Tag Archives: poems

Alone In A Morning

I take a piece of butter bread
and spread it thick with butter again
and also honey — not thick with it
but thick enough — and turn it loose
upon my tongue where it stops
me for a minute, less really
unless I close my eyes after a bite
and think: is this enough?
Is this enough to stop hunger,
end war, give me peace and allow me
to harmonize with silence for one moment
after, until I take another bite?

It isn’t. So I take
another bite, feel honey
in my beard-hairs, chew slowly
around butter — a big chunk
if you can call it a chunk when
it is so soft and when bread
melds swiftly to it until
they are one —

and I close
my eyes, alone again
for a second time this morning
when it is morning here,
night elsewhere, cusp of a day
when anything could happen,
even a piece of butter bread
coming together with honey
and extraneous butter until
you close your eyes one final time.

~~~~~~~~~~~~~~~~~
onward,
T


Miesha

At night
the cat does nothing
she hasn’t done all day;
curls up on the bed
next to my leg
amd falls asleep
with no apparent care
for the state of the earth.
That’s it. That
is all she does
and I wish I could learn
that skill or attitude
from her.

~~~~~~~~~~~~~~~~
onward,
T


Deliver Me

I wake up singing
a song about a cowboy
then it changes to a song
about a fireman and then
a song about a gunslinger
and one about a robber
and all the time the real heroes
are fighting the real villains
elsewhere and they don’t care
what songs there are except
“We Shall Overcome” and
something wordless and keening
over the bodies of the dead —

it doesn’t matter whose bodies
they are, or were, just nameless
hunks of dead angels for God
to shake his head at and say
“Go on,” that is, until no one
is left to cheer or sing.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Care To Dance

Care to dance? I
can’t dance. Feet flop,
clumsy arms, spasm along
to any music, quick or
leaden on or off the beat.

Feel like singing? I
fail at that. Broken notes
delivered in highborn tones
or whispered mistakes
of melody on the line.

Can’t play guitar, piano;
can’t use a drum or horn
to save a life or even sound
an alarm. If you expect it,
you expect wrongness.

It’s a puzzlement == I
am your mistake, aren’t I?
I should have your mark,
your lies, your false steps
toward your own Utopia

embedded within me. I
should be like biting
on tinfoil, just before
the excruciating pain;
I should be waiting to die,

same as you. I
am not, though. Instead
I bang a drum, honk on
a harp, clumsy play a failed
guitar; I crack forth a failing song

and I dance like a bear. I
dance like an army, like a
forest burning in the darkness
outside the towns, the cities
where you sleep.

You awaken to the sound. I
keep going, louder and louder;
the staggering roar of the bear
or the lion, the hiss of the snake
twined within; behind it all

a more enduring song. I
feel, as if it could be a mere suggestion,
the tender whistle of green filtered
up through ashes
into sunlight.

~~~~~~~~~~~~~
onward,
T


Wolves

You recall
the thin bark of stones
hitting you. You recall
silence at night.
You recall the transparent sneers
of the willing, how like sheep
you thought they seemed.

It is all happening
again, you know it is,
only it will be far more,
far more of the same.

Well,
it’s going to get
colder. There will be
more stones and sneers.
More sheep.
More wolves.

Bundle up.

~~~~~~~~~~~~~~~~~~
onward,
T


The Dark Guest

Two cups of coffee,
one cup of tea;
it is Wednesday
morning and I’m lost
among the furniture left behind
by the wind and the rain
of the Dark Guest’s time here.

I will gather myself after tea,
steel myself against what may come,
and face the insidious wind
and poisonous rain of the Dark Guest.

It’s nothing, really; nothing
to be concerned about for more
than a moment. The Dark Guest
only has a moment, a brief moment
to act and then the winds and the rain
will take over and wash him away.

I will be changed, and you
will be changed, and when the light returns
we will rub our eyes as if nothing
happened, as if the Dark Guest
was gone with a clap of our
damp but drying windblown hands.

Until then, we have work to do.
Have coffee, have tea;
we put our shoulders down.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Stars

Stars, all of them it seems,
laid out in a perfect grid
across the night sky. It’s not
supposed to be thus. Supposed instead
to fling itself in a chaos of disorderly
mythological meaning, the stories
not resolving, just — there. Instead
it seems that a mechanic has organized it
with pre-greasy hands, the way he preferred
it to be– easy to apprehend, to comprehend.
I know they are just beyond my memory
and I strain and rub hard at my failing eyes
to try and see. Just now, one flickered.
I almost cried for the flaw.
I do not care if it was real. I care
for the mistake, imaginary though it may be.
We learn from our mistakes, or so I’ve been told.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Quincy Jones

Quincy Jones died; Bob Dylan
lives; Phil Lesh died, Bruce Springsteen
lives; my father is gone, my mother
almost gone, and me, almost
almost almost gone…or so I almost
almost believe. I am almost
certain of it and almost don’t fear
the uncertainty — what will it be like
on the other side, if there is one?
Will I get to speak to the famous
and will I be part of the welcoming crew
for the ones yet to come? Or will I stop
caring as much about them; will I fail to
even notice them as I stare into…what?
I don’t know and that makes the difference
between peace and struggle. Famous
and infamous, ordinary
and extraordinary alike will stare
into the bark of old trees hoping for
insight. Or perhaps not. Perhaps
the old trees won’t be visible,
perhaps I won’t see anything
and neither will the famous. Quincy
and I won’t know each other. We will be
young and luminous and anonymous
in the void.

