

There is so little time left
before the start
before the ending
before I begin again
before I close

One more cup then

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Bob Dylan

“He’s a Jew who took
a few half-decent lines
and made a shitload of money,”
she sniffed with great disdain.

If I’d had the wherewithal
I’d have got up and left
or struck her. She was
lovely, more’s the pity —

she was lovely and instead
I turned my head and said,
nodding, “I’ve heard that said
before,” in a nicely even keeled

voice, not looking at her
and indeed looking away
at the far wall of the student
union, the far brick wall;

dark brown, dark as
an unpainted jail wall,
almost black but really
burned brown or apparently

so, her words firing up,
licking at the base of the wall,
not tearing it down, not
shredding it — but

I didn’t say anything then;
it’s all I remember of her, not her
name or anything other
than that she said it with a bit of

bitterness, more animated
than she had ever been before.
I remember that and that I said
nothing, no response.

I regret so much of my life and times.
Bob Dylan didn’t need me then
and he sure doesn’t need me now, fifty
years later, wasting away, regretting,

bemoaning, selfishly thinking
of what I should have said and done;
she said it, I did what I did which
was nothing at all, Bob Dylan kept

singing, the earth continued spinning
with only a burned wall hiccup,
really nothing at all. I felt it then, I admit it.
I felt it and for a moment I regret it, then move on

like an earthquake rattled the world and never ended,
like a storm passed over and held still above us,
like boots marching, like death itself coming,
like it matters what I did or did not do.

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Alligator Dreams

There is
a prescription of sorts from the doctor:
sit and think on life and enjoy what you
have left of it…
basically, just think.

Here I sit in my chair: a comfortable chair
though it’s a wee bit ratty; one that
extends, although I never do,
into the center of the room. So I
sit still and think, casually, about life.

I am also, of course, a wee bit ratty;
I suppose we match or are at least
complementary. When I think about life
my rattiness extends and falls over the side
of the chair onto the floor. I don’t bother

to pick it up when it happens.
Basically, I sit and think, and think some more
about alligators and dying and what it would
be like to go that way…a subject for a gator’s meal;
nothing more, nothing less.

Then again, I’m in Worcester, in New England,
and it’s the day after Thanksgiving and damn, it’s cold;
the chance of falling into a gator’s maw is very, very slim.
I sit and think some more about how I’d like to go
five years, ten years from now — oh, it won’t be long,

I know that, and my casual thinking gets black
and serious and downright evil when I let myself
realize it. I’m going to pass sooner, rather than later.
It won’t be via alligator. I know that. Instead
I’ll go with some little fuss in a hospital bed

or with a quiet fall to a polished floor at home.
What will it matter, then? Either way I will
fall and go, slipping off into the ether, and I suspect
it will not matter to me which way I go, as long as
I’m gone. I will slip into a new world,

one nobody really knows; despite mythology,
in denial of old traditions, rejecting orthodoxy,
I will be in it and either it will be blank space
or something else and I will say ooh and ahh
and be amazed or shrug it off and say eh...

but I suspect I’ll still have this ratty old chair, and
I trust I will have my jealous alligators
circling endlessly about, waiting for my hand
to stretch down, an afterthought, a token
of my love for this life that led me here,

