Tag Archives: poems

Choosing

Believe me,
there are times when I want
things to be different — when I want
to be Native wholly or Italian
wholly and not half
of anything.

But during a moment
when I am asked to choose
one side or the other,
when I want badly to be
Native or White without question
or qualm,

I step out of myself
and ask what difference it makes
to the world, to the struggle,
if I choose — is it not OK
to be indeterminate? Is it not
useless in the long run to decide?

The storm of my life says no,
says yes, shrugs its shoulders
and says both or neither.
Allow for either to happen,
the body fails either way
and either way, I disappear.

I am neither, I am both,
I choose one or the other,
I choose the blend, the mix,
the tapestry, the melange.
The words it could be.
The instability it is.

And so, I disappear.

~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Springtime

Leaving my rest to awaken
and see what will become
of us all.

Now, I could remain asleep and be
bewildered and bothered by it all
until my own departure

but the leaves are coming up
from the messy dirt and they
express an imperative:

you need to stay and see
whether anyone matters.
So I stay
and watch and the birds change,

the weather changes, everything
in fact mutates and shifts back
to where it used to be

before the dreadful winter.
I’m not the same yet I am
similar, waiting for something

or anything different to happen.
Luminous clouds, the same yet different;
cruel men and women, the same

yet different. Still, I am
changed somewhat: like chewing
on tinfoil; like facing up to pain

unbearable and yet
bearing up to it as it bears down
like a wave on the sand.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Just Before Dawn

Start here. You don’t know
what time it is. You look out the windows
one by one, each one limited in view
and it’s all night, all dark.

You hear birds — once you could have
distinguished one from another but no more —
you sink into their chirps and whistles
like you understand them, but you don’t

understand them. It is a pretty
sound, chimes in the morning,
means something, must mean something
but what it means is not clear,

not at all. The woman who lives upstairs
pulls out for work. You know only a little
of what she does, pulling damaged children
from damaged homes — and now the light of day

is coming into the sky, the day is beginning
to show itself in spite of the clock insisting
it started six hours ago. The clock is always
claiming something that may or may not be true.

You can’t trust a clock for much — for accurate
calls to daylight, for timing the calls of birds,
for your own sense of when it matters and what
it means; even knowing what “it” is in the first place.

All you know is that this is decent coffee, the day
is coming, the birds are indistinguishable
from one another, the woman who lives upstairs
is long gone now, you might live or you might die

once the sun is fully up and more people
come out of their homes and the day evolves
into just one more signpost on the road
to arrival, to departure, to staying absolutely still

until something
reveals itself
and you can move unencumbered
into life.

~~~~~~~~~~~~~~~~~~~~~
onward,
T



Sally Was A Cop

It’s dark. A place
is set for breakfast,
or it’s left over
from last night
where it wasn’t used.
One car speeds down
the one way street.

The radio
spins a song about
Sally, who is now a cop
but used to be a soldier
and witnessed a massacre
back then.

I’m not really listening
to this one. I wasn’t listening
before it started, to be honest.
Massacres bore me when they are
somewhere else. There are love songs
that bore me equally, to be
equally honest. I prefer
instrumentals, to be brutally honest —
I don’t have to wring my hands
and fret the meaning or step out
and do a damn thing. To be
savagely truthful I am
too frightened to move much
beyond the couch or the doors
to the outer world. Massacres
abound out there, after all.

Another car turns down, speeds down
the one way street. I turn to see
dawn light between the slats
of the blinds. Dawn here,
perhaps a last dawn? I shrug
it off. It’s terrifically silent
for a moment
and then the radio comes on with
“Blue Bayou”
and wistfulness fills the dark room;
I shrug it off yet again. Sally
was a cop, dreams come true
on the bayou, the world moves
through its terror and here I am
alone in a scary day.