`~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward.
T


Recollection

I recall
her, nude,
her back toward me,
covered with symbols I would not
care to calculate my way through
until after, after;

then there
was the time she was not there
and I longed for symbols, for numbers,
anything at all; closed my eyes,
tried to remember, tried so hard
and nothing, nothing.

If only
I had a flashback engine to carry
my mind there, to the edge
of presence, to chug and huff
toward real memories and visions
or anything like them;

but now
that engine seems broken,
shattered or nonexistent — now
I am shattered myself or nonexistent.
Now is all I have. I don’t recall
the name for anything, especially her;

now seems
the eraser, the scrubber
of dreams and longing is all there is
to wrap myself inside, and I am left
bereft but somehow satisfied with that —
now I am parted from her, and so it continues —

brief pang
of longing, of mystery’s
dumb dim light on my ruined eyes;
wondering again
what name I should call her
should she improbably return.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Wait For A Sign

A long way to the highest step.
A long way to the lowest step.
It’s a long climb or a long fall.
The tumble would feel like a polka song
all the way down, and the climb
would become slower and slower
and hurt more and mostly would become
pain, discomfort, a sense of wrong
choice or no choice if you didn’t
want to die. And you don’t
want to die — not yet, not without
digesting all the life you could.
So you sit on the stairway and sigh
that there’s no elevator, no escalator —
not even a moving sidewalk, damn
the creator…you watch for birds,
hoping for a song; you long for coffee,
hoping for a cup; you hope for anything
that would make the decision to sit still
seem more rational. It doesn’t come.
It will never seem rational and it seems
fanciful to the extreme, in fact.
But it’s all you’ve got; dreamer,
fanciful man, irrational man,
elliptical thinker of peripheral thought;
you sit on the midway step, gently blow your
honking nose, weep, and hungrily wait for a sign.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Monday

Rumbling, riffing guitar, extra
drums of trash contrivance
that sound dead — no reverberation
from the kick — the bass of it
seems nonexistent until a moment
of dead air, and then another song
begins; a new song with a stronger bass
and a dobro but it’s short — clear voice,
firm hands on the axe — was it recorded
separately, all together? Call letters follow.
Then, another song…

I turn the radio off. I love
silence when I can’t sing. I long
for it — let the music sink into me
the way the sorrow does, the way
the joy does…

the way it all does, every little scrap.

It is getting to be light outside,
the sun coming up over the street
from between three-deckers; dimmed
until a scrap pierces through and
the day promises more light…

that and the silence after the radio
goes off are enough to make this
a day, inexorable and constant.

Turn the radio back on.
You need something to do.
It will happen again.
You will need something to do
and silence tells you so little
about that.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Another Morning

Another morning.
Last cup of coffee.

Open the blinds.
It’s a bit chilly.

You found everything
you sought before sunrise.

Staring at the wall,
thinking about the guitar.

How did your life
get this simple?

A beat behind the marvelous
is still worthy of marvel.

You didn’t expect that,
did you?

You might make more coffee.
You might not.

You are in tune with the marvelous,
after all, and it might stop.

Not today,
though.

~~~~~~~~~~~~~~~~~~~~
onward,
T


New Morning

New morning:
cat sleeping nearby
as always.

Ordinary day:
something like bluegrass
on the radio;

something like sweetness
on the radio with it;
all acoustic music

and that is fine.
Legs and heart are strong,
though the mind…

I draw the curtain
over the mind. Ordinary day.
Cat sleeping as always;

head up, eyes closed;
a morning like any morning:
my time.  My only time.

~~~~~~~~~~~~~~~~~~~~
T


I Open The Line

I open the line, but I do not know
that I am supposed to say anything.

I open the line and all I can think of
is describing how far I am from where
I thought I would be.

I open the line and think about closing it
at once. The space yawns before me.

I open the line and all I can think of is messages to others
who will not understand how critical it is
that they should respond swiftly.

I open the line. It does not matter.
I am desperate. It does not matter.

I open the line and I am lost
amid the seas that storm the beach
where I choose to stand, as if there was a choice.

I open the line and turn toward those I love.
I look at them, then away when they do not see me.

I close the line and wipe my hands and look away.
I wipe my knees clean and turn
toward a dark morning.

~~~~~~~~~~~~~~~~~~~~~~~~~
T


Poem For Now And Then

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