that led me to the end of my silly, silly days.

~~~~~~~~~~~~~~~~
onward,
T


Thanksgiving Day Redux

Last time I checked
I was as American as genocide;
felt dirty for breathing another’s air,
clean as a whistle through bones.

It’s easy to dislike me; after all
I have a holiday dedicated
to overstuffing my belly in celebration
of eradication of other’s cultures.

Listen to my people giving thanks
then rescinding it after
consideration of all those unworthy,
howling incomplete gratitude.

Meanwhile at Plymouth Rock
Indigenous folks circle in grief
and moan the day away in brilliant
sunshine. How can one day feel so

different to these two groups?
It’s a function of something; maybe
the music, maybe the parades, maybe
the football. Dunno —

shit, just pass the potatoes, gravy
color of old blood, plastic
cranberry sauce still holding the scars
of its tin can. I am just starving

for those items, those supermarket
items. After that I will retreat
and think of nothing as sour as this day
and its hours of reclamation and grief.

Pull myself into a little ball,
maybe cry a bit — likely not, though.
I will stare instead out the gray window.
Forget it, it’s Thanksgiving. You aren’t

supposed to feel anything,
after all is said and done. Let
the damn Indians feel it.
Let brown folks feel it.

~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


He Watched

Toward the top of the hour,
he stood on the floor
of the hospital room
and looked her in one eye.

One eye
looked back
as blue as a wound
or a memory.

Her memory fell into
a cavern and landed softly
on stony ground, untouched
and unmarked by rocks.

Those rocks rose and fell,
rose and fell as if
waves willfully tossed them at her skin
and caught them as they returned.

He stood in the doorway
of a hospital room
and counted those rocks —
one, two, three — as they fell

ordinarily on a linoleum floor
and clattered as they landed
on a memory, on her skin;
her skin, her malleable skin.

He watched them for hours
as they fell as stars fell upon her.
Turned away crying, crying out.
He watched them fall. He watched,

and sobbed himself dry.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Waiting For A Wave

“I don’t know what it takes to be chosen;”
an arresting line
from a song on the radio.
I don’t know that I know either —
sitting
in my accustomed chair, weary
of it, tired of the seesaw,
the up and down of this;
I sit and wonder for hours
why I can’t be chosen.

The guitar next to me? Untouched
and stubborn in its refusal to be played well.
The poems I’ve written? Unread
and mostly forgotten unless I struggle.
The life I live? What of it? My hair is uncombed,
my teeth unbrushed, my beard just this side
of looking unkempt. I look a mess.

“I don’t know what it takes to be chosen…”
well, I will never know, I think.

So I will sit here, unselected. I’ll wait for time
to end for me, for others.
I’ll sit long hours in this ratty chair
waiting for the impossible to happen —
waiting for an unknown choice
to make itself known; so.
I will remain here
breathlessly unsteady, not able
to understand what it means
or what, if any, the available choices are;
perhaps there are none
or perhaps there are a million and one;
perhaps I have done so already.
I sit here waiting to be chosen;
waiting for a wave
to lift me up and carry me away.

~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


First Person

You wouldn’t know him
from Adam or any other
first person.

Outside chance? He might have
a broken face, something
to remember him by.

Maybe he’s got a mark,
a Cain figure; nothing disabling,
a shadow perhaps.

According to the news
he’s just perfect in every
aspect, except one:

his eyes slap and his mouth
eats your words and spits
them back at you.

Did you think he was
perfect, the perfect man,
the absolute?

You were wrong, of course.
He was damaged and you
didn’t know. Of course,

you couldn’t tell
at all. Charming fellow.
Ice cold. Friendly.

But he’s barely human.
He’s not even
a dog.

Maybe
he’s
Republican.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T



Another Ruined Day

Ruined, I am ruined
by the progress of years.
Each day starts with a token try —
I can’t get out of bed without
great effort which I’d rather be turning
to making love, if I was not alone;
to making art, since I am. What
would I be making? Since you asked,

maybe I’d take up painting, maybe
my old guitar would call me;
maybe I’d just sit and think and write
fantastic thoughts of dragons or something;
of the end of the current
administration at the hands
of the electorate — maybe.

Instead I struggle to the bathroom
and weigh myself, cheering my
tiny poundage loss; I make coffee
on the way to my measurements —
blood sugar, blood pressure — then I dress
and come out to here, to the computer,
to address the world as I see it.

It’s a relief to puzzle
over this dilemma: I’m a mess
of conflicting huge desires and
mundane needs. To wonder
about making love — there it is
again — or rising from bed
at all; why do I bother? Does
making room on the page
do a damn bit of good for
any fantasy I might harbor
for my healed self; does any vision
of my healed self include
any other — or am I lost, lost
alone amid my fantasies?

I don’t know. I sit here
with a cup of coffee and
my dream of self-sustenance.

I don’t know. I sit here
blank inside and nondescript
outside; ruined face, muscles
not firm, most of all
my old eyes — sunken ships.

They look out and see the ocean
as the end of things. They look out
and see no fish, no shells,
nothing but waves overhead
driven by winds unseen
while I sit calmly
at the bottom of the dark ocean
and think of anything at all
that differs from this.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Just Sit

I pour a large cup
of bitter coffee. I go
sit in the living room,
pull out this computer,
and I write after I sit for a bit.
Sip the coffee now and then;
mostly, I just sit.

Sitting is the aspect of living
I enjoy the most, hate the most,
am spending the most time in.
Sometimes a cat sits with me;
mostly, I just sit alone.

Turn on the radio
and don’t groove along
to any song, really, at all.
If I recognize anyone
I’m happy for a second, then I go back
to sitting, alone, in my worn chair;
I mostly just sit.

The window behind me
holds back the cars, the wind
and the rain, the definite articles
that pin down this earth to a case study
(and there are people who prefer it)
they can review, and study, and ponder
like it matters that you think of it,
think of anything at all; mostly,
though, I just sit.

Sitting is what I do
and sitting is the most I can do,
the least I can do. Mostly
I just sit, and think, pet the cat,
drink coffee, sit some more.

I’d get up and do something else
but what is there to do anyway
that will change this world
the way I want? After all

I am a cripple in despair,
I am a hero waiting for my chance,
I am temporarily snapped to a mold;
you can accept it, say “there, there…”
and pat my head, shake yours
as you turn from me, just sitting there,
a permanently lonely memory perhaps;

but really, I’m just sitting here with my coffee,
my cat on my lap.
and this whole damnable,
lovable world surging behind
my tightly shut eyes.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


History 250