~~~~~~~~~~~~~~~~~~
onward,
T


Singed

You don’t know me at all
if you think I am unaware
of how you feel about me —

more than slightly skittish, afraid
to confront for fear of the wash
that you suspect will come
behind it, that black wash
with flecks of crimson and
occasional white-hot pieces
of my past life magnified and
distorted and even made up
wholesale, from bitter
banner cloth;

believe me when I tell you
there was a time when I was not
this way — that there was a period
of my time here when I was different —

I do not recall it except now and then
when I am not being gnawed
by the lessons I swore I’d learned
from the weather and the coping skills
that take me a minute to see and accept —

a single second, and then it goes —
leaves its memory behind like a song,
its title unfamiliar,
its melody leaving us haunted and sad
as I bury my head in my hands
and will not look at you —

as I sit wrapped in my cloth;
as you shake your singed head.

~~~~~~~~~~~~~~
onward,
T



Someday

I will have a memory that does the trick
and holds all I can imagine or survey
so everything I can recall stays fresh

It will be recorded in a book
and someday a kid will read it
as part of some goofy assignment
say this sucks and leave his desk behind

but one day he will recall it and wonder
who wrote it

He will shrug it off
It will stick in his head somewhere
Remember it on his deathbed
Die still not knowing my name

~~~~~~~~~~~~~~~

Onward,
T


The Long Run

In the long run of the life
I will be tired and will be discouraged
I will be lost and without purpose

I will not be human longer than is needed
to understand a little bit more than necessity
of why I will have to die

There will be fire and murder and hand wringing
A head in the hands or on the desk with loss
and desperation or detached from all of that

In the long run of the life
the thread may be lost and the human
may become a cause not worth saving

I will know nothing of that time
I will know only that there is an inhuman purpose
I will accept it as my just lot

I will find myself among trees
and indiscriminate flowers
at peace without the things of the world

~~~~~~~~~~~~~~~~~~~~~~
onward,
T



Going To Be Fine

A second look: trees
stand stable in darkness
and nothing
comes between them
except for an odd
squirrel, or perhaps
rat, dashing between
houses. You seem alone
in a mature world uncaring
about machinations among
a killer elite of old men
and their narrow-brained
minions but on this dark planet
there are people fishing
elsewhere, making love
elsewhere, uncaring
elsewhere — speaking
different languages, touching
in ways usual to them and
unusual to you. Your second look
gives a more seasoned response.
You’re going to be fine. Even
when you die at last, your body
falling into dark between trees
and whispering its last,
you are going to be fine.

~~~~~~~~~~~~~~~~~~~
onward,
T


The Goons

A dark version of a popular song
is on the radio.

You take that any way you want,
any song you want and think of hearing.

You decide the darkness of it,
the clarity of the radio, its popularity.

Whatever you think of it is true for you.
It may be different for someone else.

All the versions are true, even the ones
you can’t imagine that will leave you gasping.

Someday soon the goons will come for you
and they will ask you to sing your version.

You will falter and they will sneer and then
they will move to the next, then the next.

The goons know well what wet work they
are required to do.

The goons will let you all go and then you will look
at all the faces and they will look back.

Suspicious minds — what of them? The goons,
shapeless and nameless, have their orders.

All the songs are the same to them. You try
to club together with those who share your song.

It is useless, and at night you go home alone
and turn off the radio and hug your knees in the dark.

Your children don’t understand what’s wrong.
They put on their headphones and stare at you.

You die eventually and they stare after you and cry
and shrug it off and turn to their own music, their own songs.

The goons turn to each other, shapeless, nameless.
They adjust their red ties, their black shirts.

Suddenly, green — it’s green somewhere, isn’t it?
All the colors — aren’t they still out there?

A flash of all the colors, a startlingly different
song, a broken set of headphones.

A broken set of headphones. Flung to the ground,
right before the goons. And you are laughing.

~~~~~~~~~~~~~~~~~~~~~~~~~

onward,
T




Good Things

Good things happen
to the world, to the natural
world at least — the sense
of waiting breath held against
a projected imminence of apocalypse,
for example; imagine how this planet
is holding its breath
waiting for a collapse that may
yet come, but underneath
it is still barely breathing, taking in
enough air and sensation
to get by.

Soldiers, some torn
by the presence of death and others
invigorated by it, stand
by or stand down — and meanwhile
people barely breathing — all
people, everywhere;
we are one with the soldiers
and they are with us.

All good things come to those waiting
whether it be a fine living,
a caretaking of others, or something else.

The dragon sleeps. The griffin
stirs, but sleeps. Lions sleep
but stir and germs swarm unceasingly;
as for the people, armed and not armed
simply wait, barely breathing, for this long night
to come awake, die for now, or transform
utterly into another kind of life.

~~~~~~~~~~~~~~~~~~~~~~~
onward,
T
~~~~~~~~~~~~~~~~~~~~~~~
(NB — I will get back to something more radio-friendly soon, I promise…)


The Myth

Now I lay me down to sleep
but I don’t. Instead I lie awake,
or between two states, enough
that I wonder which is dominant
from instant to instant
and despair of determining
between the two. Is this
a third state?

I pray the Lord
my soul to keep but wish
that there was a likelihood
the Lord did not exist and that I
could make my own decision
and create a new world instead,
one devoid of super-rationalized thought
and kept simple, easy to navigate; is this
the beginning of that new world?

If I should die before I wake, what then —
does it continue, a rogue existence
for someone else to stumble across,
or is it gone with me like a deer’s hoof
on dirt after a rain — maybe a ghost
of the deer left behind for someone
to shrug over and then rise and go on?

I pray the Lord my soul to take, but where
shall I go then? It makes just enough sense
that when I awaken I am compelled to write
the myth of the place I am forced to go:
rain-washed; trees standing by with no birds
in those trees; a silver mist everywhere
just above the rich ground.

~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Fresh (and no matter)

Freshly shorn, freshly
shaven, but the elephants
and the million beetles
do not care; perfect clothing
and a smooth face but lions
and seals don’t care either.

I am learning not to care
as Earth doesn’t care, preferring
no live performance, no
need to rise up shining
before the masses to be
recognized.

I am learning not to notice
sneers and rejection and the
needle bites of this world
whether they come from men
or insects or even the suspect
invisible teeth of germs.

Fresh eyes, fresh
hands, but the bears
and the snakes do not
care. If you are human
they — the myriad myriads
of the planet beyond us —
do not care about us beyond
what we lend to the fight
and even then, they are serene
when one of us goes, is taken;

they know the arc of history
is like a cigarette flicked into a lake
from a pair of lips: gone,
forgotten, never to be seen again.

~~~~~~~~~~~~~~~~~~~~~
onward,
T


Pulling His Coat Tighter

It doesn’t matter much
what comes out, what doesn’t.
All you need to know
is that the facts are there
if you know where to look.
You can ask all you want
but the most you get will be silence.
He will pull his coat a little closer
and tighter around his collar. He
protects himself against the anticipated
shivering and wonders if he will ever
get back home. The bird left his arm
where it had been perched
and did not return; the fish
left their worrying of the hook
he’d put in the water
and did not return; all around
were animals and they left him
strictly alone. He is a man,
no matter his pattern, no matter
his alienation from the same;
he’s going through it all
as all men do. All you need to know
is that the facts are there
if you know where to look.
It doesn’t matter much
what comes out.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Birthday Poem

It started with a million notes
falling out of a guitar. It will end
with darkness and silence. In between
there was and will be
a thing like dancing, but not quite. Plus
there were lovers, there was argument,
there was music, there were changes — oh,

what difference does it make? Sixty-five years
and this time was both too short and
far too long.

I’m so tired now
and you are still just getting started.
When I close my eyes that last time
you will know relief after a bit of time
and a bit of grief.

You will, I promise;
a promise I can only back up by going
and whispering, you’ll see.

~~~~~~~~~~~~~~~~~~~~~
onward,
T
3/3/2025


Still Millions Of Flowers

It doesn’t matter
now. The earth
is sick, afflicted even,
but it will shake it off —
even a nuclear war
will be over in a blip
of time. No one
is going to remember
your name and meanwhile
there will still be war
and millions of flowers
and children who won’t
even recall you existed,
not more than a day or so.
You might as well
scream at the troopers
though it seems weak,
might as well stand stolidly
against the ranks until
they choose you to slay.
It doesn’t matter much.
The long arms of the gods
will serenely brush you aside
with a profound, grateful glance.
The world will eventually
catch up to their embrace.
You won’t die in vain.

~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T